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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 253 184 62 it is the complementary color RGB 2 71 193. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 253 184 62. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 253 184 62 shade: RGB 255 184 57, RGB 255 202 76, RGB 255 220 95, RGB 255 238 114 and RGB 255 255 133

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 253 184 62. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 253 184 62 shade: RGB 253 184 62, RGB 236 166 43, RGB 219 148 24, RGB 202 130 5 and RGB 185 112 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 253 184 62 shade: RGB 253 184 63, RGB 253 133 63, RGB 253 82 63 and RGB 253 63 63

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 253 184 62 shade: RGB 253 184 63, RGB 253 235 63, RGB 219 253 63, RGB 168 253 63 and RGB 116 253 63

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 253 184 62 shade matches the following richer shades: RGB 253 184 63

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 253 184 62 shade: RGB 253 184 63, RGB 237 180 78, RGB 221 175 94, RGB 206 171 110 and RGB 190 167 125

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 253 184 62 shade: RGB 253 82 63, RGB 253 132 63, RGB 253 183 63, RGB 253 234 63 and RGB 221 253 63

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 253 184 62 shade: RGB 231 148 2, RGB 252 169 22, RGB 253 184 63, RGB 253 199 103 and RGB 253 214 144

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 253 184 62 shade: RGB 253 184 62, RGB 94 253 63 and RGB 107 63 253

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 253 184 62 shade: RGB 253 184 62, RGB 63 253 183 and RGB 183 63 253

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 253 184 62 shade: RGB 253 184 62, RGB 94 253 63, RGB 63 132 253 and RGB 221 63 253

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 253 184 62 shade: RGB 253 184 62, RGB 63 253 88, RGB 63 132 253 and RGB 253 63 227

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 75 / 1

HEX #FDB83E

RGB 253 184 62

HSL 38.32, 0.98%, 0.62%

LAB 79.33, 14.43, 67.98

 

Complementary color

CMYK 99 / 63 / 0 / 24

HEX #0247C1

RGB 2 71 193

HSL 218.32, 0.98%, 0.38%

LAB 34.74, 31.45, -68.28

 

CMYK 0 / 28 / 78 / 0

HEX #FFB839

RGB 255 184 57

HSL 38.48, 1%, 0.61%

LAB 79.52, 15.08, 70.06

 

CMYK 0 / 21 / 70 / 0

HEX #FFCA4C

RGB 255 202 76

HSL 42.23, 1%, 0.65%

LAB 83.98, 6.54, 67.19

 

CMYK 0 / 14 / 63 / 0

HEX #FFDC5F

RGB 255 220 95

HSL 46.88, 1%, 0.69%

LAB 88.58, -1.61, 64.14

 

CMYK 0 / 7 / 55 / 0

HEX #FFEE72

RGB 255 238 114

HSL 52.77, 1%, 0.72%

LAB 93.29, -9.33, 61.07

 

CMYK 0 / 0 / 48 / 0

HEX #FFFF85

RGB 255 255 133

HSL 60, 1%, 0.76%

LAB 97.82, -16.11, 57.77

 

CMYK 0 / 27 / 75 / 1

HEX #FDB83E

RGB 253 184 62

HSL 38.32, 0.98%, 0.62%

LAB 79.33, 14.43, 67.98

 

CMYK 0 / 30 / 82 / 7

HEX #ECA62B

RGB 236 166 43

HSL 38.24, 0.84%, 0.55%

LAB 73.08, 16.05, 68.23

 

CMYK 0 / 32 / 89 / 14

HEX #DB9418

RGB 219 148 24

HSL 38.15, 0.8%, 0.48%

LAB 66.75, 17.9, 67.58

 

CMYK 0 / 36 / 98 / 21

HEX #CA8205

RGB 202 130 5

HSL 38.07, 0.95%, 0.41%

LAB 60.37, 19.99, 65.49

 

CMYK 0 / 39 / 100 / 27

HEX #B97000

RGB 185 112 0

HSL 36.32, 1%, 0.36%

LAB 53.92, 22.35, 61.05

 

