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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 238 166 169 it is the complementary color RGB 17 89 86. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 238 166 169. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 238 166 169 shade: RGB 243 166 164, RGB 255 184 183, RGB 255 202 202, RGB 255 220 221 and RGB 255 238 240

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 238 166 169. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 238 166 169 shade: RGB 238 166 169, RGB 221 148 150, RGB 204 130 131, RGB 187 112 112 and RGB 170 94 93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 238 166 169 shade: RGB 237 165 168 and RGB 237 165 165

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 238 166 169 shade: RGB 237 165 168, RGB 237 165 187, RGB 237 165 207, RGB 237 165 226 and RGB 229 165 237

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 238 166 169 shade matches the following richer shades: RGB 237 165 168 and RGB 246 156 160

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 238 166 169 shade: RGB 237 165 168, RGB 229 173 176, RGB 220 182 183, RGB 211 191 191 and RGB 203 199 199

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 238 166 169 shade: RGB 237 165 207, RGB 237 165 188, RGB 237 165 168, RGB 237 180 165 and RGB 237 200 165

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 238 166 169 shade: RGB 224 95 101, RGB 231 130 134, RGB 237 165 168, RGB 244 199 201 and RGB 251 234 235

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 238 166 169 shade: RGB 238 166 169, RGB 226 237 165 and RGB 165 197 237

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 238 166 169 shade: RGB 238 166 169, RGB 168 237 165 and RGB 165 168 237

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 238 166 169 shade: RGB 238 166 169, RGB 226 237 165, RGB 165 237 234 and RGB 175 165 237

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 238 166 169 shade: RGB 238 166 169, RGB 205 237 165, RGB 165 237 234 and RGB 197 165 237

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 29 / 7

HEX #EEA6A9

RGB 238 166 169

HSL 357.5, 0.68%, 0.79%

LAB 75.02, 26.97, 9.18

 

Complementary color

CMYK 81 / 0 / 3 / 65

HEX #115956

RGB 17 89 86

HSL 177.5, 0.68%, 0.21%

LAB 33.85, -21.67, -4.43

 

CMYK 0 / 32 / 33 / 5

HEX #F3A6A4

RGB 243 166 164

HSL 1.52, 0.77%, 0.8%

LAB 75.46, 28.18, 12.6

 

CMYK 0 / 28 / 28 / 0

HEX #FFB8B7

RGB 255 184 183

HSL 0.83, 1%, 0.86%

LAB 81.27, 25.56, 10.72

 

CMYK 0 / 21 / 21 / 0

HEX #FFCACA

RGB 255 202 202

HSL 0, 1%, 0.9%

LAB 85.89, 18.76, 7.17

 

CMYK 0 / 14 / 13 / 0

HEX #FFDCDD

RGB 255 220 221

HSL 358.29, 1%, 0.93%

LAB 90.63, 12.26, 3.98

 

CMYK 0 / 7 / 6 / 0

HEX #FFEEF0

RGB 255 238 240

HSL 352.94, 1%, 0.97%

LAB 95.46, 6.07, 1.09

 

CMYK 0 / 30 / 29 / 7

HEX #EEA6A9

RGB 238 166 169

HSL 357.5, 0.68%, 0.79%

LAB 75.02, 26.97, 9.18

 

CMYK 0 / 33 / 32 / 13

HEX #DD9496

RGB 221 148 150

HSL 358.36, 0.52%, 0.72%

LAB 68.57, 27.78, 10.24

 

CMYK 0 / 36 / 36 / 20

HEX #CC8283

RGB 204 130 131

HSL 359.19, 0.42%, 0.65%

LAB 62.03, 28.67, 11.42

 

CMYK 0 / 40 / 40 / 27

HEX #BB7070

RGB 187 112 112

HSL 0, 0.36%, 0.59%

LAB 55.4, 29.65, 12.75

 

