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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 63 253 183 it is the complementary color RGB 192 2 72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 63 253 183. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 63 253 183 shade: RGB 68 253 178, RGB 85 255 197, RGB 102 255 216, RGB 119 255 235 and RGB 136 255 254

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 63 253 183. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 63 253 183 shade: RGB 63 253 183, RGB 46 235 164, RGB 29 217 145, RGB 12 199 126 and RGB 0 181 107

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 63 253 183 shade: RGB 63 253 183, RGB 63 253 131, RGB 63 253 80, RGB 96 253 63 and RGB 148 253 63

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 63 253 183 shade: RGB 63 253 183, RGB 63 253 234, RGB 63 220 253, RGB 63 169 253 and RGB 63 118 253

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 63 253 183 shade matches the following richer shades: RGB 63 253 183

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 63 253 183 shade: RGB 63 253 183, RGB 78 237 178, RGB 94 221 174, RGB 110 206 170 and RGB 125 190 166

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 63 253 183 shade: RGB 63 253 78, RGB 63 253 129, RGB 63 253 180, RGB 63 253 230 and RGB 63 224 253

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 63 253 183 shade: RGB 2 231 146, RGB 22 252 167, RGB 63 253 183, RGB 103 253 198 and RGB 144 253 213

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 63 253 183 shade: RGB 63 253 183, RGB 63 97 253 and RGB 253 104 63

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 63 253 183 shade: RGB 63 253 183, RGB 180 63 253 and RGB 253 180 63

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 63 253 183 shade: RGB 63 253 183, RGB 63 97 253, RGB 253 63 135 and RGB 253 218 63

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 63 253 183 shade: RGB 63 253 183, RGB 85 63 253, RGB 253 63 135 and RGB 230 253 63

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 28 / 1

HEX #3FFDB7

RGB 63 253 183

HSL 157.89, 0.98%, 0.62%

LAB 89.26, -61.95, 20.48

 

Complementary color

CMYK 0 / 99 / 63 / 25

HEX #C00248

RGB 192 2 72

HSL 337.89, 0.98%, 0.38%

LAB 40.76, 66.59, 17.05

 

CMYK 73 / 0 / 30 / 1

HEX #44FDB2

RGB 68 253 178

HSL 155.68, 0.98%, 0.63%

LAB 89.25, -62.4, 23.02

 

CMYK 67 / 0 / 23 / 0

HEX #55FFC5

RGB 85 255 197

HSL 159.53, 1%, 0.67%

LAB 90.54, -56.73, 15.15

 

CMYK 60 / 0 / 15 / 0

HEX #66FFD8

RGB 102 255 216

HSL 164.71, 1%, 0.7%

LAB 91.37, -49.63, 6.59

 

CMYK 53 / 0 / 8 / 0

HEX #77FFEB

RGB 119 255 235

HSL 171.18, 1%, 0.73%

LAB 92.33, -41.95, -1.78

 

CMYK 47 / 0 / 0 / 0

HEX #88FFFE

RGB 136 255 254

HSL 179.5, 1%, 0.77%

LAB 93.41, -33.81, -9.95

 

CMYK 75 / 0 / 28 / 1

HEX #3FFDB7

RGB 63 253 183

HSL 157.89, 0.98%, 0.62%

LAB 89.26, -61.95, 20.48

 

CMYK 80 / 0 / 30 / 8

HEX #2EEBA4

RGB 46 235 164

HSL 157.46, 0.83%, 0.55%

LAB 83.27, -61.06, 21.92

 

CMYK 87 / 0 / 33 / 15

HEX #1DD991

RGB 29 217 145

HSL 157.02, 0.76%, 0.48%

LAB 77.24, -59.84, 23.48

 

CMYK 94 / 0 / 37 / 22

HEX #0CC77E

RGB 12 199 126

HSL 156.58, 0.89%, 0.41%

LAB 71.17, -58.2, 25.19

 

CMYK 100 / 0 / 41 / 29

HEX #00B56B

RGB 0 181 107

HSL 155.47, 1%, 0.35%

LAB 65.05, -56.09, 27.04

 

