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Color name
RGB 230 14 215

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 230 14 215 it is the complementary color RGB 25 241 40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 230 14 215. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 230 14 215 shade: RGB 235 14 210, RGB 252 32 229, RGB 255 50 248, RGB 255 68 255 and RGB 255 86 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 230 14 215. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 230 14 215 shade: RGB 230 14 215, RGB 213 0 196, RGB 196 0 177, RGB 179 0 158 and RGB 162 0 139

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 230 14 215 shade: RGB 231 13 216, RGB 231 13 157, RGB 231 13 98, RGB 231 13 39 and RGB 231 13 13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 230 14 215 shade: RGB 231 13 216, RGB 187 13 231, RGB 128 13 231, RGB 70 13 231 and RGB 13 13 231

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 230 14 215 shade matches the following richer shades: RGB 231 13 216

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 230 14 215 shade: RGB 231 13 216, RGB 211 33 199, RGB 191 53 182, RGB 171 72 165 and RGB 152 92 147

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 230 14 215 shade: RGB 129 13 231, RGB 187 13 231, RGB 231 13 216, RGB 231 13 158 and RGB 231 13 100

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 230 14 215 shade: RGB 153 8 143, RGB 192 11 179, RGB 231 13 216, RGB 242 43 228 and RGB 244 82 233

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 230 14 215 shade: RGB 230 14 215, RGB 231 71 13 and RGB 13 231 158

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 230 14 215 shade: RGB 230 14 215, RGB 216 231 13 and RGB 13 216 231

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 230 14 215 shade: RGB 230 14 215, RGB 231 71 13, RGB 13 231 27 and RGB 13 173 231

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 230 14 215 shade: RGB 230 14 215, RGB 231 136 13, RGB 13 231 27 and RGB 13 107 231

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 7 / 10

HEX #E60ED7

RGB 230 14 215

HSL 304.17, 0.89%, 0.48%

LAB 54.07, 87.82, -48.59

 

Complementary color

CMYK 90 / 0 / 83 / 5

HEX #19F128

RGB 25 241 40

HSL 124.17, 0.89%, 0.52%

LAB 83.58, -80.54, 74.44

 

CMYK 0 / 94 / 11 / 8

HEX #EB0ED2

RGB 235 14 210

HSL 306.79, 0.89%, 0.49%

LAB 54.69, 88.02, -44.7

 

CMYK 0 / 87 / 9 / 1

HEX #FC20E5

RGB 252 32 229

HSL 306.27, 0.97%, 0.56%

LAB 59.33, 91.47, -47.94

 

CMYK 0 / 80 / 3 / 0

HEX #FF32F8

RGB 255 50 248

HSL 302.05, 1%, 0.6%

LAB 61.93, 91.4, -54.4

 

CMYK 0 / 73 / 0 / 0

HEX #FF44FF

RGB 255 68 255

HSL 300, 1%, 0.63%

LAB 63.85, 87.96, -55.22

 

CMYK 0 / 66 / 0 / 0

HEX #FF56FF

RGB 255 86 255

HSL 300, 1%, 0.67%

LAB 65.85, 82.25, -52.03

 

CMYK 0 / 94 / 7 / 10

HEX #E60ED7

RGB 230 14 215

HSL 304.17, 0.89%, 0.48%

LAB 54.07, 87.82, -48.59

 

CMYK 0 / 100 / 8 / 16

HEX #D500C4

RGB 213 0 196

HSL 304.79, 1%, 0.42%

LAB 49.66, 83.41, -44.87

 

CMYK 0 / 100 / 10 / 23

HEX #C400B1

RGB 196 0 177

HSL 305.82, 1%, 0.38%

LAB 45.51, 77.93, -40.52

 

CMYK 0 / 100 / 12 / 30

HEX #B3009E

RGB 179 0 158

HSL 307.04, 1%, 0.35%

LAB 41.3, 72.36, -36.05

 

CMYK 0 / 100 / 14 / 36

HEX #A2008B

RGB 162 0 139

HSL 308.52, 1%, 0.32%

LAB 37.01, 66.69, -31.45

 

