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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2EE5C6 it is the complementary color #D11A39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2EE5C6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2EE5C6 shade: #33E5C1, #44F7D4, #55FFE7, #66FFFA and #77FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2EE5C6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2EE5C6 shade: #2EE5C6, #1DD3B3, #0CC1A0, #00AF8D and #009D7A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2EE5C6 shade: #2EE5C6, #2EE594, #2EE563, #2EE532 and #5BE52E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2EE5C6 shade: #2EE5C6, #2ED2E5, #2EA1E5, #2E70E5 and #2E3EE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2EE5C6 shade matches the following richer shades: #2EE5C6 and #1BF8D2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2EE5C6 shade: #2EE5C6, #41D2B9, #54BFAD, #67ACA0 and #7A9994

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2EE5C6 shade: #2EE562, #2EE592, #2EE5C3, #2ED5E5 and #2EA5E5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2EE5C6 shade: #15AB92, #19D0B1, #2EE5C6, #52E9D0 and #77EEDA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2EE5C6 shade: #2EE5C6, #312EE5 and #E57A2E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2EE5C6 shade: #2EE5C6, #C32EE5 and #E5C32E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2EE5C6 shade: #2EE5C6, #312EE5, #E52E4F and #E2E52E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2EE5C6 shade: #2EE5C6, #682EE5, #E52E4F and #ABE52E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 14 / 10

HEX #2EE5C6

RGB 46 229 198

HSL 169.84, 0.78%, 0.54%

LAB 82.22, -50.72, 2.62

 

Complementary color

CMYK 0 / 88 / 73 / 18

HEX #D11A39

RGB 209 26 57

HSL 349.84, 0.78%, 0.46%

LAB 45.07, 67.09, 32.53

 

CMYK 78 / 0 / 16 / 10

HEX #33E5C1

RGB 51 229 193

HSL 167.87, 0.77%, 0.55%

LAB 82.16, -51.52, 5.19

 

CMYK 72 / 0 / 14 / 3

HEX #44F7D4

RGB 68 247 212

HSL 168.27, 0.92%, 0.62%

LAB 88.21, -52.32, 4.01

 

CMYK 67 / 0 / 9 / 0

HEX #55FFE7

RGB 85 255 231

HSL 171.53, 1%, 0.67%

LAB 91.33, -48.71, -1.27

 

CMYK 60 / 0 / 2 / 0

HEX #66FFFA

RGB 102 255 250

HSL 178.04, 1%, 0.7%

LAB 92.24, -41.26, -9.73

 

CMYK 53 / 0 / 0 / 0

HEX #77FFFF

RGB 119 255 255

HSL 180, 1%, 0.73%

LAB 92.87, -36.98, -11.34

 

CMYK 80 / 0 / 14 / 10

HEX #2EE5C6

RGB 46 229 198

HSL 169.84, 0.78%, 0.54%

LAB 82.22, -50.72, 2.62

 

CMYK 86 / 0 / 15 / 17

HEX #1DD3B3

RGB 29 211 179

HSL 169.45, 0.76%, 0.47%

LAB 76.13, -49.52, 3.9

 

CMYK 94 / 0 / 17 / 24

HEX #0CC1A0

RGB 12 193 160

HSL 169.06, 0.88%, 0.4%

LAB 70, -47.95, 5.31

 

CMYK 100 / 0 / 19 / 31

HEX #00AF8D

RGB 0 175 141

HSL 168.34, 1%, 0.34%

LAB 63.82, -45.98, 6.87

 

CMYK 100 / 0 / 22 / 38

HEX #009D7A

RGB 0 157 122

HSL 166.62, 1%, 0.31%

LAB 57.58, -43.56, 8.59

 

CMYK 80 / 0 / 14 / 10

HEX #2EE5C6

RGB 46 229 198

HSL 169.84, 0.78%, 0.54%

LAB 82.22, -50.72, 2.62

 

CMYK 80 / 0 / 35 / 10

HEX #2EE594

RGB 46 229 148

HSL 153.44, 0.78%, 0.54%

LAB 81.16, -62.15, 27.27

 

