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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 243 118 154 it is the complementary color RGB 12 137 101. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 243 118 154. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 243 118 154 shade: RGB 248 118 149, RGB 255 136 168, RGB 255 154 187, RGB 255 172 206 and RGB 255 190 225

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 243 118 154. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 243 118 154 shade: RGB 243 118 154, RGB 226 100 135, RGB 209 82 116, RGB 192 64 97 and RGB 175 46 78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 243 118 154 shade: RGB 243 118 154, RGB 243 118 121 and RGB 243 118 118

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 243 118 154 shade: RGB 243 118 154, RGB 243 118 188, RGB 243 118 221, RGB 231 118 243 and RGB 197 118 243

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 243 118 154 shade matches the following richer shades: RGB 243 118 154

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 243 118 154 shade: RGB 243 118 154, RGB 231 130 159, RGB 219 142 164, RGB 207 154 169 and RGB 195 166 175

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 243 118 154 shade: RGB 243 118 222, RGB 243 118 189, RGB 243 118 156, RGB 243 118 123 and RGB 243 147 118

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 243 118 154 shade: RGB 236 43 98, RGB 239 80 126, RGB 243 118 154, RGB 246 156 182 and RGB 249 194 210

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 243 118 154 shade: RGB 243 118 154, RGB 243 230 118 and RGB 118 205 243

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 243 118 154 shade: RGB 243 118 154, RGB 156 243 118 and RGB 118 156 243

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 243 118 154 shade: RGB 243 118 154, RGB 243 230 118, RGB 118 243 205 and RGB 118 131 243

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 243 118 154 shade: RGB 243 118 154, RGB 218 243 118, RGB 118 243 205 and RGB 143 118 243

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 37 / 5

HEX #F3769A

RGB 243 118 154

HSL 342.72, 0.84%, 0.71%

LAB 65.24, 51.51, 3.58

 

Complementary color

CMYK 91 / 0 / 26 / 46

HEX #0C8965

RGB 12 137 101

HSL 162.72, 0.84%, 0.29%

LAB 50.58, -40.07, 10.68

 

CMYK 0 / 52 / 40 / 3

HEX #F87695

RGB 248 118 149

HSL 345.69, 0.9%, 0.72%

LAB 65.81, 52.63, 7.34

 

CMYK 0 / 47 / 34 / 0

HEX #FF88A8

RGB 255 136 168

HSL 343.87, 1%, 0.77%

LAB 70.66, 48.39, 3.73

 

CMYK 0 / 40 / 27 / 0

HEX #FF9ABB

RGB 255 154 187

HSL 340.4, 1%, 0.8%

LAB 74.8, 41.71, -0.79

 

CMYK 0 / 33 / 19 / 0

HEX #FFACCE

RGB 255 172 206

HSL 335.42, 1%, 0.84%

LAB 79.17, 35.07, -4.76

 

CMYK 0 / 25 / 12 / 0

HEX #FFBEE1

RGB 255 190 225

HSL 327.69, 1%, 0.87%

LAB 83.72, 28.59, -8.27

 

CMYK 0 / 51 / 37 / 5

HEX #F3769A

RGB 243 118 154

HSL 342.72, 0.84%, 0.71%

LAB 65.24, 51.51, 3.58

 

CMYK 0 / 56 / 40 / 11

HEX #E26487

RGB 226 100 135

HSL 343.33, 0.68%, 0.64%

LAB 59, 52.32, 5.21

 

CMYK 0 / 61 / 44 / 18

HEX #D15274

RGB 209 82 116

HSL 343.94, 0.58%, 0.57%

LAB 52.79, 53.02, 7.16

 

CMYK 0 / 67 / 49 / 25

HEX #C04061

RGB 192 64 97

HSL 344.53, 0.5%, 0.5%

LAB 46.63, 53.5, 9.52

 

