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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 240 243 117 it is the complementary color RGB 15 12 138. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 240 243 117. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 240 243 117 shade: RGB 245 243 112, RGB 255 255 131, RGB 255 255 150, RGB 255 255 169 and RGB 255 255 188

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 240 243 117. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 240 243 117 shade: RGB 240 243 117, RGB 223 225 98, RGB 206 207 79, RGB 189 189 60 and RGB 172 171 41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 240 243 117 shade: RGB 240 243 118, RGB 243 212 118, RGB 243 179 118, RGB 243 145 118 and RGB 243 118 118

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 240 243 117 shade: RGB 240 243 118, RGB 206 243 118, RGB 173 243 118, RGB 139 243 118 and RGB 118 243 131

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 240 243 117 shade matches the following richer shades: RGB 240 243 118

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 240 243 117 shade: RGB 240 243 118, RGB 228 231 130, RGB 217 219 142, RGB 206 207 154 and RGB 194 195 166

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 240 243 117 shade: RGB 243 178 118, RGB 243 212 118, RGB 241 243 118, RGB 207 243 118 and RGB 174 243 118

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 240 243 117 shade: RGB 231 236 43, RGB 236 239 80, RGB 240 243 118, RGB 244 246 156 and RGB 248 249 194

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 240 243 117 shade: RGB 240 243 117, RGB 118 243 145 and RGB 195 118 243

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 240 243 117 shade: RGB 240 243 117, RGB 118 241 243 and RGB 243 118 241

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 240 243 117 shade: RGB 240 243 117, RGB 118 243 145, RGB 121 118 243 and RGB 243 118 216

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 240 243 117 shade: RGB 240 243 117, RGB 118 243 183, RGB 121 118 243 and RGB 243 118 178

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 52 / 5

HEX #F0F375

RGB 240 243 117

HSL 61.43, 0.84%, 0.71%

LAB 93.41, -17.51, 59.56

 

Complementary color

CMYK 89 / 91 / 0 / 46

HEX #0F0C8A

RGB 15 12 138

HSL 241.43, 0.84%, 0.29%

LAB 16.5, 46.2, -65.13

 

CMYK 0 / 1 / 54 / 4

HEX #F5F370

RGB 245 243 112

HSL 59.1, 0.87%, 0.7%

LAB 93.75, -15.92, 62.27

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF83

RGB 255 255 131

HSL 60, 1%, 0.76%

LAB 97.8, -16.29, 58.65

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF96

RGB 255 255 150

HSL 60, 1%, 0.79%

LAB 98.03, -14.53, 50.05

 

CMYK 0 / 0 / 34 / 0

HEX #FFFFA9

RGB 255 255 169

HSL 60, 1%, 0.83%

LAB 98.29, -12.5, 41.16

 

CMYK 0 / 0 / 26 / 0

HEX #FFFFBC

RGB 255 255 188

HSL 60, 1%, 0.87%

LAB 98.6, -10.2, 32.12

 

CMYK 1 / 0 / 52 / 5

HEX #F0F375

RGB 240 243 117

HSL 61.43, 0.84%, 0.71%

LAB 93.41, -17.51, 59.56

 

CMYK 1 / 0 / 56 / 12

HEX #DFE162

RGB 223 225 98

HSL 60.94, 0.68%, 0.63%

LAB 87.2, -16.97, 60.56

 

CMYK 0 / 0 / 62 / 19

HEX #CECF4F

RGB 206 207 79

HSL 60.47, 0.57%, 0.56%

LAB 80.91, -16.32, 61.42

 

CMYK 0 / 0 / 68 / 26

HEX #BDBD3C

RGB 189 189 60

HSL 60, 0.52%, 0.49%

LAB 74.53, -15.54, 61.99

 

CMYK 0 / 1 / 76 / 33

HEX #ACAB29

RGB 172 171 41

HSL 59.54, 0.62%, 0.42%

LAB 68.06, -14.59, 62.02

 

