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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FF86D5 it is the complementary color #00792A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FF86D5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FF86D5 shade: #FF86D0, #FF98E3, #FFAAF6, #FFBCFF and #FFCEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FF86D5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FF86D5 shade: #FF86D5, #EE74C2, #DD62AF, #CC509C and #BB3E89

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FF86D5 shade: #FF84D4, #FF84B3, #FF8492 and #FF8484

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FF86D5 shade: #FF84D4, #FF84F5, #E784FF, #C684FF and #A584FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FF86D5 shade matches the following richer shades: #FF84D4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FF86D5 shade: #FF84D4, #F58ED1, #EB98CE, #E1A2CB and #D7ACC8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FF86D5 shade: #E684FF, #FF84F6, #FF84D6, #FF84B5 and #FF8494

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FF86D5 shade: #FF32B7, #FF5BC6, #FF84D4, #FFADE2 and #FFD7F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FF86D5 shade: #FF86D5, #FFC584 and #84FFF6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FF86D5 shade: #FF86D5, #D6FF84 and #84D6FF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FF86D5 shade: #FF86D5, #FFC584, #84FFAD and #84BDFF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FF86D5 shade: #FF86D5, #FFEA84, #84FFAD and #8499FF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 16 / 0

HEX #FF86D5

RGB 255 134 213

HSL 320.83, 1%, 0.76%

LAB 71.63, 55.38, -19.88

 

Complementary color

CMYK 100 / 0 / 65 / 53

HEX #00792A

RGB 0 121 42

HSL 140.83, 1%, 0.24%

LAB 44.01, -46.54, 34.41

 

CMYK 0 / 47 / 18 / 0

HEX #FF86D0

RGB 255 134 208

HSL 323.31, 1%, 0.76%

LAB 71.46, 54.65, -17.37

 

CMYK 0 / 40 / 11 / 0

HEX #FF98E3

RGB 255 152 227

HSL 316.31, 1%, 0.8%

LAB 75.61, 48.62, -21.52

 

CMYK 0 / 33 / 4 / 0

HEX #FFAAF6

RGB 255 170 246

HSL 306.35, 1%, 0.83%

LAB 79.99, 42.57, -25.15

 

CMYK 0 / 26 / 0 / 0

HEX #FFBCFF

RGB 255 188 255

HSL 300, 1%, 0.87%

LAB 84.2, 34.77, -23.56

 

CMYK 0 / 19 / 0 / 0

HEX #FFCEFF

RGB 255 206 255

HSL 300, 1%, 0.9%

LAB 88.27, 25.32, -17.41

 

CMYK 0 / 47 / 16 / 0

HEX #FF86D5

RGB 255 134 213

HSL 320.83, 1%, 0.76%

LAB 71.63, 55.38, -19.88

 

CMYK 0 / 51 / 18 / 7

HEX #EE74C2

RGB 238 116 194

HSL 321.64, 0.78%, 0.69%

LAB 65.41, 56.05, -18.93

 

CMYK 0 / 56 / 21 / 13

HEX #DD62AF

RGB 221 98 175

HSL 322.44, 0.64%, 0.63%

LAB 59.16, 56.64, -17.82

 

CMYK 0 / 61 / 24 / 20

HEX #CC509C

RGB 204 80 156

HSL 323.23, 0.55%, 0.56%

LAB 52.92, 57.06, -16.48

 

CMYK 0 / 67 / 27 / 27

HEX #BB3E89

RGB 187 62 137

HSL 324, 0.5%, 0.49%

LAB 46.73, 57.19, -14.81

 

CMYK 0 / 48 / 17 / 0

HEX #FF84D4

RGB 255 132 212

HSL 320.98, 1%, 0.76%

LAB 71.23, 56.2, -19.94

 

CMYK 0 / 48 / 30 / 0

HEX #FF84B3

RGB 255 132 179

HSL 337.07, 1%, 0.76%

LAB 70.19, 51.69, -3.11

 

CMYK 0 / 48 / 43 / 0

HEX #FF8492

RGB 255 132 146

HSL 353.17, 1%, 0.76%

LAB 69.35, 47.94, 14.19

 

CMYK 0 / 48 / 48 / 0

HEX #FF8484

RGB 255 132 132

HSL 0, 1%, 0.76%

LAB 69.06, 46.59, 21.61

 

CMYK 0 / 48 / 17 / 0

HEX #FF84D4

RGB 255 132 212

HSL 320.98, 1%, 0.76%

LAB 71.23, 56.2, -19.94

 

CMYK 0 / 48 / 4 / 0

HEX #FF84F5

RGB 255 132 245

HSL 304.88, 1%, 0.76%

LAB 72.47, 61.39, -36.19

 

CMYK 9 / 48 / 0 / 0

HEX #E784FF

RGB 231 132 255

HSL 288.29, 1%, 0.76%

LAB 69.97, 56.56, -45.75

 

CMYK 22 / 48 / 0 / 0

HEX #C684FF

RGB 198 132 255

HSL 272.2, 1%, 0.76%

LAB 66.31, 47.73, -51.77

 

CMYK 35 / 48 / 0 / 0

HEX #A584FF

RGB 165 132 255

HSL 256.1, 1%, 0.76%

LAB 63.11, 39.29, -57.05

 

CMYK 0 / 48 / 17 / 0

HEX #FF84D4

RGB 255 132 212

HSL 320.98, 1%, 0.76%

LAB 71.23, 56.2, -19.94

 

CMYK 0 / 48 / 17 / 0

HEX #FF84D4

RGB 255 132 212

HSL 320.98, 1%, 0.76%

LAB 71.23, 56.2, -19.94

 

