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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5F94F6 it is the complementary color #A06B09. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5F94F6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5F94F6 shade: #6494F1, #75A6FF, #86B8FF, #97CAFF and #A8DCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5F94F6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5F94F6 shade: #5F94F6, #4E82E3, #3D70D0, #2C5EBD and #1B4CAA

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5F94F6 shade: #5F94F5, #5F6CF5, #7C5FF5, #A45FF5 and #CC5FF5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5F94F6 shade: #5F94F5, #5F6CF5 and #5F5FF5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5F94F6 shade matches the following richer shades: #5F94F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5F94F6 shade: #5F94F5, #6D98E8, #7B9CDA, #88A0CC and #96A4BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5F94F6 shade: #5FE6F5, #5FBEF5, #5F96F5, #5F6EF5 and #785FF5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5F94F6 shade: #1160F1, #387AF3, #5F94F5, #86AEF8 and #ADC8FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5F94F6 shade: #5F94F6, #DC5FF5 and #D2F55F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5F94F6 shade: #5F94F6, #F55F96 and #96F55F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5F94F6 shade: #5F94F6, #DC5FF5, #F5BE5F and #78F55F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5F94F6 shade: #5F94F6, #F55FE1, #F5BE5F and #5FF573

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 40 / 0 / 4

HEX #5F94F6

RGB 95 148 246

HSL 218.94, 0.89%, 0.67%

LAB 61.88, 11.93, -54.35

 

Complementary color

CMYK 0 / 33 / 94 / 37

HEX #A06B09

RGB 160 107 9

HSL 38.94, 0.89%, 0.33%

LAB 49.51, 14.07, 54.69

 

CMYK 59 / 39 / 0 / 5

HEX #6494F1

RGB 100 148 241

HSL 219.57, 0.83%, 0.67%

LAB 61.86, 11.22, -51.62

 

CMYK 54 / 35 / 0 / 0

HEX #75A6FF

RGB 117 166 255

HSL 218.7, 1%, 0.73%

LAB 68.22, 8.59, -49.16

 

CMYK 47 / 28 / 0 / 0

HEX #86B8FF

RGB 134 184 255

HSL 215.21, 1%, 0.76%

LAB 73.91, 2.2, -40.17

 

CMYK 41 / 21 / 0 / 0

HEX #97CAFF

RGB 151 202 255

HSL 210.58, 1%, 0.8%

LAB 79.64, -3.46, -31.24

 

CMYK 34 / 14 / 0 / 0

HEX #A8DCFF

RGB 168 220 255

HSL 204.14, 1%, 0.83%

LAB 85.37, -8.51, -22.4

 

CMYK 61 / 40 / 0 / 4

HEX #5F94F6

RGB 95 148 246

HSL 218.94, 0.89%, 0.67%

LAB 61.88, 11.93, -54.35

 

CMYK 66 / 43 / 0 / 11

HEX #4E82E3

RGB 78 130 227

HSL 219.06, 0.73%, 0.6%

LAB 55.21, 13.39, -54.5

 

CMYK 71 / 46 / 0 / 18

HEX #3D70D0

RGB 61 112 208

HSL 219.18, 0.61%, 0.53%

LAB 48.43, 15.17, -54.66

 

CMYK 77 / 50 / 0 / 26

HEX #2C5EBD

RGB 44 94 189

HSL 219.31, 0.62%, 0.46%

LAB 41.56, 17.39, -54.81

 

CMYK 84 / 55 / 0 / 33

HEX #1B4CAA

RGB 27 76 170

HSL 219.44, 0.73%, 0.39%

LAB 34.61, 20.18, -54.89

 

CMYK 61 / 40 / 0 / 4

HEX #5F94F5

RGB 95 148 245

HSL 218.8, 0.88%, 0.67%

LAB 61.83, 11.6, -53.88

 

CMYK 61 / 56 / 0 / 4

HEX #5F6CF5

RGB 95 108 245

HSL 234.8, 0.88%, 0.67%

LAB 51.55, 35.72, -70.39

 

CMYK 49 / 61 / 0 / 4

HEX #7C5FF5

RGB 124 95 245

HSL 251.6, 0.88%, 0.67%

LAB 50.76, 48.41, -71.58

 

CMYK 33 / 61 / 0 / 4

HEX #A45FF5

RGB 164 95 245

HSL 267.6, 0.88%, 0.67%

LAB 54.73, 56.5, -64.96

 

CMYK 17 / 61 / 0 / 4

HEX #CC5FF5

RGB 204 95 245

HSL 283.6, 0.88%, 0.67%

LAB 59.54, 65.47, -56.98

 

CMYK 61 / 40 / 0 / 4

HEX #5F94F5

RGB 95 148 245

HSL 218.8, 0.88%, 0.67%

LAB 61.83, 11.6, -53.88

 

CMYK 61 / 56 / 0 / 4

HEX #5F6CF5

RGB 95 108 245

HSL 234.8, 0.88%, 0.67%

LAB 51.55, 35.72, -70.39

 

CMYK 61 / 61 / 0 / 4

HEX #5F5FF5

RGB 95 95 245

HSL 240, 0.88%, 0.67%

LAB 48.52, 43.49, -75.31

 

CMYK 61 / 40 / 0 / 4

HEX #5F94F5

RGB 95 148 245

HSL 218.8, 0.88%, 0.67%

LAB 61.83, 11.6, -53.88

 

CMYK 61 / 40 / 0 / 4

HEX #5F94F5

RGB 95 148 245

HSL 218.8, 0.88%, 0.67%

LAB 61.83, 11.6, -53.88

 