CMYK 1 / 0 / 51 / 5

HEX #F0F376

RGB 240 243 118

HSL 61.44, 0.84%, 0.71%

LAB 93.42, -17.43, 59.12

 

CMYK 0 / 13 / 51 / 5

HEX #F3D476

RGB 243 212 118

HSL 45.12, 0.84%, 0.71%

LAB 85.73, -0.76, 50.06

 

CMYK 0 / 26 / 51 / 5

HEX #F3B376

RGB 243 179 118

HSL 29.28, 0.84%, 0.71%

LAB 77.64, 16.42, 40.1

 

CMYK 0 / 40 / 51 / 5

HEX #F39176

RGB 243 145 118

HSL 12.96, 0.84%, 0.71%

LAB 69.9, 34.31, 30.18

 

CMYK 0 / 51 / 51 / 5

HEX #F37676

RGB 243 118 118

HSL 0, 0.84%, 0.71%

LAB 64.42, 47.94, 22.9

 

CMYK 1 / 0 / 51 / 5

HEX #F0F376

RGB 240 243 118

HSL 61.44, 0.84%, 0.71%

LAB 93.42, -17.43, 59.12

 

CMYK 15 / 0 / 51 / 5

HEX #CEF376

RGB 206 243 118

HSL 77.76, 0.84%, 0.71%

LAB 91.02, -30.55, 55.7

 

CMYK 29 / 0 / 51 / 5

HEX #ADF376

RGB 173 243 118

HSL 93.6, 0.84%, 0.71%

LAB 89.06, -42.46, 52.89

 

CMYK 43 / 0 / 51 / 5

HEX #8BF376

RGB 139 243 118

HSL 109.92, 0.84%, 0.71%

LAB 87.44, -53.37, 50.55

 

CMYK 51 / 0 / 46 / 5

HEX #76F383

RGB 118 243 131

HSL 126.24, 0.84%, 0.71%

LAB 86.8, -57.42, 43.43

 

CMYK 1 / 0 / 51 / 5

HEX #F0F376

RGB 240 243 118

HSL 61.44, 0.84%, 0.71%

LAB 93.42, -17.43, 59.12

 

CMYK 1 / 0 / 51 / 5

HEX #F0F376

RGB 240 243 118

HSL 61.44, 0.84%, 0.71%

LAB 93.42, -17.43, 59.12

 

CMYK 1 / 0 / 44 / 9

HEX #E4E782

RGB 228 231 130

HSL 61.78, 0.68%, 0.71%

LAB 89.51, -15.19, 48.62

 

CMYK 1 / 0 / 35 / 14

HEX #D9DB8E

RGB 217 219 142

HSL 61.56, 0.52%, 0.71%

LAB 85.69, -12.21, 37.68

 

CMYK 0 / 0 / 26 / 19

HEX #CECF9A

RGB 206 207 154

HSL 61.13, 0.36%, 0.71%

LAB 81.88, -8.82, 26.31

 

CMYK 1 / 0 / 15 / 24

HEX #C2C3A6

RGB 194 195 166

HSL 62.07, 0.19%, 0.71%

LAB 78.02, -5.32, 14.48

 

CMYK 0 / 27 / 51 / 5

HEX #F3B276

RGB 243 178 118

HSL 28.8, 0.84%, 0.71%

LAB 77.4, 16.95, 39.8

 

CMYK 0 / 13 / 51 / 5

HEX #F3D476

RGB 243 212 118

HSL 45.12, 0.84%, 0.71%

LAB 85.73, -0.76, 50.06

 

CMYK 1 / 0 / 51 / 5

HEX #F1F376

RGB 241 243 118

HSL 60.96, 0.84%, 0.71%

LAB 93.5, -17.04, 59.23

 

CMYK 15 / 0 / 51 / 5

HEX #CFF376

RGB 207 243 118

HSL 77.28, 0.84%, 0.71%

LAB 91.09, -30.17, 55.79

 

