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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 247 42 218 it is the complementary color RGB 8 213 37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 247 42 218. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 247 42 218 shade: RGB 252 42 213, RGB 255 60 232, RGB 255 78 251, RGB 255 96 255 and RGB 255 114 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 247 42 218. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 247 42 218 shade: RGB 247 42 218, RGB 230 24 199, RGB 213 6 180, RGB 196 0 161 and RGB 179 0 142

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 247 42 218 shade: RGB 247 43 218, RGB 247 43 163, RGB 247 43 108, RGB 247 43 53 and RGB 247 43 43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 247 42 218 shade: RGB 247 43 218, RGB 221 43 247, RGB 166 43 247, RGB 111 43 247 and RGB 56 43 247

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 247 42 218 shade matches the following richer shades: RGB 247 43 218

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 247 42 218 shade: RGB 247 43 218, RGB 229 61 205, RGB 211 78 193, RGB 194 96 180 and RGB 176 114 167

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 247 42 218 shade: RGB 165 43 247, RGB 220 43 247, RGB 247 43 220, RGB 247 43 165 and RGB 247 43 111

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 247 42 218 shade: RGB 200 7 173, RGB 240 8 207, RGB 247 43 218, RGB 248 83 225 and RGB 250 123 232

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 247 42 218 shade: RGB 247 42 218, RGB 247 111 43 and RGB 43 247 192

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 247 42 218 shade: RGB 247 42 218, RGB 220 247 43 and RGB 43 220 247

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 247 42 218 shade: RGB 247 42 218, RGB 247 111 43, RGB 43 247 70 and RGB 43 179 247

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 247 42 218 shade: RGB 247 42 218, RGB 247 172 43, RGB 43 247 70 and RGB 43 118 247

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 12 / 3

HEX #F72ADA

RGB 247 42 218

HSL 308.49, 0.93%, 0.57%

LAB 58.5, 87.39, -43.1

 

Complementary color

CMYK 96 / 0 / 83 / 16

HEX #08D525

RGB 8 213 37

HSL 128.49, 0.93%, 0.43%

LAB 74.68, -73.84, 67.04

 

CMYK 0 / 83 / 15 / 1

HEX #FC2AD5

RGB 252 42 213

HSL 311.14, 0.97%, 0.58%

LAB 59.12, 87.72, -39.23

 

CMYK 0 / 76 / 9 / 0

HEX #FF3CE8

RGB 255 60 232

HSL 307.08, 1%, 0.62%

LAB 61.93, 86.79, -45.49

 

CMYK 0 / 69 / 2 / 0

HEX #FF4EFB

RGB 255 78 251

HSL 301.36, 1%, 0.65%

LAB 64.7, 84.32, -51.65

 

CMYK 0 / 62 / 0 / 0

HEX #FF60FF

RGB 255 96 255

HSL 300, 1%, 0.69%

LAB 67.16, 78.59, -49.97

 

CMYK 0 / 55 / 0 / 0

HEX #FF72FF

RGB 255 114 255

HSL 300, 1%, 0.72%

LAB 69.83, 71.23, -45.76

 

CMYK 0 / 83 / 12 / 3

HEX #F72ADA

RGB 247 42 218

HSL 308.49, 0.93%, 0.57%

LAB 58.5, 87.39, -43.1

 

CMYK 0 / 90 / 13 / 10

HEX #E618C7

RGB 230 24 199

HSL 309.03, 0.81%, 0.5%

LAB 53.6, 84.64, -40.17

 

CMYK 0 / 97 / 15 / 16

HEX #D506B4

RGB 213 6 180

HSL 309.57, 0.95%, 0.43%

LAB 48.97, 80.85, -36.61

 

CMYK 0 / 100 / 18 / 23

HEX #C400A1

RGB 196 0 161

HSL 310.71, 1%, 0.38%

LAB 44.67, 75.85, -32.32

 

CMYK 0 / 100 / 21 / 30

HEX #B3008E

RGB 179 0 142

HSL 312.4, 1%, 0.35%

LAB 40.47, 70.29, -27.63

 