CMYK 0 / 45 / 45 / 33

HEX #AA5E5D

RGB 170 94 93

HSL 0.78, 0.31%, 0.52%

LAB 48.69, 30.73, 14.29

 

CMYK 0 / 30 / 29 / 7

HEX #EDA5A8

RGB 237 165 168

HSL 357.5, 0.67%, 0.79%

LAB 74.66, 27, 9.19

 

CMYK 0 / 30 / 30 / 7

HEX #EDA5A5

RGB 237 165 165

HSL 0, 0.67%, 0.79%

LAB 74.59, 26.61, 10.74

 

CMYK 0 / 30 / 29 / 7

HEX #EDA5A8

RGB 237 165 168

HSL 357.5, 0.67%, 0.79%

LAB 74.66, 27, 9.19

 

CMYK 0 / 30 / 21 / 7

HEX #EDA5BB

RGB 237 165 187

HSL 341.67, 0.67%, 0.79%

LAB 75.14, 29.66, -0.54

 

CMYK 0 / 30 / 13 / 7

HEX #EDA5CF

RGB 237 165 207

HSL 325, 0.67%, 0.79%

LAB 75.71, 32.76, -10.65

 

CMYK 0 / 30 / 5 / 7

HEX #EDA5E2

RGB 237 165 226

HSL 309.17, 0.67%, 0.79%

LAB 76.32, 35.96, -20.1

 

CMYK 3 / 30 / 0 / 7

HEX #E5A5ED

RGB 229 165 237

HSL 293.33, 0.67%, 0.79%

LAB 75.87, 35.41, -26.82

 

CMYK 0 / 30 / 29 / 7

HEX #EDA5A8

RGB 237 165 168

HSL 357.5, 0.67%, 0.79%

LAB 74.66, 27, 9.19

 

CMYK 0 / 37 / 35 / 4

HEX #F69CA0

RGB 246 156 160

HSL 357.33, 0.83%, 0.79%

LAB 73.49, 34.05, 12.06

 

CMYK 0 / 30 / 29 / 7

HEX #EDA5A8

RGB 237 165 168

HSL 357.5, 0.67%, 0.79%

LAB 74.66, 27, 9.19

 

CMYK 0 / 24 / 23 / 10

HEX #E5ADB0

RGB 229 173 176

HSL 356.79, 0.52%, 0.79%

LAB 75.87, 20.89, 6.44

 

CMYK 0 / 17 / 17 / 14

HEX #DCB6B7

RGB 220 182 183

HSL 358.42, 0.35%, 0.79%

LAB 77.33, 13.82, 4.63

 

CMYK 0 / 9 / 9 / 17

HEX #D3BFBF

RGB 211 191 191

HSL 0, 0.19%, 0.79%

LAB 78.97, 7.06, 2.56

 

CMYK 0 / 2 / 2 / 20

HEX #CBC7C7

RGB 203 199 199

HSL 0, 0.04%, 0.79%

LAB 80.55, 1.39, 0.48

 

CMYK 0 / 30 / 13 / 7

HEX #EDA5CF

RGB 237 165 207

HSL 325, 0.67%, 0.79%

LAB 75.71, 32.76, -10.65

 

CMYK 0 / 30 / 21 / 7

HEX #EDA5BC

RGB 237 165 188

HSL 340.83, 0.67%, 0.79%

LAB 75.17, 29.81, -1.04

 

CMYK 0 / 30 / 29 / 7

HEX #EDA5A8

RGB 237 165 168

HSL 357.5, 0.67%, 0.79%

LAB 74.66, 27, 9.19

 

CMYK 0 / 24 / 30 / 7

HEX #EDB4A5

RGB 237 180 165

HSL 12.5, 0.67%, 0.79%

LAB 78.09, 18.63, 15.67

 

CMYK 0 / 16 / 30 / 7

HEX #EDC8A5

RGB 237 200 165

HSL 29.17, 0.67%, 0.79%

LAB 82.93, 8.08, 22.39

 

