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Color name
RGB 243 109 149

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 243 109 149 it is the complementary color RGB 12 146 106. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 243 109 149. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 243 109 149 shade: RGB 248 109 144, RGB 255 127 163, RGB 255 145 182, RGB 255 163 201 and RGB 255 181 220

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 243 109 149. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 243 109 149 shade: RGB 243 109 149, RGB 226 91 130, RGB 209 73 111, RGB 192 55 92 and RGB 175 37 73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 243 109 149 shade: RGB 243 108 148, RGB 243 108 112 and RGB 243 108 108

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 243 109 149 shade: RGB 243 108 148, RGB 243 108 185, RGB 243 108 221, RGB 228 108 243 and RGB 192 108 243

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 243 109 149 shade matches the following richer shades: RGB 243 108 148

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 243 109 149 shade: RGB 243 108 148, RGB 230 121 154, RGB 217 134 159, RGB 204 147 164 and RGB 191 159 169

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 243 109 149 shade: RGB 243 108 220, RGB 243 108 184, RGB 243 108 149, RGB 243 108 113 and RGB 243 140 108

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 243 109 149 shade: RGB 236 32 93, RGB 240 70 121, RGB 243 108 148, RGB 246 146 176 and RGB 249 185 204

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 243 109 149 shade: RGB 243 109 149, RGB 243 229 108 and RGB 108 202 243

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 243 109 149 shade: RGB 243 109 149, RGB 149 243 108 and RGB 108 149 243

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 243 109 149 shade: RGB 243 109 149, RGB 243 229 108, RGB 108 243 202 and RGB 108 122 243

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 243 109 149 shade: RGB 243 109 149, RGB 216 243 108, RGB 108 243 202 and RGB 135 108 243

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 39 / 5

HEX #F36D95

RGB 243 109 149

HSL 342.09, 0.85%, 0.69%

LAB 63.48, 55.2, 3.89

 

Complementary color

CMYK 92 / 0 / 27 / 43

HEX #0C926A

RGB 12 146 106

HSL 162.09, 0.85%, 0.31%

LAB 53.68, -42.53, 12.17

 

CMYK 0 / 56 / 42 / 3

HEX #F86D90

RGB 248 109 144

HSL 344.89, 0.91%, 0.7%

LAB 64.09, 56.3, 7.73

 

CMYK 0 / 50 / 36 / 0

HEX #FF7FA3

RGB 255 127 163

HSL 343.13, 1%, 0.75%

LAB 68.81, 52.2, 3.86

 

CMYK 0 / 43 / 29 / 0

HEX #FF91B6

RGB 255 145 182

HSL 339.82, 1%, 0.78%

LAB 72.82, 45.63, -0.93

 

CMYK 0 / 36 / 21 / 0

HEX #FFA3C9

RGB 255 163 201

HSL 335.22, 1%, 0.82%

LAB 77.08, 39.02, -5.11

 

CMYK 0 / 29 / 14 / 0

HEX #FFB5DC

RGB 255 181 220

HSL 328.38, 1%, 0.85%

LAB 81.55, 32.51, -8.8

 

CMYK 0 / 55 / 39 / 5

HEX #F36D95

RGB 243 109 149

HSL 342.09, 0.85%, 0.69%

LAB 63.48, 55.2, 3.89

 

CMYK 0 / 60 / 42 / 11

HEX #E25B82

RGB 226 91 130

HSL 342.67, 0.7%, 0.62%

LAB 57.33, 55.89, 5.73

 

CMYK 0 / 65 / 47 / 18

HEX #D1496F

RGB 209 73 111

HSL 343.24, 0.6%, 0.55%

LAB 51.23, 56.4, 7.94

 

CMYK 0 / 71 / 52 / 25

HEX #C0375C

RGB 192 55 92

HSL 343.8, 0.55%, 0.48%

LAB 45.24, 56.56, 10.65

 

