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Color name
RGB 243 108 220

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 243 108 220 it is the complementary color RGB 12 147 35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 243 108 220. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 243 108 220 shade: RGB 248 108 215, RGB 255 126 234, RGB 255 144 253, RGB 255 162 255 and RGB 255 180 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 243 108 220. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 243 108 220 shade: RGB 243 108 220, RGB 226 90 201, RGB 209 72 182, RGB 192 54 163 and RGB 175 36 144

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 243 108 220 shade: RGB 243 108 220, RGB 243 108 184, RGB 243 108 147, RGB 243 108 111 and RGB 243 108 108

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 243 108 220 shade: RGB 243 108 220, RGB 229 108 243, RGB 193 108 243, RGB 157 108 243 and RGB 121 108 243

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 243 108 220 shade matches the following richer shades: RGB 243 108 220

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 243 108 220 shade: RGB 243 108 220, RGB 230 121 211, RGB 217 134 203, RGB 204 147 194 and RGB 191 159 186

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 243 108 220 shade: RGB 193 108 243, RGB 229 108 243, RGB 243 108 220, RGB 243 108 184 and RGB 243 108 149

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 243 108 220 shade: RGB 236 32 202, RGB 240 70 211, RGB 243 108 220, RGB 246 146 229 and RGB 249 185 238

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 243 108 220 shade: RGB 243 108 220, RGB 243 158 108 and RGB 108 243 211

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 243 108 220 shade: RGB 243 108 220, RGB 220 243 108 and RGB 108 220 243

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 243 108 220 shade: RGB 243 108 220, RGB 243 158 108, RGB 108 243 131 and RGB 108 193 243

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 243 108 220 shade: RGB 243 108 220, RGB 243 198 108, RGB 108 243 131 and RGB 108 153 243

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 9 / 5

HEX #F36CDC

RGB 243 108 220

HSL 310.22, 0.85%, 0.69%

LAB 65.71, 65.08, -33

 

Complementary color

CMYK 92 / 0 / 76 / 42

HEX #0C9323

RGB 12 147 35

HSL 130.22, 0.85%, 0.31%

LAB 53.02, -54.67, 46.99

 

CMYK 0 / 56 / 13 / 3

HEX #F86CD7

RGB 248 108 215

HSL 314.14, 0.91%, 0.7%

LAB 66.2, 65.69, -29.38

 

CMYK 0 / 51 / 8 / 0

HEX #FF7EEA

RGB 255 126 234

HSL 309.77, 1%, 0.75%

LAB 70.96, 62.41, -32.5

 

CMYK 0 / 44 / 1 / 0

HEX #FF90FD

RGB 255 144 253

HSL 301.08, 1%, 0.78%

LAB 75.01, 56.95, -36.59

 

CMYK 0 / 36 / 0 / 0

HEX #FFA2FF

RGB 255 162 255

HSL 300, 1%, 0.82%

LAB 78.65, 48.27, -32.05

 

CMYK 0 / 29 / 0 / 0

HEX #FFB4FF

RGB 255 180 255

HSL 300, 1%, 0.85%

LAB 82.44, 38.96, -26.23

 

CMYK 0 / 56 / 9 / 5

HEX #F36CDC

RGB 243 108 220

HSL 310.22, 0.85%, 0.69%

LAB 65.71, 65.08, -33

 

CMYK 0 / 60 / 11 / 11

HEX #E25AC9

RGB 226 90 201

HSL 311.03, 0.7%, 0.62%

LAB 59.62, 65.39, -31.94

 

CMYK 0 / 66 / 13 / 18

HEX #D148B6

RGB 209 72 182

HSL 311.82, 0.6%, 0.55%

LAB 53.57, 65.42, -30.64

 

CMYK 0 / 72 / 15 / 25

HEX #C036A3

RGB 192 54 163

HSL 312.61, 0.56%, 0.48%

LAB 47.61, 64.99, -28.97

 

CMYK 0 / 79 / 18 / 31

HEX #AF2490

RGB 175 36 144

HSL 313.38, 0.66%, 0.41%

LAB 41.83, 63.86, -26.79

 

