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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 236 55 219 it is the complementary color RGB 19 200 36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 236 55 219. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 236 55 219 shade: RGB 241 55 214, RGB 255 73 233, RGB 255 91 252, RGB 255 109 255 and RGB 255 127 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 236 55 219. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 236 55 219 shade: RGB 236 55 219, RGB 219 37 200, RGB 202 19 181, RGB 185 1 162 and RGB 168 0 143

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 236 55 219 shade: RGB 236 54 219, RGB 236 54 170, RGB 236 54 121, RGB 236 54 71 and RGB 236 54 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 236 55 219 shade: RGB 236 54 219, RGB 204 54 236, RGB 155 54 236, RGB 106 54 236 and RGB 57 54 236

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 236 55 219 shade matches the following richer shades: RGB 236 54 219 and RGB 254 36 233

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 236 55 219 shade: RGB 236 54 219, RGB 218 72 204, RGB 200 89 190, RGB 183 107 176 and RGB 165 125 161

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 236 55 219 shade: RGB 154 54 236, RGB 202 54 236, RGB 236 54 221, RGB 236 54 172 and RGB 236 54 124

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 236 55 219 shade: RGB 190 17 174, RGB 228 21 208, RGB 236 54 219, RGB 239 92 225 and RGB 243 129 232

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 236 55 219 shade: RGB 236 55 219, RGB 236 105 54 and RGB 54 236 178

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 236 55 219 shade: RGB 236 55 219, RGB 221 236 54 and RGB 54 221 236

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 236 55 219 shade: RGB 236 55 219, RGB 236 105 54, RGB 54 236 69 and RGB 54 184 236

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 236 55 219 shade: RGB 236 55 219, RGB 236 160 54, RGB 54 236 69 and RGB 54 130 236

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 7 / 7

HEX #EC37DB

RGB 236 55 219

HSL 305.64, 0.83%, 0.57%

LAB 57.73, 82.41, -45

 

Complementary color

CMYK 91 / 0 / 82 / 22

HEX #13C824

RGB 19 200 36

HSL 125.64, 0.83%, 0.43%

LAB 70.58, -69.75, 63.54

 

CMYK 0 / 77 / 11 / 5

HEX #F137D6

RGB 241 55 214

HSL 308.71, 0.87%, 0.58%

LAB 58.31, 82.73, -41.2

 

CMYK 0 / 71 / 9 / 0

HEX #FF49E9

RGB 255 73 233

HSL 307.25, 1%, 0.64%

LAB 63.27, 83.23, -43.94

 

CMYK 0 / 64 / 1 / 0

HEX #FF5BFC

RGB 255 91 252

HSL 301.1, 1%, 0.68%

LAB 66.34, 79.98, -49.61

 

CMYK 0 / 57 / 0 / 0

HEX #FF6DFF

RGB 255 109 255

HSL 300, 1%, 0.71%

LAB 69.05, 73.36, -46.99

 

CMYK 0 / 50 / 0 / 0

HEX #FF7FFF

RGB 255 127 255

HSL 300, 1%, 0.75%

LAB 72, 65.41, -42.36

 

CMYK 0 / 77 / 7 / 7

HEX #EC37DB

RGB 236 55 219

HSL 305.64, 0.83%, 0.57%

LAB 57.73, 82.41, -45

 

CMYK 0 / 83 / 9 / 14

HEX #DB25C8

RGB 219 37 200

HSL 306.26, 0.72%, 0.5%

LAB 52.46, 80.56, -42.67

 

CMYK 0 / 91 / 10 / 21

HEX #CA13B5

RGB 202 19 181

HSL 306.89, 0.83%, 0.43%

LAB 47.44, 77.72, -39.75

 

CMYK 0 / 99 / 12 / 27

HEX #B901A2

RGB 185 1 162

HSL 307.5, 0.99%, 0.36%

LAB 42.68, 73.88, -36.2

 

CMYK 0 / 100 / 15 / 34

HEX #A8008F

RGB 168 0 143

HSL 308.93, 1%, 0.33%

LAB 38.39, 68.34, -31.66

 