CMYK 0 / 83 / 12 / 3

HEX #F72BDA

RGB 247 43 218

HSL 308.53, 0.93%, 0.57%

LAB 58.57, 87.2, -42.99

 

CMYK 0 / 83 / 34 / 3

HEX #F72BA3

RGB 247 43 163

HSL 324.71, 0.93%, 0.57%

LAB 56.23, 80.73, -14.89

 

CMYK 0 / 83 / 56 / 3

HEX #F72B6C

RGB 247 43 108

HSL 340.88, 0.93%, 0.57%

LAB 54.64, 76.13, 15.52

 

CMYK 0 / 83 / 79 / 3

HEX #F72B35

RGB 247 43 53

HSL 357.06, 0.93%, 0.57%

LAB 53.77, 73.54, 46.51

 

CMYK 0 / 83 / 83 / 3

HEX #F72B2B

RGB 247 43 43

HSL 0, 0.93%, 0.57%

LAB 53.68, 73.27, 51.62

 

CMYK 0 / 83 / 12 / 3

HEX #F72BDA

RGB 247 43 218

HSL 308.53, 0.93%, 0.57%

LAB 58.57, 87.2, -42.99

 

CMYK 11 / 83 / 0 / 3

HEX #DD2BF7

RGB 221 43 247

HSL 292.35, 0.93%, 0.57%

LAB 55.9, 86.78, -63.79

 

CMYK 33 / 83 / 0 / 3

HEX #A62BF7

RGB 166 43 247

HSL 276.18, 0.93%, 0.57%

LAB 47.69, 78.24, -77.49

 

CMYK 55 / 83 / 0 / 3

HEX #6F2BF7

RGB 111 43 247

HSL 260, 0.93%, 0.57%

LAB 40.93, 71.54, -88.84

 

CMYK 77 / 83 / 0 / 3

HEX #382BF7

RGB 56 43 247

HSL 243.82, 0.93%, 0.57%

LAB 36.53, 67.4, -96.28

 

CMYK 0 / 83 / 12 / 3

HEX #F72BDA

RGB 247 43 218

HSL 308.53, 0.93%, 0.57%

LAB 58.57, 87.2, -42.99

 

CMYK 0 / 83 / 12 / 3

HEX #F72BDA

RGB 247 43 218

HSL 308.53, 0.93%, 0.57%

LAB 58.57, 87.2, -42.99

 

CMYK 0 / 73 / 10 / 10

HEX #E53DCD

RGB 229 61 205

HSL 308.57, 0.76%, 0.57%

LAB 56.49, 77.25, -39.07

 

CMYK 0 / 63 / 9 / 17

HEX #D34EC1

RGB 211 78 193

HSL 308.12, 0.6%, 0.57%

LAB 55.22, 65.22, -34.38

 

CMYK 0 / 51 / 7 / 24

HEX #C260B4

RGB 194 96 180

HSL 308.57, 0.45%, 0.57%

LAB 55.21, 50.33, -27.1

 

CMYK 0 / 35 / 5 / 31

HEX #B072A7

RGB 176 114 167

HSL 308.71, 0.28%, 0.57%

LAB 56.14, 32.83, -18.35

 

CMYK 33 / 83 / 0 / 3

HEX #A52BF7

RGB 165 43 247

HSL 275.88, 0.93%, 0.57%

LAB 47.55, 78.1, -77.73

 

CMYK 11 / 83 / 0 / 3

HEX #DC2BF7

RGB 220 43 247

HSL 292.06, 0.93%, 0.57%

LAB 55.74, 86.61, -64.05

 

CMYK 0 / 83 / 11 / 3

HEX #F72BDC

RGB 247 43 220

HSL 307.94, 0.93%, 0.57%

LAB 58.67, 87.47, -43.97

 

CMYK 0 / 83 / 33 / 3

HEX #F72BA5

RGB 247 43 165

HSL 324.12, 0.93%, 0.57%

LAB 56.31, 80.94, -15.96

 

