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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 8 213 37 it is the complementary color RGB 247 42 218. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 8 213 37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 8 213 37 shade: RGB 13 213 32, RGB 30 231 51, RGB 47 249 70, RGB 64 255 89 and RGB 81 255 108

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 8 213 37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 8 213 37 shade: RGB 8 213 37, RGB 0 195 18, RGB 0 177 0, RGB 0 159 0 and RGB 0 141 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 8 213 37 shade: RGB 7 211 36, RGB 33 211 7, RGB 88 211 7, RGB 143 211 7 and RGB 198 211 7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 8 213 37 shade: RGB 7 211 36, RGB 7 211 91, RGB 7 211 146, RGB 7 211 201 and RGB 7 166 211

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 8 213 37 shade matches the following richer shades: RGB 7 211 36

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 8 213 37 shade: RGB 7 211 36, RGB 25 193 49, RGB 43 176 61, RGB 60 158 74 and RGB 78 140 87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 8 213 37 shade: RGB 89 211 7, RGB 34 211 7, RGB 7 211 34, RGB 7 211 89 and RGB 7 211 143

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 8 213 37 shade: RGB 4 131 22, RGB 6 171 29, RGB 7 211 36, RGB 14 246 47 and RGB 54 247 81

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 8 213 37 shade: RGB 8 213 37, RGB 7 143 211 and RGB 211 7 62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 8 213 37 shade: RGB 8 213 37, RGB 34 7 211 and RGB 211 34 7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 8 213 37 shade: RGB 8 213 37, RGB 7 143 211, RGB 211 7 184 and RGB 211 75 7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 8 213 37 shade: RGB 8 213 37, RGB 7 82 211, RGB 211 7 184 and RGB 211 136 7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 83 / 16

HEX #08D525

RGB 8 213 37

HSL 128.49, 0.93%, 0.43%

LAB 74.68, -73.84, 67.04

 

Complementary color

CMYK 0 / 83 / 12 / 3

HEX #F72ADA

RGB 247 42 218

HSL 308.49, 0.93%, 0.57%

LAB 58.5, 87.39, -43.1

 

CMYK 94 / 0 / 85 / 16

HEX #0DD520

RGB 13 213 32

HSL 125.7, 0.88%, 0.44%

LAB 74.68, -73.89, 68.24

 

CMYK 87 / 0 / 78 / 9

HEX #1EE733

RGB 30 231 51

HSL 126.27, 0.81%, 0.51%

LAB 80.55, -76.85, 68.76

 

CMYK 81 / 0 / 72 / 2

HEX #2FF946

RGB 47 249 70

HSL 126.83, 0.94%, 0.58%

LAB 86.4, -79.12, 68.51

 

CMYK 75 / 0 / 65 / 0

HEX #40FF59

RGB 64 255 89

HSL 127.85, 1%, 0.63%

LAB 88.61, -77.2, 63.86

 

CMYK 68 / 0 / 58 / 0

HEX #51FF6C

RGB 81 255 108

HSL 129.31, 1%, 0.66%

LAB 89.09, -72.55, 56.58

 

CMYK 96 / 0 / 83 / 16

HEX #08D525

RGB 8 213 37

HSL 128.49, 0.93%, 0.43%

LAB 74.68, -73.84, 67.04

 

CMYK 100 / 0 / 91 / 24

HEX #00C312

RGB 0 195 18

HSL 125.54, 1%, 0.38%

LAB 68.8, -70.02, 65.79

 

CMYK 100 / 0 / 100 / 31

HEX #00B100

RGB 0 177 0

HSL 120, 1%, 0.35%

LAB 62.88, -65.53, 63.25

 

CMYK 100 / 0 / 100 / 38

HEX #009F00

RGB 0 159 0

HSL 120, 1%, 0.31%

LAB 56.88, -60.55, 58.44

 

CMYK 100 / 0 / 100 / 45

HEX #008D00

RGB 0 141 0

HSL 120, 1%, 0.28%

LAB 50.75, -55.45, 53.52

 

