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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 247 2 141 it is the complementary color RGB 8 253 114. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 247 2 141. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 247 2 141 shade: RGB 252 2 136, RGB 255 20 155, RGB 255 38 174, RGB 255 56 193 and RGB 255 74 212

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 247 2 141. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 247 2 141 shade: RGB 247 2 141, RGB 230 0 122, RGB 213 0 103, RGB 196 0 84 and RGB 179 0 65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 247 2 141 shade: RGB 247 2 141, RGB 247 2 75, RGB 247 2 9 and RGB 247 2 2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 247 2 141 shade: RGB 247 2 141, RGB 247 2 207, RGB 221 2 247, RGB 155 2 247 and RGB 89 2 247

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 247 2 141 shade matches the following richer shades: RGB 247 2 141

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 247 2 141 shade: RGB 247 2 141, RGB 227 22 138, RGB 206 42 135, RGB 186 63 133 and RGB 166 83 130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 247 2 141 shade: RGB 218 2 247, RGB 247 2 210, RGB 247 2 145, RGB 247 2 80 and RGB 247 2 14

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 247 2 141 shade: RGB 165 1 94, RGB 206 2 118, RGB 247 2 141, RGB 252 38 160 and RGB 253 79 177

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 247 2 141 shade: RGB 247 2 141, RGB 247 153 2 and RGB 2 243 247

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 247 2 141 shade: RGB 247 2 141, RGB 145 247 2 and RGB 2 145 247

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 247 2 141 shade: RGB 247 2 141, RGB 247 153 2, RGB 2 247 104 and RGB 2 96 247

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 247 2 141 shade: RGB 247 2 141, RGB 247 226 2, RGB 2 247 104 and RGB 2 22 247

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 99 / 43 / 3

HEX #F7028D

RGB 247 2 141

HSL 325.96, 0.98%, 0.49%

LAB 53.75, 83.74, -5.58

 

Complementary color

CMYK 97 / 0 / 55 / 1

HEX #08FD72

RGB 8 253 114

HSL 145.96, 0.98%, 0.51%

LAB 87.74, -77.95, 52.12

 

CMYK 0 / 99 / 46 / 1

HEX #FC0288

RGB 252 2 136

HSL 327.84, 0.98%, 0.5%

LAB 54.57, 84.39, -1.26

 

CMYK 0 / 92 / 39 / 0

HEX #FF149B

RGB 255 20 155

HSL 325.53, 1%, 0.54%

LAB 56.21, 85.25, -10.06

 

CMYK 0 / 85 / 32 / 0

HEX #FF26AE

RGB 255 38 174

HSL 322.4, 1%, 0.57%

LAB 57.75, 84.57, -18.88

 

CMYK 0 / 78 / 24 / 0

HEX #FF38C1

RGB 255 56 193

HSL 318.69, 1%, 0.61%

LAB 59.83, 82.8, -26.67

 

CMYK 0 / 71 / 17 / 0

HEX #FF4AD4

RGB 255 74 212

HSL 314.25, 1%, 0.65%

LAB 62.43, 80.03, -33.45

 

CMYK 0 / 99 / 43 / 3

HEX #F7028D

RGB 247 2 141

HSL 325.96, 0.98%, 0.49%

LAB 53.75, 83.74, -5.58

 

CMYK 0 / 100 / 47 / 10

HEX #E6007A

RGB 230 0 122

HSL 328.17, 1%, 0.45%

LAB 49.77, 78.75, -0.34

 

CMYK 0 / 100 / 52 / 16

HEX #D50067

RGB 213 0 103

HSL 330.99, 1%, 0.42%

LAB 45.81, 73.61, 5.19

 

CMYK 0 / 100 / 57 / 23

HEX #C40054

RGB 196 0 84

HSL 334.29, 1%, 0.38%

LAB 41.81, 68.45, 10.99

 

CMYK 0 / 100 / 64 / 30

HEX #B30041

RGB 179 0 65

HSL 338.21, 1%, 0.35%

LAB 37.78, 63.31, 17.07

 

