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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB48A5 it is the complementary color #54B75A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB48A5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB48A5 shade: #B048A0, #C15AB3, #D26CC6, #E37ED9 and #F490EC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB48A5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB48A5 shade: #AB48A5, #9A3692, #89247F, #78126C and #670059

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB48A5 shade: #AC48A6, #AC488B, #AC4870, #AC4855 and #AC4848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB48A5 shade: #AC48A6, #9748AC, #7C48AC, #6148AC and #4848AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB48A5 shade matches the following richer shades: #AC48A6, #C034B7, #D420C9 and #E70CDA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB48A5 shade: #AC48A6, #985C95, #846F83, #718372 and #5D9760

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB48A5 shade: #7C48AC, #9648AC, #AC48A7, #AC488C and #AC4872

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB48A5 shade: #722F6E, #8F3C8A, #AC48A6, #BC61B7 and #C97EC4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB48A5 shade: #AB48A5, #AC6148 and #48AC89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB48A5 shade: #AB48A5, #A7AC48 and #48A7AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB48A5 shade: #AB48A5, #AC6148, #48AC4D and #4893AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB48A5 shade: #AB48A5, #AC7F48, #48AC4D and #4875AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 4 / 33

HEX #AB48A5

RGB 171 72 165

HSL 303.64, 0.41%, 0.48%

LAB 46.99, 52.68, -31.37

 

Complementary color

CMYK 54 / 0 / 51 / 28

HEX #54B75A

RGB 84 183 90

HSL 123.64, 0.41%, 0.52%

LAB 66.89, -48.29, 38.41

 

CMYK 0 / 59 / 9 / 31

HEX #B048A0

RGB 176 72 160

HSL 309.23, 0.42%, 0.49%

LAB 47.5, 53.22, -27.55

 

CMYK 0 / 53 / 7 / 24

HEX #C15AB3

RGB 193 90 179

HSL 308.16, 0.45%, 0.55%

LAB 53.93, 52.78, -28.52

 

CMYK 0 / 49 / 6 / 18

HEX #D26CC6

RGB 210 108 198

HSL 307.06, 0.53%, 0.62%

LAB 60.34, 52.18, -29.29

 

CMYK 0 / 44 / 4 / 11

HEX #E37ED9

RGB 227 126 217

HSL 305.94, 0.64%, 0.69%

LAB 66.72, 51.5, -29.93

 

CMYK 0 / 41 / 3 / 4

HEX #F490EC

RGB 244 144 236

HSL 304.8, 0.82%, 0.76%

LAB 73.05, 50.79, -30.48

 

CMYK 0 / 58 / 4 / 33

HEX #AB48A5

RGB 171 72 165

HSL 303.64, 0.41%, 0.48%

LAB 46.99, 52.68, -31.37

 

CMYK 0 / 65 / 5 / 40

HEX #9A3692

RGB 154 54 146

HSL 304.8, 0.48%, 0.41%

LAB 40.55, 52.83, -30.27

 

CMYK 0 / 74 / 7 / 46

HEX #89247F

RGB 137 36 127

HSL 305.94, 0.58%, 0.34%

LAB 34.22, 52.41, -28.73

 

CMYK 0 / 85 / 10 / 53

HEX #78126C

RGB 120 18 108

HSL 307.06, 0.74%, 0.27%

LAB 28.14, 50.95, -26.48

 

CMYK 0 / 100 / 14 / 60

HEX #670059

RGB 103 0 89

HSL 308.16, 1%, 0.2%

LAB 22.32, 48.3, -23.43

 

CMYK 0 / 58 / 3 / 33

HEX #AC48A6

RGB 172 72 166

HSL 303.6, 0.41%, 0.48%

LAB 47.18, 53.13, -31.65

 

CMYK 0 / 58 / 19 / 33

HEX #AC488B

RGB 172 72 139

HSL 319.8, 0.41%, 0.48%

LAB 46, 48.74, -17.35

 