CMYK 0 / 42 / 15 / 4

HEX #F58ED1

RGB 245 142 209

HSL 320.97, 0.84%, 0.76%

LAB 71.8, 47.68, -17.53

 

CMYK 0 / 35 / 12 / 8

HEX #EB98CE

RGB 235 152 206

HSL 320.96, 0.67%, 0.76%

LAB 72.61, 38.79, -14.77

 

CMYK 0 / 28 / 10 / 12

HEX #E1A2CB

RGB 225 162 203

HSL 320.95, 0.51%, 0.76%

LAB 73.65, 29.61, -11.67

 

CMYK 0 / 20 / 7 / 16

HEX #D7ACC8

RGB 215 172 200

HSL 320.93, 0.35%, 0.76%

LAB 74.9, 20.25, -8.26

 

CMYK 10 / 48 / 0 / 0

HEX #E684FF

RGB 230 132 255

HSL 287.8, 1%, 0.76%

LAB 69.86, 56.29, -45.94

 

CMYK 0 / 48 / 4 / 0

HEX #FF84F6

RGB 255 132 246

HSL 304.39, 1%, 0.76%

LAB 72.51, 61.55, -36.67

 

CMYK 0 / 48 / 16 / 0

HEX #FF84D6

RGB 255 132 214

HSL 320, 1%, 0.76%

LAB 71.29, 56.49, -20.94

 

CMYK 0 / 48 / 29 / 0

HEX #FF84B5

RGB 255 132 181

HSL 336.1, 1%, 0.76%

LAB 70.25, 51.94, -4.15

 

CMYK 0 / 48 / 42 / 0

HEX #FF8494

RGB 255 132 148

HSL 352.2, 1%, 0.76%

LAB 69.4, 48.15, 13.13

 

CMYK 0 / 80 / 28 / 0

HEX #FF32B7

RGB 255 50 183

HSL 321.07, 1%, 0.6%

LAB 58.94, 83.1, -22.29

 

CMYK 0 / 64 / 22 / 0

HEX #FF5BC6

RGB 255 91 198

HSL 320.85, 1%, 0.68%

LAB 64.01, 72.21, -23.09

 

CMYK 0 / 48 / 17 / 0

HEX #FF84D4

RGB 255 132 212

HSL 320.98, 1%, 0.76%

LAB 71.23, 56.2, -19.94

 

CMYK 0 / 32 / 11 / 0

HEX #FFADE2

RGB 255 173 226

HSL 321.22, 1%, 0.84%

LAB 79.98, 37.65, -14.39

 

CMYK 0 / 16 / 5 / 0

HEX #FFD7F1

RGB 255 215 241

HSL 321, 1%, 0.92%

LAB 89.96, 18.14, -7.51

 

CMYK 0 / 47 / 16 / 0

HEX #FF86D5

RGB 255 134 213

HSL 320.83, 1%, 0.76%

LAB 71.63, 55.38, -19.88

 

CMYK 0 / 23 / 48 / 0

HEX #FFC584

RGB 255 197 132

HSL 31.71, 1%, 0.76%

LAB 83.37, 13.04, 40.44

 

CMYK 48 / 0 / 4 / 0

HEX #84FFF6

RGB 132 255 246

HSL 175.61, 1%, 0.76%

LAB 93.05, -36.62, -6.37

 

CMYK 0 / 47 / 16 / 0

HEX #FF86D5

RGB 255 134 213

HSL 320.83, 1%, 0.76%

LAB 71.63, 55.38, -19.88

 

CMYK 16 / 0 / 48 / 0

HEX #D6FF84

RGB 214 255 132

HSL 80, 1%, 0.76%

LAB 94.94, -31.76, 54.08

 

CMYK 48 / 16 / 0 / 0

HEX #84D6FF

RGB 132 214 255

HSL 200, 1%, 0.76%

LAB 81.96, -14.31, -27.76

 

CMYK 0 / 47 / 16 / 0

HEX #FF86D5

RGB 255 134 213

HSL 320.83, 1%, 0.76%

LAB 71.63, 55.38, -19.88

 

CMYK 0 / 23 / 48 / 0

HEX #FFC584

RGB 255 197 132

HSL 31.71, 1%, 0.76%

LAB 83.37, 13.04, 40.44

 

CMYK 48 / 0 / 32 / 0

HEX #84FFAD

RGB 132 255 173

HSL 140, 1%, 0.76%

LAB 91.43, -52.01, 28.82

 

CMYK 48 / 26 / 0 / 0

HEX #84BDFF

RGB 132 189 255

HSL 212.2, 1%, 0.76%

LAB 75.15, -1.01, -38.25

 

CMYK 0 / 47 / 16 / 0

HEX #FF86D5

RGB 255 134 213

HSL 320.83, 1%, 0.76%

LAB 71.63, 55.38, -19.88

 

CMYK 0 / 8 / 48 / 0

HEX #FFEA84

RGB 255 234 132

HSL 49.76, 1%, 0.76%

LAB 92.47, -5.88, 51.78

 

CMYK 48 / 0 / 32 / 0

HEX #84FFAD

RGB 132 255 173

HSL 140, 1%, 0.76%

LAB 91.43, -52.01, 28.82

 

CMYK 48 / 40 / 0 / 0

HEX #8499FF

RGB 132 153 255

HSL 229.76, 1%, 0.76%

LAB 65.68, 19.35, -53.12

 

Description

Color code: HEX #FF86D5 | qconv.com Color code: HEX #FF86D5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 134 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 134 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 16 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 16% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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