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Color name
RGB 219 142 164

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 219 142 164 it is the complementary color RGB 36 113 91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 219 142 164. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 219 142 164 shade: RGB 224 142 159, RGB 241 160 178, RGB 255 178 197, RGB 255 196 216 and RGB 255 214 235

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 219 142 164. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 219 142 164 shade: RGB 219 142 164, RGB 202 124 145, RGB 185 106 126, RGB 168 88 107 and RGB 151 70 88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 219 142 164 shade: RGB 219 142 164, RGB 219 142 143 and RGB 219 142 142

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 219 142 164 shade: RGB 219 142 164, RGB 219 142 185, RGB 219 142 206, RGB 212 142 219 and RGB 191 142 219

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 219 142 164 shade matches the following richer shades: RGB 219 142 164, RGB 231 130 159 and RGB 243 118 154

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 219 142 164 shade: RGB 219 142 164, RGB 207 154 169, RGB 195 166 174, RGB 183 178 179 and RGB 171 190 185

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 219 142 164 shade: RGB 219 142 206, RGB 219 142 186, RGB 219 142 165, RGB 219 142 145 and RGB 219 160 142

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 219 142 164 shade: RGB 199 79 114, RGB 209 111 139, RGB 219 142 164, RGB 229 173 189 and RGB 239 205 215

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 219 142 164 shade: RGB 219 142 164, RGB 219 211 142 and RGB 142 196 219

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 219 142 164 shade: RGB 219 142 164, RGB 165 219 142 and RGB 142 165 219

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 219 142 164 shade: RGB 219 142 164, RGB 219 211 142, RGB 142 219 196 and RGB 142 150 219

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 219 142 164 shade: RGB 219 142 164, RGB 204 219 142, RGB 142 219 196 and RGB 157 142 219

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 25 / 14

HEX #DB8EA4

RGB 219 142 164

HSL 342.86, 0.52%, 0.71%

LAB 67.34, 32.15, 0.6

 

Complementary color

CMYK 68 / 0 / 19 / 56

HEX #24715B

RGB 36 113 91

HSL 162.86, 0.52%, 0.29%

LAB 42.67, -29.12, 5.42

 

CMYK 0 / 37 / 29 / 12

HEX #E08E9F

RGB 224 142 159

HSL 347.56, 0.57%, 0.72%

LAB 67.8, 33.27, 4.14

 

CMYK 0 / 34 / 26 / 5

HEX #F1A0B2

RGB 241 160 178

HSL 346.67, 0.74%, 0.79%

LAB 74.23, 32.45, 3.13

 

CMYK 0 / 30 / 23 / 0

HEX #FFB2C5

RGB 255 178 197

HSL 345.19, 1%, 0.85%

LAB 80.25, 30.63, 1.71

 

CMYK 0 / 23 / 15 / 0

HEX #FFC4D8

RGB 255 196 216

HSL 339.66, 1%, 0.88%

LAB 84.84, 24.01, -1.8

 

CMYK 0 / 16 / 8 / 0

HEX #FFD6EB

RGB 255 214 235

HSL 329.27, 1%, 0.92%

LAB 89.56, 17.65, -4.94

 

CMYK 0 / 35 / 25 / 14

HEX #DB8EA4

RGB 219 142 164

HSL 342.86, 0.52%, 0.71%

LAB 67.34, 32.15, 0.6

 

CMYK 0 / 39 / 28 / 21

HEX #CA7C91

RGB 202 124 145

HSL 343.85, 0.42%, 0.64%

LAB 60.8, 33, 1.61

 

CMYK 0 / 43 / 32 / 27

HEX #B96A7E

RGB 185 106 126

HSL 344.81, 0.36%, 0.57%

LAB 54.16, 33.9, 2.76

 

CMYK 0 / 48 / 36 / 34

HEX #A8586B

RGB 168 88 107

HSL 345.75, 0.31%, 0.5%

LAB 47.45, 34.85, 4.09

 

CMYK 0 / 54 / 42 / 41

HEX #974658

RGB 151 70 88

HSL 346.67, 0.37%, 0.43%

LAB 40.68, 35.83, 5.71

 

