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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 247 97 149 it is the complementary color RGB 8 158 106. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 247 97 149. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 247 97 149 shade: RGB 252 97 144, RGB 255 115 163, RGB 255 133 182, RGB 255 151 201 and RGB 255 169 220

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 247 97 149. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 247 97 149 shade: RGB 247 97 149, RGB 230 79 130, RGB 213 61 111, RGB 196 43 92 and RGB 179 25 73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 247 97 149 shade: RGB 246 95 147, RGB 246 95 106 and RGB 246 95 95

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 247 97 149 shade: RGB 246 95 147, RGB 246 95 188, RGB 246 95 229, RGB 223 95 246 and RGB 182 95 246

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 247 97 149 shade matches the following richer shades: RGB 246 95 147

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 247 97 149 shade: RGB 246 95 147, RGB 232 108 151, RGB 219 122 155, RGB 205 135 160 and RGB 192 149 164

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 247 97 149 shade: RGB 246 95 228, RGB 246 95 188, RGB 246 95 148, RGB 246 95 107 and RGB 246 122 95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 247 97 149 shade: RGB 242 16 94, RGB 244 55 121, RGB 246 95 147, RGB 248 134 173 and RGB 250 173 200

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 247 97 149 shade: RGB 247 97 149, RGB 246 223 95 and RGB 95 208 246

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 247 97 149 shade: RGB 247 97 149, RGB 148 246 95 and RGB 95 148 246

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 247 97 149 shade: RGB 247 97 149, RGB 246 223 95, RGB 95 246 193 and RGB 95 117 246

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 247 97 149 shade: RGB 247 97 149, RGB 223 246 95, RGB 95 246 193 and RGB 117 95 246

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 40 / 3

HEX #F76195

RGB 247 97 149

HSL 339.2, 0.9%, 0.67%

LAB 62.08, 61.79, 1.94

 

Complementary color

CMYK 95 / 0 / 33 / 38

HEX #089E6A

RGB 8 158 106

HSL 159.2, 0.9%, 0.33%

LAB 57.6, -47.49, 17.59

 

CMYK 0 / 62 / 43 / 1

HEX #FC6190

RGB 252 97 144

HSL 341.81, 0.96%, 0.68%

LAB 62.73, 62.82, 5.86

 

CMYK 0 / 55 / 36 / 0

HEX #FF73A3

RGB 255 115 163

HSL 339.43, 1%, 0.73%

LAB 66.65, 57.83, 0.72

 

CMYK 0 / 48 / 29 / 0

HEX #FF85B6

RGB 255 133 182

HSL 335.9, 1%, 0.76%

LAB 70.46, 51.58, -4.39

 

CMYK 0 / 41 / 21 / 0

HEX #FF97C9

RGB 255 151 201

HSL 331.15, 1%, 0.8%

LAB 74.58, 45.18, -8.83

 

CMYK 0 / 34 / 14 / 0

HEX #FFA9DC

RGB 255 169 220

HSL 324.42, 1%, 0.83%

LAB 78.93, 38.78, -12.71

 

CMYK 0 / 61 / 40 / 3

HEX #F76195

RGB 247 97 149

HSL 339.2, 0.9%, 0.67%

LAB 62.08, 61.79, 1.94

 

CMYK 0 / 66 / 43 / 10

HEX #E64F82

RGB 230 79 130

HSL 339.74, 0.75%, 0.61%

LAB 56.11, 62.16, 4.07

 

CMYK 0 / 71 / 48 / 16

HEX #D53D6F

RGB 213 61 111

HSL 340.26, 0.64%, 0.54%

LAB 50.25, 62.18, 6.64

 

CMYK 0 / 78 / 53 / 23

HEX #C42B5C

RGB 196 43 92

HSL 340.78, 0.64%, 0.47%

LAB 44.57, 61.66, 9.82

 

