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Color name
CMYK 0 / 26 / 94 / 25

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 26 / 94 / 25 it is the complementary color CMYK 74 / 54 / 0 / 4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 26 / 94 / 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 26 / 94 / 25 shade: CMYK 0 / 28 / 97 / 23, CMYK 0 / 25 / 88 / 16, CMYK 0 / 23 / 81 / 10, CMYK 0 / 21 / 74 / 3 and CMYK 0 / 16 / 68 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 26 / 94 / 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 26 / 94 / 25 shade: CMYK 0 / 26 / 94 / 25, CMYK 0 / 29 / 100 / 32, CMYK 0 / 32 / 100 / 38, CMYK 0 / 37 / 100 / 45 and CMYK 0 / 43 / 100 / 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 26 / 94 / 25 shade: CMYK 0 / 26 / 94 / 25, CMYK 0 / 51 / 94 / 25, CMYK 0 / 77 / 94 / 25 and CMYK 0 / 94 / 94 / 25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 26 / 94 / 25 shade: CMYK 0 / 26 / 94 / 25, CMYK 0 / 0 / 94 / 25, CMYK 25 / 0 / 94 / 25, CMYK 51 / 0 / 94 / 25 and CMYK 76 / 0 / 94 / 25

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 26 / 94 / 25 shade matches the following richer shades: CMYK 0 / 26 / 94 / 25

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 26 / 94 / 25 shade: CMYK 0 / 26 / 94 / 25, CMYK 0 / 23 / 85 / 31, CMYK 0 / 19 / 72 / 38, CMYK 0 / 16 / 58 / 44 and CMYK 0 / 10 / 39 / 51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 26 / 94 / 25 shade: CMYK 0 / 77 / 94 / 25, CMYK 0 / 52 / 94 / 25, CMYK 0 / 27 / 94 / 25, CMYK 0 / 2 / 94 / 25 and CMYK 23 / 0 / 94 / 25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 26 / 94 / 25 shade: CMYK 0 / 25 / 95 / 55, CMYK 0 / 25 / 95 / 40, CMYK 0 / 26 / 94 / 25, CMYK 0 / 26 / 94 / 9 and CMYK 0 / 22 / 82 / 5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 26 / 94 / 25 shade: CMYK 0 / 26 / 94 / 25, CMYK 86 / 0 / 94 / 25 and CMYK 65 / 94 / 0 / 25

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 26 / 94 / 25 shade: CMYK 0 / 26 / 94 / 25, CMYK 94 / 0 / 27 / 25 and CMYK 27 / 94 / 0 / 25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 26 / 94 / 25 shade: CMYK 0 / 26 / 94 / 25, CMYK 86 / 0 / 94 / 25, CMYK 94 / 68 / 0 / 25 and CMYK 8 / 94 / 0 / 25

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 26 / 94 / 25 shade: CMYK 0 / 26 / 94 / 25, CMYK 94 / 0 / 74 / 25, CMYK 94 / 68 / 0 / 25 and CMYK 0 / 94 / 20 / 25

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 94 / 25

HEX #BF8E0B

RGB 191 142 11

HSL 43.67, 0.89%, 0.4%

LAB 62.04, 8.61, 65.15

 

Complementary color

CMYK 74 / 54 / 0 / 4

HEX #4071F4

RGB 64 113 244

HSL 223.67, 0.89%, 0.6%

LAB 51.19, 27.95, -70.49

 

CMYK 0 / 28 / 97 / 23

HEX #C48E06

RGB 196 142 6

HSL 42.95, 0.94%, 0.4%

LAB 62.59, 10.79, 66.54

 

CMYK 0 / 25 / 88 / 16

HEX #D5A019

RGB 213 160 25

HSL 43.09, 0.79%, 0.47%

LAB 69.01, 8.86, 68.81

 

CMYK 0 / 23 / 81 / 10

HEX #E6B22C

RGB 230 178 44

HSL 43.23, 0.79%, 0.54%

LAB 75.36, 7.17, 69.66

 

CMYK 0 / 21 / 74 / 3

HEX #F7C43F

RGB 247 196 63

HSL 43.37, 0.92%, 0.61%

LAB 81.63, 5.7, 69.59

 

CMYK 0 / 16 / 68 / 0

HEX #FFD652

RGB 255 214 82

HSL 45.78, 1%, 0.66%

LAB 86.98, 0.69, 67.85

 

