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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E4E782 it is the complementary color #1B187D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E4E782. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E4E782 shade: #E9E77D, #FAF990, #FFFFA3, #FFFFB6 and #FFFFC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E4E782. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E4E782 shade: #E4E782, #D3D56F, #C2C35C, #B1B149 and #A09F36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E4E782 shade: #E4E782, #E7CF82, #E7B482, #E79882 and #E78282

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E4E782 shade: #E4E782, #C9E782, #AEE782, #92E782 and #82E78D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E4E782 shade matches the following richer shades: #E4E782 and #EFF376

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E4E782 shade: #E4E782, #D9DB8E, #CDCF9A, #C2C3A6 and #B7B7B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E4E782 shade: #E7B382, #E7CE82, #E5E782, #CAE782 and #B0E782

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E4E782 shade: #D5DA3D, #DCE060, #E4E782, #EBEDA5 and #F3F4C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E4E782 shade: #E4E782, #82E798 and #C082E7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E4E782 shade: #E4E782, #82E5E7 and #E782E5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E4E782 shade: #E4E782, #82E798, #8482E7 and #E782D1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E4E782 shade: #E4E782, #82E7B6, #8482E7 and #E782B3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 44 / 9

HEX #E4E782

RGB 228 231 130

HSL 61.78, 0.68%, 0.71%

LAB 89.51, -15.19, 48.62

 

Complementary color

CMYK 78 / 81 / 0 / 51

HEX #1B187D

RGB 27 24 125

HSL 241.78, 0.68%, 0.29%

LAB 17.31, 37.06, -55.55

 

CMYK 0 / 1 / 46 / 9

HEX #E9E77D

RGB 233 231 125

HSL 58.89, 0.71%, 0.7%

LAB 89.84, -13.7, 51.49

 

CMYK 0 / 0 / 42 / 2

HEX #FAF990

RGB 250 249 144

HSL 59.43, 0.91%, 0.77%

LAB 96.03, -14.12, 50.35

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA3

RGB 255 255 163

HSL 60, 1%, 0.82%

LAB 98.2, -13.17, 43.99

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB6

RGB 255 255 182

HSL 60, 1%, 0.86%

LAB 98.49, -10.95, 34.99

 

CMYK 0 / 0 / 21 / 0

HEX #FFFFC9

RGB 255 255 201

HSL 60, 1%, 0.89%

LAB 98.83, -8.47, 25.89

 

CMYK 1 / 0 / 44 / 9

HEX #E4E782

RGB 228 231 130

HSL 61.78, 0.68%, 0.71%

LAB 89.51, -15.19, 48.62

 

CMYK 1 / 0 / 48 / 16

HEX #D3D56F

RGB 211 213 111

HSL 61.18, 0.55%, 0.64%

LAB 83.22, -14.78, 49.76

 

CMYK 1 / 0 / 53 / 24

HEX #C2C35C

RGB 194 195 92

HSL 60.58, 0.46%, 0.56%

LAB 76.84, -14.29, 50.88

 

CMYK 0 / 0 / 59 / 31

HEX #B1B149

RGB 177 177 73

HSL 60, 0.42%, 0.49%

LAB 70.37, -13.69, 51.91

 

CMYK 0 / 1 / 66 / 37

HEX #A09F36

RGB 160 159 54

HSL 59.43, 0.5%, 0.42%

LAB 63.78, -12.95, 52.7

 

CMYK 1 / 0 / 44 / 9

HEX #E4E782

RGB 228 231 130

HSL 61.78, 0.68%, 0.71%

LAB 89.51, -15.19, 48.62

 

CMYK 0 / 10 / 44 / 9

HEX #E7CF82

RGB 231 207 130

HSL 45.74, 0.68%, 0.71%

LAB 83.56, -1.91, 41.23

 

