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Color name
RGB 243 196 68

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 243 196 68 it is the complementary color RGB 12 59 187. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 243 196 68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 243 196 68 shade: RGB 248 196 63, RGB 255 214 82, RGB 255 232 101, RGB 255 250 120 and RGB 255 255 139

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 243 196 68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 243 196 68 shade: RGB 243 196 68, RGB 226 178 49, RGB 209 160 30, RGB 192 142 11 and RGB 175 124 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 243 196 68 shade: RGB 243 196 68, RGB 243 148 68, RGB 243 101 68 and RGB 243 68 68

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 243 196 68 shade: RGB 243 196 68, RGB 242 243 68, RGB 195 243 68, RGB 148 243 68 and RGB 101 243 68

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 243 196 68 shade matches the following richer shades: RGB 243 196 68

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 243 196 68 shade: RGB 243 196 68, RGB 226 188 84, RGB 210 181 100, RGB 194 173 116 and RGB 178 166 132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 243 196 68 shade: RGB 243 100 68, RGB 243 146 68, RGB 243 193 68, RGB 243 240 68 and RGB 199 243 68

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 243 196 68 shade: RGB 214 160 13, RGB 240 183 29, RGB 243 196 68, RGB 245 208 106 and RGB 248 220 145

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 243 196 68 shade: RGB 243 196 68, RGB 82 243 68 and RGB 123 68 243

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 243 196 68 shade: RGB 243 196 68, RGB 68 243 193 and RGB 193 68 243

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 243 196 68 shade: RGB 243 196 68, RGB 82 243 68, RGB 68 117 243 and RGB 228 68 243

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 243 196 68 shade: RGB 243 196 68, RGB 68 243 105, RGB 68 117 243 and RGB 243 68 205

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 72 / 5

HEX #F3C444

RGB 243 196 68

HSL 43.89, 0.88%, 0.61%

LAB 81.27, 4.23, 67.23

 

Complementary color

CMYK 94 / 68 / 0 / 27

HEX #0C3BBB

RGB 12 59 187

HSL 223.89, 0.88%, 0.39%

LAB 31.33, 37.29, -70.35

 

CMYK 0 / 21 / 75 / 3

HEX #F8C43F

RGB 248 196 63

HSL 43.14, 0.93%, 0.61%

LAB 81.73, 6.12, 69.72

 

CMYK 0 / 16 / 68 / 0

HEX #FFD652

RGB 255 214 82

HSL 45.78, 1%, 0.66%

LAB 86.98, 0.69, 67.85

 

CMYK 0 / 9 / 60 / 0

HEX #FFE865

RGB 255 232 101

HSL 51.04, 1%, 0.7%

LAB 91.65, -7.26, 64.92

 

CMYK 0 / 2 / 53 / 0

HEX #FFFA78

RGB 255 250 120

HSL 57.78, 1%, 0.74%

LAB 96.4, -14.76, 61.98

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8B

RGB 255 255 139

HSL 60, 1%, 0.77%

LAB 97.89, -15.58, 55.07

 

CMYK 0 / 19 / 72 / 5

HEX #F3C444

RGB 243 196 68

HSL 43.89, 0.88%, 0.61%

LAB 81.27, 4.23, 67.23

 

CMYK 0 / 21 / 78 / 11

HEX #E2B231

RGB 226 178 49

HSL 43.73, 0.75%, 0.54%

LAB 74.97, 5.61, 67.54

 

CMYK 0 / 23 / 86 / 18

HEX #D1A01E

RGB 209 160 30

HSL 43.58, 0.75%, 0.47%

LAB 68.6, 7.21, 67.08

 

CMYK 0 / 26 / 94 / 25

HEX #C08E0B

RGB 192 142 11

HSL 43.43, 0.89%, 0.4%

LAB 62.15, 9.06, 65.29

 

CMYK 0 / 29 / 100 / 31

HEX #AF7C00

RGB 175 124 0

HSL 42.51, 1%, 0.34%

LAB 55.61, 11.2, 61.56

 

