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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 228 77 137 it is the complementary color RGB 27 178 118. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 228 77 137. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 228 77 137 shade: RGB 233 77 132, RGB 250 95 151, RGB 255 113 170, RGB 255 131 189 and RGB 255 149 208

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 228 77 137. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 228 77 137 shade: RGB 228 77 137, RGB 211 59 118, RGB 194 41 99, RGB 177 23 80 and RGB 160 5 61

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 228 77 137 shade: RGB 228 77 137, RGB 228 77 96 and RGB 228 77 77

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 228 77 137 shade: RGB 228 77 137, RGB 228 77 178, RGB 228 77 218, RGB 197 77 228 and RGB 156 77 228

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 228 77 137 shade matches the following richer shades: RGB 228 77 137 and RGB 244 61 134

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 228 77 137 shade: RGB 228 77 137, RGB 211 94 140, RGB 195 110 144, RGB 178 127 147 and RGB 162 143 151

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 228 77 137 shade: RGB 228 77 218, RGB 228 77 178, RGB 228 77 137, RGB 228 77 97 and RGB 228 97 77

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 228 77 137 shade: RGB 194 29 94, RGB 223 41 113, RGB 228 77 137, RGB 233 113 161 and RGB 239 149 185

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 228 77 137 shade: RGB 228 77 137, RGB 228 198 77 and RGB 77 198 228

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 228 77 137 shade: RGB 228 77 137, RGB 137 228 77 and RGB 77 137 228

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 228 77 137 shade: RGB 228 77 137, RGB 228 198 77, RGB 77 228 168 and RGB 77 107 228

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 228 77 137 shade: RGB 228 77 137, RGB 213 228 77, RGB 77 228 168 and RGB 92 77 228

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 40 / 11

HEX #E44D89

RGB 228 77 137

HSL 336.16, 0.74%, 0.6%

LAB 55.69, 63.04, -0.72

 

Complementary color

CMYK 85 / 0 / 34 / 30

HEX #1BB276

RGB 27 178 118

HSL 156.16, 0.74%, 0.4%

LAB 64.47, -51.24, 20.41

 

CMYK 0 / 67 / 43 / 9

HEX #E94D84

RGB 233 77 132

HSL 338.85, 0.78%, 0.61%

LAB 56.38, 64.01, 3.34

 

CMYK 0 / 62 / 40 / 2

HEX #FA5F97

RGB 250 95 151

HSL 338.32, 0.94%, 0.68%

LAB 62.29, 63.74, 1.15

 

CMYK 0 / 56 / 33 / 0

HEX #FF71AA

RGB 255 113 170

HSL 335.92, 1%, 0.72%

LAB 66.5, 59.54, -3.47

 

CMYK 0 / 49 / 26 / 0

HEX #FF83BD

RGB 255 131 189

HSL 331.94, 1%, 0.76%

LAB 70.29, 53.46, -8.55

 

CMYK 0 / 42 / 18 / 0

HEX #FF95D0

RGB 255 149 208

HSL 326.6, 1%, 0.79%

LAB 74.39, 47.21, -12.96

 

CMYK 0 / 66 / 40 / 11

HEX #E44D89

RGB 228 77 137

HSL 336.16, 0.74%, 0.6%

LAB 55.69, 63.04, -0.72

 

CMYK 0 / 72 / 44 / 17

HEX #D33B76

RGB 211 59 118

HSL 336.71, 0.63%, 0.53%

LAB 49.84, 62.95, 1.76

 

CMYK 0 / 79 / 49 / 24

HEX #C22963

RGB 194 41 99

HSL 337.25, 0.65%, 0.46%

LAB 44.17, 62.25, 4.84

 

CMYK 0 / 87 / 55 / 31

HEX #B11750

RGB 177 23 80

HSL 337.79, 0.77%, 0.39%

LAB 38.79, 60.65, 8.74

 

CMYK 0 / 97 / 62 / 37

HEX #A0053D

RGB 160 5 61

HSL 338.32, 0.94%, 0.32%

LAB 33.81, 57.83, 13.64

 