CMYK 0 / 94 / 6 / 9

HEX #E70DD8

RGB 231 13 216

HSL 304.13, 0.89%, 0.48%

LAB 54.28, 88.21, -48.83

 

CMYK 0 / 94 / 32 / 9

HEX #E70D9D

RGB 231 13 157

HSL 320.37, 0.89%, 0.48%

LAB 51.51, 81.14, -18.81

 

CMYK 0 / 94 / 58 / 9

HEX #E70D62

RGB 231 13 98

HSL 336.61, 0.89%, 0.48%

LAB 49.69, 76.28, 14.27

 

CMYK 0 / 94 / 83 / 9

HEX #E70D27

RGB 231 13 39

HSL 352.84, 0.89%, 0.48%

LAB 48.79, 73.8, 48

 

CMYK 0 / 94 / 94 / 9

HEX #E70D0D

RGB 231 13 13

HSL 0, 0.89%, 0.48%

LAB 48.64, 73.4, 58.92

 

CMYK 0 / 94 / 6 / 9

HEX #E70DD8

RGB 231 13 216

HSL 304.13, 0.89%, 0.48%

LAB 54.28, 88.21, -48.83

 

CMYK 19 / 94 / 0 / 9

HEX #BB0DE7

RGB 187 13 231

HSL 287.89, 0.89%, 0.48%

LAB 47.78, 83.68, -68.19

 

CMYK 45 / 94 / 0 / 9

HEX #800DE7

RGB 128 13 231

HSL 271.65, 0.89%, 0.48%

LAB 38.98, 76.71, -82.95

 

CMYK 70 / 94 / 0 / 9

HEX #460DE7

RGB 70 13 231

HSL 255.69, 0.89%, 0.48%

LAB 32.61, 72.7, -93.69

 

CMYK 94 / 94 / 0 / 9

HEX #0D0DE7

RGB 13 13 231

HSL 240, 0.89%, 0.48%

LAB 29.77, 71.31, -98.51

 

CMYK 0 / 94 / 6 / 9

HEX #E70DD8

RGB 231 13 216

HSL 304.13, 0.89%, 0.48%

LAB 54.28, 88.21, -48.83

 

CMYK 0 / 94 / 6 / 9

HEX #E70DD8

RGB 231 13 216

HSL 304.13, 0.89%, 0.48%

LAB 54.28, 88.21, -48.83

 

CMYK 0 / 84 / 6 / 17

HEX #D321C7

RGB 211 33 199

HSL 304.04, 0.73%, 0.48%

LAB 50.76, 79.68, -44.88

 

CMYK 0 / 72 / 5 / 25

HEX #BF35B6

RGB 191 53 182

HSL 303.91, 0.57%, 0.48%

LAB 48.26, 67.94, -39.16

 

CMYK 0 / 58 / 4 / 33

HEX #AB48A5

RGB 171 72 165

HSL 303.64, 0.41%, 0.48%

LAB 46.99, 52.68, -31.37

 

CMYK 0 / 39 / 3 / 40

HEX #985C93

RGB 152 92 147

HSL 305, 0.25%, 0.48%

LAB 47.54, 33.31, -20.03

 

CMYK 44 / 94 / 0 / 9

HEX #810DE7

RGB 129 13 231

HSL 271.93, 0.89%, 0.48%

LAB 39.11, 76.8, -82.72

 

CMYK 19 / 94 / 0 / 9

HEX #BB0DE7

RGB 187 13 231

HSL 287.89, 0.89%, 0.48%

LAB 47.78, 83.68, -68.19

 

CMYK 0 / 94 / 6 / 9

HEX #E70DD8

RGB 231 13 216

HSL 304.13, 0.89%, 0.48%

LAB 54.28, 88.21, -48.83

 

CMYK 0 / 94 / 32 / 9

HEX #E70D9E

RGB 231 13 158

HSL 320.09, 0.89%, 0.48%

LAB 51.55, 81.25, -19.34

 