CMYK 0 / 86 / 59 / 30

HEX #B31949

RGB 179 25 73

HSL 341.3, 0.75%, 0.4%

LAB 39.17, 60.27, 13.81

 

CMYK 0 / 61 / 40 / 4

HEX #F65F93

RGB 246 95 147

HSL 339.34, 0.89%, 0.67%

LAB 61.55, 62.12, 2.32

 

CMYK 0 / 61 / 57 / 4

HEX #F65F6A

RGB 246 95 106

HSL 355.63, 0.89%, 0.67%

LAB 60.62, 58.57, 24.74

 

CMYK 0 / 61 / 61 / 4

HEX #F65F5F

RGB 246 95 95

HSL 0, 0.89%, 0.67%

LAB 60.43, 57.83, 30.78

 

CMYK 0 / 61 / 40 / 4

HEX #F65F93

RGB 246 95 147

HSL 339.34, 0.89%, 0.67%

LAB 61.55, 62.12, 2.32

 

CMYK 0 / 61 / 24 / 4

HEX #F65FBC

RGB 246 95 188

HSL 323.05, 0.89%, 0.67%

LAB 62.85, 66.89, -19.31

 

CMYK 0 / 61 / 7 / 4

HEX #F65FE5

RGB 246 95 229

HSL 306.75, 0.89%, 0.67%

LAB 64.51, 72.74, -39.85

 

CMYK 9 / 61 / 0 / 4

HEX #DF5FF6

RGB 223 95 246

HSL 290.86, 0.89%, 0.67%

LAB 62.11, 70.06, -53.3

 

CMYK 26 / 61 / 0 / 4

HEX #B65FF6

RGB 182 95 246

HSL 274.57, 0.89%, 0.67%

LAB 56.86, 60.68, -61.97

 

CMYK 0 / 61 / 40 / 4

HEX #F65F93

RGB 246 95 147

HSL 339.34, 0.89%, 0.67%

LAB 61.55, 62.12, 2.32

 

CMYK 0 / 61 / 40 / 4

HEX #F65F93

RGB 246 95 147

HSL 339.34, 0.89%, 0.67%

LAB 61.55, 62.12, 2.32

 

CMYK 0 / 53 / 35 / 9

HEX #E86C97

RGB 232 108 151

HSL 339.19, 0.73%, 0.67%

LAB 61.75, 52.31, 0.04

 

CMYK 0 / 44 / 29 / 14

HEX #DB7A9B

RGB 219 122 155

HSL 339.59, 0.57%, 0.67%

LAB 62.8, 41.46, -0.94

 

CMYK 0 / 34 / 22 / 20

HEX #CD87A0

RGB 205 135 160

HSL 338.57, 0.41%, 0.67%

LAB 64.04, 30.29, -2.17

 

CMYK 0 / 22 / 15 / 25

HEX #C095A4

RGB 192 149 164

HSL 339.07, 0.25%, 0.67%

LAB 66.04, 18.5, -1.65

 

CMYK 0 / 61 / 7 / 4

HEX #F65FE4

RGB 246 95 228

HSL 307.15, 0.89%, 0.67%

LAB 64.47, 72.58, -39.36

 

CMYK 0 / 61 / 24 / 4

HEX #F65FBC

RGB 246 95 188

HSL 323.05, 0.89%, 0.67%

LAB 62.85, 66.89, -19.31

 

CMYK 0 / 61 / 40 / 4

HEX #F65F94

RGB 246 95 148

HSL 338.94, 0.89%, 0.67%

LAB 61.58, 62.23, 1.78

 

CMYK 0 / 61 / 57 / 4

HEX #F65F6B

RGB 246 95 107

HSL 355.23, 0.89%, 0.67%

LAB 60.64, 58.64, 24.19

 

CMYK 0 / 50 / 61 / 4

HEX #F67A5F

RGB 246 122 95

HSL 10.73, 0.89%, 0.67%

LAB 65.23, 45.35, 36.81

 