CMYK 0 / 66 / 40 / 11

HEX #E44D89

RGB 228 77 137

HSL 336.16, 0.74%, 0.6%

LAB 55.69, 63.04, -0.72

 

CMYK 0 / 66 / 58 / 11

HEX #E44D60

RGB 228 77 96

HSL 352.45, 0.74%, 0.6%

LAB 54.71, 59.52, 22.18

 

CMYK 0 / 66 / 66 / 11

HEX #E44D4D

RGB 228 77 77

HSL 0, 0.74%, 0.6%

LAB 54.38, 58.35, 32.84

 

CMYK 0 / 66 / 40 / 11

HEX #E44D89

RGB 228 77 137

HSL 336.16, 0.74%, 0.6%

LAB 55.69, 63.04, -0.72

 

CMYK 0 / 66 / 22 / 11

HEX #E44DB2

RGB 228 77 178

HSL 319.87, 0.74%, 0.6%

LAB 57.09, 67.85, -22.62

 

CMYK 0 / 66 / 4 / 11

HEX #E44DDA

RGB 228 77 218

HSL 303.97, 0.74%, 0.6%

LAB 58.85, 73.62, -42.76

 

CMYK 14 / 66 / 0 / 11

HEX #C54DE4

RGB 197 77 228

HSL 287.68, 0.74%, 0.6%

LAB 54.84, 68.34, -55.04

 

CMYK 32 / 66 / 0 / 11

HEX #9C4DE4

RGB 156 77 228

HSL 271.39, 0.74%, 0.6%

LAB 49.47, 59.63, -63.96

 

CMYK 0 / 66 / 40 / 11

HEX #E44D89

RGB 228 77 137

HSL 336.16, 0.74%, 0.6%

LAB 55.69, 63.04, -0.72

 

CMYK 0 / 75 / 45 / 4

HEX #F43D86

RGB 244 61 134

HSL 336.07, 0.89%, 0.6%

LAB 56.38, 72.69, 2.39

 

CMYK 0 / 66 / 40 / 11

HEX #E44D89

RGB 228 77 137

HSL 336.16, 0.74%, 0.6%

LAB 55.69, 63.04, -0.72

 

CMYK 0 / 55 / 34 / 17

HEX #D35E8C

RGB 211 94 140

HSL 336.41, 0.57%, 0.6%

LAB 55.83, 50.79, -2.6

 

CMYK 0 / 44 / 26 / 24

HEX #C36E90

RGB 195 110 144

HSL 336, 0.41%, 0.6%

LAB 56.85, 37.83, -3.7

 

CMYK 0 / 29 / 17 / 30

HEX #B27F93

RGB 178 127 147

HSL 336.47, 0.25%, 0.6%

LAB 58.74, 22.81, -2.88

 

CMYK 0 / 12 / 7 / 36

HEX #A28F97

RGB 162 143 151

HSL 334.74, 0.09%, 0.6%

LAB 61.27, 8.52, -1.64

 

CMYK 0 / 66 / 4 / 11

HEX #E44DDA

RGB 228 77 218

HSL 303.97, 0.74%, 0.6%

LAB 58.85, 73.62, -42.76

 

CMYK 0 / 66 / 22 / 11

HEX #E44DB2

RGB 228 77 178

HSL 319.87, 0.74%, 0.6%

LAB 57.09, 67.85, -22.62

 

CMYK 0 / 66 / 40 / 11

HEX #E44D89

RGB 228 77 137

HSL 336.16, 0.74%, 0.6%

LAB 55.69, 63.04, -0.72

 

CMYK 0 / 66 / 57 / 11

HEX #E44D61

RGB 228 77 97

HSL 352.05, 0.74%, 0.6%

LAB 54.73, 59.59, 21.61

 

CMYK 0 / 57 / 66 / 11

HEX #E4614D

RGB 228 97 77

HSL 7.95, 0.74%, 0.6%

LAB 57.64, 49.68, 36.79

 

