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Color name
RGB 229 47 184

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 229 47 184 it is the complementary color RGB 26 208 71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 229 47 184. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 229 47 184 shade: RGB 234 47 179, RGB 251 65 198, RGB 255 83 217, RGB 255 101 236 and RGB 255 119 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 229 47 184. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 229 47 184 shade: RGB 229 47 184, RGB 212 29 165, RGB 195 11 146, RGB 178 0 127 and RGB 161 0 108

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 229 47 184 shade: RGB 229 46 183, RGB 229 46 134, RGB 229 46 85 and RGB 229 46 46

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 229 47 184 shade: RGB 229 46 183, RGB 225 46 229, RGB 175 46 229, RGB 126 46 229 and RGB 77 46 229

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 229 47 184 shade matches the following richer shades: RGB 229 46 183 and RGB 248 27 193

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 229 47 184 shade: RGB 229 46 183, RGB 210 65 174, RGB 191 84 164, RGB 172 103 155 and RGB 153 122 145

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 229 47 184 shade: RGB 174 46 229, RGB 223 46 229, RGB 229 46 186, RGB 229 46 137 and RGB 229 46 88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 229 47 184 shade: RGB 171 21 134, RGB 208 25 163, RGB 229 46 183, RGB 233 82 196 and RGB 238 119 208

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 229 47 184 shade: RGB 229 47 184, RGB 229 125 46 and RGB 46 229 198

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 229 47 184 shade: RGB 229 47 184, RGB 186 229 46 and RGB 46 186 229

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 229 47 184 shade: RGB 229 47 184, RGB 229 125 46, RGB 46 229 88 and RGB 46 149 229

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 229 47 184 shade: RGB 229 47 184, RGB 229 180 46, RGB 46 229 88 and RGB 46 95 229

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 20 / 10

HEX #E52FB8

RGB 229 47 184

HSL 314.84, 0.78%, 0.54%

LAB 54.19, 78.25, -30.58

 

Complementary color

CMYK 88 / 0 / 66 / 18

HEX #1AD047

RGB 26 208 71

HSL 134.84, 0.78%, 0.46%

LAB 73.41, -68.82, 54.35

 

CMYK 0 / 80 / 24 / 8

HEX #EA2FB3

RGB 234 47 179

HSL 317.65, 0.82%, 0.55%

LAB 54.85, 78.72, -26.58

 

CMYK 0 / 74 / 21 / 2

HEX #FB41C6

RGB 251 65 198

HSL 317.1, 0.96%, 0.62%

LAB 60.22, 80.06, -28.99

 

CMYK 0 / 67 / 15 / 0

HEX #FF53D9

RGB 255 83 217

HSL 313.26, 1%, 0.66%

LAB 63.72, 77.68, -34.27

 

CMYK 0 / 60 / 7 / 0

HEX #FF65EC

RGB 255 101 236

HSL 307.4, 1%, 0.7%

LAB 66.99, 73.64, -39.76

 

CMYK 0 / 53 / 0 / 0

HEX #FF77FF

RGB 255 119 255

HSL 300, 1%, 0.73%

LAB 70.65, 69.04, -44.48

 

CMYK 0 / 79 / 20 / 10

HEX #E52FB8

RGB 229 47 184

HSL 314.84, 0.78%, 0.54%

LAB 54.19, 78.25, -30.58

 

CMYK 0 / 86 / 22 / 17

HEX #D41DA5

RGB 212 29 165

HSL 315.41, 0.76%, 0.47%

LAB 49, 76.1, -27.73

 

CMYK 0 / 94 / 25 / 24

HEX #C30B92

RGB 195 11 146

HSL 315.98, 0.89%, 0.4%

LAB 44.11, 72.84, -24.16

 

CMYK 0 / 100 / 29 / 30

HEX #B2007F

RGB 178 0 127

HSL 317.19, 1%, 0.35%

LAB 39.58, 68.33, -19.79

 

CMYK 0 / 100 / 33 / 37

HEX #A1006C

RGB 161 0 108

HSL 319.75, 1%, 0.32%

LAB 35.32, 62.72, -14.68

 