CMYK 0 / 19 / 72 / 5

HEX #F3C444

RGB 243 196 68

HSL 43.89, 0.88%, 0.61%

LAB 81.27, 4.23, 67.23

 

CMYK 0 / 39 / 72 / 5

HEX #F39444

RGB 243 148 68

HSL 27.43, 0.88%, 0.61%

LAB 69.93, 29.42, 55.71

 

CMYK 0 / 58 / 72 / 5

HEX #F36544

RGB 243 101 68

HSL 11.31, 0.88%, 0.61%

LAB 60.59, 52.71, 45.66

 

CMYK 0 / 72 / 72 / 5

HEX #F34444

RGB 243 68 68

HSL 0, 0.88%, 0.61%

LAB 55.69, 65.91, 40.14

 

CMYK 0 / 19 / 72 / 5

HEX #F3C444

RGB 243 196 68

HSL 43.89, 0.88%, 0.61%

LAB 81.27, 4.23, 67.23

 

CMYK 0 / 0 / 72 / 5

HEX #F2F344

RGB 242 243 68

HSL 60.34, 0.88%, 0.61%

LAB 93.19, -19.72, 78.71

 

CMYK 20 / 0 / 72 / 5

HEX #C3F344

RGB 195 243 68

HSL 76.46, 0.88%, 0.61%

LAB 89.92, -38.37, 74.43

 

CMYK 39 / 0 / 72 / 5

HEX #94F344

RGB 148 243 68

HSL 92.57, 0.88%, 0.61%

LAB 87.39, -55.09, 71.1

 

CMYK 58 / 0 / 72 / 5

HEX #65F344

RGB 101 243 68

HSL 108.69, 0.88%, 0.61%

LAB 85.65, -68.31, 68.78

 

CMYK 0 / 19 / 72 / 5

HEX #F3C444

RGB 243 196 68

HSL 43.89, 0.88%, 0.61%

LAB 81.27, 4.23, 67.23

 

CMYK 0 / 19 / 72 / 5

HEX #F3C444

RGB 243 196 68

HSL 43.89, 0.88%, 0.61%

LAB 81.27, 4.23, 67.23

 

CMYK 0 / 17 / 63 / 11

HEX #E2BC54

RGB 226 188 84

HSL 43.94, 0.71%, 0.61%

LAB 77.74, 2.1, 56.33

 

CMYK 0 / 14 / 52 / 18

HEX #D2B564

RGB 210 181 100

HSL 44.18, 0.55%, 0.61%

LAB 74.62, 0.27, 44.74

 

CMYK 0 / 11 / 40 / 24

HEX #C2AD74

RGB 194 173 116

HSL 43.85, 0.39%, 0.61%

LAB 71.29, -0.5, 32.05

 

CMYK 0 / 7 / 26 / 30

HEX #B2A684

RGB 178 166 132

HSL 44.35, 0.23%, 0.61%

LAB 68.32, -1.13, 19.2

 

CMYK 0 / 59 / 72 / 5

HEX #F36444

RGB 243 100 68

HSL 10.97, 0.88%, 0.61%

LAB 60.41, 53.16, 45.46

 

CMYK 0 / 40 / 72 / 5

HEX #F39244

RGB 243 146 68

HSL 26.74, 0.88%, 0.61%

LAB 69.49, 30.46, 55.25

 

CMYK 0 / 21 / 72 / 5

HEX #F3C144

RGB 243 193 68

HSL 42.86, 0.88%, 0.61%

LAB 80.52, 5.79, 66.49

 

CMYK 0 / 1 / 72 / 5

HEX #F3F044

RGB 243 240 68

HSL 58.97, 0.88%, 0.61%

LAB 92.48, -17.87, 78.07

 

CMYK 18 / 0 / 72 / 5

HEX #C7F344

RGB 199 243 68

HSL 75.09, 0.88%, 0.61%

LAB 90.17, -36.83, 74.76

 