CMYK 0 / 27 / 75 / 1

HEX #FDB83F

RGB 253 184 63

HSL 38.21, 0.98%, 0.62%

LAB 79.34, 14.47, 67.61

 

CMYK 0 / 47 / 75 / 1

HEX #FD853F

RGB 253 133 63

HSL 22.11, 0.98%, 0.62%

LAB 68.03, 40.86, 56.44

 

CMYK 0 / 68 / 75 / 1

HEX #FD523F

RGB 253 82 63

HSL 6, 0.98%, 0.62%

LAB 59.23, 63.76, 47.26

 

CMYK 0 / 75 / 75 / 1

HEX #FD3F3F

RGB 253 63 63

HSL 0, 0.98%, 0.62%

LAB 56.88, 70.26, 44.73

 

CMYK 0 / 27 / 75 / 1

HEX #FDB83F

RGB 253 184 63

HSL 38.21, 0.98%, 0.62%

LAB 79.34, 14.47, 67.61

 

CMYK 0 / 7 / 75 / 1

HEX #FDEB3F

RGB 253 235 63

HSL 54.32, 0.98%, 0.62%

LAB 91.98, -11.51, 79.49

 

CMYK 13 / 0 / 75 / 1

HEX #DBFD3F

RGB 219 253 63

HSL 70.74, 0.98%, 0.62%

LAB 94.17, -33.83, 80.59

 

CMYK 34 / 0 / 75 / 1

HEX #A8FD3F

RGB 168 253 63

HSL 86.84, 0.98%, 0.62%

LAB 91.2, -52.7, 76.74

 

CMYK 54 / 0 / 75 / 1

HEX #74FD3F

RGB 116 253 63

HSL 103.26, 0.98%, 0.62%

LAB 89.07, -68.4, 73.96

 

CMYK 0 / 27 / 75 / 1

HEX #FDB83F

RGB 253 184 63

HSL 38.21, 0.98%, 0.62%

LAB 79.34, 14.47, 67.61

 

CMYK 0 / 27 / 75 / 1

HEX #FDB83F

RGB 253 184 63

HSL 38.21, 0.98%, 0.62%

LAB 79.34, 14.47, 67.61

 

CMYK 0 / 24 / 67 / 7

HEX #EDB44E

RGB 237 180 78

HSL 38.49, 0.82%, 0.62%

LAB 76.8, 10.57, 58.3

 

CMYK 0 / 21 / 57 / 13

HEX #DDAF5E

RGB 221 175 94

HSL 38.27, 0.65%, 0.62%

LAB 74.09, 7.55, 47.32

 

CMYK 0 / 17 / 47 / 19

HEX #CEAB6E

RGB 206 171 110

HSL 38.13, 0.49%, 0.62%

LAB 71.81, 4.85, 36.08

 

CMYK 0 / 12 / 34 / 25

HEX #BEA77D

RGB 190 167 125

HSL 38.77, 0.33%, 0.62%

LAB 69.52, 2.16, 24.82

 

CMYK 0 / 68 / 75 / 1

HEX #FD523F

RGB 253 82 63

HSL 6, 0.98%, 0.62%

LAB 59.23, 63.76, 47.26

 

CMYK 0 / 48 / 75 / 1

HEX #FD843F

RGB 253 132 63

HSL 21.79, 0.98%, 0.62%

LAB 67.83, 41.36, 56.24

 

CMYK 0 / 28 / 75 / 1

HEX #FDB73F

RGB 253 183 63

HSL 37.89, 0.98%, 0.62%

LAB 79.1, 14.99, 67.38

 

CMYK 0 / 8 / 75 / 1

HEX #FDEA3F

RGB 253 234 63

HSL 54, 0.98%, 0.62%

LAB 91.72, -11.02, 79.26

 

CMYK 13 / 0 / 75 / 1

HEX #DDFD3F

RGB 221 253 63

HSL 70.11, 0.98%, 0.62%

LAB 94.3, -33.04, 80.76

 