CMYK 0 / 56 / 9 / 5

HEX #F36CDC

RGB 243 108 220

HSL 310.22, 0.85%, 0.69%

LAB 65.71, 65.08, -33

 

CMYK 0 / 56 / 24 / 5

HEX #F36CB8

RGB 243 108 184

HSL 326.22, 0.85%, 0.69%

LAB 64.36, 59.88, -14.8

 

CMYK 0 / 56 / 40 / 5

HEX #F36C93

RGB 243 108 147

HSL 342.67, 0.85%, 0.69%

LAB 63.25, 55.45, 4.71

 

CMYK 0 / 56 / 54 / 5

HEX #F36C6F

RGB 243 108 111

HSL 358.67, 0.85%, 0.69%

LAB 62.45, 52.13, 24.23

 

CMYK 0 / 56 / 56 / 5

HEX #F36C6C

RGB 243 108 108

HSL 0, 0.85%, 0.69%

LAB 62.39, 51.89, 25.86

 

CMYK 0 / 56 / 9 / 5

HEX #F36CDC

RGB 243 108 220

HSL 310.22, 0.85%, 0.69%

LAB 65.71, 65.08, -33

 

CMYK 6 / 56 / 0 / 5

HEX #E56CF3

RGB 229 108 243

HSL 293.78, 0.85%, 0.69%

LAB 64.85, 65.26, -47.25

 

CMYK 21 / 56 / 0 / 5

HEX #C16CF3

RGB 193 108 243

HSL 277.78, 0.85%, 0.69%

LAB 60.37, 56.24, -54.63

 

CMYK 35 / 56 / 0 / 5

HEX #9D6CF3

RGB 157 108 243

HSL 261.78, 0.85%, 0.69%

LAB 56.45, 47.61, -61.12

 

CMYK 50 / 56 / 0 / 5

HEX #796CF3

RGB 121 108 243

HSL 245.78, 0.85%, 0.69%

LAB 53.23, 39.82, -66.47

 

CMYK 0 / 56 / 9 / 5

HEX #F36CDC

RGB 243 108 220

HSL 310.22, 0.85%, 0.69%

LAB 65.71, 65.08, -33

 

CMYK 0 / 56 / 9 / 5

HEX #F36CDC

RGB 243 108 220

HSL 310.22, 0.85%, 0.69%

LAB 65.71, 65.08, -33

 

CMYK 0 / 47 / 8 / 10

HEX #E679D3

RGB 230 121 211

HSL 310.46, 0.69%, 0.69%

LAB 65.9, 53.87, -27.81

 

CMYK 0 / 38 / 6 / 15

HEX #D986CB

RGB 217 134 203

HSL 310.12, 0.52%, 0.69%

LAB 66.61, 41.89, -22.4

 

CMYK 0 / 28 / 5 / 20

HEX #CC93C2

RGB 204 147 194

HSL 310.53, 0.36%, 0.69%

LAB 67.72, 29.03, -15.81

 

CMYK 0 / 17 / 3 / 25

HEX #BF9FBA

RGB 191 159 186

HSL 309.38, 0.2%, 0.69%

LAB 69.05, 16.48, -9.5

 

CMYK 21 / 56 / 0 / 5

HEX #C16CF3

RGB 193 108 243

HSL 277.78, 0.85%, 0.69%

LAB 60.37, 56.24, -54.63

 

CMYK 6 / 56 / 0 / 5

HEX #E56CF3

RGB 229 108 243

HSL 293.78, 0.85%, 0.69%

LAB 64.85, 65.26, -47.25

 

CMYK 0 / 56 / 9 / 5

HEX #F36CDC

RGB 243 108 220

HSL 310.22, 0.85%, 0.69%

LAB 65.71, 65.08, -33

 

CMYK 0 / 56 / 24 / 5

HEX #F36CB8

RGB 243 108 184

HSL 326.22, 0.85%, 0.69%

LAB 64.36, 59.88, -14.8

 

