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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 77 137 228 it is the complementary color RGB 178 118 27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 77 137 228. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 77 137 228 shade: RGB 82 137 223, RGB 99 155 242, RGB 116 173 255, RGB 133 191 255 and RGB 150 209 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 77 137 228. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 77 137 228 shade: RGB 77 137 228, RGB 60 119 209, RGB 43 101 190, RGB 26 83 171 and RGB 9 65 152

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 77 137 228 shade: RGB 77 137 228, RGB 77 96 228, RGB 98 77 228, RGB 139 77 228 and RGB 180 77 228

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 77 137 228 shade: RGB 77 137 228, RGB 77 96 228 and RGB 77 77 228

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 77 137 228 shade matches the following richer shades: RGB 77 137 228 and RGB 61 134 244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 77 137 228 shade: RGB 77 137 228, RGB 94 140 211, RGB 110 144 195, RGB 127 147 178 and RGB 143 151 162

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 77 137 228 shade: RGB 77 218 228, RGB 77 178 228, RGB 77 137 228, RGB 77 97 228 and RGB 97 77 228

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 77 137 228 shade: RGB 29 94 194, RGB 41 113 223, RGB 77 137 228, RGB 113 161 233 and RGB 149 185 239

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 77 137 228 shade: RGB 77 137 228, RGB 198 77 228 and RGB 198 228 77

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 77 137 228 shade: RGB 77 137 228, RGB 228 77 137 and RGB 137 228 77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 77 137 228 shade: RGB 77 137 228, RGB 198 77 228, RGB 228 168 77 and RGB 107 228 77

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 77 137 228 shade: RGB 77 137 228, RGB 228 77 213, RGB 228 168 77 and RGB 77 228 92

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 40 / 0 / 11

HEX #4D89E4

RGB 77 137 228

HSL 216.16, 0.74%, 0.6%

LAB 57.14, 9.34, -51.97

 

Complementary color

CMYK 0 / 34 / 85 / 30

HEX #B2761B

RGB 178 118 27

HSL 36.16, 0.74%, 0.4%

LAB 54.55, 16.4, 54.83

 

CMYK 63 / 39 / 0 / 13

HEX #5289DF

RGB 82 137 223

HSL 216.6, 0.69%, 0.6%

LAB 57.09, 8.47, -49.26

 

CMYK 59 / 36 / 0 / 5

HEX #639BF2

RGB 99 155 242

HSL 216.5, 0.85%, 0.67%

LAB 63.76, 7.26, -49.16

 

CMYK 55 / 32 / 0 / 0

HEX #74ADFF

RGB 116 173 255

HSL 215.4, 1%, 0.73%

LAB 70.05, 4.4, -46.28

 

CMYK 48 / 25 / 0 / 0

HEX #85BFFF

RGB 133 191 255

HSL 211.48, 1%, 0.76%

LAB 75.74, -1.87, -37.33

 

CMYK 41 / 18 / 0 / 0

HEX #96D1FF

RGB 150 209 255

HSL 206.29, 1%, 0.79%

LAB 81.46, -7.43, -28.45

 

CMYK 66 / 40 / 0 / 11

HEX #4D89E4

RGB 77 137 228

HSL 216.16, 0.74%, 0.6%

LAB 57.14, 9.34, -51.97

 

CMYK 71 / 43 / 0 / 18

HEX #3C77D1

RGB 60 119 209

HSL 216.24, 0.62%, 0.53%

LAB 50.4, 11.02, -52.07

 

CMYK 77 / 47 / 0 / 25

HEX #2B65BE

RGB 43 101 190

HSL 216.33, 0.63%, 0.46%

LAB 43.56, 13.12, -52.16

 

CMYK 85 / 51 / 0 / 33

HEX #1A53AB

RGB 26 83 171

HSL 216.41, 0.74%, 0.39%

LAB 36.64, 15.79, -52.19

 

CMYK 94 / 57 / 0 / 40

HEX #094198

RGB 9 65 152

HSL 216.5, 0.89%, 0.32%

LAB 29.68, 19.19, -52.08

 