CMYK 0 / 26 / 94 / 25

HEX #BF8E0B

RGB 191 142 11

HSL 43.67, 0.89%, 0.4%

LAB 62.04, 8.61, 65.15

 

CMYK 0 / 29 / 100 / 32

HEX #AE7C00

RGB 174 124 0

HSL 42.76, 1%, 0.34%

LAB 55.5, 10.74, 61.42

 

CMYK 0 / 32 / 100 / 38

HEX #9D6A00

RGB 157 106 0

HSL 40.51, 1%, 0.31%

LAB 48.85, 13.11, 55.99

 

CMYK 0 / 37 / 100 / 45

HEX #8C5800

RGB 140 88 0

HSL 37.71, 1%, 0.27%

LAB 42.08, 15.6, 50.46

 

CMYK 0 / 43 / 100 / 52

HEX #7B4600

RGB 123 70 0

HSL 34.15, 1%, 0.24%

LAB 35.19, 18.21, 44.85

 

CMYK 0 / 26 / 94 / 25

HEX #C08F0B

RGB 192 143 11

HSL 43.76, 0.89%, 0.4%

LAB 62.4, 8.52, 65.47

 

CMYK 0 / 51 / 94 / 25

HEX #C05E0B

RGB 192 94 11

HSL 27.51, 0.89%, 0.4%

LAB 50.96, 35.12, 57.35

 

CMYK 0 / 77 / 94 / 25

HEX #C02D0B

RGB 192 45 11

HSL 11.27, 0.89%, 0.4%

LAB 42.92, 56.4, 52.12

 

CMYK 0 / 94 / 94 / 25

HEX #C00B0B

RGB 192 11 11

HSL 0, 0.89%, 0.4%

LAB 40.36, 63.68, 50.6

 

CMYK 0 / 26 / 94 / 25

HEX #C08F0B

RGB 192 143 11

HSL 43.76, 0.89%, 0.4%

LAB 62.4, 8.52, 65.47

 

CMYK 0 / 0 / 94 / 25

HEX #C0C00B

RGB 192 192 11

HSL 60, 0.89%, 0.4%

LAB 75.41, -17.29, 75.19

 

CMYK 25 / 0 / 94 / 25

HEX #90C00B

RGB 144 192 11

HSL 75.91, 0.89%, 0.4%

LAB 72, -37.31, 71.07

 

CMYK 51 / 0 / 94 / 25

HEX #5FC00B

RGB 95 192 11

HSL 92.15, 0.89%, 0.4%

LAB 69.58, -54.49, 68.12

 

CMYK 76 / 0 / 94 / 25

HEX #2EC00B

RGB 46 192 11

HSL 108.4, 0.89%, 0.4%

LAB 68.24, -65.54, 66.47

 

CMYK 0 / 26 / 94 / 25

HEX #C08F0B

RGB 192 143 11

HSL 43.76, 0.89%, 0.4%

LAB 62.4, 8.52, 65.47

 

CMYK 0 / 26 / 94 / 25

HEX #C08F0B

RGB 192 143 11

HSL 43.76, 0.89%, 0.4%

LAB 62.4, 8.52, 65.47

 

CMYK 0 / 23 / 85 / 31

HEX #B0871B

RGB 176 135 27

HSL 43.49, 0.73%, 0.4%

LAB 58.64, 6.02, 58.19

 

CMYK 0 / 19 / 72 / 38

HEX #9F802C

RGB 159 128 44

HSL 43.83, 0.57%, 0.4%

LAB 55.06, 2.87, 47.99

 

CMYK 0 / 16 / 58 / 44

HEX #8F783C

RGB 143 120 60

HSL 43.37, 0.41%, 0.4%

LAB 51.38, 1.2, 35.81

 

CMYK 0 / 10 / 39 / 51

HEX #7E714D

RGB 126 113 77

HSL 44.08, 0.24%, 0.4%

LAB 47.98, -0.59, 21.85

 

CMYK 0 / 77 / 94 / 25

HEX #C02C0B

RGB 192 44 11

HSL 10.94, 0.89%, 0.4%

LAB 42.81, 56.72, 52.05

 

CMYK 0 / 52 / 94 / 25

HEX #C05C0B

RGB 192 92 11

HSL 26.85, 0.89%, 0.4%

LAB 50.55, 36.15, 57.07

 

CMYK 0 / 27 / 94 / 25

HEX #C08D0B

RGB 192 141 11

HSL 43.09, 0.89%, 0.4%

LAB 61.9, 9.61, 65.1

 