CMYK 97 / 0 / 83 / 17

HEX #07D324

RGB 7 211 36

HSL 128.53, 0.94%, 0.43%

LAB 74.04, -73.38, 66.7

 

CMYK 84 / 0 / 97 / 17

HEX #21D307

RGB 33 211 7

HSL 112.35, 0.94%, 0.43%

LAB 74.14, -72.7, 71.67

 

CMYK 58 / 0 / 97 / 17

HEX #58D307

RGB 88 211 7

HSL 96.18, 0.94%, 0.43%

LAB 75.25, -63.2, 73.02

 

CMYK 32 / 0 / 97 / 17

HEX #8FD307

RGB 143 211 7

HSL 80, 0.94%, 0.43%

LAB 77.55, -45.99, 75.82

 

CMYK 6 / 0 / 97 / 17

HEX #C6D307

RGB 198 211 7

HSL 63.82, 0.94%, 0.43%

LAB 81.08, -24.11, 80.07

 

CMYK 97 / 0 / 83 / 17

HEX #07D324

RGB 7 211 36

HSL 128.53, 0.94%, 0.43%

LAB 74.04, -73.38, 66.7

 

CMYK 97 / 0 / 57 / 17

HEX #07D35B

RGB 7 211 91

HSL 144.71, 0.94%, 0.43%

LAB 74.44, -68.31, 46.75

 

CMYK 97 / 0 / 31 / 17

HEX #07D392

RGB 7 211 146

HSL 160.88, 0.94%, 0.43%

LAB 75.27, -58.47, 20.24

 

CMYK 97 / 0 / 5 / 17

HEX #07D3C9

RGB 7 211 201

HSL 177.06, 0.94%, 0.43%

LAB 76.59, -44.42, -7.27

 

CMYK 97 / 21 / 0 / 17

HEX #07A6D3

RGB 7 166 211

HSL 193.24, 0.94%, 0.43%

LAB 63.36, -19.67, -32.83

 

CMYK 97 / 0 / 83 / 17

HEX #07D324

RGB 7 211 36

HSL 128.53, 0.94%, 0.43%

LAB 74.04, -73.38, 66.7

 

CMYK 97 / 0 / 83 / 17

HEX #07D324

RGB 7 211 36

HSL 128.53, 0.94%, 0.43%

LAB 74.04, -73.38, 66.7

 

CMYK 87 / 0 / 75 / 24

HEX #19C131

RGB 25 193 49

HSL 128.57, 0.77%, 0.43%

LAB 68.44, -66.43, 57.52

 

CMYK 76 / 0 / 65 / 31

HEX #2BB03D

RGB 43 176 61

HSL 128.12, 0.61%, 0.43%

LAB 63.26, -57.93, 47.46

 

CMYK 62 / 0 / 53 / 38

HEX #3C9E4A

RGB 60 158 74

HSL 128.57, 0.45%, 0.43%

LAB 57.95, -46.6, 35.29

 

CMYK 44 / 0 / 38 / 45

HEX #4E8C57

RGB 78 140 87

HSL 128.71, 0.28%, 0.43%

LAB 53.02, -31.94, 22.23

 

CMYK 58 / 0 / 97 / 17

HEX #59D307

RGB 89 211 7

HSL 95.88, 0.94%, 0.43%

LAB 75.28, -62.95, 73.06

 

CMYK 84 / 0 / 97 / 17

HEX #22D307

RGB 34 211 7

HSL 112.06, 0.94%, 0.43%

LAB 74.15, -72.6, 71.68

 

CMYK 97 / 0 / 84 / 17

HEX #07D322

RGB 7 211 34

HSL 127.94, 0.94%, 0.43%

LAB 74.03, -73.48, 67.18

 

CMYK 97 / 0 / 58 / 17

HEX #07D359

RGB 7 211 89

HSL 144.12, 0.94%, 0.43%

LAB 74.42, -68.58, 47.64

 