CMYK 0 / 35 / 25 / 14

HEX #DB8EA4

RGB 219 142 164

HSL 342.86, 0.52%, 0.71%

LAB 67.34, 32.15, 0.6

 

CMYK 0 / 35 / 35 / 14

HEX #DB8E8F

RGB 219 142 143

HSL 359.22, 0.52%, 0.71%

LAB 66.82, 29.37, 11.64

 

CMYK 0 / 35 / 35 / 14

HEX #DB8E8E

RGB 219 142 142

HSL 0, 0.52%, 0.71%

LAB 66.79, 29.24, 12.17

 

CMYK 0 / 35 / 25 / 14

HEX #DB8EA4

RGB 219 142 164

HSL 342.86, 0.52%, 0.71%

LAB 67.34, 32.15, 0.6

 

CMYK 0 / 35 / 16 / 14

HEX #DB8EB9

RGB 219 142 185

HSL 326.49, 0.52%, 0.71%

LAB 67.95, 35.32, -10.27

 

CMYK 0 / 35 / 6 / 14

HEX #DB8ECE

RGB 219 142 206

HSL 310.13, 0.52%, 0.71%

LAB 68.65, 38.82, -20.93

 

CMYK 3 / 35 / 0 / 14

HEX #D48EDB

RGB 212 142 219

HSL 294.55, 0.52%, 0.71%

LAB 68.36, 38.97, -28.66

 

CMYK 13 / 35 / 0 / 14

HEX #BF8EDB

RGB 191 142 219

HSL 278.18, 0.52%, 0.71%

LAB 66.16, 32.47, -32.22

 

CMYK 0 / 35 / 25 / 14

HEX #DB8EA4

RGB 219 142 164

HSL 342.86, 0.52%, 0.71%

LAB 67.34, 32.15, 0.6

 

CMYK 0 / 44 / 31 / 9

HEX #E7829F

RGB 231 130 159

HSL 342.77, 0.68%, 0.71%

LAB 66.1, 42.04, 1.79

 

CMYK 0 / 51 / 37 / 5

HEX #F3769A

RGB 243 118 154

HSL 342.72, 0.84%, 0.71%

LAB 65.24, 51.51, 3.58

 

CMYK 0 / 35 / 25 / 14

HEX #DB8EA4

RGB 219 142 164

HSL 342.86, 0.52%, 0.71%

LAB 67.34, 32.15, 0.6

 

CMYK 0 / 26 / 18 / 19

HEX #CF9AA9

RGB 207 154 169

HSL 343.02, 0.36%, 0.71%

LAB 68.93, 22.04, -0.05

 

CMYK 0 / 15 / 11 / 24

HEX #C3A6AE

RGB 195 166 174

HSL 343.45, 0.19%, 0.71%

LAB 70.82, 11.91, -0.19

 

CMYK 0 / 3 / 2 / 28

HEX #B7B2B3

RGB 183 178 179

HSL 348, 0.03%, 0.71%

LAB 73, 1.96, 0.11

 

CMYK 10 / 0 / 3 / 25

HEX #ABBEB9

RGB 171 190 185

HSL 164.21, 0.13%, 0.71%

LAB 75.44, -7.47, 0.3

 

CMYK 0 / 35 / 6 / 14

HEX #DB8ECE

RGB 219 142 206

HSL 310.13, 0.52%, 0.71%

LAB 68.65, 38.82, -20.93

 

CMYK 0 / 35 / 15 / 14

HEX #DB8EBA

RGB 219 142 186

HSL 325.71, 0.52%, 0.71%

LAB 67.98, 35.48, -10.79

 

CMYK 0 / 35 / 25 / 14

HEX #DB8EA5

RGB 219 142 165

HSL 342.08, 0.52%, 0.71%

LAB 67.37, 32.3, 0.08

 

CMYK 0 / 35 / 34 / 14

HEX #DB8E91

RGB 219 142 145

HSL 357.66, 0.52%, 0.71%

LAB 66.86, 29.61, 10.58

 