CMYK 75 / 0 / 28 / 1

HEX #3FFDB7

RGB 63 253 183

HSL 157.89, 0.98%, 0.62%

LAB 89.26, -61.95, 20.48

 

CMYK 75 / 0 / 48 / 1

HEX #3FFD83

RGB 63 253 131

HSL 141.47, 0.98%, 0.62%

LAB 88.42, -71.47, 45.18

 

CMYK 75 / 0 / 68 / 1

HEX #3FFD50

RGB 63 253 80

HSL 125.37, 0.98%, 0.62%

LAB 87.91, -77.56, 66.56

 

CMYK 62 / 0 / 75 / 1

HEX #60FD3F

RGB 96 253 63

HSL 109.58, 0.98%, 0.62%

LAB 88.49, -73.08, 73.19

 

CMYK 42 / 0 / 75 / 1

HEX #94FD3F

RGB 148 253 63

HSL 93.16, 0.98%, 0.62%

LAB 90.28, -59.27, 75.53

 

CMYK 75 / 0 / 28 / 1

HEX #3FFDB7

RGB 63 253 183

HSL 157.89, 0.98%, 0.62%

LAB 89.26, -61.95, 20.48

 

CMYK 75 / 0 / 8 / 1

HEX #3FFDEA

RGB 63 253 234

HSL 174, 0.98%, 0.62%

LAB 90.44, -49.77, -4.19

 

CMYK 75 / 13 / 0 / 1

HEX #3FDCFD

RGB 63 220 253

HSL 190.42, 0.98%, 0.62%

LAB 81.48, -29.38, -27.63

 

CMYK 75 / 33 / 0 / 1

HEX #3FA9FD

RGB 63 169 253

HSL 206.53, 0.98%, 0.62%

LAB 66.92, -2.59, -50.26

 

CMYK 75 / 53 / 0 / 1

HEX #3F76FD

RGB 63 118 253

HSL 222.63, 0.98%, 0.62%

LAB 53.06, 27.95, -72.45

 

CMYK 75 / 0 / 28 / 1

HEX #3FFDB7

RGB 63 253 183

HSL 157.89, 0.98%, 0.62%

LAB 89.26, -61.95, 20.48

 

CMYK 75 / 0 / 28 / 1

HEX #3FFDB7

RGB 63 253 183

HSL 157.89, 0.98%, 0.62%

LAB 89.26, -61.95, 20.48

 

CMYK 67 / 0 / 25 / 7

HEX #4EEDB2

RGB 78 237 178

HSL 157.74, 0.82%, 0.62%

LAB 84.69, -54.81, 16.72

 

CMYK 57 / 0 / 21 / 13

HEX #5EDDAE

RGB 94 221 174

HSL 157.8, 0.65%, 0.62%

LAB 80.26, -46.22, 12.64

 

CMYK 47 / 0 / 17 / 19

HEX #6ECEAA

RGB 110 206 170

HSL 157.5, 0.49%, 0.62%

LAB 76.29, -36.85, 9.2

 

CMYK 34 / 0 / 13 / 25

HEX #7DBEA6

RGB 125 190 166

HSL 157.85, 0.33%, 0.62%

LAB 72.19, -26.05, 5.57

 

CMYK 75 / 0 / 69 / 1

HEX #3FFD4E

RGB 63 253 78

HSL 124.74, 0.98%, 0.62%

LAB 87.9, -77.73, 67.29

 

CMYK 75 / 0 / 49 / 1

HEX #3FFD81

RGB 63 253 129

HSL 140.84, 0.98%, 0.62%

LAB 88.4, -71.77, 46.1

 

CMYK 75 / 0 / 29 / 1

HEX #3FFDB4

RGB 63 253 180

HSL 156.95, 0.98%, 0.62%

LAB 89.21, -62.59, 21.93

 

CMYK 75 / 0 / 9 / 1

HEX #3FFDE6

RGB 63 253 230

HSL 172.74, 0.98%, 0.62%

LAB 90.33, -50.81, -2.27

 