CMYK 0 / 56 / 39 / 5

HEX #F36C95

RGB 243 108 149

HSL 341.78, 0.85%, 0.69%

LAB 63.3, 55.66, 3.64

 

CMYK 0 / 86 / 14 / 7

HEX #EC20CA

RGB 236 32 202

HSL 310, 0.84%, 0.53%

LAB 55.21, 84.98, -39.29

 

CMYK 0 / 71 / 12 / 6

HEX #F046D3

RGB 240 70 211

HSL 310.24, 0.85%, 0.61%

LAB 59.53, 77.74, -37.59

 

CMYK 0 / 56 / 9 / 5

HEX #F36CDC

RGB 243 108 220

HSL 310.22, 0.85%, 0.69%

LAB 65.71, 65.08, -33

 

CMYK 0 / 41 / 7 / 4

HEX #F692E5

RGB 246 146 229

HSL 310.2, 0.85%, 0.77%

LAB 73.42, 49.19, -26.06

 

CMYK 0 / 26 / 4 / 2

HEX #F9B9EE

RGB 249 185 238

HSL 310.31, 0.84%, 0.85%

LAB 82.38, 31.4, -17.29

 

CMYK 0 / 56 / 9 / 5

HEX #F36CDC

RGB 243 108 220

HSL 310.22, 0.85%, 0.69%

LAB 65.71, 65.08, -33

 

CMYK 0 / 35 / 56 / 5

HEX #F39E6C

RGB 243 158 108

HSL 22.22, 0.85%, 0.69%

LAB 72.62, 26.67, 39

 

CMYK 56 / 0 / 13 / 5

HEX #6CF3D3

RGB 108 243 211

HSL 165.78, 0.85%, 0.69%

LAB 87.96, -44.52, 4.29

 

CMYK 0 / 56 / 9 / 5

HEX #F36CDC

RGB 243 108 220

HSL 310.22, 0.85%, 0.69%

LAB 65.71, 65.08, -33

 

CMYK 9 / 0 / 56 / 5

HEX #DCF36C

RGB 220 243 108

HSL 70.22, 0.85%, 0.69%

LAB 91.86, -26.06, 61.39

 

CMYK 56 / 9 / 0 / 5

HEX #6CDCF3

RGB 108 220 243

HSL 190.22, 0.85%, 0.69%

LAB 82.3, -25.64, -20.97

 

CMYK 0 / 56 / 9 / 5

HEX #F36CDC

RGB 243 108 220

HSL 310.22, 0.85%, 0.69%

LAB 65.71, 65.08, -33

 

CMYK 0 / 35 / 56 / 5

HEX #F39E6C

RGB 243 158 108

HSL 22.22, 0.85%, 0.69%

LAB 72.62, 26.67, 39

 

CMYK 56 / 0 / 46 / 5

HEX #6CF383

RGB 108 243 131

HSL 130.22, 0.85%, 0.69%

LAB 86.47, -59.84, 42.95

 

CMYK 56 / 21 / 0 / 5

HEX #6CC1F3

RGB 108 193 243

HSL 202.22, 0.85%, 0.69%

LAB 74.7, -11.83, -32.59

 

CMYK 0 / 56 / 9 / 5

HEX #F36CDC

RGB 243 108 220

HSL 310.22, 0.85%, 0.69%

LAB 65.71, 65.08, -33

 

CMYK 0 / 19 / 56 / 5

HEX #F3C66C

RGB 243 198 108

HSL 40, 0.85%, 0.69%

LAB 82.12, 5.65, 50.56

 

CMYK 56 / 0 / 46 / 5

HEX #6CF383

RGB 108 243 131

HSL 130.22, 0.85%, 0.69%

LAB 86.47, -59.84, 42.95

 

CMYK 56 / 37 / 0 / 5

HEX #6C99F3

RGB 108 153 243

HSL 220, 0.85%, 0.69%

LAB 63.71, 10.51, -49.77

 

Description

Color code: RGB 243 108 220 | qconv.com Color code: RGB 243 108 220 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 108 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 108 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 9 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 9% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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