CMYK 0 / 83 / 55 / 3

HEX #F72B6F

RGB 247 43 111

HSL 340, 0.93%, 0.57%

LAB 54.71, 76.33, 13.81

 

CMYK 0 / 97 / 14 / 22

HEX #C807AD

RGB 200 7 173

HSL 308.39, 0.93%, 0.41%

LAB 46.24, 77.5, -36.94

 

CMYK 0 / 97 / 14 / 6

HEX #F008CF

RGB 240 8 207

HSL 308.53, 0.94%, 0.49%

LAB 55.28, 88.93, -41.99

 

CMYK 0 / 83 / 12 / 3

HEX #F72BDA

RGB 247 43 218

HSL 308.53, 0.93%, 0.57%

LAB 58.57, 87.2, -42.99

 

CMYK 0 / 67 / 9 / 3

HEX #F853E1

RGB 248 83 225

HSL 308.36, 0.92%, 0.65%

LAB 62.99, 77.16, -39.97

 

CMYK 0 / 51 / 7 / 2

HEX #FA7BE8

RGB 250 123 232

HSL 308.5, 0.93%, 0.73%

LAB 69.69, 62.09, -33.4

 

CMYK 0 / 83 / 12 / 3

HEX #F72ADA

RGB 247 42 218

HSL 308.49, 0.93%, 0.57%

LAB 58.5, 87.39, -43.1

 

CMYK 0 / 55 / 83 / 3

HEX #F76F2B

RGB 247 111 43

HSL 20, 0.93%, 0.57%

LAB 62.77, 48.64, 59.77

 

CMYK 83 / 0 / 22 / 3

HEX #2BF7C0

RGB 43 247 192

HSL 163.82, 0.93%, 0.57%

LAB 87.41, -59.6, 13.2

 

CMYK 0 / 83 / 12 / 3

HEX #F72ADA

RGB 247 42 218

HSL 308.49, 0.93%, 0.57%

LAB 58.5, 87.39, -43.1

 

CMYK 11 / 0 / 83 / 3

HEX #DCF72B

RGB 220 247 43

HSL 67.94, 0.93%, 0.57%

LAB 92.54, -31.39, 84.38

 

CMYK 83 / 11 / 0 / 3

HEX #2BDCF7

RGB 43 220 247

HSL 187.94, 0.93%, 0.57%

LAB 80.97, -33.01, -25.24

 

CMYK 0 / 83 / 12 / 3

HEX #F72ADA

RGB 247 42 218

HSL 308.49, 0.93%, 0.57%

LAB 58.5, 87.39, -43.1

 

CMYK 0 / 55 / 83 / 3

HEX #F76F2B

RGB 247 111 43

HSL 20, 0.93%, 0.57%

LAB 62.77, 48.64, 59.77

 

CMYK 83 / 0 / 72 / 3

HEX #2BF746

RGB 43 247 70

HSL 127.94, 0.93%, 0.57%

LAB 85.74, -78.94, 67.82

 

CMYK 83 / 28 / 0 / 3

HEX #2BB3F7

RGB 43 179 247

HSL 200, 0.93%, 0.57%

LAB 69.09, -12.16, -43.61

 

CMYK 0 / 83 / 12 / 3

HEX #F72ADA

RGB 247 42 218

HSL 308.49, 0.93%, 0.57%

LAB 58.5, 87.39, -43.1

 

CMYK 0 / 30 / 83 / 3

HEX #F7AC2B

RGB 247 172 43

HSL 37.94, 0.93%, 0.57%

LAB 75.73, 17.55, 71.01

 

CMYK 83 / 0 / 72 / 3

HEX #2BF746

RGB 43 247 70

HSL 127.94, 0.93%, 0.57%

LAB 85.74, -78.94, 67.82

 

CMYK 83 / 52 / 0 / 3

HEX #2B76F7

RGB 43 118 247

HSL 217.94, 0.93%, 0.57%

LAB 52.05, 23.88, -70.8

 

Description

Color code: RGB 247 42 218 | qconv.com Color code: RGB 247 42 218 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 42 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 42 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 12 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 12% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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