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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 240 84 39 it is the complementary color RGB 15 171 216. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 240 84 39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 240 84 39 shade: RGB 245 84 34, RGB 255 102 53, RGB 255 120 72, RGB 255 138 91 and RGB 255 156 110

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 240 84 39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 240 84 39 shade: RGB 240 84 39, RGB 223 66 20, RGB 206 48 1, RGB 189 30 0 and RGB 172 12 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 240 84 39 shade: RGB 240 85 40 and RGB 240 40 40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 240 84 39 shade: RGB 240 85 40, RGB 240 138 40, RGB 240 192 40, RGB 233 240 40 and RGB 179 240 40

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 240 84 39 shade matches the following richer shades: RGB 240 85 40

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 240 84 39 shade: RGB 240 85 40, RGB 221 95 58, RGB 202 105 77, RGB 184 115 96 and RGB 165 126 114

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 240 84 39 shade: RGB 240 40 103, RGB 240 40 50, RGB 240 83 40, RGB 240 136 40 and RGB 240 190 40

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 240 84 39 shade: RGB 185 51 12, RGB 223 62 15, RGB 240 85 40, RGB 242 115 78 and RGB 245 146 117

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 240 84 39 shade: RGB 240 84 39, RGB 156 240 40 and RGB 40 77 240

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 240 84 39 shade: RGB 240 84 39, RGB 40 240 83 and RGB 83 40 240

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 240 84 39 shade: RGB 240 84 39, RGB 156 240 40, RGB 40 196 240 and RGB 123 40 240

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 240 84 39 shade: RGB 240 84 39, RGB 96 240 40, RGB 40 196 240 and RGB 183 40 240

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 84 / 6

HEX #F05427

RGB 240 84 39

HSL 13.43, 0.87%, 0.55%

LAB 57.09, 58.01, 56.02

 

Complementary color

CMYK 93 / 21 / 0 / 15

HEX #0FABD8

RGB 15 171 216

HSL 193.43, 0.87%, 0.45%

LAB 65.11, -20.3, -32.88

 

CMYK 0 / 66 / 86 / 4

HEX #F55422

RGB 245 84 34

HSL 14.22, 0.91%, 0.55%

LAB 57.91, 59.56, 59.12

 

CMYK 0 / 60 / 79 / 0

HEX #FF6635

RGB 255 102 53

HSL 14.55, 1%, 0.6%

LAB 62.52, 55.89, 55.66

 

CMYK 0 / 53 / 72 / 0

HEX #FF7848

RGB 255 120 72

HSL 15.74, 1%, 0.64%

LAB 65.87, 48.36, 49.95

 

CMYK 0 / 46 / 64 / 0

HEX #FF8A5B

RGB 255 138 91

HSL 17.2, 1%, 0.68%

LAB 69.61, 40.51, 44.53

 

CMYK 0 / 39 / 57 / 0

HEX #FF9C6E

RGB 255 156 110

HSL 19.03, 1%, 0.72%

LAB 73.65, 32.6, 39.54

 

CMYK 0 / 65 / 84 / 6

HEX #F05427

RGB 240 84 39

HSL 13.43, 0.87%, 0.55%

LAB 57.09, 58.01, 56.02

 

CMYK 0 / 70 / 91 / 13

HEX #DF4214

RGB 223 66 20

HSL 13.6, 0.84%, 0.48%

LAB 51.42, 59.05, 57.65

 

CMYK 0 / 77 / 100 / 19

HEX #CE3001

RGB 206 48 1

HSL 13.76, 0.99%, 0.41%

LAB 45.96, 59.65, 58.12

 

CMYK 0 / 84 / 100 / 26

HEX #BD1E00

RGB 189 30 0

HSL 9.52, 1%, 0.37%

LAB 40.81, 59.54, 54.24

 

CMYK 0 / 93 / 100 / 33

HEX #AC0C00

RGB 172 12 0

HSL 4.19, 1%, 0.34%

LAB 36.05, 58.16, 50.14

 

CMYK 0 / 65 / 83 / 6

HEX #F05528

RGB 240 85 40

HSL 13.5, 0.87%, 0.55%

LAB 57.25, 57.62, 55.73

 

CMYK 0 / 83 / 83 / 6

HEX #F02828

RGB 240 40 40

HSL 0, 0.87%, 0.55%

LAB 52.06, 71.98, 51.13

 

CMYK 0 / 65 / 83 / 6

HEX #F05528

RGB 240 85 40

HSL 13.5, 0.87%, 0.55%

LAB 57.25, 57.62, 55.73

 

CMYK 0 / 43 / 83 / 6

HEX #F08A28

RGB 240 138 40

HSL 29.4, 0.87%, 0.55%

LAB 67.17, 32.38, 64.32

 

CMYK 0 / 20 / 83 / 6

HEX #F0C028

RGB 240 192 40

HSL 45.6, 0.87%, 0.55%

LAB 79.83, 4.03, 75.04

 

CMYK 3 / 0 / 83 / 6

HEX #E9F028

RGB 233 240 40

HSL 62.1, 0.87%, 0.55%

LAB 91.59, -22.92, 84.62

 

CMYK 25 / 0 / 83 / 6

HEX #B3F028

RGB 179 240 40

HSL 78.3, 0.87%, 0.55%

LAB 88, -44.27, 80.14

 

CMYK 0 / 65 / 83 / 6

HEX #F05528

RGB 240 85 40

HSL 13.5, 0.87%, 0.55%

LAB 57.25, 57.62, 55.73

 

CMYK 0 / 65 / 83 / 6

HEX #F05528

RGB 240 85 40

HSL 13.5, 0.87%, 0.55%

LAB 57.25, 57.62, 55.73

 