CMYK 0 / 77 / 7 / 7

HEX #EC36DB

RGB 236 54 219

HSL 305.6, 0.83%, 0.57%

LAB 57.64, 82.67, -45.14

 

CMYK 0 / 77 / 28 / 7

HEX #EC36AA

RGB 236 54 170

HSL 321.76, 0.83%, 0.57%

LAB 55.45, 76.34, -20.36

 

CMYK 0 / 77 / 49 / 7

HEX #EC3679

RGB 236 54 121

HSL 337.91, 0.83%, 0.57%

LAB 53.87, 71.53, 6.34

 

CMYK 0 / 77 / 70 / 7

HEX #EC3647

RGB 236 54 71

HSL 354.4, 0.83%, 0.57%

LAB 52.87, 68.4, 34.81

 

CMYK 0 / 77 / 77 / 7

HEX #EC3636

RGB 236 54 54

HSL 0, 0.83%, 0.57%

LAB 52.66, 67.73, 44.16

 

CMYK 0 / 77 / 7 / 7

HEX #EC36DB

RGB 236 54 219

HSL 305.6, 0.83%, 0.57%

LAB 57.64, 82.67, -45.14

 

CMYK 14 / 77 / 0 / 7

HEX #CC36EC

RGB 204 54 236

HSL 289.45, 0.83%, 0.57%

LAB 53.53, 79.21, -61.59

 

CMYK 34 / 77 / 0 / 7

HEX #9B36EC

RGB 155 54 236

HSL 273.3, 0.83%, 0.57%

LAB 46.53, 70.82, -73.26

 

CMYK 55 / 77 / 0 / 7

HEX #6A36EC

RGB 106 54 236

HSL 257.14, 0.83%, 0.57%

LAB 40.83, 63.9, -82.82

 

CMYK 76 / 77 / 0 / 7

HEX #3936EC

RGB 57 54 236

HSL 240.99, 0.83%, 0.57%

LAB 37.05, 59.25, -89.19

 

CMYK 0 / 77 / 7 / 7

HEX #EC36DB

RGB 236 54 219

HSL 305.6, 0.83%, 0.57%

LAB 57.64, 82.67, -45.14

 

CMYK 0 / 86 / 8 / 0

HEX #FE24E9

RGB 254 36 233

HSL 305.78, 0.99%, 0.57%

LAB 60.08, 91.75, -48.97

 

CMYK 0 / 77 / 7 / 7

HEX #EC36DB

RGB 236 54 219

HSL 305.6, 0.83%, 0.57%

LAB 57.64, 82.67, -45.14

 

CMYK 0 / 67 / 6 / 15

HEX #DA48CC

RGB 218 72 204

HSL 305.75, 0.66%, 0.57%

LAB 55.99, 70.94, -39.41

 

CMYK 0 / 56 / 5 / 22

HEX #C859BE

RGB 200 89 190

HSL 305.41, 0.5%, 0.57%

LAB 55.22, 57.07, -32.78

 

CMYK 0 / 42 / 4 / 28

HEX #B76BB0

RGB 183 107 176

HSL 305.53, 0.35%, 0.57%

LAB 55.8, 40.58, -23.99

 

CMYK 0 / 24 / 2 / 35

HEX #A57DA1

RGB 165 125 161

HSL 306, 0.18%, 0.57%

LAB 57.31, 21.72, -13.23

 

CMYK 35 / 77 / 0 / 7

HEX #9A36EC

RGB 154 54 236

HSL 272.97, 0.83%, 0.57%

LAB 46.4, 70.66, -73.48

 

CMYK 14 / 77 / 0 / 7

HEX #CA36EC

RGB 202 54 236

HSL 288.79, 0.83%, 0.57%

LAB 53.22, 78.85, -62.1

 

CMYK 0 / 77 / 6 / 7

HEX #EC36DD

RGB 236 54 221

HSL 304.95, 0.83%, 0.57%

LAB 57.74, 82.96, -46.11

 

CMYK 0 / 77 / 27 / 7

HEX #EC36AC

RGB 236 54 172

HSL 321.1, 0.83%, 0.57%

LAB 55.53, 76.57, -21.41

 

