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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 243 128 156 it is the complementary color RGB 12 127 99. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 243 128 156. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 243 128 156 shade: RGB 248 128 151, RGB 255 146 170, RGB 255 164 189, RGB 255 182 208 and RGB 255 200 227

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 243 128 156. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 243 128 156 shade: RGB 243 128 156, RGB 226 110 137, RGB 209 92 118, RGB 192 74 99 and RGB 175 56 80

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 243 128 156 shade: RGB 243 129 156 and RGB 243 129 129

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 243 128 156 shade: RGB 243 129 156, RGB 243 129 187, RGB 243 129 218, RGB 237 129 243 and RGB 206 129 243

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 243 128 156 shade matches the following richer shades: RGB 243 129 156 and RGB 254 117 151

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 243 128 156 shade: RGB 243 129 156, RGB 232 140 162, RGB 221 151 168, RGB 209 162 173 and RGB 198 173 179

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 243 128 156 shade: RGB 243 129 218, RGB 243 129 188, RGB 243 129 157, RGB 243 130 129 and RGB 243 161 129

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 243 128 156 shade: RGB 236 53 98, RGB 239 91 127, RGB 243 129 156, RGB 246 166 186 and RGB 250 204 215

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 243 128 156 shade: RGB 243 128 156, RGB 243 237 129 and RGB 129 203 243

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 243 128 156 shade: RGB 243 128 156, RGB 157 243 129 and RGB 129 157 243

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 243 128 156 shade: RGB 243 128 156, RGB 243 237 129, RGB 129 243 214 and RGB 129 134 243

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 243 128 156 shade: RGB 243 128 156, RGB 214 243 129, RGB 129 243 214 and RGB 157 129 243

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 36 / 5

HEX #F3809C

RGB 243 128 156

HSL 345.39, 0.83%, 0.73%

LAB 67.2, 46.85, 5.27

Complementary color

CMYK 91 / 0 / 22 / 50

HEX #0C7F63

RGB 12 127 99

HSL 165.39, 0.83%, 0.27%

LAB 47.18, -36.34, 7.04

 

CMYK 0 / 48 / 39 / 3

HEX #F88097

RGB 248 128 151

HSL 348.5, 0.9%, 0.74%

LAB 67.75, 48.01, 8.97

 

CMYK 0 / 43 / 33 / 0

HEX #FF92AA

RGB 255 146 170

HSL 346.79, 1%, 0.79%

LAB 72.71, 43.62, 5.57

 

CMYK 0 / 36 / 26 / 0

HEX #FFA4BD

RGB 255 164 189

HSL 343.52, 1%, 0.82%

LAB 76.97, 36.82, 1.28

 

CMYK 0 / 29 / 18 / 0

HEX #FFB6D0

RGB 255 182 208

HSL 338.63, 1%, 0.86%

LAB 81.44, 30.14, -2.5

 

CMYK 0 / 22 / 11 / 0

HEX #FFC8E3

RGB 255 200 227

HSL 330.55, 1%, 0.89%

LAB 86.06, 23.66, -5.86

 

CMYK 0 / 47 / 36 / 5

HEX #F3809C

RGB 243 128 156

HSL 345.39, 0.83%, 0.73%

LAB 67.2, 46.85, 5.27

 

CMYK 0 / 51 / 39 / 11

HEX #E26E89

RGB 226 110 137

HSL 346.03, 0.67%, 0.66%

LAB 60.89, 47.75, 6.76

 

CMYK 0 / 56 / 44 / 18

HEX #D15C76

RGB 209 92 118

HSL 346.67, 0.56%, 0.59%

LAB 54.57, 48.62, 8.51

 

CMYK 0 / 61 / 48 / 25

HEX #C04A63

RGB 192 74 99

HSL 347.29, 0.48%, 0.52%

LAB 48.27, 49.38, 10.6

 