CMYK 28 / 0 / 51 / 5

HEX #AEF376

RGB 174 243 118

HSL 93.12, 0.84%, 0.71%

LAB 89.11, -42.12, 52.97

 

CMYK 2 / 0 / 82 / 7

HEX #E7EC2B

RGB 231 236 43

HSL 61.55, 0.84%, 0.55%

LAB 90.39, -21.75, 82.88

 

CMYK 1 / 0 / 67 / 6

HEX #ECEF50

RGB 236 239 80

HSL 61.13, 0.83%, 0.63%

LAB 91.75, -19.66, 72.98

 

CMYK 1 / 0 / 51 / 5

HEX #F0F376

RGB 240 243 118

HSL 61.44, 0.84%, 0.71%

LAB 93.42, -17.43, 59.12

 

CMYK 1 / 0 / 37 / 4

HEX #F4F69C

RGB 244 246 156

HSL 61.33, 0.83%, 0.79%

LAB 94.97, -13.69, 43.09

 

CMYK 0 / 0 / 22 / 2

HEX #F8F9C2

RGB 248 249 194

HSL 61.09, 0.82%, 0.87%

LAB 96.66, -8.98, 26.37

 

CMYK 1 / 0 / 52 / 5

HEX #F0F375

RGB 240 243 117

HSL 61.43, 0.84%, 0.71%

LAB 93.41, -17.51, 59.56

 

CMYK 51 / 0 / 40 / 5

HEX #76F391

RGB 118 243 145

HSL 132.96, 0.84%, 0.71%

LAB 87, -55.31, 36.83

 

CMYK 20 / 51 / 0 / 5

HEX #C376F3

RGB 195 118 243

HSL 276.96, 0.84%, 0.71%

LAB 62.53, 51.66, -51.18

 

CMYK 1 / 0 / 52 / 5

HEX #F0F375

RGB 240 243 117

HSL 61.43, 0.84%, 0.71%

LAB 93.41, -17.51, 59.56

 

CMYK 51 / 1 / 0 / 5

HEX #76F1F3

RGB 118 241 243

HSL 180.96, 0.84%, 0.71%

LAB 88.56, -33.77, -11.52

 

CMYK 0 / 51 / 1 / 5

HEX #F376F1

RGB 243 118 241

HSL 300.96, 0.84%, 0.71%

LAB 68.29, 63.98, -40.62

 

CMYK 1 / 0 / 52 / 5

HEX #F0F375

RGB 240 243 117

HSL 61.43, 0.84%, 0.71%

LAB 93.41, -17.51, 59.56

 

CMYK 51 / 0 / 40 / 5

HEX #76F391

RGB 118 243 145

HSL 132.96, 0.84%, 0.71%

LAB 87, -55.31, 36.83

 

CMYK 50 / 51 / 0 / 5

HEX #7976F3

RGB 121 118 243

HSL 241.44, 0.84%, 0.71%

LAB 55.58, 33.95, -62.69

 

CMYK 0 / 51 / 11 / 5

HEX #F376D8

RGB 243 118 216

HSL 312.96, 0.84%, 0.71%

LAB 67.25, 59.9, -28.38

 

CMYK 1 / 0 / 52 / 5

HEX #F0F375

RGB 240 243 117

HSL 61.43, 0.84%, 0.71%

LAB 93.41, -17.51, 59.56

 

CMYK 51 / 0 / 25 / 5

HEX #76F3B7

RGB 118 243 183

HSL 151.2, 0.84%, 0.71%

LAB 87.67, -48.47, 18.45

 

CMYK 50 / 51 / 0 / 5

HEX #7976F3

RGB 121 118 243

HSL 241.44, 0.84%, 0.71%

LAB 55.58, 33.95, -62.69

 

CMYK 0 / 51 / 27 / 5

HEX #F376B2

RGB 243 118 178

HSL 331.2, 0.84%, 0.71%

LAB 65.92, 54.44, -9.05

 

Description

Color code: RGB 240 243 117 | qconv.com Color code: RGB 240 243 117 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 243 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 243 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 52 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 52% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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