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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 228 21 208 it is the complementary color RGB 27 234 47. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 228 21 208. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 228 21 208 shade: RGB 233 21 203, RGB 250 39 222, RGB 255 57 241, RGB 255 75 255 and RGB 255 93 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 228 21 208. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 228 21 208 shade: RGB 228 21 208, RGB 211 3 189, RGB 194 0 170, RGB 177 0 151 and RGB 160 0 132

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 228 21 208 shade: RGB 228 21 208, RGB 228 21 152, RGB 228 21 96, RGB 228 21 40 and RGB 228 21 21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 228 21 208 shade: RGB 228 21 208, RGB 192 21 228, RGB 136 21 228, RGB 80 21 228 and RGB 24 21 228

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 228 21 208 shade matches the following richer shades: RGB 228 21 208 and RGB 248 1 224

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 228 21 208 shade: RGB 228 21 208, RGB 208 41 192, RGB 188 61 175, RGB 168 81 159 and RGB 147 102 143

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 228 21 208 shade: RGB 135 21 228, RGB 190 21 228, RGB 228 21 211, RGB 228 21 156 and RGB 228 21 100

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 228 21 208 shade: RGB 153 14 139, RGB 190 17 174, RGB 228 21 208, RGB 236 54 218 and RGB 239 92 225

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 228 21 208 shade: RGB 228 21 208, RGB 228 80 21 and RGB 21 228 162

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 228 21 208 shade: RGB 228 21 208, RGB 211 228 21 and RGB 21 211 228

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 228 21 208 shade: RGB 228 21 208, RGB 228 80 21, RGB 21 228 38 and RGB 21 169 228

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 228 21 208 shade: RGB 228 21 208, RGB 228 142 21, RGB 21 228 38 and RGB 21 107 228

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 9 / 11

HEX #E415D0

RGB 228 21 208

HSL 305.8, 0.83%, 0.49%

LAB 53.58, 85.83, -45.39

 

Complementary color

CMYK 88 / 0 / 80 / 8

HEX #1BEA2F

RGB 27 234 47

HSL 125.8, 0.83%, 0.51%

LAB 81.45, -78.14, 70.73

 

CMYK 0 / 91 / 13 / 9

HEX #E915CB

RGB 233 21 203

HSL 308.49, 0.83%, 0.5%

LAB 54.21, 86.07, -41.47

 

CMYK 0 / 84 / 11 / 2

HEX #FA27DE

RGB 250 39 222

HSL 307.96, 0.95%, 0.57%

LAB 59.02, 89.05, -44.51

 

CMYK 0 / 78 / 5 / 0

HEX #FF39F1

RGB 255 57 241

HSL 304.24, 1%, 0.61%

LAB 62.11, 88.81, -50.21

 

CMYK 0 / 71 / 0 / 0

HEX #FF4BFF

RGB 255 75 255

HSL 300, 1%, 0.65%

LAB 64.57, 85.88, -54.06

 

CMYK 0 / 64 / 0 / 0

HEX #FF5DFF

RGB 255 93 255

HSL 300, 1%, 0.68%

LAB 66.76, 79.72, -50.61

 

CMYK 0 / 91 / 9 / 11

HEX #E415D0

RGB 228 21 208

HSL 305.8, 0.83%, 0.49%

LAB 53.58, 85.83, -45.39

 

CMYK 0 / 99 / 10 / 17

HEX #D303BD

RGB 211 3 189

HSL 306.35, 0.97%, 0.42%

LAB 48.99, 81.9, -41.87

 

CMYK 0 / 100 / 12 / 24

HEX #C200AA

RGB 194 0 170

HSL 307.42, 1%, 0.38%

LAB 44.76, 76.64, -37.58

 

CMYK 0 / 100 / 15 / 31

HEX #B10097

RGB 177 0 151

HSL 308.81, 1%, 0.35%

LAB 40.54, 71.06, -33.03

 

CMYK 0 / 100 / 18 / 37

HEX #A00084

RGB 160 0 132

HSL 310.5, 1%, 0.31%

LAB 36.25, 65.39, -28.35

 