CMYK 80 / 0 / 57 / 10

HEX #2EE563

RGB 46 229 99

HSL 137.38, 0.78%, 0.54%

LAB 80.47, -70.18, 50.32

 

CMYK 80 / 0 / 78 / 10

HEX #2EE532

RGB 46 229 50

HSL 121.31, 0.78%, 0.54%

LAB 80.1, -74.83, 68.67

 

CMYK 60 / 0 / 80 / 10

HEX #5BE52E

RGB 91 229 46

HSL 105.25, 0.78%, 0.54%

LAB 80.99, -67.27, 70.97

 

CMYK 80 / 0 / 14 / 10

HEX #2EE5C6

RGB 46 229 198

HSL 169.84, 0.78%, 0.54%

LAB 82.22, -50.72, 2.62

 

CMYK 80 / 8 / 0 / 10

HEX #2ED2E5

RGB 46 210 229

HSL 186.23, 0.78%, 0.54%

LAB 77.48, -33.56, -20.95

 

CMYK 80 / 30 / 0 / 10

HEX #2EA1E5

RGB 46 161 229

HSL 202.3, 0.78%, 0.54%

LAB 63.12, -8.27, -43.14

 

CMYK 80 / 51 / 0 / 10

HEX #2E70E5

RGB 46 112 229

HSL 218.36, 0.78%, 0.54%

LAB 49.28, 21.18, -65.21

 

CMYK 80 / 73 / 0 / 10

HEX #2E3EE5

RGB 46 62 229

HSL 234.75, 0.78%, 0.54%

LAB 37.27, 52.07, -84.87

 

CMYK 80 / 0 / 14 / 10

HEX #2EE5C6

RGB 46 229 198

HSL 169.84, 0.78%, 0.54%

LAB 82.22, -50.72, 2.62

 

CMYK 89 / 0 / 15 / 3

HEX #1BF8D2

RGB 27 248 210

HSL 169.68, 0.94%, 0.54%

LAB 87.98, -56.61, 4.65

 

CMYK 80 / 0 / 14 / 10

HEX #2EE5C6

RGB 46 229 198

HSL 169.84, 0.78%, 0.54%

LAB 82.22, -50.72, 2.62

 

CMYK 69 / 0 / 12 / 18

HEX #41D2B9

RGB 65 210 185

HSL 169.66, 0.62%, 0.54%

LAB 76.51, -43.87, 1.29

 

CMYK 56 / 0 / 9 / 25

HEX #54BFAD

RGB 84 191 173

HSL 169.91, 0.46%, 0.54%

LAB 70.98, -35.14, -0.21

 

CMYK 40 / 0 / 7 / 33

HEX #67ACA0

RGB 103 172 160

HSL 169.57, 0.29%, 0.54%

LAB 65.69, -24.69, -0.69

 

CMYK 20 / 0 / 3 / 40

HEX #7A9994

RGB 122 153 148

HSL 170.32, 0.13%, 0.54%

LAB 60.83, -11.83, -0.94

 

CMYK 80 / 0 / 57 / 10

HEX #2EE562

RGB 46 229 98

HSL 137.05, 0.78%, 0.54%

LAB 80.46, -70.31, 50.75

 

CMYK 80 / 0 / 36 / 10

HEX #2EE592

RGB 46 229 146

HSL 152.79, 0.78%, 0.54%

LAB 81.12, -62.54, 28.25

 

CMYK 80 / 0 / 15 / 10

HEX #2EE5C3

RGB 46 229 195

HSL 168.85, 0.78%, 0.54%

LAB 82.14, -51.49, 4.1

 

CMYK 80 / 7 / 0 / 10

HEX #2ED5E5

RGB 46 213 229

HSL 185.25, 0.78%, 0.54%

LAB 78.36, -34.98, -19.61

 

CMYK 80 / 28 / 0 / 10

HEX #2EA5E5

RGB 46 165 229

HSL 200.98, 0.78%, 0.54%

LAB 64.28, -10.5, -41.31

 