CMYK 75 / 11 / 0 / 1

HEX #3FE0FD

RGB 63 224 253

HSL 189.16, 0.98%, 0.62%

LAB 82.63, -31.31, -25.87

 

CMYK 99 / 0 / 37 / 9

HEX #02E792

RGB 2 231 146

HSL 157.73, 0.98%, 0.46%

LAB 81.42, -65.73, 28.6

 

CMYK 91 / 0 / 34 / 1

HEX #16FCA7

RGB 22 252 167

HSL 157.83, 0.97%, 0.54%

LAB 88.25, -68.15, 27.15

 

CMYK 75 / 0 / 28 / 1

HEX #3FFDB7

RGB 63 253 183

HSL 157.89, 0.98%, 0.62%

LAB 89.26, -61.95, 20.48

 

CMYK 59 / 0 / 22 / 1

HEX #67FDC6

RGB 103 253 198

HSL 158, 0.97%, 0.7%

LAB 90.42, -52.64, 14.52

 

CMYK 43 / 0 / 16 / 1

HEX #90FDD5

RGB 144 253 213

HSL 157.98, 0.96%, 0.78%

LAB 92.12, -40.41, 9.41

 

CMYK 75 / 0 / 28 / 1

HEX #3FFDB7

RGB 63 253 183

HSL 157.89, 0.98%, 0.62%

LAB 89.26, -61.95, 20.48

 

CMYK 75 / 62 / 0 / 1

HEX #3F61FD

RGB 63 97 253

HSL 229.26, 0.98%, 0.62%

LAB 47.88, 40.93, -80.9

 

CMYK 0 / 59 / 75 / 1

HEX #FD683F

RGB 253 104 63

HSL 12.95, 0.98%, 0.62%

LAB 62.63, 54.66, 50.86

 

CMYK 75 / 0 / 28 / 1

HEX #3FFDB7

RGB 63 253 183

HSL 157.89, 0.98%, 0.62%

LAB 89.26, -61.95, 20.48

 

CMYK 29 / 75 / 0 / 1

HEX #B43FFD

RGB 180 63 253

HSL 276.95, 0.98%, 0.62%

LAB 52.23, 75.31, -73.36

 

CMYK 0 / 29 / 75 / 1

HEX #FDB43F

RGB 253 180 63

HSL 36.95, 0.98%, 0.62%

LAB 78.39, 16.56, 66.7

 

CMYK 75 / 0 / 28 / 1

HEX #3FFDB7

RGB 63 253 183

HSL 157.89, 0.98%, 0.62%

LAB 89.26, -61.95, 20.48

 

CMYK 75 / 62 / 0 / 1

HEX #3F61FD

RGB 63 97 253

HSL 229.26, 0.98%, 0.62%

LAB 47.88, 40.93, -80.9

 

CMYK 0 / 75 / 47 / 1

HEX #FD3F87

RGB 253 63 135

HSL 337.26, 0.98%, 0.62%

LAB 58.21, 74.54, 4.65

 

CMYK 0 / 14 / 75 / 1

HEX #FDDA3F

RGB 253 218 63

HSL 48.95, 0.98%, 0.62%

LAB 87.67, -3.03, 75.5

 

CMYK 75 / 0 / 28 / 1

HEX #3FFDB7

RGB 63 253 183

HSL 157.89, 0.98%, 0.62%

LAB 89.26, -61.95, 20.48

 

CMYK 66 / 75 / 0 / 1

HEX #553FFD

RGB 85 63 253

HSL 246.95, 0.98%, 0.62%

LAB 42.12, 62.2, -90.32

 

CMYK 0 / 75 / 47 / 1

HEX #FD3F87

RGB 253 63 135

HSL 337.26, 0.98%, 0.62%

LAB 58.21, 74.54, 4.65

 

CMYK 9 / 0 / 75 / 1

HEX #E6FD3F

RGB 230 253 63

HSL 67.26, 0.98%, 0.62%

LAB 94.92, -29.49, 81.56

 

Description

Color code: RGB 63 253 183 | qconv.com Color code: RGB 63 253 183 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 253 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 253 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 28 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 28% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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