CMYK 66 / 40 / 0 / 11

HEX #4D89E4

RGB 77 137 228

HSL 216.16, 0.74%, 0.6%

LAB 57.14, 9.34, -51.97

 

CMYK 66 / 58 / 0 / 11

HEX #4D60E4

RGB 77 96 228

HSL 232.45, 0.74%, 0.6%

LAB 46.37, 34.61, -69.31

 

CMYK 57 / 66 / 0 / 11

HEX #624DE4

RGB 98 77 228

HSL 248.34, 0.74%, 0.6%

LAB 43.52, 49.03, -73.91

 

CMYK 39 / 66 / 0 / 11

HEX #8B4DE4

RGB 139 77 228

HSL 264.64, 0.74%, 0.6%

LAB 47.49, 56.24, -67.26

 

CMYK 21 / 66 / 0 / 11

HEX #B44DE4

RGB 180 77 228

HSL 280.93, 0.74%, 0.6%

LAB 52.52, 64.66, -58.88

 

CMYK 66 / 40 / 0 / 11

HEX #4D89E4

RGB 77 137 228

HSL 216.16, 0.74%, 0.6%

LAB 57.14, 9.34, -51.97

 

CMYK 66 / 58 / 0 / 11

HEX #4D60E4

RGB 77 96 228

HSL 232.45, 0.74%, 0.6%

LAB 46.37, 34.61, -69.31

 

CMYK 66 / 66 / 0 / 11

HEX #4D4DE4

RGB 77 77 228

HSL 240, 0.74%, 0.6%

LAB 41.98, 46.08, -76.48

 

CMYK 66 / 40 / 0 / 11

HEX #4D89E4

RGB 77 137 228

HSL 216.16, 0.74%, 0.6%

LAB 57.14, 9.34, -51.97

 

CMYK 75 / 45 / 0 / 4

HEX #3D86F4

RGB 61 134 244

HSL 216.07, 0.89%, 0.6%

LAB 56.66, 14.6, -61.67

 

CMYK 66 / 40 / 0 / 11

HEX #4D89E4

RGB 77 137 228

HSL 216.16, 0.74%, 0.6%

LAB 57.14, 9.34, -51.97

 

CMYK 55 / 34 / 0 / 17

HEX #5E8CD3

RGB 94 140 211

HSL 216.41, 0.57%, 0.6%

LAB 57.88, 5.07, -41.24

 

CMYK 44 / 26 / 0 / 24

HEX #6E90C3

RGB 110 144 195

HSL 216, 0.41%, 0.6%

LAB 59.16, 1.66, -30.17

 

CMYK 29 / 17 / 0 / 30

HEX #7F93B2

RGB 127 147 178

HSL 216.47, 0.25%, 0.6%

LAB 60.42, 0.18, -18.53

 

CMYK 12 / 7 / 0 / 36

HEX #8F97A2

RGB 143 151 162

HSL 214.74, 0.09%, 0.6%

LAB 62.15, -0.58, -6.76

 

CMYK 66 / 4 / 0 / 11

HEX #4DDAE4

RGB 77 218 228

HSL 183.97, 0.74%, 0.6%

LAB 80.36, -34.1, -16

 

CMYK 66 / 22 / 0 / 11

HEX #4DB2E4

RGB 77 178 228

HSL 199.87, 0.74%, 0.6%

LAB 68.77, -14, -33.71

 

CMYK 66 / 40 / 0 / 11

HEX #4D89E4

RGB 77 137 228

HSL 216.16, 0.74%, 0.6%

LAB 57.14, 9.34, -51.97

 

CMYK 66 / 57 / 0 / 11

HEX #4D61E4

RGB 77 97 228

HSL 232.05, 0.74%, 0.6%

LAB 46.62, 33.99, -68.91

 

CMYK 57 / 66 / 0 / 11

HEX #614DE4

RGB 97 77 228

HSL 247.95, 0.74%, 0.6%

LAB 43.43, 48.88, -74.04

 