CMYK 0 / 80 / 20 / 10

HEX #E52EB7

RGB 229 46 183

HSL 315.08, 0.78%, 0.54%

LAB 54.06, 78.36, -30.19

 

CMYK 0 / 80 / 41 / 10

HEX #E52E86

RGB 229 46 134

HSL 331.15, 0.78%, 0.54%

LAB 52.21, 73.01, -4.04

 

CMYK 0 / 80 / 63 / 10

HEX #E52E55

RGB 229 46 85

HSL 347.21, 0.78%, 0.54%

LAB 51, 69.35, 23.88

 

CMYK 0 / 80 / 80 / 10

HEX #E52E2E

RGB 229 46 46

HSL 0, 0.78%, 0.54%

LAB 50.46, 67.7, 45.78

 

CMYK 0 / 80 / 20 / 10

HEX #E52EB7

RGB 229 46 183

HSL 315.08, 0.78%, 0.54%

LAB 54.06, 78.36, -30.19

 

CMYK 2 / 80 / 0 / 10

HEX #E12EE5

RGB 225 46 229

HSL 298.69, 0.78%, 0.54%

LAB 55.7, 83.98, -53.98

 

CMYK 24 / 80 / 0 / 10

HEX #AF2EE5

RGB 175 46 229

HSL 282.3, 0.78%, 0.54%

LAB 47.91, 75.23, -66.93

 

CMYK 45 / 80 / 0 / 10

HEX #7E2EE5

RGB 126 46 229

HSL 266.23, 0.78%, 0.54%

LAB 41.29, 67.87, -78.01

 

CMYK 66 / 80 / 0 / 10

HEX #4D2EE5

RGB 77 46 229

HSL 250.16, 0.78%, 0.54%

LAB 36.35, 62.46, -86.33

 

CMYK 0 / 80 / 20 / 10

HEX #E52EB7

RGB 229 46 183

HSL 315.08, 0.78%, 0.54%

LAB 54.06, 78.36, -30.19

 

CMYK 0 / 89 / 22 / 3

HEX #F81BC1

RGB 248 27 193

HSL 314.93, 0.94%, 0.54%

LAB 56.67, 86.93, -31.66

 

CMYK 0 / 80 / 20 / 10

HEX #E52EB7

RGB 229 46 183

HSL 315.08, 0.78%, 0.54%

LAB 54.06, 78.36, -30.19

 

CMYK 0 / 69 / 17 / 18

HEX #D241AE

RGB 210 65 174

HSL 314.9, 0.62%, 0.54%

LAB 52.44, 67.13, -27.71

 

CMYK 0 / 56 / 14 / 25

HEX #BF54A4

RGB 191 84 164

HSL 315.14, 0.46%, 0.54%

LAB 51.95, 52.61, -22.85

 

CMYK 0 / 40 / 10 / 33

HEX #AC679B

RGB 172 103 155

HSL 314.78, 0.29%, 0.54%

LAB 52.77, 35.39, -16.54

 

CMYK 0 / 20 / 5 / 40

HEX #997A91

RGB 153 122 145

HSL 315.48, 0.13%, 0.54%

LAB 54.8, 16.07, -7.85

 

CMYK 24 / 80 / 0 / 10

HEX #AE2EE5

RGB 174 46 229

HSL 281.97, 0.78%, 0.54%

LAB 47.76, 75.06, -67.17

 

CMYK 3 / 80 / 0 / 10

HEX #DF2EE5

RGB 223 46 229

HSL 298.03, 0.78%, 0.54%

LAB 55.38, 83.61, -54.52

 

CMYK 0 / 80 / 19 / 10

HEX #E52EBA

RGB 229 46 186

HSL 314.1, 0.78%, 0.54%

LAB 54.19, 78.74, -31.73

 

CMYK 0 / 80 / 40 / 10

HEX #E52E89

RGB 229 46 137

HSL 330.16, 0.78%, 0.54%

LAB 52.31, 73.29, -5.69

 