CMYK 0 / 68 / 54 / 31

HEX #AF3850

RGB 175 56 80

HSL 347.9, 0.52%, 0.45%

LAB 42.03, 49.91, 13.18

 

CMYK 0 / 47 / 36 / 5

HEX #F3819C

RGB 243 129 156

HSL 345.79, 0.83%, 0.73%

LAB 67.39, 46.35, 5.55

 

CMYK 0 / 47 / 47 / 5

HEX #F38181

RGB 243 129 129

HSL 0, 0.83%, 0.73%

LAB 66.78, 43.5, 19.91

 

CMYK 0 / 47 / 36 / 5

HEX #F3819C

RGB 243 129 156

HSL 345.79, 0.83%, 0.73%

LAB 67.39, 46.35, 5.55

 

CMYK 0 / 47 / 23 / 5

HEX #F381BB

RGB 243 129 187

HSL 329.47, 0.83%, 0.73%

LAB 68.27, 50.31, -10.61

 

CMYK 0 / 47 / 10 / 5

HEX #F381DA

RGB 243 129 218

HSL 313.16, 0.83%, 0.73%

LAB 69.34, 54.95, -26.28

 

CMYK 2 / 47 / 0 / 5

HEX #ED81F3

RGB 237 129 243

HSL 296.84, 0.83%, 0.73%

LAB 69.59, 57.47, -39.73

 

CMYK 15 / 47 / 0 / 5

HEX #CE81F3

RGB 206 129 243

HSL 280.53, 0.83%, 0.73%

LAB 65.98, 48.88, -45.66

 

CMYK 0 / 47 / 36 / 5

HEX #F3819C

RGB 243 129 156

HSL 345.79, 0.83%, 0.73%

LAB 67.39, 46.35, 5.55

 

CMYK 0 / 54 / 41 / 0

HEX #FE7597

RGB 254 117 151

HSL 345.11, 0.99%, 0.73%

LAB 66.54, 55.3, 7.36

 

CMYK 0 / 47 / 36 / 5

HEX #F3819C

RGB 243 129 156

HSL 345.79, 0.83%, 0.73%

LAB 67.39, 46.35, 5.55

 

CMYK 0 / 40 / 30 / 9

HEX #E88CA2

RGB 232 140 162

HSL 345.65, 0.67%, 0.73%

LAB 68.4, 37.6, 3.45

 

CMYK 0 / 32 / 24 / 13

HEX #DD97A8

RGB 221 151 168

HSL 345.43, 0.51%, 0.73%

LAB 69.71, 28.62, 1.83

 

CMYK 0 / 22 / 17 / 18

HEX #D1A2AD

RGB 209 162 173

HSL 345.96, 0.34%, 0.73%

LAB 71.15, 19.04, 1.01

 

CMYK 0 / 13 / 10 / 22

HEX #C6ADB3

RGB 198 173 179

HSL 345.6, 0.18%, 0.73%

LAB 72.99, 10.04, 0.25

 

CMYK 0 / 47 / 10 / 5

HEX #F381DA

RGB 243 129 218

HSL 313.16, 0.83%, 0.73%

LAB 69.34, 54.95, -26.28

 

CMYK 0 / 47 / 23 / 5

HEX #F381BC

RGB 243 129 188

HSL 328.95, 0.83%, 0.73%

LAB 68.3, 50.45, -11.12

 

CMYK 0 / 47 / 35 / 5

HEX #F3819D

RGB 243 129 157

HSL 345.26, 0.83%, 0.73%

LAB 67.42, 46.47, 5.03

 

CMYK 0 / 47 / 47 / 5

HEX #F38281

RGB 243 130 129

HSL 0.53, 0.83%, 0.73%

LAB 66.98, 42.99, 20.18

 

CMYK 0 / 34 / 47 / 5

HEX #F3A181

RGB 243 161 129

HSL 16.84, 0.83%, 0.73%

LAB 73.63, 26.94, 29.13

 

