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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0260F7 it is the complementary color #FD9F08. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0260F7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0260F7 shade: #0760F2, #1872FF, #2984FF, #3A96FF and #4BA8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0260F7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0260F7 shade: #0260F7, #004EE4, #003CD1, #002ABE and #0018AB

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0260F7 shade: #0260F7, #021EF7, #2802F7, #6A02F7 and #AC02F7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0260F7 shade: #0260F7, #021EF7 and #0202F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0260F7 shade matches the following richer shades: #0260F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0260F7 shade: #0260F7, #1665E3, #2A69CE, #3F6EBA and #5373A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0260F7 shade: #02E7F7, #02A5F7, #0264F7, #0223F7 and #2302F7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0260F7 shade: #0140A5, #0250CE, #0260F7, #2678FC and #4F91FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0260F7 shade: #0260F7, #C602F7 and #C6F702

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0260F7 shade: #0260F7, #F70264 and #64F702

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0260F7 shade: #0260F7, #C602F7, #F79502 and #33F702

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0260F7 shade: #0260F7, #F702DE, #F79502 and #02F71A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 61 / 0 / 3

HEX #0260F7

RGB 2 96 247

HSL 216.98, 0.98%, 0.49%

LAB 45.76, 36.04, -81.07

 

Complementary color

CMYK 0 / 37 / 97 / 1

HEX #FD9F08

RGB 253 159 8

HSL 36.98, 0.98%, 0.51%

LAB 73.35, 26.29, 76.86

 

CMYK 97 / 60 / 0 / 5

HEX #0760F2

RGB 7 96 242

HSL 217.28, 0.94%, 0.49%

LAB 45.39, 34.25, -78.88

 

CMYK 91 / 55 / 0 / 0

HEX #1872FF

RGB 24 114 255

HSL 216.62, 1%, 0.55%

LAB 51.21, 28.28, -76.61

 

CMYK 84 / 48 / 0 / 0

HEX #2984FF

RGB 41 132 255

HSL 214.49, 1%, 0.58%

LAB 56.28, 18, -68.38

 

CMYK 77 / 41 / 0 / 0

HEX #3A96FF

RGB 58 150 255

HSL 211.98, 1%, 0.61%

LAB 61.6, 8.6, -59.82

 

CMYK 71 / 34 / 0 / 0

HEX #4BA8FF

RGB 75 168 255

HSL 209, 1%, 0.65%

LAB 67.07, 0.18, -51.09

 

CMYK 99 / 61 / 0 / 3

HEX #0260F7

RGB 2 96 247

HSL 216.98, 0.98%, 0.49%

LAB 45.76, 36.04, -81.07

 

CMYK 100 / 66 / 0 / 11

HEX #004EE4

RGB 0 78 228

HSL 219.47, 1%, 0.45%

LAB 39.66, 40.27, -80.38

 

CMYK 100 / 71 / 0 / 18

HEX #003CD1

RGB 0 60 209

HSL 222.78, 1%, 0.41%

LAB 33.64, 44.48, -79.42

 

CMYK 100 / 78 / 0 / 25

HEX #002ABE

RGB 0 42 190

HSL 226.74, 1%, 0.37%

LAB 27.77, 48.32, -78.02

 

CMYK 100 / 86 / 0 / 33

HEX #0018AB

RGB 0 24 171

HSL 231.58, 1%, 0.34%

LAB 22.28, 51.14, -75.81

 

CMYK 99 / 61 / 0 / 3

HEX #0260F7

RGB 2 96 247

HSL 216.98, 0.98%, 0.49%

LAB 45.76, 36.04, -81.07

 

CMYK 99 / 88 / 0 / 3

HEX #021EF7

RGB 2 30 247

HSL 233.14, 0.98%, 0.49%

LAB 33.26, 70.92, -101.77

 

CMYK 84 / 99 / 0 / 3

HEX #2802F7

RGB 40 2 247

HSL 249.31, 0.98%, 0.49%

LAB 32.28, 77.34, -103.38

 

CMYK 57 / 99 / 0 / 3

HEX #6A02F7

RGB 106 2 247

HSL 265.47, 0.98%, 0.49%

LAB 37.52, 79.76, -94.5

 

CMYK 30 / 99 / 0 / 3

HEX #AC02F7

RGB 172 2 247

HSL 281.63, 0.98%, 0.49%

LAB 46.35, 85.57, -79.64

 

CMYK 99 / 61 / 0 / 3

HEX #0260F7

RGB 2 96 247

HSL 216.98, 0.98%, 0.49%

LAB 45.76, 36.04, -81.07

 

CMYK 99 / 88 / 0 / 3

HEX #021EF7

RGB 2 30 247

HSL 233.14, 0.98%, 0.49%

LAB 33.26, 70.92, -101.77

 

CMYK 99 / 99 / 0 / 3

HEX #0202F7

RGB 2 2 247

HSL 240, 0.98%, 0.49%

LAB 31.28, 77, -105.07

 

CMYK 99 / 61 / 0 / 3

HEX #0260F7

RGB 2 96 247

HSL 216.98, 0.98%, 0.49%

LAB 45.76, 36.04, -81.07

 

CMYK 99 / 61 / 0 / 3

HEX #0260F7

RGB 2 96 247

HSL 216.98, 0.98%, 0.49%

LAB 45.76, 36.04, -81.07

 

CMYK 90 / 56 / 0 / 11

HEX #1665E3

RGB 22 101 227

HSL 216.88, 0.82%, 0.49%

LAB 45.67, 25.77, -69.98

 