CMYK 0 / 85 / 52 / 24

HEX #C21D5E

RGB 194 29 94

HSL 336.36, 0.74%, 0.44%

LAB 43, 64.81, 6.29

 

CMYK 0 / 82 / 49 / 13

HEX #DF2971

RGB 223 41 113

HSL 336.26, 0.74%, 0.52%

LAB 50.06, 70.92, 5.39

 

CMYK 0 / 66 / 40 / 11

HEX #E44D89

RGB 228 77 137

HSL 336.16, 0.74%, 0.6%

LAB 55.69, 63.04, -0.72

 

CMYK 0 / 52 / 31 / 9

HEX #E971A1

RGB 233 113 161

HSL 336, 0.73%, 0.68%

LAB 63.1, 51.45, -3.71

 

CMYK 0 / 38 / 23 / 6

HEX #EF95B9

RGB 239 149 185

HSL 336, 0.74%, 0.76%

LAB 71.79, 38.5, -4.33

 

CMYK 0 / 66 / 40 / 11

HEX #E44D89

RGB 228 77 137

HSL 336.16, 0.74%, 0.6%

LAB 55.69, 63.04, -0.72

 

CMYK 0 / 13 / 66 / 11

HEX #E4C64D

RGB 228 198 77

HSL 48.08, 0.74%, 0.6%

LAB 80.41, -2.67, 62.29

 

CMYK 66 / 13 / 0 / 11

HEX #4DC6E4

RGB 77 198 228

HSL 191.92, 0.74%, 0.6%

LAB 74.55, -24.38, -24.81

 

CMYK 0 / 66 / 40 / 11

HEX #E44D89

RGB 228 77 137

HSL 336.16, 0.74%, 0.6%

LAB 55.69, 63.04, -0.72

 

CMYK 40 / 0 / 66 / 11

HEX #89E44D

RGB 137 228 77

HSL 96.16, 0.74%, 0.6%

LAB 82.56, -52.03, 62.7

 

CMYK 66 / 40 / 0 / 11

HEX #4D89E4

RGB 77 137 228

HSL 216.16, 0.74%, 0.6%

LAB 57.14, 9.34, -51.97

 

CMYK 0 / 66 / 40 / 11

HEX #E44D89

RGB 228 77 137

HSL 336.16, 0.74%, 0.6%

LAB 55.69, 63.04, -0.72

 

CMYK 0 / 13 / 66 / 11

HEX #E4C64D

RGB 228 198 77

HSL 48.08, 0.74%, 0.6%

LAB 80.41, -2.67, 62.29

 

CMYK 66 / 0 / 26 / 11

HEX #4DE4A8

RGB 77 228 168

HSL 156.16, 0.74%, 0.6%

LAB 81.78, -53.53, 17.85

 

CMYK 66 / 53 / 0 / 11

HEX #4D6BE4

RGB 77 107 228

HSL 228.08, 0.74%, 0.6%

LAB 49.12, 27.78, -64.85

 

CMYK 0 / 66 / 40 / 11

HEX #E44D89

RGB 228 77 137

HSL 336.16, 0.74%, 0.6%

LAB 55.69, 63.04, -0.72

 

CMYK 7 / 0 / 66 / 11

HEX #D5E44D

RGB 213 228 77

HSL 65.96, 0.74%, 0.6%

LAB 87.08, -23.84, 68.81

 

CMYK 66 / 0 / 26 / 11

HEX #4DE4A8

RGB 77 228 168

HSL 156.16, 0.74%, 0.6%

LAB 81.78, -53.53, 17.85

 

CMYK 60 / 66 / 0 / 11

HEX #5C4DE4

RGB 92 77 228

HSL 245.96, 0.74%, 0.6%

LAB 43.04, 48.13, -74.71

 

Description

Color code: RGB 228 77 137 | qconv.com Color code: RGB 228 77 137 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 77 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 77 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 40 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 40% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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