CMYK 97 / 0 / 32 / 17

HEX #07D38F

RGB 7 211 143

HSL 160, 0.94%, 0.43%

LAB 75.21, -59.12, 21.74

 

CMYK 97 / 0 / 83 / 49

HEX #048316

RGB 4 131 22

HSL 128.5, 0.94%, 0.26%

LAB 47.39, -51.29, 45.88

 

CMYK 96 / 0 / 83 / 33

HEX #06AB1D

RGB 6 171 29

HSL 128.36, 0.93%, 0.35%

LAB 61, -62.56, 56.55

 

CMYK 97 / 0 / 83 / 17

HEX #07D324

RGB 7 211 36

HSL 128.53, 0.94%, 0.43%

LAB 74.04, -73.38, 66.7

 

CMYK 94 / 0 / 81 / 4

HEX #0EF62F

RGB 14 246 47

HSL 128.53, 0.93%, 0.51%

LAB 85.1, -82.08, 74.11

 

CMYK 78 / 0 / 67 / 3

HEX #36F751

RGB 54 247 81

HSL 128.39, 0.92%, 0.59%

LAB 85.96, -76.81, 64.07

 

CMYK 96 / 0 / 83 / 16

HEX #08D525

RGB 8 213 37

HSL 128.49, 0.93%, 0.43%

LAB 74.68, -73.84, 67.04

 

CMYK 97 / 32 / 0 / 17

HEX #078FD3

RGB 7 143 211

HSL 200, 0.94%, 0.43%

LAB 56.48, -6.97, -43.61

 

CMYK 0 / 97 / 71 / 17

HEX #D3073E

RGB 211 7 62

HSL 343.82, 0.94%, 0.43%

LAB 44.73, 70.17, 29.19

 

CMYK 96 / 0 / 83 / 16

HEX #08D525

RGB 8 213 37

HSL 128.49, 0.93%, 0.43%

LAB 74.68, -73.84, 67.04

 

CMYK 84 / 97 / 0 / 17

HEX #2207D3

RGB 34 7 211

HSL 247.94, 0.94%, 0.43%

LAB 27.28, 67.66, -91.12

 

CMYK 0 / 84 / 97 / 17

HEX #D32207

RGB 211 34 7

HSL 7.94, 0.94%, 0.43%

LAB 45.65, 64.88, 56.79

 

CMYK 96 / 0 / 83 / 16

HEX #08D525

RGB 8 213 37

HSL 128.49, 0.93%, 0.43%

LAB 74.68, -73.84, 67.04

 

CMYK 97 / 32 / 0 / 17

HEX #078FD3

RGB 7 143 211

HSL 200, 0.94%, 0.43%

LAB 56.48, -6.97, -43.61

 

CMYK 0 / 97 / 13 / 17

HEX #D307B8

RGB 211 7 184

HSL 307.94, 0.94%, 0.43%

LAB 48.84, 80.92, -39.19

 

CMYK 0 / 64 / 97 / 17

HEX #D34B07

RGB 211 75 7

HSL 20, 0.94%, 0.43%

LAB 50.57, 51.3, 59.5

 

CMYK 96 / 0 / 83 / 16

HEX #08D525

RGB 8 213 37

HSL 128.49, 0.93%, 0.43%

LAB 74.68, -73.84, 67.04

 

CMYK 97 / 61 / 0 / 17

HEX #0752D3

RGB 7 82 211

HSL 217.94, 0.94%, 0.43%

LAB 39.21, 31.39, -71.4

 

CMYK 0 / 97 / 13 / 17

HEX #D307B8

RGB 211 7 184

HSL 307.94, 0.94%, 0.43%

LAB 48.84, 80.92, -39.19

 

CMYK 0 / 36 / 97 / 17

HEX #D38807

RGB 211 136 7

HSL 37.94, 0.94%, 0.43%

LAB 62.9, 20.67, 67.44

 

Description

Color code: RGB 8 213 37 | qconv.com Color code: RGB 8 213 37 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 8 red, 213 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
8 213 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 83 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 83% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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