CMYK 0 / 79 / 58 / 31

HEX #AF2549

RGB 175 37 73

HSL 344.35, 0.65%, 0.42%

LAB 39.44, 56.14, 14.04

 

CMYK 0 / 56 / 39 / 5

HEX #F36C94

RGB 243 108 148

HSL 342.22, 0.85%, 0.69%

LAB 63.27, 55.56, 4.17

 

CMYK 0 / 56 / 54 / 5

HEX #F36C70

RGB 243 108 112

HSL 358.22, 0.85%, 0.69%

LAB 62.47, 52.2, 23.68

 

CMYK 0 / 56 / 56 / 5

HEX #F36C6C

RGB 243 108 108

HSL 0, 0.85%, 0.69%

LAB 62.39, 51.89, 25.86

 

CMYK 0 / 56 / 39 / 5

HEX #F36C94

RGB 243 108 148

HSL 342.22, 0.85%, 0.69%

LAB 63.27, 55.56, 4.17

 

CMYK 0 / 56 / 24 / 5

HEX #F36CB9

RGB 243 108 185

HSL 325.78, 0.85%, 0.69%

LAB 64.39, 60.01, -15.32

 

CMYK 0 / 56 / 9 / 5

HEX #F36CDD

RGB 243 108 221

HSL 309.78, 0.85%, 0.69%

LAB 65.75, 65.24, -33.49

 

CMYK 6 / 56 / 0 / 5

HEX #E46CF3

RGB 228 108 243

HSL 293.33, 0.85%, 0.69%

LAB 64.72, 65.01, -47.47

 

CMYK 21 / 56 / 0 / 5

HEX #C06CF3

RGB 192 108 243

HSL 277.33, 0.85%, 0.69%

LAB 60.25, 56, -54.83

 

CMYK 0 / 56 / 39 / 5

HEX #F36C94

RGB 243 108 148

HSL 342.22, 0.85%, 0.69%

LAB 63.27, 55.56, 4.17

 

CMYK 0 / 56 / 39 / 5

HEX #F36C94

RGB 243 108 148

HSL 342.22, 0.85%, 0.69%

LAB 63.27, 55.56, 4.17

 

CMYK 0 / 47 / 33 / 10

HEX #E6799A

RGB 230 121 154

HSL 341.83, 0.69%, 0.69%

LAB 64.02, 45.64, 1.6

 

CMYK 0 / 38 / 27 / 15

HEX #D9869F

RGB 217 134 159

HSL 341.93, 0.52%, 0.69%

LAB 65.2, 35, 0.27

 

CMYK 0 / 28 / 20 / 20

HEX #CC93A4

RGB 204 147 164

HSL 342.11, 0.36%, 0.69%

LAB 66.81, 23.99, -0.37

 

CMYK 0 / 17 / 12 / 25

HEX #BF9FA9

RGB 191 159 169

HSL 341.25, 0.2%, 0.69%

LAB 68.56, 13.45, -0.77

 

CMYK 0 / 56 / 9 / 5

HEX #F36CDC

RGB 243 108 220

HSL 310.22, 0.85%, 0.69%

LAB 65.71, 65.08, -33

 

CMYK 0 / 56 / 24 / 5

HEX #F36CB8

RGB 243 108 184

HSL 326.22, 0.85%, 0.69%

LAB 64.36, 59.88, -14.8

 

CMYK 0 / 56 / 39 / 5

HEX #F36C95

RGB 243 108 149

HSL 341.78, 0.85%, 0.69%

LAB 63.3, 55.66, 3.64

 

CMYK 0 / 56 / 53 / 5

HEX #F36C71

RGB 243 108 113

HSL 357.78, 0.85%, 0.69%

LAB 62.48, 52.28, 23.14

 

CMYK 0 / 42 / 56 / 5

HEX #F38C6C

RGB 243 140 108

HSL 14.22, 0.85%, 0.69%

LAB 68.67, 36.07, 34.01

 

