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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 12 127 99 it is the complementary color RGB 243 128 156. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 12 127 99. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 12 127 99 shade: RGB 17 127 94, RGB 34 145 113, RGB 51 163 132, RGB 68 181 151 and RGB 85 199 170

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 12 127 99. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 12 127 99 shade: RGB 12 127 99, RGB 0 109 80, RGB 0 91 61, RGB 0 73 42 and RGB 0 55 23

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 12 127 99 shade: RGB 11 125 98, RGB 11 125 67, RGB 11 125 36, RGB 17 125 11 and RGB 48 125 11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 12 127 99 shade: RGB 11 125 98, RGB 11 123 125, RGB 11 92 125, RGB 11 61 125 and RGB 11 30 125

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 12 127 99 shade matches the following richer shades: RGB 11 125 98 and RGB 0 137 103

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 12 127 99 shade: RGB 11 125 98, RGB 22 114 92, RGB 33 103 86, RGB 45 92 81 and RGB 56 81 75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 12 127 99 shade: RGB 11 125 36, RGB 11 125 66, RGB 11 125 97, RGB 11 124 125 and RGB 11 93 125

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 12 127 99 shade: RGB 4 50 39, RGB 8 88 68, RGB 11 125 98, RGB 15 163 127 and RGB 18 201 156

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 12 127 99 shade: RGB 12 127 99, RGB 11 17 125 and RGB 125 51 11

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 12 127 99 shade: RGB 12 127 99, RGB 97 11 125 and RGB 125 97 11

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 12 127 99 shade: RGB 12 127 99, RGB 11 17 125, RGB 125 11 40 and RGB 125 120 11

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 12 127 99 shade: RGB 12 127 99, RGB 40 11 125, RGB 125 11 40 and RGB 97 125 11

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 22 / 50

HEX #0C7F63

RGB 12 127 99

HSL 165.39, 0.83%, 0.27%

LAB 47.18, -36.34, 7.04

 

Complementary color

CMYK 0 / 47 / 36 / 5

HEX #F3809C

RGB 243 128 156

HSL 345.39, 0.83%, 0.73%

LAB 67.2, 46.85, 5.27

 

CMYK 87 / 0 / 26 / 50

HEX #117F5E

RGB 17 127 94

HSL 162, 0.76%, 0.28%

LAB 47.11, -37.26, 9.88

 

CMYK 77 / 0 / 22 / 43

HEX #229171

RGB 34 145 113

HSL 162.7, 0.62%, 0.35%

LAB 53.8, -38.27, 8.38

 

CMYK 69 / 0 / 19 / 36

HEX #33A384

RGB 51 163 132

HSL 163.39, 0.52%, 0.42%

LAB 60.4, -38.86, 7.06

 

CMYK 62 / 0 / 17 / 29

HEX #44B597

RGB 68 181 151

HSL 164.07, 0.45%, 0.49%

LAB 66.91, -39.18, 5.9

 

CMYK 57 / 0 / 15 / 22

HEX #55C7AA

RGB 85 199 170

HSL 164.74, 0.5%, 0.56%

LAB 73.34, -39.34, 4.84

 

CMYK 91 / 0 / 22 / 50

HEX #0C7F63

RGB 12 127 99

HSL 165.39, 0.83%, 0.27%

LAB 47.18, -36.34, 7.04

 

CMYK 100 / 0 / 27 / 57

HEX #006D50

RGB 0 109 80

HSL 164.04, 1%, 0.21%

LAB 40.44, -34.52, 8.76

 

CMYK 100 / 0 / 33 / 64

HEX #005B3D

RGB 0 91 61

HSL 160.22, 1%, 0.18%

LAB 33.6, -31.81, 10.78

 

CMYK 100 / 0 / 42 / 71

HEX #00492A

RGB 0 73 42

HSL 154.52, 1%, 0.14%

LAB 26.54, -28.94, 12.97

 

CMYK 100 / 0 / 58 / 78

HEX #003717

RGB 0 55 23

HSL 145.09, 1%, 0.11%

LAB 19.2, -25.73, 15.34

 