CMYK 0 / 36 / 99 / 9

HEX #E79402

RGB 231 148 2

HSL 38.25, 0.98%, 0.46%

LAB 68.15, 22.78, 72.85

 

CMYK 0 / 33 / 91 / 1

HEX #FCA916

RGB 252 169 22

HSL 38.35, 0.97%, 0.54%

LAB 75.53, 20.8, 76.3

 

CMYK 0 / 27 / 75 / 1

HEX #FDB83F

RGB 253 184 63

HSL 38.21, 0.98%, 0.62%

LAB 79.34, 14.47, 67.61

 

CMYK 0 / 21 / 59 / 1

HEX #FDC767

RGB 253 199 103

HSL 38.4, 0.97%, 0.7%

LAB 83.29, 8.86, 54.55

 

CMYK 0 / 15 / 43 / 1

HEX #FDD690

RGB 253 214 144

HSL 38.53, 0.96%, 0.78%

LAB 87.48, 4.61, 39.58

 

CMYK 0 / 27 / 75 / 1

HEX #FDB83E

RGB 253 184 62

HSL 38.32, 0.98%, 0.62%

LAB 79.33, 14.43, 67.98

 

CMYK 63 / 0 / 75 / 1

HEX #5EFD3F

RGB 94 253 63

HSL 110.21, 0.98%, 0.62%

LAB 88.44, -73.51, 73.13

 

CMYK 58 / 75 / 0 / 1

HEX #6B3FFD

RGB 107 63 253

HSL 253.89, 0.98%, 0.62%

LAB 43.91, 64.57, -87.31

 

CMYK 0 / 27 / 75 / 1

HEX #FDB83E

RGB 253 184 62

HSL 38.32, 0.98%, 0.62%

LAB 79.33, 14.43, 67.98

 

CMYK 75 / 0 / 28 / 1

HEX #3FFDB7

RGB 63 253 183

HSL 157.89, 0.98%, 0.62%

LAB 89.26, -61.95, 20.48

 

CMYK 28 / 75 / 0 / 1

HEX #B73FFD

RGB 183 63 253

HSL 277.89, 0.98%, 0.62%

LAB 52.64, 75.82, -72.69

 

CMYK 0 / 27 / 75 / 1

HEX #FDB83E

RGB 253 184 62

HSL 38.32, 0.98%, 0.62%

LAB 79.33, 14.43, 67.98

 

CMYK 63 / 0 / 75 / 1

HEX #5EFD3F

RGB 94 253 63

HSL 110.21, 0.98%, 0.62%

LAB 88.44, -73.51, 73.13

 

CMYK 75 / 48 / 0 / 1

HEX #3F84FD

RGB 63 132 253

HSL 218.21, 0.98%, 0.62%

LAB 56.73, 19.31, -66.51

 

CMYK 13 / 75 / 0 / 1

HEX #DD3FFD

RGB 221 63 253

HSL 289.89, 0.98%, 0.62%

LAB 58.06, 82.6, -63.66

 

CMYK 0 / 27 / 75 / 1

HEX #FDB83E

RGB 253 184 62

HSL 38.32, 0.98%, 0.62%

LAB 79.33, 14.43, 67.98

 

CMYK 75 / 0 / 65 / 1

HEX #3FFD58

RGB 63 253 88

HSL 127.89, 0.98%, 0.62%

LAB 87.97, -76.82, 63.57

 

CMYK 75 / 48 / 0 / 1

HEX #3F84FD

RGB 63 132 253

HSL 218.21, 0.98%, 0.62%

LAB 56.73, 19.31, -66.51

 

CMYK 0 / 75 / 10 / 1

HEX #FD3FE3

RGB 253 63 227

HSL 308.21, 0.98%, 0.62%

LAB 61.64, 84.89, -43.16

 

Description

Color code: RGB 253 184 62 | qconv.com Color code: RGB 253 184 62 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 184 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 184 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 75 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 75% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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