CMYK 88 / 0 / 15 / 33

HEX #15AB92

RGB 21 171 146

HSL 170, 0.78%, 0.38%

LAB 62.81, -42.01, 2.65

 

CMYK 88 / 0 / 15 / 18

HEX #19D0B1

RGB 25 208 177

HSL 169.84, 0.79%, 0.46%

LAB 75.13, -49.05, 3.52

 

CMYK 80 / 0 / 14 / 10

HEX #2EE5C6

RGB 46 229 198

HSL 169.84, 0.78%, 0.54%

LAB 82.22, -50.72, 2.62

 

CMYK 65 / 0 / 11 / 9

HEX #52E9D0

RGB 82 233 208

HSL 170.07, 0.77%, 0.62%

LAB 84.29, -45.49, 0.44

 

CMYK 50 / 0 / 8 / 7

HEX #77EEDA

RGB 119 238 218

HSL 169.92, 0.78%, 0.7%

LAB 87.06, -38.37, -0.64

 

CMYK 80 / 0 / 14 / 10

HEX #2EE5C6

RGB 46 229 198

HSL 169.84, 0.78%, 0.54%

LAB 82.22, -50.72, 2.62

 

CMYK 79 / 80 / 0 / 10

HEX #312EE5

RGB 49 46 229

HSL 240.98, 0.78%, 0.54%

LAB 34.53, 60.49, -89.4

 

CMYK 0 / 47 / 80 / 10

HEX #E57A2E

RGB 229 122 46

HSL 24.92, 0.78%, 0.54%

LAB 62.32, 36.39, 57.15

 

CMYK 80 / 0 / 14 / 10

HEX #2EE5C6

RGB 46 229 198

HSL 169.84, 0.78%, 0.54%

LAB 82.22, -50.72, 2.62

 

CMYK 15 / 80 / 0 / 10

HEX #C32EE5

RGB 195 46 229

HSL 288.85, 0.78%, 0.54%

LAB 50.94, 78.61, -61.89

 

CMYK 0 / 15 / 80 / 10

HEX #E5C32E

RGB 229 195 46

HSL 48.85, 0.78%, 0.54%

LAB 79.55, -2.07, 72.69

 

CMYK 80 / 0 / 14 / 10

HEX #2EE5C6

RGB 46 229 198

HSL 169.84, 0.78%, 0.54%

LAB 82.22, -50.72, 2.62

 

CMYK 79 / 80 / 0 / 10

HEX #312EE5

RGB 49 46 229

HSL 240.98, 0.78%, 0.54%

LAB 34.53, 60.49, -89.4

 

CMYK 0 / 80 / 66 / 10

HEX #E52E4F

RGB 229 46 79

HSL 349.18, 0.78%, 0.54%

LAB 50.89, 69.03, 27.35

 

CMYK 1 / 0 / 80 / 10

HEX #E2E52E

RGB 226 229 46

HSL 60.98, 0.78%, 0.54%

LAB 88.16, -20.35, 80.1

 

CMYK 80 / 0 / 14 / 10

HEX #2EE5C6

RGB 46 229 198

HSL 169.84, 0.78%, 0.54%

LAB 82.22, -50.72, 2.62

 

CMYK 55 / 80 / 0 / 10

HEX #682EE5

RGB 104 46 229

HSL 259.02, 0.78%, 0.54%

LAB 38.82, 65.16, -82.17

 

CMYK 0 / 80 / 66 / 10

HEX #E52E4F

RGB 229 46 79

HSL 349.18, 0.78%, 0.54%

LAB 50.89, 69.03, 27.35

 

CMYK 25 / 0 / 80 / 10

HEX #ABE52E

RGB 171 229 46

HSL 79.02, 0.78%, 0.54%

LAB 84.43, -42.3, 75.38

 

Description

Color code: HEX #2EE5C6 | qconv.com Color code: HEX #2EE5C6 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 229 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 229 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 14 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 14% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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