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Color name
RGB 240 62 142

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 240 62 142 it is the complementary color RGB 15 193 113. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 240 62 142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 240 62 142 shade: RGB 245 62 137, RGB 255 80 156, RGB 255 98 175, RGB 255 116 194 and RGB 255 134 213

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 240 62 142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 240 62 142 shade: RGB 240 62 142, RGB 223 44 123, RGB 206 26 104, RGB 189 8 85 and RGB 172 0 66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 240 62 142 shade: RGB 240 60 141, RGB 240 60 92 and RGB 240 60 60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 240 62 142 shade: RGB 240 60 141, RGB 240 60 189, RGB 240 60 238, RGB 193 60 240 and RGB 145 60 240

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 240 62 142 shade matches the following richer shades: RGB 240 60 141

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 240 62 142 shade: RGB 240 60 141, RGB 223 77 143, RGB 206 94 144, RGB 189 111 146 and RGB 172 128 148

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 240 62 142 shade: RGB 240 60 237, RGB 240 60 189, RGB 240 60 141, RGB 240 60 93 and RGB 240 75 60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 240 62 142 shade: RGB 203 15 99, RGB 237 22 118, RGB 240 60 141, RGB 243 98 163 and RGB 246 137 186

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 240 62 142 shade: RGB 240 62 142, RGB 240 195 60 and RGB 60 213 240

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 240 62 142 shade: RGB 240 62 142, RGB 141 240 60 and RGB 60 141 240

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 240 62 142 shade: RGB 240 62 142, RGB 240 195 60, RGB 60 240 159 and RGB 60 105 240

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 240 62 142 shade: RGB 240 62 142, RGB 231 240 60, RGB 60 240 159 and RGB 69 60 240

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 41 / 6

HEX #F03E8E

RGB 240 62 142

HSL 333.03, 0.86%, 0.59%

LAB 56.01, 72.07, -2.98

 

Complementary color

CMYK 92 / 0 / 41 / 24

HEX #0FC171

RGB 15 193 113

HSL 153.03, 0.86%, 0.41%

LAB 69.06, -58.51, 29.19

 

CMYK 0 / 75 / 44 / 4

HEX #F53E89

RGB 245 62 137

HSL 335.41, 0.9%, 0.6%

LAB 56.75, 72.92, 1.16

 

CMYK 0 / 69 / 39 / 0

HEX #FF509C

RGB 255 80 156

HSL 333.94, 1%, 0.66%

LAB 61.13, 71.46, -3.35

 

CMYK 0 / 62 / 31 / 0

HEX #FF62AF

RGB 255 98 175

HSL 330.57, 1%, 0.69%

LAB 64.23, 66.6, -9.68

 

CMYK 0 / 55 / 24 / 0

HEX #FF74C2

RGB 255 116 194

HSL 326.33, 1%, 0.73%

LAB 67.76, 61.17, -15.15

 

CMYK 0 / 47 / 16 / 0

HEX #FF86D5

RGB 255 134 213

HSL 320.83, 1%, 0.76%

LAB 71.63, 55.38, -19.88

 

CMYK 0 / 74 / 41 / 6

HEX #F03E8E

RGB 240 62 142

HSL 333.03, 0.86%, 0.59%

LAB 56.01, 72.07, -2.98

 

CMYK 0 / 80 / 45 / 13

HEX #DF2C7B

RGB 223 44 123

HSL 333.52, 0.74%, 0.52%

LAB 50.59, 71.03, 0.09

 

CMYK 0 / 87 / 50 / 19

HEX #CE1A68

RGB 206 26 104

HSL 334, 0.78%, 0.45%

LAB 45.44, 69.13, 3.87

 

CMYK 0 / 96 / 55 / 26

HEX #BD0855

RGB 189 8 85

HSL 334.48, 0.92%, 0.39%

LAB 40.65, 66.09, 8.52

 

