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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 246 156 160 it is the complementary color RGB 9 99 95. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 246 156 160. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 246 156 160 shade: RGB 251 156 155, RGB 255 174 174, RGB 255 192 193, RGB 255 210 212 and RGB 255 228 231

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 246 156 160. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 246 156 160 shade: RGB 246 156 160, RGB 229 138 141, RGB 212 120 122, RGB 195 102 103 and RGB 178 84 84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 246 156 160 shade: RGB 245 157 160 and RGB 245 157 157

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 246 156 160 shade: RGB 245 157 160, RGB 245 157 184, RGB 245 157 208, RGB 245 157 232 and RGB 234 157 245

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 246 156 160 shade matches the following richer shades: RGB 245 157 160 and RGB 254 148 153

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 246 156 160 shade: RGB 245 157 160, RGB 237 165 168, RGB 228 174 176, RGB 219 182 184 and RGB 211 191 192

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 246 156 160 shade: RGB 245 157 208, RGB 245 157 185, RGB 245 157 161, RGB 245 176 157 and RGB 245 199 157

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 246 156 160 shade: RGB 238 81 88, RGB 242 119 124, RGB 245 157 160, RGB 249 194 197 and RGB 252 232 233

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 246 156 160 shade: RGB 246 156 160, RGB 232 245 157 and RGB 157 197 245

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 246 156 160 shade: RGB 246 156 160, RGB 161 245 157 and RGB 157 161 245

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 246 156 160 shade: RGB 246 156 160, RGB 232 245 157, RGB 157 245 241 and RGB 170 157 245

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 246 156 160 shade: RGB 246 156 160, RGB 205 245 157, RGB 157 245 241 and RGB 197 157 245

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 35 / 4

HEX #F69CA0

RGB 246 156 160

HSL 357.33, 0.83%, 0.79%

LAB 73.49, 34.05, 12.06

 

Complementary color

CMYK 91 / 0 / 4 / 61

HEX #09635F

RGB 9 99 95

HSL 177.33, 0.83%, 0.21%

LAB 37.5, -24.66, -4.63

 

CMYK 0 / 38 / 38 / 2

HEX #FB9C9B

RGB 251 156 155

HSL 0.63, 0.92%, 0.8%

LAB 73.97, 35.3, 15.58

 

CMYK 0 / 32 / 32 / 0

HEX #FFAEAE

RGB 255 174 174

HSL 0, 1%, 0.84%

LAB 78.8, 29.65, 12.08

 

CMYK 0 / 25 / 24 / 0

HEX #FFC0C1

RGB 255 192 193

HSL 359.05, 1%, 0.88%

LAB 83.34, 22.72, 8.32

 

CMYK 0 / 18 / 17 / 0

HEX #FFD2D4

RGB 255 210 212

HSL 357.33, 1%, 0.91%

LAB 88.02, 16.07, 4.95

 

CMYK 0 / 11 / 9 / 0

HEX #FFE4E7

RGB 255 228 231

HSL 353.33, 1%, 0.95%

LAB 92.8, 9.72, 1.91

 

CMYK 0 / 37 / 35 / 4

HEX #F69CA0

RGB 246 156 160

HSL 357.33, 0.83%, 0.79%

LAB 73.49, 34.05, 12.06

 

CMYK 0 / 40 / 38 / 10

HEX #E58A8D

RGB 229 138 141

HSL 358.02, 0.64%, 0.72%

LAB 67.1, 34.99, 13.33

 

CMYK 0 / 43 / 42 / 17

HEX #D4787A

RGB 212 120 122

HSL 358.7, 0.52%, 0.65%

LAB 60.64, 36, 14.76

 

CMYK 0 / 48 / 47 / 24

HEX #C36667

RGB 195 102 103

HSL 359.35, 0.44%, 0.58%

LAB 54.12, 37.09, 16.4

 