CMYK 0 / 25 / 94 / 16

HEX #D6A00D

RGB 214 160 13

HSL 43.88, 0.89%, 0.45%

LAB 69.09, 9.1, 71.15

 

CMYK 0 / 24 / 88 / 6

HEX #F0B71D

RGB 240 183 29

HSL 43.79, 0.88%, 0.53%

LAB 77.57, 8.47, 75.87

 

CMYK 0 / 19 / 72 / 5

HEX #F3C444

RGB 243 196 68

HSL 43.89, 0.88%, 0.61%

LAB 81.27, 4.23, 67.23

 

CMYK 0 / 15 / 57 / 4

HEX #F5D06A

RGB 245 208 106

HSL 44.03, 0.87%, 0.69%

LAB 84.77, 1.15, 54.67

 

CMYK 0 / 11 / 42 / 3

HEX #F8DC91

RGB 248 220 145

HSL 43.69, 0.88%, 0.77%

LAB 88.54, -0.32, 40.35

 

CMYK 0 / 19 / 72 / 5

HEX #F3C444

RGB 243 196 68

HSL 43.89, 0.88%, 0.61%

LAB 81.27, 4.23, 67.23

 

CMYK 66 / 0 / 72 / 5

HEX #52F344

RGB 82 243 68

HSL 115.2, 0.88%, 0.61%

LAB 85.16, -72.34, 68.12

 

CMYK 49 / 72 / 0 / 5

HEX #7B44F3

RGB 123 68 243

HSL 258.86, 0.88%, 0.61%

LAB 45.38, 61.71, -79.23

 

CMYK 0 / 19 / 72 / 5

HEX #F3C444

RGB 243 196 68

HSL 43.89, 0.88%, 0.61%

LAB 81.27, 4.23, 67.23

 

CMYK 72 / 0 / 21 / 5

HEX #44F3C1

RGB 68 243 193

HSL 162.86, 0.88%, 0.61%

LAB 86.59, -55.25, 11.58

 

CMYK 21 / 72 / 0 / 5

HEX #C144F3

RGB 193 68 243

HSL 282.86, 0.88%, 0.61%

LAB 53.97, 73.85, -64.89

 

CMYK 0 / 19 / 72 / 5

HEX #F3C444

RGB 243 196 68

HSL 43.89, 0.88%, 0.61%

LAB 81.27, 4.23, 67.23

 

CMYK 66 / 0 / 72 / 5

HEX #52F344

RGB 82 243 68

HSL 115.2, 0.88%, 0.61%

LAB 85.16, -72.34, 68.12

 

CMYK 72 / 52 / 0 / 5

HEX #4475F3

RGB 68 117 243

HSL 223.2, 0.88%, 0.61%

LAB 52.31, 25.58, -68.11

 

CMYK 6 / 72 / 0 / 5

HEX #E444F3

RGB 228 68 243

HSL 294.86, 0.88%, 0.61%

LAB 59.07, 80.71, -56.43

 

CMYK 0 / 19 / 72 / 5

HEX #F3C444

RGB 243 196 68

HSL 43.89, 0.88%, 0.61%

LAB 81.27, 4.23, 67.23

 

CMYK 72 / 0 / 57 / 5

HEX #44F369

RGB 68 243 105

HSL 132.69, 0.88%, 0.61%

LAB 85.17, -71.07, 53.25

 

CMYK 72 / 52 / 0 / 5

HEX #4475F3

RGB 68 117 243

HSL 223.2, 0.88%, 0.61%

LAB 52.31, 25.58, -68.11

 

CMYK 0 / 72 / 16 / 5

HEX #F344CD

RGB 243 68 205

HSL 313.03, 0.88%, 0.61%

LAB 59.52, 78.23, -34.16

 

Description

Color code: RGB 243 196 68 | qconv.com Color code: RGB 243 196 68 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 196 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 196 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 72 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 72% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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