CMYK 0 / 100 / 62 / 33

HEX #AC0042

RGB 172 0 66

HSL 336.98, 1%, 0.34%

LAB 36.3, 61.69, 14.17

 

CMYK 0 / 75 / 41 / 6

HEX #F03C8D

RGB 240 60 141

HSL 333, 0.86%, 0.59%

LAB 55.77, 72.58, -2.74

 

CMYK 0 / 75 / 62 / 6

HEX #F03C5C

RGB 240 60 92

HSL 349.33, 0.86%, 0.59%

LAB 54.58, 68.83, 24.77

 

CMYK 0 / 75 / 75 / 6

HEX #F03C3C

RGB 240 60 60

HSL 0, 0.86%, 0.59%

LAB 54.12, 67.3, 42.66

 

CMYK 0 / 75 / 41 / 6

HEX #F03C8D

RGB 240 60 141

HSL 333, 0.86%, 0.59%

LAB 55.77, 72.58, -2.74

 

CMYK 0 / 75 / 21 / 6

HEX #F03CBD

RGB 240 60 189

HSL 317, 0.86%, 0.59%

LAB 57.49, 77.87, -28.19

 

CMYK 0 / 75 / 1 / 6

HEX #F03CEE

RGB 240 60 238

HSL 300.67, 0.86%, 0.59%

LAB 59.83, 84.67, -52.32

 

CMYK 20 / 75 / 0 / 6

HEX #C13CF0

RGB 193 60 240

HSL 284.33, 0.86%, 0.59%

LAB 52.8, 76.07, -65.1

 

CMYK 40 / 75 / 0 / 6

HEX #913CF0

RGB 145 60 240

HSL 268.33, 0.86%, 0.59%

LAB 46.37, 67.86, -75.83

 

CMYK 0 / 75 / 41 / 6

HEX #F03C8D

RGB 240 60 141

HSL 333, 0.86%, 0.59%

LAB 55.77, 72.58, -2.74

 

CMYK 0 / 75 / 41 / 6

HEX #F03C8D

RGB 240 60 141

HSL 333, 0.86%, 0.59%

LAB 55.77, 72.58, -2.74

 

CMYK 0 / 65 / 36 / 13

HEX #DF4D8F

RGB 223 77 143

HSL 332.88, 0.7%, 0.59%

LAB 55.05, 62.23, -5.31

 

CMYK 0 / 54 / 30 / 19

HEX #CE5E90

RGB 206 94 144

HSL 333.21, 0.53%, 0.59%

LAB 55.22, 49.66, -5.94

 

CMYK 0 / 41 / 23 / 26

HEX #BD6F92

RGB 189 111 146

HSL 333.08, 0.37%, 0.59%

LAB 56.35, 35.47, -5.69

 

CMYK 0 / 26 / 14 / 33

HEX #AC8094

RGB 172 128 148

HSL 332.73, 0.21%, 0.59%

LAB 58.37, 20.19, -4.08

 

CMYK 0 / 75 / 1 / 6

HEX #F03CED

RGB 240 60 237

HSL 301, 0.86%, 0.59%

LAB 59.77, 84.52, -51.85

 

CMYK 0 / 75 / 21 / 6

HEX #F03CBD

RGB 240 60 189

HSL 317, 0.86%, 0.59%

LAB 57.49, 77.87, -28.19

 

CMYK 0 / 75 / 41 / 6

HEX #F03C8D

RGB 240 60 141

HSL 333, 0.86%, 0.59%

LAB 55.77, 72.58, -2.74

 

CMYK 0 / 75 / 61 / 6

HEX #F03C5D

RGB 240 60 93

HSL 349, 0.86%, 0.59%

LAB 54.6, 68.89, 24.2

 

CMYK 0 / 69 / 75 / 6

HEX #F04B3C

RGB 240 75 60

HSL 5, 0.86%, 0.59%

LAB 55.97, 62.17, 44.68

 