CMYK 0 / 77 / 47 / 7

HEX #EC367C

RGB 236 54 124

HSL 336.92, 0.83%, 0.57%

LAB 53.95, 71.78, 4.65

 

CMYK 0 / 91 / 8 / 25

HEX #BE11AE

RGB 190 17 174

HSL 305.55, 0.84%, 0.41%

LAB 44.81, 74.8, -39.93

 

CMYK 0 / 91 / 9 / 11

HEX #E415D0

RGB 228 21 208

HSL 305.8, 0.83%, 0.49%

LAB 53.58, 85.83, -45.39

 

CMYK 0 / 77 / 7 / 7

HEX #EC36DB

RGB 236 54 219

HSL 305.6, 0.83%, 0.57%

LAB 57.64, 82.67, -45.14

 

CMYK 0 / 62 / 6 / 6

HEX #EF5CE1

RGB 239 92 225

HSL 305.71, 0.82%, 0.65%

LAB 62.88, 71.59, -40.25

 

CMYK 0 / 47 / 5 / 5

HEX #F381E8

RGB 243 129 232

HSL 305.79, 0.83%, 0.73%

LAB 69.88, 57.25, -33.18

 

CMYK 0 / 77 / 7 / 7

HEX #EC37DB

RGB 236 55 219

HSL 305.64, 0.83%, 0.57%

LAB 57.73, 82.41, -45

 

CMYK 0 / 56 / 77 / 7

HEX #EC6936

RGB 236 105 54

HSL 16.81, 0.83%, 0.57%

LAB 60.07, 47.77, 51.77

 

CMYK 77 / 0 / 25 / 7

HEX #36ECB2

RGB 54 236 178

HSL 160.88, 0.83%, 0.57%

LAB 83.96, -57.57, 15.63

 

CMYK 0 / 77 / 7 / 7

HEX #EC37DB

RGB 236 55 219

HSL 305.64, 0.83%, 0.57%

LAB 57.73, 82.41, -45

 

CMYK 6 / 0 / 77 / 7

HEX #DDEC36

RGB 221 236 54

HSL 64.95, 0.83%, 0.57%

LAB 89.69, -25.49, 79.15

 

CMYK 77 / 6 / 0 / 7

HEX #36DDEC

RGB 54 221 236

HSL 184.95, 0.83%, 0.57%

LAB 81.05, -35.9, -19.27

 

CMYK 0 / 77 / 7 / 7

HEX #EC37DB

RGB 236 55 219

HSL 305.64, 0.83%, 0.57%

LAB 57.73, 82.41, -45

 

CMYK 0 / 56 / 77 / 7

HEX #EC6936

RGB 236 105 54

HSL 16.81, 0.83%, 0.57%

LAB 60.07, 47.77, 51.77

 

CMYK 77 / 0 / 71 / 7

HEX #36EC45

RGB 54 236 69

HSL 124.95, 0.83%, 0.57%

LAB 82.49, -74.56, 64.87

 

CMYK 77 / 22 / 0 / 7

HEX #36B8EC

RGB 54 184 236

HSL 197.14, 0.83%, 0.57%

LAB 70.26, -17.57, -35.8

 

CMYK 0 / 77 / 7 / 7

HEX #EC37DB

RGB 236 55 219

HSL 305.64, 0.83%, 0.57%

LAB 57.73, 82.41, -45

 

CMYK 0 / 32 / 77 / 7

HEX #ECA036

RGB 236 160 54

HSL 34.95, 0.83%, 0.57%

LAB 71.72, 19.6, 63.11

 

CMYK 77 / 0 / 71 / 7

HEX #36EC45

RGB 54 236 69

HSL 124.95, 0.83%, 0.57%

LAB 82.49, -74.56, 64.87

 

CMYK 77 / 45 / 0 / 7

HEX #3682EC

RGB 54 130 236

HSL 214.95, 0.83%, 0.57%

LAB 54.87, 13.35, -60.11

 

Description

Color code: RGB 236 55 219 | qconv.com Color code: RGB 236 55 219 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 55 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 55 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 7 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 7% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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