CMYK 0 / 78 / 58 / 7

HEX #EC3562

RGB 236 53 98

HSL 345.25, 0.83%, 0.57%

LAB 53.23, 70.15, 19.27

 

CMYK 0 / 62 / 47 / 6

HEX #EF5B7F

RGB 239 91 127

HSL 345.41, 0.82%, 0.65%

LAB 59.31, 59.72, 10.59

 

CMYK 0 / 47 / 36 / 5

HEX #F3819C

RGB 243 129 156

HSL 345.79, 0.83%, 0.73%

LAB 67.39, 46.35, 5.55

 

CMYK 0 / 33 / 24 / 4

HEX #F6A6BA

RGB 246 166 186

HSL 345, 0.82%, 0.81%

LAB 76.32, 32.19, 1.85

 

CMYK 0 / 18 / 14 / 2

HEX #FACCD7

RGB 250 204 215

HSL 345.65, 0.82%, 0.89%

LAB 86.21, 17.91, 0.68

 

CMYK 0 / 47 / 36 / 5

HEX #F3809C

RGB 243 128 156

HSL 345.39, 0.83%, 0.73%

LAB 67.2, 46.85, 5.27

 

CMYK 0 / 2 / 47 / 5

HEX #F3ED81

RGB 243 237 129

HSL 56.84, 0.83%, 0.73%

LAB 92.22, -12.37, 52.67

 

CMYK 47 / 16 / 0 / 5

HEX #81CBF3

RGB 129 203 243

HSL 201.05, 0.83%, 0.73%

LAB 78.37, -12.56, -26.86

 

CMYK 0 / 47 / 36 / 5

HEX #F3809C

RGB 243 128 156

HSL 345.39, 0.83%, 0.73%

LAB 67.2, 46.85, 5.27

 

CMYK 35 / 0 / 47 / 5

HEX #9DF381

RGB 157 243 129

HSL 105.26, 0.83%, 0.73%

LAB 88.38, -46.5, 46.71

 

CMYK 47 / 35 / 0 / 5

HEX #819DF3

RGB 129 157 243

HSL 225.26, 0.83%, 0.73%

LAB 65.94, 12.82, -46.16

 

CMYK 0 / 47 / 36 / 5

HEX #F3809C

RGB 243 128 156

HSL 345.39, 0.83%, 0.73%

LAB 67.2, 46.85, 5.27

 

CMYK 0 / 2 / 47 / 5

HEX #F3ED81

RGB 243 237 129

HSL 56.84, 0.83%, 0.73%

LAB 92.22, -12.37, 52.67

 

CMYK 47 / 0 / 12 / 5

HEX #81F3D6

RGB 129 243 214

HSL 164.74, 0.83%, 0.73%

LAB 88.74, -39.32, 3.95

 

CMYK 47 / 45 / 0 / 5

HEX #8186F3

RGB 129 134 243

HSL 237.37, 0.83%, 0.73%

LAB 60.06, 26.25, -55.48

 

CMYK 0 / 47 / 36 / 5

HEX #F3809C

RGB 243 128 156

HSL 345.39, 0.83%, 0.73%

LAB 67.2, 46.85, 5.27

 

CMYK 12 / 0 / 47 / 5

HEX #D6F381

RGB 214 243 129

HSL 75.26, 0.83%, 0.73%

LAB 91.68, -26.46, 51.51

 

CMYK 47 / 0 / 12 / 5

HEX #81F3D6

RGB 129 243 214

HSL 164.74, 0.83%, 0.73%

LAB 88.74, -39.32, 3.95

 

CMYK 35 / 47 / 0 / 5

HEX #9D81F3

RGB 157 129 243

HSL 254.74, 0.83%, 0.73%

LAB 61.08, 35.88, -53.72

 

Description

Color code: RGB 243 128 156 | qconv.com Color code: RGB 243 128 156 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 128 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 128 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 36 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 36% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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