CMYK 53 / 34 / 0 / 9

HEX #6D98E8

RGB 109 152 232

HSL 219.02, 0.73%, 0.67%

LAB 62.96, 7.87, -44.89

 

CMYK 44 / 28 / 0 / 15

HEX #7B9CDA

RGB 123 156 218

HSL 219.16, 0.56%, 0.67%

LAB 64.2, 4.7, -35.14

 

CMYK 33 / 22 / 0 / 20

HEX #88A0CC

RGB 136 160 204

HSL 218.82, 0.4%, 0.67%

LAB 65.54, 2.15, -25.23

 

CMYK 21 / 14 / 0 / 25

HEX #96A4BF

RGB 150 164 191

HSL 219.51, 0.24%, 0.67%

LAB 67.12, 0.96, -15.51

 

CMYK 61 / 6 / 0 / 4

HEX #5FE6F5

RGB 95 230 245

HSL 186, 0.88%, 0.67%

LAB 84.8, -32.22, -18.28

 

CMYK 61 / 22 / 0 / 4

HEX #5FBEF5

RGB 95 190 245

HSL 202, 0.88%, 0.67%

LAB 73.45, -12.07, -35.64

 

CMYK 61 / 39 / 0 / 4

HEX #5F96F5

RGB 95 150 245

HSL 218, 0.88%, 0.67%

LAB 62.37, 10.42, -53.02

 

CMYK 61 / 55 / 0 / 4

HEX #5F6EF5

RGB 95 110 245

HSL 234, 0.88%, 0.67%

LAB 52.04, 34.51, -69.6

 

CMYK 51 / 61 / 0 / 4

HEX #785FF5

RGB 120 95 245

HSL 250, 0.88%, 0.67%

LAB 50.42, 47.67, -72.15

 

CMYK 93 / 60 / 0 / 5

HEX #1160F1

RGB 17 96 241

HSL 218.84, 0.89%, 0.51%

LAB 45.41, 34.14, -78.29

 

CMYK 77 / 50 / 0 / 5

HEX #387AF3

RGB 56 122 243

HSL 218.82, 0.89%, 0.59%

LAB 53.2, 21.08, -66.69

 

CMYK 61 / 40 / 0 / 4

HEX #5F94F5

RGB 95 148 245

HSL 218.8, 0.88%, 0.67%

LAB 61.83, 11.6, -53.88

 

CMYK 46 / 30 / 0 / 3

HEX #86AEF8

RGB 134 174 248

HSL 218.95, 0.89%, 0.75%

LAB 70.95, 5.78, -41.01

 

CMYK 31 / 20 / 0 / 2

HEX #ADC8FA

RGB 173 200 250

HSL 218.96, 0.89%, 0.83%

LAB 80.23, 2.22, -27.55

 

CMYK 61 / 40 / 0 / 4

HEX #5F94F6

RGB 95 148 246

HSL 218.94, 0.89%, 0.67%

LAB 61.88, 11.93, -54.35

 

CMYK 10 / 61 / 0 / 4

HEX #DC5FF5

RGB 220 95 245

HSL 290, 0.88%, 0.67%

LAB 61.65, 69.18, -53.5

 

CMYK 14 / 0 / 61 / 4

HEX #D2F55F

RGB 210 245 95

HSL 74, 0.88%, 0.67%

LAB 91.61, -31.85, 66.41

 

CMYK 61 / 40 / 0 / 4

HEX #5F94F6

RGB 95 148 246

HSL 218.94, 0.89%, 0.67%

LAB 61.88, 11.93, -54.35

 

CMYK 0 / 61 / 39 / 4

HEX #F55F96

RGB 245 95 150

HSL 338, 0.88%, 0.67%

LAB 61.48, 62.13, 0.46

 

CMYK 39 / 0 / 61 / 4

HEX #96F55F

RGB 150 245 95

HSL 98, 0.88%, 0.67%

LAB 88.26, -53.2, 61.79

 

CMYK 61 / 40 / 0 / 4

HEX #5F94F6

RGB 95 148 246

HSL 218.94, 0.89%, 0.67%

LAB 61.88, 11.93, -54.35

 

CMYK 10 / 61 / 0 / 4

HEX #DC5FF5

RGB 220 95 245

HSL 290, 0.88%, 0.67%

LAB 61.65, 69.18, -53.5

 

CMYK 0 / 22 / 61 / 4

HEX #F5BE5F

RGB 245 190 95

HSL 38, 0.88%, 0.67%

LAB 80.22, 9.7, 54.57

 

CMYK 51 / 0 / 61 / 4

HEX #78F55F

RGB 120 245 95

HSL 110, 0.88%, 0.67%

LAB 87.06, -61.98, 60.11

 

CMYK 61 / 40 / 0 / 4

HEX #5F94F6

RGB 95 148 246

HSL 218.94, 0.89%, 0.67%

LAB 61.88, 11.93, -54.35

 

CMYK 0 / 61 / 8 / 4

HEX #F55FE1

RGB 245 95 225

HSL 308, 0.88%, 0.67%

LAB 64.19, 71.87, -38.13

 

CMYK 0 / 22 / 61 / 4

HEX #F5BE5F

RGB 245 190 95

HSL 38, 0.88%, 0.67%

LAB 80.22, 9.7, 54.57

 

CMYK 61 / 0 / 53 / 4

HEX #5FF573

RGB 95 245 115

HSL 128, 0.88%, 0.67%

LAB 86.49, -65.63, 50.44

 

Description

Color code: HEX #5F94F6 | qconv.com Color code: HEX #5F94F6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 148 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 148 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 40 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 40% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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