CMYK 0 / 94 / 57 / 9

HEX #E70D64

RGB 231 13 100

HSL 336.06, 0.89%, 0.48%

LAB 49.73, 76.4, 13.11

 

CMYK 0 / 95 / 7 / 40

HEX #99088F

RGB 153 8 143

HSL 304.14, 0.9%, 0.32%

LAB 35.85, 64.61, -35.87

 

CMYK 0 / 94 / 7 / 25

HEX #C00BB3

RGB 192 11 179

HSL 304.31, 0.89%, 0.4%

LAB 45.22, 76.53, -42.2

 

CMYK 0 / 94 / 6 / 9

HEX #E70DD8

RGB 231 13 216

HSL 304.13, 0.89%, 0.48%

LAB 54.28, 88.21, -48.83

 

CMYK 0 / 82 / 6 / 5

HEX #F22BE4

RGB 242 43 228

HSL 304.22, 0.88%, 0.56%

LAB 58.23, 87.62, -49.22

 

CMYK 0 / 66 / 5 / 4

HEX #F452E9

RGB 244 82 233

HSL 304.07, 0.88%, 0.64%

LAB 62.63, 77.8, -45.05

 

CMYK 0 / 94 / 7 / 10

HEX #E60ED7

RGB 230 14 215

HSL 304.17, 0.89%, 0.48%

LAB 54.07, 87.82, -48.59

 

CMYK 0 / 69 / 94 / 9

HEX #E7470D

RGB 231 71 13

HSL 15.96, 0.89%, 0.48%

LAB 53.52, 59.69, 61.71

 

CMYK 94 / 0 / 32 / 9

HEX #0DE79E

RGB 13 231 158

HSL 159.91, 0.89%, 0.48%

LAB 81.68, -62.94, 22.79

 

CMYK 0 / 94 / 7 / 10

HEX #E60ED7

RGB 230 14 215

HSL 304.17, 0.89%, 0.48%

LAB 54.07, 87.82, -48.59

 

CMYK 6 / 0 / 94 / 9

HEX #D8E70D

RGB 216 231 13

HSL 64.13, 0.89%, 0.48%

LAB 87.86, -26.12, 85.27

 

CMYK 94 / 6 / 0 / 9

HEX #0DD8E7

RGB 13 216 231

HSL 184.13, 0.89%, 0.48%

LAB 79.02, -37.57, -19.71

 

CMYK 0 / 94 / 7 / 10

HEX #E60ED7

RGB 230 14 215

HSL 304.17, 0.89%, 0.48%

LAB 54.07, 87.82, -48.59

 

CMYK 0 / 69 / 94 / 9

HEX #E7470D

RGB 231 71 13

HSL 15.96, 0.89%, 0.48%

LAB 53.52, 59.69, 61.71

 

CMYK 94 / 0 / 88 / 9

HEX #0DE71B

RGB 13 231 27

HSL 123.85, 0.89%, 0.48%

LAB 80.36, -78.96, 74.2

 

CMYK 94 / 25 / 0 / 9

HEX #0DADE7

RGB 13 173 231

HSL 195.96, 0.89%, 0.48%

LAB 66.32, -16.18, -39.24

 

CMYK 0 / 94 / 7 / 10

HEX #E60ED7

RGB 230 14 215

HSL 304.17, 0.89%, 0.48%

LAB 54.07, 87.82, -48.59

 

CMYK 0 / 41 / 94 / 9

HEX #E7880D

RGB 231 136 13

HSL 33.85, 0.89%, 0.48%

LAB 65.46, 29.22, 69.5

 

CMYK 94 / 0 / 88 / 9

HEX #0DE71B

RGB 13 231 27

HSL 123.85, 0.89%, 0.48%

LAB 80.36, -78.96, 74.2

 

CMYK 94 / 54 / 0 / 9

HEX #0D6BE7

RGB 13 107 231

HSL 214.13, 0.89%, 0.48%

LAB 47.46, 23.12, -69.33

 

Description

Color code: RGB 230 14 215 | qconv.com Color code: RGB 230 14 215 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 14 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 14 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 7 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 7% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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