CMYK 0 / 74 / 55 / 31

HEX #AF2E4E

RGB 175 46 78

HSL 345.12, 0.58%, 0.43%

LAB 40.6, 53.57, 12.47

 

CMYK 0 / 51 / 37 / 5

HEX #F3769A

RGB 243 118 154

HSL 342.72, 0.84%, 0.71%

LAB 65.24, 51.51, 3.58

 

CMYK 0 / 51 / 50 / 5

HEX #F37679

RGB 243 118 121

HSL 358.56, 0.84%, 0.71%

LAB 64.48, 48.2, 21.28

 

CMYK 0 / 51 / 51 / 5

HEX #F37676

RGB 243 118 118

HSL 0, 0.84%, 0.71%

LAB 64.42, 47.94, 22.9

 

CMYK 0 / 51 / 37 / 5

HEX #F3769A

RGB 243 118 154

HSL 342.72, 0.84%, 0.71%

LAB 65.24, 51.51, 3.58

 

CMYK 0 / 51 / 23 / 5

HEX #F376BC

RGB 243 118 188

HSL 326.4, 0.84%, 0.71%

LAB 66.25, 55.78, -14.22

 

CMYK 0 / 51 / 9 / 5

HEX #F376DD

RGB 243 118 221

HSL 310.56, 0.84%, 0.71%

LAB 67.45, 60.69, -30.86

 

CMYK 5 / 51 / 0 / 5

HEX #E776F3

RGB 231 118 243

HSL 294.24, 0.84%, 0.71%

LAB 66.84, 61.14, -44.1

 

CMYK 19 / 51 / 0 / 5

HEX #C576F3

RGB 197 118 243

HSL 277.92, 0.84%, 0.71%

LAB 62.76, 52.18, -50.81

 

CMYK 0 / 51 / 37 / 5

HEX #F3769A

RGB 243 118 154

HSL 342.72, 0.84%, 0.71%

LAB 65.24, 51.51, 3.58

 

CMYK 0 / 51 / 37 / 5

HEX #F3769A

RGB 243 118 154

HSL 342.72, 0.84%, 0.71%

LAB 65.24, 51.51, 3.58

 

CMYK 0 / 44 / 31 / 9

HEX #E7829F

RGB 231 130 159

HSL 342.77, 0.68%, 0.71%

LAB 66.1, 42.04, 1.79

 

CMYK 0 / 35 / 25 / 14

HEX #DB8EA4

RGB 219 142 164

HSL 342.86, 0.52%, 0.71%

LAB 67.34, 32.15, 0.6

 

CMYK 0 / 26 / 18 / 19

HEX #CF9AA9

RGB 207 154 169

HSL 343.02, 0.36%, 0.71%

LAB 68.93, 22.04, -0.05

 

CMYK 0 / 15 / 10 / 24

HEX #C3A6AF

RGB 195 166 175

HSL 341.38, 0.19%, 0.71%

LAB 70.85, 12.08, -0.7

 

CMYK 0 / 51 / 9 / 5

HEX #F376DE

RGB 243 118 222

HSL 310.08, 0.84%, 0.71%

LAB 67.49, 60.85, -31.35

 

CMYK 0 / 51 / 22 / 5

HEX #F376BD

RGB 243 118 189

HSL 325.92, 0.84%, 0.71%

LAB 66.28, 55.92, -14.73

 

CMYK 0 / 51 / 36 / 5

HEX #F3769C

RGB 243 118 156

HSL 341.76, 0.84%, 0.71%

LAB 65.29, 51.74, 2.51

 

CMYK 0 / 51 / 49 / 5

HEX #F3767B

RGB 243 118 123

HSL 357.6, 0.84%, 0.71%

LAB 64.52, 48.38, 20.2

 

CMYK 0 / 40 / 51 / 5

HEX #F39376

RGB 243 147 118

HSL 13.92, 0.84%, 0.71%

LAB 70.34, 33.27, 30.74

 