CMYK 0 / 2 / 94 / 25

HEX #C0BD0B

RGB 192 189 11

HSL 59.01, 0.89%, 0.4%

LAB 74.59, -15.78, 74.56

 

CMYK 23 / 0 / 94 / 25

HEX #93C00B

RGB 147 192 11

HSL 74.92, 0.89%, 0.4%

LAB 72.18, -36.12, 71.29

 

CMYK 0 / 25 / 95 / 55

HEX #725506

RGB 114 85 6

HSL 43.89, 0.9%, 0.24%

LAB 38, 5.01, 44.31

 

CMYK 0 / 25 / 95 / 40

HEX #997208

RGB 153 114 8

HSL 43.86, 0.9%, 0.32%

LAB 50.48, 6.81, 55.23

 

CMYK 0 / 26 / 94 / 25

HEX #C08F0B

RGB 192 143 11

HSL 43.76, 0.89%, 0.4%

LAB 62.4, 8.52, 65.47

 

CMYK 0 / 26 / 94 / 9

HEX #E7AC0D

RGB 231 172 13

HSL 43.76, 0.89%, 0.48%

LAB 73.88, 10.13, 75.46

 

CMYK 0 / 22 / 82 / 5

HEX #F2BC2B

RGB 242 188 43

HSL 43.72, 0.88%, 0.56%

LAB 79.05, 7.04, 73.63

 

CMYK 0 / 26 / 94 / 25

HEX #BF8E0B

RGB 191 142 11

HSL 43.67, 0.89%, 0.4%

LAB 62.04, 8.61, 65.15

 

CMYK 86 / 0 / 94 / 25

HEX #1AC00B

RGB 26 192 11

HSL 115.03, 0.89%, 0.4%

LAB 67.98, -67.91, 66.14

 

CMYK 65 / 94 / 0 / 25

HEX #440BC0

RGB 68 11 192

HSL 258.9, 0.89%, 0.4%

LAB 27.5, 63.45, -79.56

 

CMYK 0 / 26 / 94 / 25

HEX #BF8E0B

RGB 191 142 11

HSL 43.67, 0.89%, 0.4%

LAB 62.04, 8.61, 65.15

 

CMYK 94 / 0 / 27 / 25

HEX #0BC08D

RGB 11 192 141

HSL 163.09, 0.89%, 0.4%

LAB 69.25, -52.33, 14.56

 

CMYK 27 / 94 / 0 / 25

HEX #8D0BC0

RGB 141 11 192

HSL 283.09, 0.89%, 0.4%

LAB 37.31, 70.63, -63.05

 

CMYK 0 / 26 / 94 / 25

HEX #BF8E0B

RGB 191 142 11

HSL 43.67, 0.89%, 0.4%

LAB 62.04, 8.61, 65.15

 

CMYK 86 / 0 / 94 / 25

HEX #1AC00B

RGB 26 192 11

HSL 115.03, 0.89%, 0.4%

LAB 67.98, -67.91, 66.14

 

CMYK 94 / 68 / 0 / 25

HEX #0B3EC0

RGB 11 62 192

HSL 223.09, 0.89%, 0.4%

LAB 32.53, 37.22, -71.33

 

CMYK 8 / 94 / 0 / 25

HEX #B10BC0

RGB 177 11 192

HSL 295.03, 0.89%, 0.4%

LAB 43.35, 75.95, -52.99

 

CMYK 0 / 26 / 94 / 25

HEX #BF8E0B

RGB 191 142 11

HSL 43.67, 0.89%, 0.4%

LAB 62.04, 8.61, 65.15

 

CMYK 94 / 0 / 74 / 25

HEX #0BC032

RGB 11 192 50

HSL 132.93, 0.89%, 0.4%

LAB 68.02, -66.95, 56.72

 

CMYK 94 / 68 / 0 / 25

HEX #0B3EC0

RGB 11 62 192

HSL 223.09, 0.89%, 0.4%

LAB 32.53, 37.22, -71.33

 

CMYK 0 / 94 / 20 / 25

HEX #C00B99

RGB 192 11 153

HSL 312.93, 0.89%, 0.4%

LAB 43.87, 73.09, -28.83

 

Description

Color code: CMYK 0 / 26 / 94 / 25 | qconv.com Color code: CMYK 0 / 26 / 94 / 25 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 142 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 142 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 94 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 94% 25% C M Y K

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Provide designers and agencies with accurate color values.

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