CMYK 0 / 22 / 44 / 9

HEX #E7B482

RGB 231 180 130

HSL 29.7, 0.68%, 0.71%

LAB 76.83, 12.22, 32.56

 

CMYK 0 / 34 / 44 / 9

HEX #E79882

RGB 231 152 130

HSL 13.07, 0.68%, 0.71%

LAB 70.22, 27.14, 23.77

 

CMYK 0 / 44 / 44 / 9

HEX #E78282

RGB 231 130 130

HSL 0, 0.68%, 0.71%

LAB 65.41, 38.7, 17.21

 

CMYK 1 / 0 / 44 / 9

HEX #E4E782

RGB 228 231 130

HSL 61.78, 0.68%, 0.71%

LAB 89.51, -15.19, 48.62

 

CMYK 13 / 0 / 44 / 9

HEX #C9E782

RGB 201 231 130

HSL 77.82, 0.68%, 0.71%

LAB 87.57, -25.55, 45.78

 

CMYK 25 / 0 / 44 / 9

HEX #AEE782

RGB 174 231 130

HSL 93.86, 0.68%, 0.71%

LAB 85.89, -35.38, 43.31

 

CMYK 37 / 0 / 44 / 9

HEX #92E782

RGB 146 231 130

HSL 110.5, 0.68%, 0.71%

LAB 84.42, -44.71, 41.14

 

CMYK 44 / 0 / 39 / 9

HEX #82E78D

RGB 130 231 141

HSL 126.53, 0.68%, 0.71%

LAB 83.87, -47.87, 34.83

 

CMYK 1 / 0 / 44 / 9

HEX #E4E782

RGB 228 231 130

HSL 61.78, 0.68%, 0.71%

LAB 89.51, -15.19, 48.62

 

CMYK 2 / 0 / 51 / 5

HEX #EFF376

RGB 239 243 118

HSL 61.92, 0.84%, 0.71%

LAB 93.35, -17.82, 59.01

 

CMYK 1 / 0 / 44 / 9

HEX #E4E782

RGB 228 231 130

HSL 61.78, 0.68%, 0.71%

LAB 89.51, -15.19, 48.62

 

CMYK 1 / 0 / 35 / 14

HEX #D9DB8E

RGB 217 219 142

HSL 61.56, 0.52%, 0.71%

LAB 85.69, -12.21, 37.68

 

CMYK 1 / 0 / 26 / 19

HEX #CDCF9A

RGB 205 207 154

HSL 62.26, 0.36%, 0.71%

LAB 81.8, -9.19, 26.19

 

CMYK 1 / 0 / 15 / 24

HEX #C2C3A6

RGB 194 195 166

HSL 62.07, 0.19%, 0.71%

LAB 78.02, -5.32, 14.48

 

CMYK 0 / 0 / 3 / 28

HEX #B7B7B2

RGB 183 183 178

HSL 60, 0.03%, 0.71%

LAB 74.28, -0.92, 2.53

HEX #B7B7B2

CMYK 0 / 23 / 44 / 9

HEX #E7B382

RGB 231 179 130

HSL 29.11, 0.68%, 0.71%

LAB 76.58, 12.75, 32.24

 

CMYK 0 / 11 / 44 / 9

HEX #E7CE82

RGB 231 206 130

HSL 45.15, 0.68%, 0.71%

LAB 83.31, -1.39, 40.91

 

CMYK 1 / 0 / 44 / 9

HEX #E5E782

RGB 229 231 130

HSL 61.19, 0.68%, 0.71%

LAB 89.59, -14.8, 48.73

 

CMYK 13 / 0 / 44 / 9

HEX #CAE782

RGB 202 231 130

HSL 77.23, 0.68%, 0.71%

LAB 87.64, -25.17, 45.88

 

CMYK 24 / 0 / 44 / 9

HEX #B0E782

RGB 176 231 130

HSL 92.67, 0.68%, 0.71%

LAB 86, -34.68, 43.48

 