CMYK 0 / 82 / 58 / 7

HEX #EC2B62

RGB 236 43 98

HSL 342.9, 0.84%, 0.55%

LAB 52.33, 72.7, 18.05

 

CMYK 0 / 67 / 47 / 6

HEX #EF507E

RGB 239 80 126

HSL 342.64, 0.83%, 0.63%

LAB 57.65, 64.08, 8.82

 

CMYK 0 / 51 / 37 / 5

HEX #F3769A

RGB 243 118 154

HSL 342.72, 0.84%, 0.71%

LAB 65.24, 51.51, 3.58

 

CMYK 0 / 37 / 26 / 4

HEX #F69CB6

RGB 246 156 182

HSL 342.67, 0.83%, 0.79%

LAB 74.03, 36.87, 0.71

 

CMYK 0 / 22 / 16 / 2

HEX #F9C2D2

RGB 249 194 210

HSL 342.55, 0.82%, 0.87%

LAB 83.64, 22.03, -0.42

 

CMYK 0 / 51 / 37 / 5

HEX #F3769A

RGB 243 118 154

HSL 342.72, 0.84%, 0.71%

LAB 65.24, 51.51, 3.58

 

CMYK 0 / 5 / 51 / 5

HEX #F3E676

RGB 243 230 118

HSL 53.76, 0.84%, 0.71%

LAB 90.3, -9.85, 55.52

 

CMYK 51 / 16 / 0 / 5

HEX #76CDF3

RGB 118 205 243

HSL 198.24, 0.84%, 0.71%

LAB 78.45, -16.05, -26.79

 

CMYK 0 / 51 / 37 / 5

HEX #F3769A

RGB 243 118 154

HSL 342.72, 0.84%, 0.71%

LAB 65.24, 51.51, 3.58

 

CMYK 36 / 0 / 51 / 5

HEX #9CF376

RGB 156 243 118

HSL 101.76, 0.84%, 0.71%

LAB 88.2, -48.13, 51.65

 

CMYK 51 / 36 / 0 / 5

HEX #769CF3

RGB 118 156 243

HSL 221.76, 0.84%, 0.71%

LAB 65.04, 10.89, -47.62

 

CMYK 0 / 51 / 37 / 5

HEX #F3769A

RGB 243 118 154

HSL 342.72, 0.84%, 0.71%

LAB 65.24, 51.51, 3.58

 

CMYK 0 / 5 / 51 / 5

HEX #F3E676

RGB 243 230 118

HSL 53.76, 0.84%, 0.71%

LAB 90.3, -9.85, 55.52

 

CMYK 51 / 0 / 16 / 5

HEX #76F3CD

RGB 118 243 205

HSL 161.76, 0.84%, 0.71%

LAB 88.14, -43.81, 7.72

 

CMYK 51 / 46 / 0 / 5

HEX #7683F3

RGB 118 131 243

HSL 233.76, 0.84%, 0.71%

LAB 58.56, 25.6, -57.92

 

CMYK 0 / 51 / 37 / 5

HEX #F3769A

RGB 243 118 154

HSL 342.72, 0.84%, 0.71%

LAB 65.24, 51.51, 3.58

 

CMYK 10 / 0 / 51 / 5

HEX #DAF376

RGB 218 243 118

HSL 72, 0.84%, 0.71%

LAB 91.83, -25.99, 56.85

 

CMYK 51 / 0 / 16 / 5

HEX #76F3CD

RGB 118 243 205

HSL 161.76, 0.84%, 0.71%

LAB 88.14, -43.81, 7.72

 

CMYK 41 / 51 / 0 / 5

HEX #8F76F3

RGB 143 118 243

HSL 252, 0.84%, 0.71%

LAB 57.34, 38.78, -59.77

 

Description

Color code: RGB 243 118 154 | qconv.com Color code: RGB 243 118 154 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 118 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 118 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 37 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 37% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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