CMYK 80 / 49 / 0 / 19

HEX #2A69CE

RGB 42 105 206

HSL 216.95, 0.66%, 0.49%

LAB 45.7, 16.55, -57.94

 

CMYK 66 / 41 / 0 / 27

HEX #3F6EBA

RGB 63 110 186

HSL 217.07, 0.49%, 0.49%

LAB 46.65, 8.82, -44.86

 

CMYK 50 / 31 / 0 / 35

HEX #5373A6

RGB 83 115 166

HSL 216.87, 0.33%, 0.49%

LAB 48.08, 3.19, -30.9

 

CMYK 99 / 6 / 0 / 3

HEX #02E7F7

RGB 2 231 247

HSL 183.92, 0.98%, 0.49%

LAB 83.9, -39.8, -20.81

 

CMYK 99 / 33 / 0 / 3

HEX #02A5F7

RGB 2 165 247

HSL 200.08, 0.98%, 0.49%

LAB 64.67, -6.29, -50.59

 

CMYK 99 / 60 / 0 / 3

HEX #0264F7

RGB 2 100 247

HSL 216, 0.98%, 0.49%

LAB 46.77, 33.49, -79.43

 

CMYK 99 / 86 / 0 / 3

HEX #0223F7

RGB 2 35 247

HSL 231.92, 0.98%, 0.49%

LAB 33.84, 69.17, -100.8

 

CMYK 86 / 99 / 0 / 3

HEX #2302F7

RGB 35 2 247

HSL 248.08, 0.98%, 0.49%

LAB 32.07, 77.27, -103.73

 

CMYK 99 / 61 / 0 / 35

HEX #0140A5

RGB 1 64 165

HSL 216.95, 0.99%, 0.33%

LAB 30.38, 24.9, -58.82

 

CMYK 99 / 61 / 0 / 19

HEX #0250CE

RGB 2 80 206

HSL 217.06, 0.98%, 0.41%

LAB 38.21, 30.61, -70.16

 

CMYK 99 / 61 / 0 / 3

HEX #0260F7

RGB 2 96 247

HSL 216.98, 0.98%, 0.49%

LAB 45.76, 36.04, -81.07

 

CMYK 85 / 52 / 0 / 1

HEX #2678FC

RGB 38 120 252

HSL 217.01, 0.97%, 0.57%

LAB 52.81, 24.13, -72.34

 

CMYK 69 / 43 / 0 / 1

HEX #4F91FD

RGB 79 145 253

HSL 217.24, 0.98%, 0.65%

LAB 60.79, 13.49, -59.98

 

CMYK 99 / 61 / 0 / 3

HEX #0260F7

RGB 2 96 247

HSL 216.98, 0.98%, 0.49%

LAB 45.76, 36.04, -81.07

 

CMYK 20 / 99 / 0 / 3

HEX #C602F7

RGB 198 2 247

HSL 288, 0.98%, 0.49%

LAB 50.41, 88.75, -72.85

 

CMYK 20 / 0 / 99 / 3

HEX #C6F702

RGB 198 247 2

HSL 72, 0.98%, 0.49%

LAB 91.02, -40.74, 88.01

 

CMYK 99 / 61 / 0 / 3

HEX #0260F7

RGB 2 96 247

HSL 216.98, 0.98%, 0.49%

LAB 45.76, 36.04, -81.07

 

CMYK 0 / 99 / 60 / 3

HEX #F70264

RGB 247 2 100

HSL 336, 0.98%, 0.49%

LAB 52.66, 80.85, 17.64

 

CMYK 60 / 0 / 99 / 3

HEX #64F702

RGB 100 247 2

HSL 96, 0.98%, 0.49%

LAB 86.62, -72.29, 82.69

 

CMYK 99 / 61 / 0 / 3

HEX #0260F7

RGB 2 96 247

HSL 216.98, 0.98%, 0.49%

LAB 45.76, 36.04, -81.07

 

CMYK 20 / 99 / 0 / 3

HEX #C602F7

RGB 198 2 247

HSL 288, 0.98%, 0.49%

LAB 50.41, 88.75, -72.85

 

CMYK 0 / 40 / 99 / 3

HEX #F79502

RGB 247 149 2

HSL 36, 0.98%, 0.49%

LAB 70.37, 28.96, 75.27

 

CMYK 79 / 0 / 99 / 3

HEX #33F702

RGB 51 247 2

HSL 108, 0.98%, 0.49%

LAB 85.62, -80.88, 81.47

 

CMYK 99 / 61 / 0 / 3

HEX #0260F7

RGB 2 96 247

HSL 216.98, 0.98%, 0.49%

LAB 45.76, 36.04, -81.07

 

CMYK 0 / 99 / 10 / 3

HEX #F702DE

RGB 247 2 222

HSL 306.12, 0.98%, 0.49%

LAB 57.16, 92.43, -47.48

 

CMYK 0 / 40 / 99 / 3

HEX #F79502

RGB 247 149 2

HSL 36, 0.98%, 0.49%

LAB 70.37, 28.96, 75.27

 

CMYK 99 / 0 / 89 / 3

HEX #02F71A

RGB 2 247 26

HSL 125.88, 0.98%, 0.49%

LAB 85.31, -83.57, 78.59

 

Description

Color code: HEX #0260F7 | qconv.com Color code: HEX #0260F7 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 2 red, 96 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
2 96 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, 61 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 61% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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