CMYK 0 / 80 / 62 / 10

HEX #E52E58

RGB 229 46 88

HSL 346.23, 0.78%, 0.54%

LAB 51.06, 69.53, 22.15

 

CMYK 0 / 88 / 22 / 33

HEX #AB1586

RGB 171 21 134

HSL 314.8, 0.78%, 0.38%

LAB 39.44, 65.06, -24.45

 

CMYK 0 / 88 / 22 / 18

HEX #D019A3

RGB 208 25 163

HSL 314.75, 0.79%, 0.46%

LAB 47.94, 75.7, -28.24

 

CMYK 0 / 80 / 20 / 10

HEX #E52EB7

RGB 229 46 183

HSL 315.08, 0.78%, 0.54%

LAB 54.06, 78.36, -30.19

 

CMYK 0 / 65 / 16 / 9

HEX #E952C4

RGB 233 82 196

HSL 314.7, 0.77%, 0.62%

LAB 59.29, 69.69, -29.51

 

CMYK 0 / 50 / 13 / 7

HEX #EE77D0

RGB 238 119 208

HSL 315.13, 0.78%, 0.7%

LAB 66.46, 56.73, -25.18

 

CMYK 0 / 79 / 20 / 10

HEX #E52FB8

RGB 229 47 184

HSL 314.84, 0.78%, 0.54%

LAB 54.19, 78.25, -30.58

 

CMYK 0 / 45 / 80 / 10

HEX #E57D2E

RGB 229 125 46

HSL 25.9, 0.78%, 0.54%

LAB 62.95, 34.84, 57.73

 

CMYK 80 / 0 / 14 / 10

HEX #2EE5C6

RGB 46 229 198

HSL 169.84, 0.78%, 0.54%

LAB 82.22, -50.72, 2.62

 

CMYK 0 / 79 / 20 / 10

HEX #E52FB8

RGB 229 47 184

HSL 314.84, 0.78%, 0.54%

LAB 54.19, 78.25, -30.58

 

CMYK 19 / 0 / 80 / 10

HEX #BAE52E

RGB 186 229 46

HSL 74.1, 0.78%, 0.54%

LAB 85.34, -36.54, 76.53

 

CMYK 80 / 19 / 0 / 10

HEX #2EBAE5

RGB 46 186 229

HSL 194.1, 0.78%, 0.54%

LAB 70.42, -21.71, -31.75

 

CMYK 0 / 79 / 20 / 10

HEX #E52FB8

RGB 229 47 184

HSL 314.84, 0.78%, 0.54%

LAB 54.19, 78.25, -30.58

 

CMYK 0 / 45 / 80 / 10

HEX #E57D2E

RGB 229 125 46

HSL 25.9, 0.78%, 0.54%

LAB 62.95, 34.84, 57.73

 

CMYK 80 / 0 / 62 / 10

HEX #2EE558

RGB 46 229 88

HSL 133.77, 0.78%, 0.54%

LAB 80.36, -71.52, 55.03

 

CMYK 80 / 35 / 0 / 10

HEX #2E95E5

RGB 46 149 229

HSL 206.23, 0.78%, 0.54%

LAB 59.65, -1.42, -48.61

 

CMYK 0 / 79 / 20 / 10

HEX #E52FB8

RGB 229 47 184

HSL 314.84, 0.78%, 0.54%

LAB 54.19, 78.25, -30.58

 

CMYK 0 / 21 / 80 / 10

HEX #E5B42E

RGB 229 180 46

HSL 43.93, 0.78%, 0.54%

LAB 75.76, 5.75, 69.35

 

CMYK 80 / 0 / 62 / 10

HEX #2EE558

RGB 46 229 88

HSL 133.77, 0.78%, 0.54%

LAB 80.36, -71.52, 55.03

 

CMYK 80 / 59 / 0 / 10

HEX #2E5FE5

RGB 46 95 229

HSL 223.93, 0.78%, 0.54%

LAB 44.83, 31.99, -72.44

 

Description

Color code: RGB 229 47 184 | qconv.com Color code: RGB 229 47 184 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 47 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 47 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 20 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 20% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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