CMYK 0 / 53 / 53 / 30

HEX #B25454

RGB 178 84 84

HSL 0, 0.38%, 0.51%

LAB 47.55, 38.23, 18.32

 

CMYK 0 / 36 / 35 / 4

HEX #F59DA0

RGB 245 157 160

HSL 357.95, 0.81%, 0.79%

LAB 73.59, 33.16, 12.19

 

CMYK 0 / 36 / 36 / 4

HEX #F59D9D

RGB 245 157 157

HSL 0, 0.81%, 0.79%

LAB 73.52, 32.8, 13.75

 

CMYK 0 / 36 / 35 / 4

HEX #F59DA0

RGB 245 157 160

HSL 357.95, 0.81%, 0.79%

LAB 73.59, 33.16, 12.19

 

CMYK 0 / 36 / 25 / 4

HEX #F59DB8

RGB 245 157 184

HSL 341.59, 0.81%, 0.79%

LAB 74.18, 36.27, -0.18

 

CMYK 0 / 36 / 15 / 4

HEX #F59DD0

RGB 245 157 208

HSL 325.23, 0.81%, 0.79%

LAB 74.88, 39.81, -12.35

 

CMYK 0 / 36 / 5 / 4

HEX #F59DE8

RGB 245 157 232

HSL 308.86, 0.81%, 0.79%

LAB 75.67, 43.75, -24.27

 

CMYK 4 / 36 / 0 / 4

HEX #EA9DF5

RGB 234 157 245

HSL 292.5, 0.81%, 0.79%

LAB 74.95, 42.7, -32.54

 

CMYK 0 / 36 / 35 / 4

HEX #F59DA0

RGB 245 157 160

HSL 357.95, 0.81%, 0.79%

LAB 73.59, 33.16, 12.19

 

CMYK 0 / 42 / 40 / 0

HEX #FE9499

RGB 254 148 153

HSL 357.17, 0.98%, 0.79%

LAB 72.59, 40.3, 14.81

 

CMYK 0 / 36 / 35 / 4

HEX #F59DA0

RGB 245 157 160

HSL 357.95, 0.81%, 0.79%

LAB 73.59, 33.16, 12.19

 

CMYK 0 / 30 / 29 / 7

HEX #EDA5A8

RGB 237 165 168

HSL 357.5, 0.67%, 0.79%

LAB 74.66, 27, 9.19

 

CMYK 0 / 24 / 23 / 11

HEX #E4AEB0

RGB 228 174 176

HSL 357.78, 0.5%, 0.79%

LAB 76.01, 19.99, 6.62

 

CMYK 0 / 17 / 16 / 14

HEX #DBB6B8

RGB 219 182 184

HSL 356.76, 0.34%, 0.79%

LAB 77.27, 13.61, 3.97

 

CMYK 0 / 9 / 9 / 17

HEX #D3BFC0

RGB 211 191 192

HSL 357, 0.19%, 0.79%

LAB 78.99, 7.23, 2.06

 

CMYK 0 / 36 / 15 / 4

HEX #F59DD0

RGB 245 157 208

HSL 325.23, 0.81%, 0.79%

LAB 74.88, 39.81, -12.35

 

CMYK 0 / 36 / 24 / 4

HEX #F59DB9

RGB 245 157 185

HSL 340.91, 0.81%, 0.79%

LAB 74.21, 36.41, -0.69

 

CMYK 0 / 36 / 34 / 4

HEX #F59DA1

RGB 245 157 161

HSL 357.27, 0.81%, 0.79%

LAB 73.61, 33.28, 11.67

 

CMYK 0 / 28 / 36 / 4

HEX #F5B09D

RGB 245 176 157

HSL 12.95, 0.81%, 0.79%

LAB 77.81, 22.79, 19.73

 

CMYK 0 / 19 / 36 / 4

HEX #F5C79D

RGB 245 199 157

HSL 28.64, 0.81%, 0.79%

LAB 83.28, 10.69, 27.2

 