CMYK 0 / 86 / 61 / 7

HEX #EC205D

RGB 236 32 93

HSL 342.06, 0.84%, 0.53%

LAB 51.45, 74.64, 19.88

 

CMYK 0 / 71 / 50 / 6

HEX #F04679

RGB 240 70 121

HSL 342, 0.85%, 0.61%

LAB 56.37, 67.6, 9.99

 

CMYK 0 / 56 / 39 / 5

HEX #F36C94

RGB 243 108 148

HSL 342.22, 0.85%, 0.69%

LAB 63.27, 55.56, 4.17

 

CMYK 0 / 41 / 28 / 4

HEX #F692B0

RGB 246 146 176

HSL 342, 0.85%, 0.77%

LAB 71.75, 41.24, 0.71

 

CMYK 0 / 26 / 18 / 2

HEX #F9B9CC

RGB 249 185 204

HSL 342.19, 0.84%, 0.85%

LAB 81.4, 25.86, -0.48

 

CMYK 0 / 55 / 39 / 5

HEX #F36D95

RGB 243 109 149

HSL 342.09, 0.85%, 0.69%

LAB 63.48, 55.2, 3.89

 

CMYK 0 / 6 / 56 / 5

HEX #F3E56C

RGB 243 229 108

HSL 53.78, 0.85%, 0.69%

LAB 89.94, -10.14, 59.66

 

CMYK 56 / 17 / 0 / 5

HEX #6CCAF3

RGB 108 202 243

HSL 198.22, 0.85%, 0.69%

LAB 77.22, -16.55, -28.71

 

CMYK 0 / 55 / 39 / 5

HEX #F36D95

RGB 243 109 149

HSL 342.09, 0.85%, 0.69%

LAB 63.48, 55.2, 3.89

 

CMYK 39 / 0 / 56 / 5

HEX #95F36C

RGB 149 243 108

HSL 101.78, 0.85%, 0.69%

LAB 87.76, -51.44, 55.59

 

CMYK 56 / 39 / 0 / 5

HEX #6C95F3

RGB 108 149 243

HSL 221.78, 0.85%, 0.69%

LAB 62.64, 12.85, -51.46

 

CMYK 0 / 55 / 39 / 5

HEX #F36D95

RGB 243 109 149

HSL 342.09, 0.85%, 0.69%

LAB 63.48, 55.2, 3.89

 

CMYK 0 / 6 / 56 / 5

HEX #F3E56C

RGB 243 229 108

HSL 53.78, 0.85%, 0.69%

LAB 89.94, -10.14, 59.66

 

CMYK 56 / 0 / 17 / 5

HEX #6CF3CA

RGB 108 243 202

HSL 161.78, 0.85%, 0.69%

LAB 87.75, -46.58, 8.68

 

CMYK 56 / 50 / 0 / 5

HEX #6C7AF3

RGB 108 122 243

HSL 233.78, 0.85%, 0.69%

LAB 55.66, 28.95, -62.6

 

CMYK 0 / 55 / 39 / 5

HEX #F36D95

RGB 243 109 149

HSL 342.09, 0.85%, 0.69%

LAB 63.48, 55.2, 3.89

 

CMYK 11 / 0 / 56 / 5

HEX #D8F36C

RGB 216 243 108

HSL 72, 0.85%, 0.69%

LAB 91.59, -27.61, 61

 

CMYK 56 / 0 / 17 / 5

HEX #6CF3CA

RGB 108 243 202

HSL 161.78, 0.85%, 0.69%

LAB 87.75, -46.58, 8.68

 

CMYK 44 / 56 / 0 / 5

HEX #876CF3

RGB 135 108 243

HSL 252, 0.85%, 0.69%

LAB 54.39, 42.71, -64.54

 

Description

Color code: RGB 243 109 149 | qconv.com Color code: RGB 243 109 149 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 109 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 109 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 39 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 39% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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