CMYK 0 / 93 / 51 / 20

HEX #CB0F63

RGB 203 15 99

HSL 333.19, 0.86%, 0.43%

LAB 44.15, 69.65, 5.04

 

CMYK 0 / 91 / 50 / 7

HEX #ED1676

RGB 237 22 118

HSL 333.21, 0.86%, 0.51%

LAB 51.71, 78.05, 5.08

 

CMYK 0 / 75 / 41 / 6

HEX #F03C8D

RGB 240 60 141

HSL 333, 0.86%, 0.59%

LAB 55.77, 72.58, -2.74

 

CMYK 0 / 60 / 33 / 5

HEX #F362A3

RGB 243 98 163

HSL 333.1, 0.86%, 0.67%

LAB 62.03, 61.68, -6.28

 

CMYK 0 / 44 / 24 / 4

HEX #F689BA

RGB 246 137 186

HSL 333.03, 0.86%, 0.75%

LAB 70.2, 47.17, -7.14

 

CMYK 0 / 74 / 41 / 6

HEX #F03E8E

RGB 240 62 142

HSL 333.03, 0.86%, 0.59%

LAB 56.01, 72.07, -2.98

 

CMYK 0 / 19 / 75 / 6

HEX #F0C33C

RGB 240 195 60

HSL 45, 0.86%, 0.59%

LAB 80.67, 3.13, 69.52

 

CMYK 75 / 11 / 0 / 6

HEX #3CD5F0

RGB 60 213 240

HSL 189, 0.86%, 0.59%

LAB 78.95, -30.29, -24.58

 

CMYK 0 / 74 / 41 / 6

HEX #F03E8E

RGB 240 62 142

HSL 333.03, 0.86%, 0.59%

LAB 56.01, 72.07, -2.98

 

CMYK 41 / 0 / 75 / 6

HEX #8DF03C

RGB 141 240 60

HSL 93, 0.86%, 0.59%

LAB 86.16, -56.63, 72.4

 

CMYK 75 / 41 / 0 / 6

HEX #3C8DF0

RGB 60 141 240

HSL 213, 0.86%, 0.59%

LAB 58.32, 8.8, -56.79

 

CMYK 0 / 74 / 41 / 6

HEX #F03E8E

RGB 240 62 142

HSL 333.03, 0.86%, 0.59%

LAB 56.01, 72.07, -2.98

 

CMYK 0 / 19 / 75 / 6

HEX #F0C33C

RGB 240 195 60

HSL 45, 0.86%, 0.59%

LAB 80.67, 3.13, 69.52

 

CMYK 75 / 0 / 34 / 6

HEX #3CF09F

RGB 60 240 159

HSL 153, 0.86%, 0.59%

LAB 84.89, -62.42, 26.72

 

CMYK 75 / 56 / 0 / 6

HEX #3C69F0

RGB 60 105 240

HSL 225, 0.86%, 0.59%

LAB 48.7, 31.06, -72.3

 

CMYK 0 / 74 / 41 / 6

HEX #F03E8E

RGB 240 62 142

HSL 333.03, 0.86%, 0.59%

LAB 56.01, 72.07, -2.98

 

CMYK 4 / 0 / 75 / 6

HEX #E7F03C

RGB 231 240 60

HSL 63, 0.86%, 0.59%

LAB 91.52, -23.09, 79.35

 

CMYK 75 / 0 / 34 / 6

HEX #3CF09F

RGB 60 240 159

HSL 153, 0.86%, 0.59%

LAB 84.89, -62.42, 26.72

 

CMYK 71 / 75 / 0 / 6

HEX #453CF0

RGB 69 60 240

HSL 243, 0.86%, 0.59%

LAB 39.22, 58.37, -87.84

 

Description

Color code: RGB 240 62 142 | qconv.com Color code: RGB 240 62 142 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 62 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 62 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 41 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 41% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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