CMYK 0 / 99 / 43 / 3

HEX #F7028D

RGB 247 2 141

HSL 325.96, 0.98%, 0.49%

LAB 53.75, 83.74, -5.58

 

CMYK 0 / 99 / 70 / 3

HEX #F7024B

RGB 247 2 75

HSL 342.12, 0.98%, 0.49%

LAB 52.2, 79.62, 32.15

 

CMYK 0 / 99 / 96 / 3

HEX #F70209

RGB 247 2 9

HSL 358.29, 0.98%, 0.49%

LAB 51.65, 78.12, 63.33

 

CMYK 0 / 99 / 99 / 3

HEX #F70202

RGB 247 2 2

HSL 0, 0.98%, 0.49%

LAB 51.64, 78.07, 65.1

 

CMYK 0 / 99 / 43 / 3

HEX #F7028D

RGB 247 2 141

HSL 325.96, 0.98%, 0.49%

LAB 53.75, 83.74, -5.58

 

CMYK 0 / 99 / 16 / 3

HEX #F702CF

RGB 247 2 207

HSL 309.8, 0.98%, 0.49%

LAB 56.41, 90.55, -40.13

 

CMYK 11 / 99 / 0 / 3

HEX #DD02F7

RGB 221 2 247

HSL 293.63, 0.98%, 0.49%

LAB 54.17, 91.91, -66.59

 

CMYK 37 / 99 / 0 / 3

HEX #9B02F7

RGB 155 2 247

HSL 277.47, 0.98%, 0.49%

LAB 43.84, 83.74, -83.86

 

CMYK 64 / 99 / 0 / 3

HEX #5902F7

RGB 89 2 247

HSL 261.31, 0.98%, 0.49%

LAB 35.76, 78.84, -97.49

 

CMYK 0 / 99 / 43 / 3

HEX #F7028D

RGB 247 2 141

HSL 325.96, 0.98%, 0.49%

LAB 53.75, 83.74, -5.58

 

CMYK 0 / 99 / 43 / 3

HEX #F7028D

RGB 247 2 141

HSL 325.96, 0.98%, 0.49%

LAB 53.75, 83.74, -5.58

 

CMYK 0 / 90 / 39 / 11

HEX #E3168A

RGB 227 22 138

HSL 326.05, 0.82%, 0.49%

LAB 50.38, 77.48, -9.21

 

CMYK 0 / 80 / 34 / 19

HEX #CE2A87

RGB 206 42 135

HSL 325.98, 0.66%, 0.49%

LAB 47.66, 68.5, -11.88

 

CMYK 0 / 66 / 28 / 27

HEX #BA3F85

RGB 186 63 133

HSL 325.85, 0.49%, 0.49%

LAB 46.56, 55.99, -12.67

 

CMYK 0 / 50 / 22 / 35

HEX #A65382

RGB 166 83 130

HSL 326.02, 0.33%, 0.49%

LAB 46.85, 39.99, -10.72

 

CMYK 12 / 99 / 0 / 3

HEX #DA02F7

RGB 218 2 247

HSL 292.9, 0.98%, 0.49%

LAB 53.67, 91.48, -67.42

 

CMYK 0 / 99 / 15 / 3

HEX #F702D2

RGB 247 2 210

HSL 309.06, 0.98%, 0.49%

LAB 56.56, 90.92, -41.61

 

CMYK 0 / 99 / 41 / 3

HEX #F70291

RGB 247 2 145

HSL 324.98, 0.98%, 0.49%

LAB 53.88, 84.08, -7.77

 

CMYK 0 / 99 / 68 / 3

HEX #F70250

RGB 247 2 80

HSL 340.9, 0.98%, 0.49%

LAB 52.28, 79.83, 29.25

 

CMYK 0 / 99 / 94 / 3

HEX #F7020E

RGB 247 2 14

HSL 357.06, 0.98%, 0.49%

LAB 51.67, 78.15, 62.03

 