CMYK 0 / 58 / 35 / 33

HEX #AC4870

RGB 172 72 112

HSL 336, 0.41%, 0.48%

LAB 45.05, 45.04, -2.38

 

CMYK 0 / 58 / 51 / 33

HEX #AC4855

RGB 172 72 85

HSL 352.2, 0.41%, 0.48%

LAB 44.32, 42.13, 13.16

 

CMYK 0 / 58 / 58 / 33

HEX #AC4848

RGB 172 72 72

HSL 0, 0.41%, 0.48%

LAB 44.05, 41.02, 20.73

 

CMYK 0 / 58 / 3 / 33

HEX #AC48A6

RGB 172 72 166

HSL 303.6, 0.41%, 0.48%

LAB 47.18, 53.13, -31.65

 

CMYK 12 / 58 / 0 / 33

HEX #9748AC

RGB 151 72 172

HSL 287.4, 0.41%, 0.48%

LAB 44.51, 48.61, -39.61

 

CMYK 28 / 58 / 0 / 33

HEX #7C48AC

RGB 124 72 172

HSL 271.2, 0.41%, 0.48%

LAB 41.05, 41.61, -45.32

 

CMYK 44 / 58 / 0 / 33

HEX #6148AC

RGB 97 72 172

HSL 255, 0.41%, 0.48%

LAB 38.12, 35.08, -50.19

 

CMYK 58 / 58 / 0 / 33

HEX #4848AC

RGB 72 72 172

HSL 240, 0.41%, 0.48%

LAB 35.97, 29.84, -53.77

 

CMYK 0 / 58 / 3 / 33

HEX #AC48A6

RGB 172 72 166

HSL 303.6, 0.41%, 0.48%

LAB 47.18, 53.13, -31.65

 

CMYK 0 / 73 / 5 / 25

HEX #C034B7

RGB 192 52 183

HSL 303.86, 0.57%, 0.48%

LAB 48.36, 68.64, -39.57

 

CMYK 0 / 85 / 5 / 17

HEX #D420C9

RGB 212 32 201

HSL 303.67, 0.74%, 0.48%

LAB 50.98, 80.34, -45.68

 

CMYK 0 / 95 / 6 / 9

HEX #E70CDA

RGB 231 12 218

HSL 303.56, 0.9%, 0.48%

LAB 54.36, 88.56, -49.84

 

CMYK 0 / 58 / 3 / 33

HEX #AC48A6

RGB 172 72 166

HSL 303.6, 0.41%, 0.48%

LAB 47.18, 53.13, -31.65

 

CMYK 0 / 39 / 2 / 40

HEX #985C95

RGB 152 92 149

HSL 303, 0.25%, 0.48%

LAB 47.62, 33.69, -21.09

 

CMYK 0 / 16 / 1 / 48

HEX #846F83

RGB 132 111 131

HSL 302.86, 0.09%, 0.48%

LAB 49.39, 12.01, -7.92

 

CMYK 14 / 0 / 13 / 49

HEX #718372

RGB 113 131 114

HSL 123.33, 0.07%, 0.48%

LAB 52.9, -10.06, 7

 

CMYK 38 / 0 / 36 / 41

HEX #5D9760

RGB 93 151 96

HSL 123.1, 0.24%, 0.48%

LAB 57.37, -30.77, 23.17

 

CMYK 28 / 58 / 0 / 33

HEX #7C48AC

RGB 124 72 172

HSL 271.2, 0.41%, 0.48%

LAB 41.05, 41.61, -45.32

 

CMYK 13 / 58 / 0 / 33

HEX #9648AC

RGB 150 72 172

HSL 286.8, 0.41%, 0.48%

LAB 44.37, 48.35, -39.83

 

CMYK 0 / 58 / 3 / 33

HEX #AC48A7

RGB 172 72 167

HSL 303, 0.41%, 0.48%

LAB 47.23, 53.3, -32.16

 

CMYK 0 / 58 / 19 / 33

HEX #AC488C

RGB 172 72 140

HSL 319.2, 0.41%, 0.48%

LAB 46.04, 48.89, -17.9

 