CMYK 0 / 58 / 55 / 12

HEX #E05F65

RGB 224 95 101

HSL 357.21, 0.68%, 0.63%

LAB 57.05, 50.82, 22.26

 

CMYK 0 / 44 / 42 / 9

HEX #E78286

RGB 231 130 134

HSL 357.62, 0.68%, 0.71%

LAB 65.5, 39.12, 15.07

 

CMYK 0 / 30 / 29 / 7

HEX #EDA5A8

RGB 237 165 168

HSL 357.5, 0.67%, 0.79%

LAB 74.66, 27, 9.19

 

CMYK 0 / 18 / 18 / 4

HEX #F4C7C9

RGB 244 199 201

HSL 357.33, 0.67%, 0.87%

LAB 84.12, 16.24, 5.03

 

CMYK 0 / 7 / 6 / 2

HEX #FBEAEB

RGB 251 234 235

HSL 356.47, 0.68%, 0.95%

LAB 94.04, 5.92, 1.58

 

CMYK 0 / 30 / 29 / 7

HEX #EEA6A9

RGB 238 166 169

HSL 357.5, 0.68%, 0.79%

LAB 75.02, 26.97, 9.18

 

CMYK 5 / 0 / 30 / 7

HEX #E2EDA5

RGB 226 237 165

HSL 69.17, 0.67%, 0.79%

LAB 91.44, -14.95, 33.74

 

CMYK 30 / 17 / 0 / 7

HEX #A5C5ED

RGB 165 197 237

HSL 213.33, 0.67%, 0.79%

LAB 78.49, -1.59, -23.3

 

CMYK 0 / 30 / 29 / 7

HEX #EEA6A9

RGB 238 166 169

HSL 357.5, 0.68%, 0.79%

LAB 75.02, 26.97, 9.18

 

CMYK 29 / 0 / 30 / 7

HEX #A8EDA5

RGB 168 237 165

HSL 117.5, 0.67%, 0.79%

LAB 87.78, -35.21, 28.2

 

CMYK 30 / 29 / 0 / 7

HEX #A5A8ED

RGB 165 168 237

HSL 237.5, 0.67%, 0.79%

LAB 70.95, 14.34, -34.88

 

CMYK 0 / 30 / 29 / 7

HEX #EEA6A9

RGB 238 166 169

HSL 357.5, 0.68%, 0.79%

LAB 75.02, 26.97, 9.18

 

CMYK 5 / 0 / 30 / 7

HEX #E2EDA5

RGB 226 237 165

HSL 69.17, 0.67%, 0.79%

LAB 91.44, -14.95, 33.74

 

CMYK 30 / 0 / 1 / 7

HEX #A5EDEA

RGB 165 237 234

HSL 177.5, 0.67%, 0.79%

LAB 89.16, -22.82, -5.7

 

CMYK 26 / 30 / 0 / 7

HEX #AFA5ED

RGB 175 165 237

HSL 248.33, 0.67%, 0.79%

LAB 70.97, 18.9, -34.79

 

CMYK 0 / 30 / 29 / 7

HEX #EEA6A9

RGB 238 166 169

HSL 357.5, 0.68%, 0.79%

LAB 75.02, 26.97, 9.18

 

CMYK 14 / 0 / 30 / 7

HEX #CDEDA5

RGB 205 237 165

HSL 86.67, 0.67%, 0.79%

LAB 89.98, -22.6, 31.54

 

CMYK 30 / 0 / 1 / 7

HEX #A5EDEA

RGB 165 237 234

HSL 177.5, 0.67%, 0.79%

LAB 89.16, -22.82, -5.7

 

CMYK 17 / 30 / 0 / 7

HEX #C5A5ED

RGB 197 165 237

HSL 266.67, 0.67%, 0.79%

LAB 72.82, 25.47, -31.77

 

Description

Color code: RGB 238 166 169 | qconv.com Color code: RGB 238 166 169 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 166 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 166 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 29 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 29% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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