CMYK 91 / 0 / 22 / 51

HEX #0B7D62

RGB 11 125 98

HSL 165.79, 0.84%, 0.27%

LAB 46.47, -35.81, 6.62

 

CMYK 91 / 0 / 46 / 51

HEX #0B7D43

RGB 11 125 67

HSL 149.47, 0.84%, 0.27%

LAB 45.83, -43.05, 23.59

 

CMYK 91 / 0 / 71 / 51

HEX #0B7D24

RGB 11 125 36

HSL 133.16, 0.84%, 0.27%

LAB 45.45, -47.68, 38.76

 

CMYK 86 / 0 / 91 / 51

HEX #117D0B

RGB 17 125 11

HSL 116.84, 0.84%, 0.27%

LAB 45.37, -48.9, 46.97

 

CMYK 62 / 0 / 91 / 51

HEX #307D0B

RGB 48 125 11

HSL 100.53, 0.84%, 0.27%

LAB 46.07, -42.96, 47.84

 

CMYK 91 / 0 / 22 / 51

HEX #0B7D62

RGB 11 125 98

HSL 165.79, 0.84%, 0.27%

LAB 46.47, -35.81, 6.62

 

CMYK 91 / 2 / 0 / 51

HEX #0B7B7D

RGB 11 123 125

HSL 181.05, 0.84%, 0.27%

LAB 46.6, -26.75, -9.18

 

CMYK 91 / 26 / 0 / 51

HEX #0B5C7D

RGB 11 92 125

HSL 197.37, 0.84%, 0.27%

LAB 36.38, -9.73, -24.83

 

CMYK 91 / 51 / 0 / 51

HEX #0B3D7D

RGB 11 61 125

HSL 213.68, 0.84%, 0.27%

LAB 26.42, 10.66, -40.66

 

CMYK 91 / 76 / 0 / 51

HEX #0B1E7D

RGB 11 30 125

HSL 230, 0.84%, 0.27%

LAB 17.83, 32.4, -54.7

 

CMYK 91 / 0 / 22 / 51

HEX #0B7D62

RGB 11 125 98

HSL 165.79, 0.84%, 0.27%

LAB 46.47, -35.81, 6.62

 

CMYK 100 / 0 / 25 / 46

HEX #008967

RGB 0 137 103

HSL 165.11, 1%, 0.27%

LAB 50.54, -40.25, 9.45

 

CMYK 91 / 0 / 22 / 51

HEX #0B7D62

RGB 11 125 98

HSL 165.79, 0.84%, 0.27%

LAB 46.47, -35.81, 6.62

 

CMYK 81 / 0 / 19 / 55

HEX #16725C

RGB 22 114 92

HSL 165.65, 0.68%, 0.27%

LAB 42.73, -31.5, 4.86

 

CMYK 68 / 0 / 17 / 60

HEX #216756

RGB 33 103 86

HSL 165.43, 0.51%, 0.27%

LAB 39.06, -26.2, 3.25

 

CMYK 51 / 0 / 12 / 64

HEX #2D5C51

RGB 45 92 81

HSL 165.96, 0.34%, 0.27%

LAB 35.61, -19.09, 1.39

 

CMYK 31 / 0 / 7 / 68

HEX #38514B

RGB 56 81 75

HSL 165.6, 0.18%, 0.27%

LAB 32.33, -10.99, 0.47

 

CMYK 91 / 0 / 71 / 51

HEX #0B7D24

RGB 11 125 36

HSL 133.16, 0.84%, 0.27%

LAB 45.45, -47.68, 38.76

 

CMYK 91 / 0 / 47 / 51

HEX #0B7D42

RGB 11 125 66

HSL 148.95, 0.84%, 0.27%

LAB 45.81, -43.24, 24.12

 

CMYK 91 / 0 / 22 / 51

HEX #0B7D61

RGB 11 125 97

HSL 165.26, 0.84%, 0.27%

LAB 46.45, -36.08, 7.17

 

CMYK 91 / 1 / 0 / 51

HEX #0B7C7D

RGB 11 124 125

HSL 180.53, 0.84%, 0.27%

LAB 46.93, -27.24, -8.68

 