CMYK 0 / 27 / 35 / 14

HEX #DBA08E

RGB 219 160 142

HSL 14.03, 0.52%, 0.71%

LAB 70.98, 19.55, 18.01

 

CMYK 0 / 60 / 43 / 22

HEX #C74F72

RGB 199 79 114

HSL 342.5, 0.52%, 0.55%

LAB 50.63, 50.91, 5.05

 

CMYK 0 / 47 / 33 / 18

HEX #D16F8B

RGB 209 111 139

HSL 342.86, 0.52%, 0.63%

LAB 58.78, 41.57, 2.25

 

CMYK 0 / 35 / 25 / 14

HEX #DB8EA4

RGB 219 142 164

HSL 342.86, 0.52%, 0.71%

LAB 67.34, 32.15, 0.6

 

CMYK 0 / 24 / 17 / 10

HEX #E5ADBD

RGB 229 173 189

HSL 342.86, 0.52%, 0.79%

LAB 76.2, 22.84, -0.18

 

CMYK 0 / 14 / 10 / 6

HEX #EFCDD7

RGB 239 205 215

HSL 342.35, 0.52%, 0.87%

LAB 85.46, 13.53, -0.53

 

CMYK 0 / 35 / 25 / 14

HEX #DB8EA4

RGB 219 142 164

HSL 342.86, 0.52%, 0.71%

LAB 67.34, 32.15, 0.6

 

CMYK 0 / 4 / 35 / 14

HEX #DBD38E

RGB 219 211 142

HSL 53.77, 0.52%, 0.71%

LAB 83.76, -7.38, 35.2

 

CMYK 35 / 11 / 0 / 14

HEX #8EC4DB

RGB 142 196 219

HSL 197.92, 0.52%, 0.71%

LAB 76.28, -11.91, -17.08

 

CMYK 0 / 35 / 25 / 14

HEX #DB8EA4

RGB 219 142 164

HSL 342.86, 0.52%, 0.71%

LAB 67.34, 32.15, 0.6

 

CMYK 25 / 0 / 35 / 14

HEX #A5DB8E

RGB 165 219 142

HSL 102.08, 0.52%, 0.71%

LAB 82.17, -31.36, 32.41

 

CMYK 35 / 25 / 0 / 14

HEX #8EA5DB

RGB 142 165 219

HSL 222.08, 0.52%, 0.71%

LAB 67.85, 4.94, -29.94

 

CMYK 0 / 35 / 25 / 14

HEX #DB8EA4

RGB 219 142 164

HSL 342.86, 0.52%, 0.71%

LAB 67.34, 32.15, 0.6

 

CMYK 0 / 4 / 35 / 14

HEX #DBD38E

RGB 219 211 142

HSL 53.77, 0.52%, 0.71%

LAB 83.76, -7.38, 35.2

 

CMYK 35 / 0 / 11 / 14

HEX #8EDBC4

RGB 142 219 196

HSL 162.08, 0.52%, 0.71%

LAB 82.05, -28.81, 3.79

 

CMYK 35 / 32 / 0 / 14

HEX #8E96DB

RGB 142 150 219

HSL 233.77, 0.52%, 0.71%

LAB 63.9, 13.47, -36.07

 

CMYK 0 / 35 / 25 / 14

HEX #DB8EA4

RGB 219 142 164

HSL 342.86, 0.52%, 0.71%

LAB 67.34, 32.15, 0.6

 

CMYK 7 / 0 / 35 / 14

HEX #CCDB8E

RGB 204 219 142

HSL 71.69, 0.52%, 0.71%

LAB 84.72, -17.18, 36.23

 

CMYK 35 / 0 / 11 / 14

HEX #8EDBC4

RGB 142 219 196

HSL 162.08, 0.52%, 0.71%

LAB 82.05, -28.81, 3.79

 

CMYK 28 / 35 / 0 / 14

HEX #9D8EDB

RGB 157 142 219

HSL 251.69, 0.52%, 0.71%

LAB 63.03, 22.31, -37.33

 

Description

Color code: RGB 219 142 164 | qconv.com Color code: RGB 219 142 164 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 142 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 142 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 25 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 25% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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