CMYK 0 / 91 / 9 / 11

HEX #E415D0

RGB 228 21 208

HSL 305.8, 0.83%, 0.49%

LAB 53.58, 85.83, -45.39

 

CMYK 0 / 91 / 33 / 11

HEX #E41598

RGB 228 21 152

HSL 322.03, 0.83%, 0.49%

LAB 51.03, 79.18, -16.61

 

CMYK 0 / 91 / 58 / 11

HEX #E41560

RGB 228 21 96

HSL 338.26, 0.83%, 0.49%

LAB 49.34, 74.58, 14.93

 

CMYK 0 / 91 / 82 / 11

HEX #E41528

RGB 228 21 40

HSL 354.49, 0.83%, 0.49%

LAB 48.49, 72.18, 46.98

 

CMYK 0 / 91 / 91 / 11

HEX #E41515

RGB 228 21 21

HSL 0, 0.83%, 0.49%

LAB 48.37, 71.83, 55.69

 

CMYK 0 / 91 / 9 / 11

HEX #E415D0

RGB 228 21 208

HSL 305.8, 0.83%, 0.49%

LAB 53.58, 85.83, -45.39

 

CMYK 16 / 91 / 0 / 11

HEX #C015E4

RGB 192 21 228

HSL 289.57, 0.83%, 0.49%

LAB 48.69, 82.96, -64.97

 

CMYK 40 / 91 / 0 / 11

HEX #8815E4

RGB 136 21 228

HSL 273.33, 0.83%, 0.49%

LAB 40.2, 75.64, -79.19

 

CMYK 65 / 91 / 0 / 11

HEX #5015E4

RGB 80 21 228

HSL 257.1, 0.83%, 0.49%

LAB 33.65, 70.85, -90.22

 

CMYK 89 / 91 / 0 / 11

HEX #1815E4

RGB 24 21 228

HSL 240.87, 0.83%, 0.49%

LAB 30.23, 68.79, -96.01

 

CMYK 0 / 91 / 9 / 11

HEX #E415D0

RGB 228 21 208

HSL 305.8, 0.83%, 0.49%

LAB 53.58, 85.83, -45.39

 

CMYK 0 / 100 / 10 / 3

HEX #F801E0

RGB 248 1 224

HSL 305.83, 0.99%, 0.49%

LAB 57.42, 92.92, -48.18

 

CMYK 0 / 91 / 9 / 11

HEX #E415D0

RGB 228 21 208

HSL 305.8, 0.83%, 0.49%

LAB 53.58, 85.83, -45.39

 

CMYK 0 / 80 / 8 / 18

HEX #D029C0

RGB 208 41 192

HSL 305.75, 0.67%, 0.49%

LAB 50.45, 76.39, -41.34

 

CMYK 0 / 68 / 7 / 26

HEX #BC3DAF

RGB 188 61 175

HSL 306.14, 0.51%, 0.49%

LAB 48.42, 63.33, -34.84

 

CMYK 0 / 52 / 5 / 34

HEX #A8519F

RGB 168 81 159

HSL 306.21, 0.35%, 0.49%

LAB 47.9, 46.43, -26.43

 

CMYK 0 / 31 / 3 / 42

HEX #93668F

RGB 147 102 143

HSL 305.33, 0.18%, 0.49%

LAB 49.12, 25.11, -15.3

 

CMYK 41 / 91 / 0 / 11

HEX #8715E4

RGB 135 21 228

HSL 273.04, 0.83%, 0.49%

LAB 40.06, 75.53, -79.42

 

CMYK 17 / 91 / 0 / 11

HEX #BE15E4

RGB 190 21 228

HSL 288.99, 0.83%, 0.49%

LAB 48.37, 82.66, -65.51

 

CMYK 0 / 91 / 7 / 11

HEX #E415D3

RGB 228 21 211

HSL 304.93, 0.83%, 0.49%

LAB 53.74, 86.23, -46.85

 

CMYK 0 / 91 / 32 / 11

HEX #E4159C

RGB 228 21 156

HSL 320.87, 0.83%, 0.49%

LAB 51.19, 79.59, -18.76

 