CMYK 91 / 26 / 0 / 51

HEX #0B5D7D

RGB 11 93 125

HSL 196.84, 0.84%, 0.27%

LAB 36.71, -10.33, -24.32

 

CMYK 92 / 0 / 22 / 80

HEX #043227

RGB 4 50 39

HSL 165.65, 0.85%, 0.11%

LAB 17.71, -18.31, 2.74

 

CMYK 91 / 0 / 23 / 65

HEX #085844

RGB 8 88 68

HSL 165, 0.83%, 0.19%

LAB 32.81, -27.72, 5.34

 

CMYK 91 / 0 / 22 / 51

HEX #0B7D62

RGB 11 125 98

HSL 165.79, 0.84%, 0.27%

LAB 46.47, -35.81, 6.62

 

CMYK 91 / 0 / 22 / 36

HEX #0FA37F

RGB 15 163 127

HSL 165.41, 0.83%, 0.35%

LAB 59.73, -44.03, 8.85

 

CMYK 91 / 0 / 22 / 21

HEX #12C99C

RGB 18 201 156

HSL 165.25, 0.84%, 0.43%

LAB 72.43, -51.93, 10.95

 

CMYK 91 / 0 / 22 / 50

HEX #0C7F63

RGB 12 127 99

HSL 165.39, 0.83%, 0.27%

LAB 47.18, -36.34, 7.04

 

CMYK 91 / 86 / 0 / 51

HEX #0B117D

RGB 11 17 125

HSL 236.84, 0.84%, 0.27%

LAB 15.24, 39.85, -59

 

CMYK 0 / 59 / 91 / 51

HEX #7D330B

RGB 125 51 11

HSL 21.05, 0.84%, 0.27%

LAB 31.24, 30.07, 38.09

 

CMYK 91 / 0 / 22 / 50

HEX #0C7F63

RGB 12 127 99

HSL 165.39, 0.83%, 0.27%

LAB 47.18, -36.34, 7.04

 

CMYK 22 / 91 / 0 / 51

HEX #610B7D

RGB 97 11 125

HSL 285.26, 0.84%, 0.27%

LAB 24.52, 51.13, -43.38

 

CMYK 0 / 22 / 91 / 51

HEX #7D610B

RGB 125 97 11

HSL 45.26, 0.84%, 0.27%

LAB 42.66, 3.38, 47.18

 

CMYK 91 / 0 / 22 / 50

HEX #0C7F63

RGB 12 127 99

HSL 165.39, 0.83%, 0.27%

LAB 47.18, -36.34, 7.04

 

CMYK 91 / 86 / 0 / 51

HEX #0B117D

RGB 11 17 125

HSL 236.84, 0.84%, 0.27%

LAB 15.24, 39.85, -59

 

CMYK 0 / 91 / 68 / 51

HEX #7D0B28

RGB 125 11 40

HSL 344.74, 0.84%, 0.27%

LAB 26.02, 46.45, 15.96

 

CMYK 0 / 4 / 91 / 51

HEX #7D780B

RGB 125 120 11

HSL 57.37, 0.84%, 0.27%

LAB 49.27, -9.75, 52.45

 

CMYK 91 / 0 / 22 / 50

HEX #0C7F63

RGB 12 127 99

HSL 165.39, 0.83%, 0.27%

LAB 47.18, -36.34, 7.04

 

CMYK 68 / 91 / 0 / 51

HEX #280B7D

RGB 40 11 125

HSL 255.26, 0.84%, 0.27%

LAB 16.36, 43.99, -57.08

 

CMYK 0 / 91 / 68 / 51

HEX #7D0B28

RGB 125 11 40

HSL 344.74, 0.84%, 0.27%

LAB 26.02, 46.45, 15.96

 

CMYK 22 / 0 / 91 / 51

HEX #617D0B

RGB 97 125 11

HSL 74.74, 0.84%, 0.27%

LAB 48.55, -25.17, 50.93

 

Description

Color code: RGB 12 127 99 | qconv.com Color code: RGB 12 127 99 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 127 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 127 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 22 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 22% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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