CMYK 0 / 57 / 74 / 13

HEX #DD5F3A

RGB 221 95 58

HSL 13.62, 0.71%, 0.55%

LAB 55.95, 47.14, 44.77

 

CMYK 0 / 48 / 62 / 21

HEX #CA694D

RGB 202 105 77

HSL 13.44, 0.54%, 0.55%

LAB 55.27, 36.03, 33.02

 

CMYK 0 / 38 / 48 / 28

HEX #B87360

RGB 184 115 96

HSL 12.95, 0.38%, 0.55%

LAB 55.38, 25.07, 21.91

 

CMYK 0 / 24 / 31 / 35

HEX #A57E72

RGB 165 126 114

HSL 14.12, 0.22%, 0.55%

LAB 56.22, 13.33, 12.36

 

CMYK 0 / 83 / 57 / 6

HEX #F02867

RGB 240 40 103

HSL 341.1, 0.87%, 0.55%

LAB 52.97, 74.7, 16.03

 

CMYK 0 / 83 / 79 / 6

HEX #F02832

RGB 240 40 50

HSL 357, 0.87%, 0.55%

LAB 52.14, 72.24, 46.03

 

CMYK 0 / 65 / 83 / 6

HEX #F05328

RGB 240 83 40

HSL 12.9, 0.87%, 0.55%

LAB 56.94, 58.44, 55.46

 

CMYK 0 / 43 / 83 / 6

HEX #F08828

RGB 240 136 40

HSL 28.8, 0.87%, 0.55%

LAB 66.74, 33.42, 63.96

 

CMYK 0 / 21 / 83 / 6

HEX #F0BE28

RGB 240 190 40

HSL 45, 0.87%, 0.55%

LAB 79.33, 5.07, 74.62

 

CMYK 0 / 72 / 94 / 27

HEX #B9330C

RGB 185 51 12

HSL 13.53, 0.88%, 0.39%

LAB 42.32, 52.12, 50.76

 

CMYK 0 / 72 / 93 / 13

HEX #DF3E0F

RGB 223 62 15

HSL 13.56, 0.87%, 0.47%

LAB 50.88, 60.42, 58.83

 

CMYK 0 / 65 / 83 / 6

HEX #F05528

RGB 240 85 40

HSL 13.5, 0.87%, 0.55%

LAB 57.25, 57.62, 55.73

 

CMYK 0 / 52 / 68 / 5

HEX #F2734E

RGB 242 115 78

HSL 13.54, 0.86%, 0.63%

LAB 63.08, 46.27, 43.21

 

CMYK 0 / 40 / 52 / 4

HEX #F59275

RGB 245 146 117

HSL 13.59, 0.86%, 0.71%

LAB 70.35, 34.47, 31.35

 

CMYK 0 / 65 / 84 / 6

HEX #F05427

RGB 240 84 39

HSL 13.43, 0.87%, 0.55%

LAB 57.09, 58.01, 56.02

 

CMYK 35 / 0 / 83 / 6

HEX #9CF028

RGB 156 240 40

HSL 85.2, 0.87%, 0.55%

LAB 86.77, -52.55, 78.6

 

CMYK 83 / 68 / 0 / 6

HEX #284DF0

RGB 40 77 240

HSL 228.9, 0.87%, 0.55%

LAB 41.3, 46.7, -84.46

 

CMYK 0 / 65 / 84 / 6

HEX #F05427

RGB 240 84 39

HSL 13.43, 0.87%, 0.55%

LAB 57.09, 58.01, 56.02

 

CMYK 83 / 0 / 65 / 6

HEX #28F053

RGB 40 240 83

HSL 132.9, 0.87%, 0.55%

LAB 83.65, -76, 60.74

 

CMYK 65 / 83 / 0 / 6

HEX #5328F0

RGB 83 40 240

HSL 252.9, 0.87%, 0.55%

LAB 37.2, 68.34, -91.15

 

CMYK 0 / 65 / 84 / 6

HEX #F05427

RGB 240 84 39

HSL 13.43, 0.87%, 0.55%

LAB 57.09, 58.01, 56.02

 

CMYK 35 / 0 / 83 / 6

HEX #9CF028

RGB 156 240 40

HSL 85.2, 0.87%, 0.55%

LAB 86.77, -52.55, 78.6

 

CMYK 83 / 18 / 0 / 6

HEX #28C4F0

RGB 40 196 240

HSL 193.2, 0.87%, 0.55%

LAB 73.69, -23.68, -32.67

 

CMYK 49 / 83 / 0 / 6

HEX #7B28F0

RGB 123 40 240

HSL 264.9, 0.87%, 0.55%

LAB 41.25, 72.12, -84.33

 

CMYK 0 / 65 / 84 / 6

HEX #F05427

RGB 240 84 39

HSL 13.43, 0.87%, 0.55%

LAB 57.09, 58.01, 56.02

 

CMYK 60 / 0 / 83 / 6

HEX #60F028

RGB 96 240 40

HSL 103.2, 0.87%, 0.55%

LAB 84.46, -70.04, 75.68

 

CMYK 83 / 18 / 0 / 6

HEX #28C4F0

RGB 40 196 240

HSL 193.2, 0.87%, 0.55%

LAB 73.69, -23.68, -32.67

 

CMYK 24 / 83 / 0 / 6

HEX #B728F0

RGB 183 40 240

HSL 282.9, 0.87%, 0.55%

LAB 49.35, 80.15, -70.76

 

Description

Color code: RGB 240 84 39 | qconv.com Color code: RGB 240 84 39 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 84 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 84 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 84 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 84% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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