CMYK 85 / 52 / 0 / 24

HEX #1D5EC2

RGB 29 94 194

HSL 216.36, 0.74%, 0.44%

LAB 41.47, 17.88, -57.88

 

CMYK 82 / 49 / 0 / 13

HEX #2971DF

RGB 41 113 223

HSL 216.26, 0.74%, 0.52%

LAB 49.02, 17.83, -62.26

 

CMYK 66 / 40 / 0 / 11

HEX #4D89E4

RGB 77 137 228

HSL 216.16, 0.74%, 0.6%

LAB 57.14, 9.34, -51.97

 

CMYK 52 / 31 / 0 / 9

HEX #71A1E9

RGB 113 161 233

HSL 216, 0.73%, 0.68%

LAB 65.66, 3.87, -41.19

 

CMYK 38 / 23 / 0 / 6

HEX #95B9EF

RGB 149 185 239

HSL 216, 0.74%, 0.76%

LAB 74.39, 1, -30.73

 

CMYK 66 / 40 / 0 / 11

HEX #4D89E4

RGB 77 137 228

HSL 216.16, 0.74%, 0.6%

LAB 57.14, 9.34, -51.97

 

CMYK 13 / 66 / 0 / 11

HEX #C64DE4

RGB 198 77 228

HSL 288.08, 0.74%, 0.6%

LAB 54.98, 68.56, -54.8

 

CMYK 13 / 0 / 66 / 11

HEX #C6E44D

RGB 198 228 77

HSL 71.92, 0.74%, 0.6%

LAB 86.02, -29.83, 67.38

 

CMYK 66 / 40 / 0 / 11

HEX #4D89E4

RGB 77 137 228

HSL 216.16, 0.74%, 0.6%

LAB 57.14, 9.34, -51.97

 

CMYK 0 / 66 / 40 / 11

HEX #E44D89

RGB 228 77 137

HSL 336.16, 0.74%, 0.6%

LAB 55.69, 63.04, -0.72

 

CMYK 40 / 0 / 66 / 11

HEX #89E44D

RGB 137 228 77

HSL 96.16, 0.74%, 0.6%

LAB 82.56, -52.03, 62.7

 

CMYK 66 / 40 / 0 / 11

HEX #4D89E4

RGB 77 137 228

HSL 216.16, 0.74%, 0.6%

LAB 57.14, 9.34, -51.97

 

CMYK 13 / 66 / 0 / 11

HEX #C64DE4

RGB 198 77 228

HSL 288.08, 0.74%, 0.6%

LAB 54.98, 68.56, -54.8

 

CMYK 0 / 26 / 66 / 11

HEX #E4A84D

RGB 228 168 77

HSL 36.16, 0.74%, 0.6%

LAB 72.91, 13.08, 54.27

 

CMYK 53 / 0 / 66 / 11

HEX #6BE44D

RGB 107 228 77

HSL 108.08, 0.74%, 0.6%

LAB 81.37, -60.83, 61.07

 

CMYK 66 / 40 / 0 / 11

HEX #4D89E4

RGB 77 137 228

HSL 216.16, 0.74%, 0.6%

LAB 57.14, 9.34, -51.97

 

CMYK 0 / 66 / 7 / 11

HEX #E44DD5

RGB 228 77 213

HSL 305.96, 0.74%, 0.6%

LAB 58.61, 72.84, -40.31

 

CMYK 0 / 26 / 66 / 11

HEX #E4A84D

RGB 228 168 77

HSL 36.16, 0.74%, 0.6%

LAB 72.91, 13.08, 54.27

 

CMYK 66 / 0 / 60 / 11

HEX #4DE45C

RGB 77 228 92

HSL 125.96, 0.74%, 0.6%

LAB 80.65, -66.11, 53.78

 

Description

Color code: RGB 77 137 228 | qconv.com Color code: RGB 77 137 228 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 137 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 137 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 40 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 40% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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