CMYK 0 / 58 / 34 / 33

HEX #AC4872

RGB 172 72 114

HSL 334.8, 0.41%, 0.48%

LAB 45.11, 45.29, -3.51

 

CMYK 0 / 59 / 4 / 55

HEX #722F6E

RGB 114 47 110

HSL 303.58, 0.42%, 0.32%

LAB 31.2, 38.51, -23.02

 

CMYK 0 / 58 / 3 / 44

HEX #8F3C8A

RGB 143 60 138

HSL 303.61, 0.41%, 0.4%

LAB 39.42, 45.73, -27.28

 

CMYK 0 / 58 / 3 / 33

HEX #AC48A6

RGB 172 72 166

HSL 303.6, 0.41%, 0.48%

LAB 47.18, 53.13, -31.65

 

CMYK 0 / 48 / 3 / 26

HEX #BC61B7

RGB 188 97 183

HSL 303.3, 0.4%, 0.56%

LAB 54.72, 48.57, -29.65

 

CMYK 0 / 37 / 2 / 21

HEX #C97EC4

RGB 201 126 196

HSL 304, 0.41%, 0.64%

LAB 62.78, 39.78, -24.49

 

CMYK 0 / 58 / 4 / 33

HEX #AB48A5

RGB 171 72 165

HSL 303.64, 0.41%, 0.48%

LAB 46.99, 52.68, -31.37

 

CMYK 0 / 44 / 58 / 33

HEX #AC6148

RGB 172 97 72

HSL 15, 0.41%, 0.48%

LAB 49.24, 27.91, 27.4

 

CMYK 58 / 0 / 20 / 33

HEX #48AC89

RGB 72 172 137

HSL 159, 0.41%, 0.48%

LAB 63.91, -37.71, 9.36

 

CMYK 0 / 58 / 4 / 33

HEX #AB48A5

RGB 171 72 165

HSL 303.64, 0.41%, 0.48%

LAB 46.99, 52.68, -31.37

 

CMYK 3 / 0 / 58 / 33

HEX #A7AC48

RGB 167 172 72

HSL 63, 0.41%, 0.48%

LAB 68.16, -15.43, 49.69

 

CMYK 58 / 3 / 0 / 33

HEX #48A7AC

RGB 72 167 172

HSL 183, 0.41%, 0.48%

LAB 63.34, -26.22, -11.01

 

CMYK 0 / 58 / 4 / 33

HEX #AB48A5

RGB 171 72 165

HSL 303.64, 0.41%, 0.48%

LAB 46.99, 52.68, -31.37

 

CMYK 0 / 44 / 58 / 33

HEX #AC6148

RGB 172 97 72

HSL 15, 0.41%, 0.48%

LAB 49.24, 27.91, 27.4

 

CMYK 58 / 0 / 55 / 33

HEX #48AC4D

RGB 72 172 77

HSL 123, 0.41%, 0.48%

LAB 62.86, -48.77, 39.82

 

CMYK 58 / 15 / 0 / 33

HEX #4893AC

RGB 72 147 172

HSL 195, 0.41%, 0.48%

LAB 57.29, -15.81, -20.16

 

CMYK 0 / 58 / 4 / 33

HEX #AB48A5

RGB 171 72 165

HSL 303.64, 0.41%, 0.48%

LAB 46.99, 52.68, -31.37

 

CMYK 0 / 26 / 58 / 33

HEX #AC7F48

RGB 172 127 72

HSL 33, 0.41%, 0.48%

LAB 56.5, 11.11, 36.34

 

CMYK 58 / 0 / 55 / 33

HEX #48AC4D

RGB 72 172 77

HSL 123, 0.41%, 0.48%

LAB 62.86, -48.77, 39.82

 

CMYK 58 / 32 / 0 / 33

HEX #4875AC

RGB 72 117 172

HSL 213, 0.41%, 0.48%

LAB 48.36, 1.4, -33.99

 

Description

Color code: HEX #AB48A5 | qconv.com Color code: HEX #AB48A5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 72 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 72 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 4 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 4% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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