CMYK 0 / 99 / 43 / 35

HEX #A5015E

RGB 165 1 94

HSL 325.98, 0.99%, 0.33%

LAB 35.65, 62.07, -5.12

 

CMYK 0 / 99 / 43 / 19

HEX #CE0276

RGB 206 2 118

HSL 325.88, 0.98%, 0.41%

LAB 44.9, 73.1, -5.6

 

CMYK 0 / 99 / 43 / 3

HEX #F7028D

RGB 247 2 141

HSL 325.96, 0.98%, 0.49%

LAB 53.75, 83.74, -5.58

 

CMYK 0 / 85 / 37 / 1

HEX #FC26A0

RGB 252 38 160

HSL 325.79, 0.97%, 0.57%

LAB 56.7, 82.53, -12.33

 

CMYK 0 / 69 / 30 / 1

HEX #FD4FB1

RGB 253 79 177

HSL 326.21, 0.98%, 0.65%

LAB 61.35, 73.53, -15.19

 

CMYK 0 / 99 / 43 / 3

HEX #F7028D

RGB 247 2 141

HSL 325.96, 0.98%, 0.49%

LAB 53.75, 83.74, -5.58

 

CMYK 0 / 38 / 99 / 3

HEX #F79902

RGB 247 153 2

HSL 36.98, 0.98%, 0.49%

LAB 71.26, 26.88, 75.84

 

CMYK 99 / 2 / 0 / 3

HEX #02F3F7

RGB 2 243 247

HSL 180.98, 0.98%, 0.49%

LAB 87.4, -45.15, -15.54

 

CMYK 0 / 99 / 43 / 3

HEX #F7028D

RGB 247 2 141

HSL 325.96, 0.98%, 0.49%

LAB 53.75, 83.74, -5.58

 

CMYK 41 / 0 / 99 / 3

HEX #91F702

RGB 145 247 2

HSL 84.98, 0.98%, 0.49%

LAB 88.23, -59.72, 84.65

 

CMYK 99 / 41 / 0 / 3

HEX #0291F7

RGB 2 145 247

HSL 204.98, 0.98%, 0.49%

LAB 58.95, 5.35, -59.7

 

CMYK 0 / 99 / 43 / 3

HEX #F7028D

RGB 247 2 141

HSL 325.96, 0.98%, 0.49%

LAB 53.75, 83.74, -5.58

 

CMYK 0 / 38 / 99 / 3

HEX #F79902

RGB 247 153 2

HSL 36.98, 0.98%, 0.49%

LAB 71.26, 26.88, 75.84

 

CMYK 99 / 0 / 58 / 3

HEX #02F768

RGB 2 247 104

HSL 144.98, 0.98%, 0.49%

LAB 85.77, -77.64, 54.25

 

CMYK 99 / 61 / 0 / 3

HEX #0260F7

RGB 2 96 247

HSL 216.98, 0.98%, 0.49%

LAB 45.76, 36.04, -81.07

 

CMYK 0 / 99 / 43 / 3

HEX #F7028D

RGB 247 2 141

HSL 325.96, 0.98%, 0.49%

LAB 53.75, 83.74, -5.58

 

CMYK 0 / 9 / 99 / 3

HEX #F7E202

RGB 247 226 2

HSL 54.86, 0.98%, 0.49%

LAB 89, -10.81, 88.12

 

CMYK 99 / 0 / 58 / 3

HEX #02F768

RGB 2 247 104

HSL 144.98, 0.98%, 0.49%

LAB 85.77, -77.64, 54.25

 

CMYK 99 / 91 / 0 / 3

HEX #0216F7

RGB 2 22 247

HSL 235.1, 0.98%, 0.49%

LAB 32.49, 73.28, -103.06

 

Description

Color code: RGB 247 2 141 | qconv.com Color code: RGB 247 2 141 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 2 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 2 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 99 magenta, 43 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 99% 43% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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