CMYK 0 / 93 / 61 / 5

HEX #F2105E

RGB 242 16 94

HSL 339.29, 0.9%, 0.51%

LAB 51.9, 78.31, 20.09

 

CMYK 0 / 77 / 50 / 4

HEX #F43779

RGB 244 55 121

HSL 339.05, 0.9%, 0.59%

LAB 55.43, 73.34, 8.75

 

CMYK 0 / 61 / 40 / 4

HEX #F65F93

RGB 246 95 147

HSL 339.34, 0.89%, 0.67%

LAB 61.55, 62.12, 2.32

 

CMYK 0 / 46 / 30 / 3

HEX #F886AD

RGB 248 134 173

HSL 339.47, 0.89%, 0.75%

LAB 69.49, 47.62, -0.89

 

CMYK 0 / 31 / 20 / 2

HEX #FAADC8

RGB 250 173 200

HSL 338.96, 0.89%, 0.83%

LAB 78.68, 31.93, -2.28

 

CMYK 0 / 61 / 40 / 3

HEX #F76195

RGB 247 97 149

HSL 339.2, 0.9%, 0.67%

LAB 62.08, 61.79, 1.94

 

CMYK 0 / 9 / 61 / 4

HEX #F6DF5F

RGB 246 223 95

HSL 50.86, 0.89%, 0.67%

LAB 88.54, -6.82, 63.87

 

CMYK 61 / 15 / 0 / 4

HEX #5FD0F6

RGB 95 208 246

HSL 195.1, 0.89%, 0.67%

LAB 78.58, -21.14, -28.27

 

CMYK 0 / 61 / 40 / 3

HEX #F76195

RGB 247 97 149

HSL 339.2, 0.9%, 0.67%

LAB 62.08, 61.79, 1.94

 

CMYK 40 / 0 / 61 / 4

HEX #94F65F

RGB 148 246 95

HSL 98.94, 0.89%, 0.67%

LAB 88.46, -54.23, 61.98

 

CMYK 61 / 40 / 0 / 4

HEX #5F94F6

RGB 95 148 246

HSL 218.94, 0.89%, 0.67%

LAB 61.88, 11.93, -54.35

 

CMYK 0 / 61 / 40 / 3

HEX #F76195

RGB 247 97 149

HSL 339.2, 0.9%, 0.67%

LAB 62.08, 61.79, 1.94

 

CMYK 0 / 9 / 61 / 4

HEX #F6DF5F

RGB 246 223 95

HSL 50.86, 0.89%, 0.67%

LAB 88.54, -6.82, 63.87

 

CMYK 61 / 0 / 22 / 4

HEX #5FF6C1

RGB 95 246 193

HSL 158.94, 0.89%, 0.67%

LAB 88.06, -52.31, 13.74

 

CMYK 61 / 52 / 0 / 4

HEX #5F75F6

RGB 95 117 246

HSL 231.26, 0.89%, 0.67%

LAB 53.82, 30.59, -67.27

 

CMYK 0 / 61 / 40 / 3

HEX #F76195

RGB 247 97 149

HSL 339.2, 0.9%, 0.67%

LAB 62.08, 61.79, 1.94

 

CMYK 9 / 0 / 61 / 4

HEX #DFF65F

RGB 223 246 95

HSL 69.14, 0.89%, 0.67%

LAB 92.76, -27.27, 67.92

 

CMYK 61 / 0 / 22 / 4

HEX #5FF6C1

RGB 95 246 193

HSL 158.94, 0.89%, 0.67%

LAB 88.06, -52.31, 13.74

 

CMYK 52 / 61 / 0 / 4

HEX #755FF6

RGB 117 95 246

HSL 248.74, 0.89%, 0.67%

LAB 50.24, 47.43, -73.01

 

Description

Color code: RGB 247 97 149 | qconv.com Color code: RGB 247 97 149 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 97 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 97 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 40 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 40% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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