CMYK 0 / 91 / 56 / 11

HEX #E41564

RGB 228 21 100

HSL 337.1, 0.83%, 0.49%

LAB 49.44, 74.83, 12.6

 

CMYK 0 / 91 / 9 / 40

HEX #990E8B

RGB 153 14 139

HSL 306.04, 0.83%, 0.33%

LAB 35.89, 63.23, -33.34

 

CMYK 0 / 91 / 8 / 25

HEX #BE11AE

RGB 190 17 174

HSL 305.55, 0.84%, 0.41%

LAB 44.81, 74.8, -39.93

 

CMYK 0 / 91 / 9 / 11

HEX #E415D0

RGB 228 21 208

HSL 305.8, 0.83%, 0.49%

LAB 53.58, 85.83, -45.39

 

CMYK 0 / 77 / 8 / 7

HEX #EC36DA

RGB 236 54 218

HSL 305.93, 0.83%, 0.57%

LAB 57.59, 82.53, -44.66

 

CMYK 0 / 62 / 6 / 6

HEX #EF5CE1

RGB 239 92 225

HSL 305.71, 0.82%, 0.65%

LAB 62.88, 71.59, -40.25

 

CMYK 0 / 91 / 9 / 11

HEX #E415D0

RGB 228 21 208

HSL 305.8, 0.83%, 0.49%

LAB 53.58, 85.83, -45.39

 

CMYK 0 / 65 / 91 / 11

HEX #E45015

RGB 228 80 21

HSL 17.1, 0.83%, 0.49%

LAB 54.33, 55.24, 59.75

 

CMYK 91 / 0 / 29 / 11

HEX #15E4A2

RGB 21 228 162

HSL 160.87, 0.83%, 0.49%

LAB 80.88, -60.66, 19.62

 

CMYK 0 / 91 / 9 / 11

HEX #E415D0

RGB 228 21 208

HSL 305.8, 0.83%, 0.49%

LAB 53.58, 85.83, -45.39

 

CMYK 7 / 0 / 91 / 11

HEX #D3E415

RGB 211 228 21

HSL 64.93, 0.83%, 0.49%

LAB 86.7, -26.65, 83.3

 

CMYK 91 / 7 / 0 / 11

HEX #15D3E4

RGB 21 211 228

HSL 184.93, 0.83%, 0.49%

LAB 77.49, -35.9, -20.42

 

CMYK 0 / 91 / 9 / 11

HEX #E415D0

RGB 228 21 208

HSL 305.8, 0.83%, 0.49%

LAB 53.58, 85.83, -45.39

 

CMYK 0 / 65 / 91 / 11

HEX #E45015

RGB 228 80 21

HSL 17.1, 0.83%, 0.49%

LAB 54.33, 55.24, 59.75

 

CMYK 91 / 0 / 83 / 11

HEX #15E426

RGB 21 228 38

HSL 124.93, 0.83%, 0.49%

LAB 79.49, -77.32, 71.2

 

CMYK 91 / 26 / 0 / 11

HEX #15A9E4

RGB 21 169 228

HSL 197.1, 0.83%, 0.49%

LAB 65.07, -14.78, -39.55

 

CMYK 0 / 91 / 9 / 11

HEX #E415D0

RGB 228 21 208

HSL 305.8, 0.83%, 0.49%

LAB 53.58, 85.83, -45.39

 

CMYK 0 / 38 / 91 / 11

HEX #E48E15

RGB 228 142 21

HSL 35.07, 0.83%, 0.49%

LAB 66.44, 24.9, 68.5

 

CMYK 91 / 0 / 83 / 11

HEX #15E426

RGB 21 228 38

HSL 124.93, 0.83%, 0.49%

LAB 79.49, -77.32, 71.2

 

CMYK 91 / 53 / 0 / 11

HEX #156BE4

RGB 21 107 228

HSL 215.07, 0.83%, 0.49%

LAB 47.33, 22.26, -67.83

 

Description

Color code: RGB 228 21 208 | qconv.com Color code: RGB 228 21 208 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 21 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 21 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 9 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 9% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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