CMYK 0 / 66 / 63 / 7

HEX #EE5158

RGB 238 81 88

HSL 357.32, 0.82%, 0.63%

LAB 56.85, 60.58, 29.96

 

CMYK 0 / 51 / 49 / 5

HEX #F2777C

RGB 242 119 124

HSL 357.56, 0.83%, 0.71%

LAB 64.58, 47.63, 19.71

 

CMYK 0 / 36 / 35 / 4

HEX #F59DA0

RGB 245 157 160

HSL 357.95, 0.81%, 0.79%

LAB 73.59, 33.16, 12.19

 

CMYK 0 / 22 / 21 / 2

HEX #F9C2C5

RGB 249 194 197

HSL 356.73, 0.82%, 0.87%

LAB 83.31, 20.07, 6.06

 

CMYK 0 / 8 / 8 / 1

HEX #FCE8E9

RGB 252 232 233

HSL 357, 0.77%, 0.95%

LAB 93.58, 6.96, 1.96

 

CMYK 0 / 37 / 35 / 4

HEX #F69CA0

RGB 246 156 160

HSL 357.33, 0.83%, 0.79%

LAB 73.49, 34.05, 12.06

 

CMYK 5 / 0 / 36 / 4

HEX #E8F59D

RGB 232 245 157

HSL 68.86, 0.81%, 0.79%

LAB 93.84, -17.61, 40.97

 

CMYK 36 / 20 / 0 / 4

HEX #9DC5F5

RGB 157 197 245

HSL 212.73, 0.81%, 0.79%

LAB 78.28, -1.82, -27.95

 

CMYK 0 / 37 / 35 / 4

HEX #F69CA0

RGB 246 156 160

HSL 357.33, 0.83%, 0.79%

LAB 73.49, 34.05, 12.06

 

CMYK 34 / 0 / 36 / 4

HEX #A1F59D

RGB 161 245 157

HSL 117.27, 0.81%, 0.79%

LAB 89.54, -42.25, 34.53

 

CMYK 36 / 34 / 0 / 4

HEX #9DA1F5

RGB 157 161 245

HSL 237.27, 0.81%, 0.79%

LAB 68.93, 18.14, -42.43

 

CMYK 0 / 37 / 35 / 4

HEX #F69CA0

RGB 246 156 160

HSL 357.33, 0.83%, 0.79%

LAB 73.49, 34.05, 12.06

 

CMYK 5 / 0 / 36 / 4

HEX #E8F59D

RGB 232 245 157

HSL 68.86, 0.81%, 0.79%

LAB 93.84, -17.61, 40.97

 

CMYK 36 / 0 / 2 / 4

HEX #9DF5F1

RGB 157 245 241

HSL 177.27, 0.81%, 0.79%

LAB 91.15, -27.23, -6.46

 

CMYK 31 / 36 / 0 / 4

HEX #AA9DF5

RGB 170 157 245

HSL 248.86, 0.81%, 0.79%

LAB 68.93, 23.94, -42.35

 

CMYK 0 / 37 / 35 / 4

HEX #F69CA0

RGB 246 156 160

HSL 357.33, 0.83%, 0.79%

LAB 73.49, 34.05, 12.06

 

CMYK 16 / 0 / 36 / 4

HEX #CDF59D

RGB 205 245 157

HSL 87.27, 0.81%, 0.79%

LAB 92.01, -27.49, 38.23

 

CMYK 36 / 0 / 2 / 4

HEX #9DF5F1

RGB 157 245 241

HSL 177.27, 0.81%, 0.79%

LAB 91.15, -27.23, -6.46

 

CMYK 20 / 36 / 0 / 4

HEX #C59DF5

RGB 197 157 245

HSL 267.27, 0.81%, 0.79%

LAB 71.27, 31.64, -38.54

 

Description

Color code: RGB 246 156 160 | qconv.com Color code: RGB 246 156 160 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 156 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 156 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 35 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 35% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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