CMYK 2 / 0 / 72 / 15

HEX #D5DA3D

RGB 213 218 61

HSL 61.91, 0.68%, 0.55%

LAB 84.29, -19.83, 71.79

 

CMYK 2 / 0 / 57 / 12

HEX #DCE060

RGB 220 224 96

HSL 61.88, 0.67%, 0.63%

LAB 86.69, -17.83, 60.79

 

CMYK 1 / 0 / 44 / 9

HEX #E4E782

RGB 228 231 130

HSL 61.78, 0.68%, 0.71%

LAB 89.51, -15.19, 48.62

 

CMYK 1 / 0 / 30 / 7

HEX #EBEDA5

RGB 235 237 165

HSL 61.67, 0.67%, 0.79%

LAB 92.11, -11.59, 34.75

 

CMYK 0 / 0 / 18 / 4

HEX #F3F4C8

RGB 243 244 200

HSL 61.36, 0.67%, 0.87%

LAB 95.13, -7.44, 21.14

 

CMYK 1 / 0 / 44 / 9

HEX #E4E782

RGB 228 231 130

HSL 61.78, 0.68%, 0.71%

LAB 89.51, -15.19, 48.62

 

CMYK 44 / 0 / 34 / 9

HEX #82E798

RGB 130 231 152

HSL 133.07, 0.68%, 0.71%

LAB 84.05, -46.09, 29.5

 

CMYK 17 / 44 / 0 / 9

HEX #C082E7

RGB 192 130 231

HSL 276.83, 0.68%, 0.71%

LAB 64.11, 41.9, -42.07

 

CMYK 1 / 0 / 44 / 9

HEX #E4E782

RGB 228 231 130

HSL 61.78, 0.68%, 0.71%

LAB 89.51, -15.19, 48.62

 

CMYK 44 / 1 / 0 / 9

HEX #82E5E7

RGB 130 229 231

HSL 181.19, 0.68%, 0.71%

LAB 85.28, -28.53, -10.06

 

CMYK 0 / 44 / 1 / 9

HEX #E782E5

RGB 231 130 229

HSL 301.19, 0.68%, 0.71%

LAB 68.47, 52.77, -33.84

 

CMYK 1 / 0 / 44 / 9

HEX #E4E782

RGB 228 231 130

HSL 61.78, 0.68%, 0.71%

LAB 89.51, -15.19, 48.62

 

CMYK 44 / 0 / 34 / 9

HEX #82E798

RGB 130 231 152

HSL 133.07, 0.68%, 0.71%

LAB 84.05, -46.09, 29.5

 

CMYK 43 / 44 / 0 / 9

HEX #8482E7

RGB 132 130 231

HSL 241.19, 0.68%, 0.71%

LAB 58.64, 25.83, -51.07

 

CMYK 0 / 44 / 10 / 9

HEX #E782D1

RGB 231 130 209

HSL 313.07, 0.68%, 0.71%

LAB 67.69, 49.36, -23.94

 

CMYK 1 / 0 / 44 / 9

HEX #E4E782

RGB 228 231 130

HSL 61.78, 0.68%, 0.71%

LAB 89.51, -15.19, 48.62

 

CMYK 44 / 0 / 21 / 9

HEX #82E7B6

RGB 130 231 182

HSL 150.89, 0.68%, 0.71%

LAB 84.63, -40.53, 14.77

 

CMYK 43 / 44 / 0 / 9

HEX #8482E7

RGB 132 130 231

HSL 241.19, 0.68%, 0.71%

LAB 58.64, 25.83, -51.07

 

CMYK 0 / 44 / 23 / 9

HEX #E782B3

RGB 231 130 179

HSL 330.89, 0.68%, 0.71%

LAB 66.68, 44.75, -8.65

 

Description

Color code: HEX #E4E782 | qconv.com Color code: HEX #E4E782 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 231 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 231 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 44 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 44% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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