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Color name
CMYK 0 / 91 / 9 / 40

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 91 / 9 / 40 it is the complementary color CMYK 58 / 0 / 52 / 5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 91 / 9 / 40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 91 / 9 / 40 shade: CMYK 0 / 91 / 15 / 38, CMYK 0 / 82 / 13 / 31, CMYK 0 / 74 / 10 / 25, CMYK 0 / 67 / 9 / 18 and CMYK 0 / 62 / 7 / 11

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 91 / 9 / 40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 91 / 9 / 40 shade: CMYK 0 / 91 / 9 / 40, CMYK 0 / 100 / 12 / 47, CMYK 0 / 100 / 15 / 53, CMYK 0 / 100 / 20 / 60 and CMYK 0 / 100 / 26 / 67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 91 / 9 / 40 shade: CMYK 0 / 91 / 9 / 40, CMYK 0 / 91 / 33 / 40, CMYK 0 / 91 / 58 / 40, CMYK 0 / 91 / 83 / 40 and CMYK 0 / 91 / 91 / 40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 91 / 9 / 40 shade: CMYK 0 / 91 / 9 / 40, CMYK 15 / 91 / 0 / 40, CMYK 40 / 91 / 0 / 40, CMYK 64 / 91 / 0 / 40 and CMYK 89 / 91 / 0 / 40

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 91 / 9 / 40 shade matches the following richer shades: CMYK 0 / 91 / 9 / 40 and CMYK 0 / 100 / 10 / 35

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 91 / 9 / 40 shade: CMYK 0 / 91 / 9 / 40, CMYK 0 / 81 / 8 / 45, CMYK 0 / 67 / 6 / 51, CMYK 0 / 51 / 5 / 56 and CMYK 0 / 31 / 3 / 61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 91 / 9 / 40 shade: CMYK 39 / 91 / 0 / 40, CMYK 15 / 91 / 0 / 40, CMYK 0 / 91 / 8 / 40, CMYK 0 / 91 / 33 / 40 and CMYK 0 / 91 / 58 / 40

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 91 / 9 / 40 shade: CMYK 0 / 91 / 9 / 69, CMYK 0 / 91 / 9 / 55, CMYK 0 / 91 / 9 / 40, CMYK 0 / 91 / 9 / 25 and CMYK 0 / 91 / 9 / 10

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 91 / 9 / 40 shade: CMYK 0 / 91 / 9 / 40, CMYK 0 / 63 / 91 / 40 and CMYK 91 / 0 / 27 / 40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 91 / 9 / 40 shade: CMYK 0 / 91 / 9 / 40, CMYK 8 / 0 / 91 / 40 and CMYK 91 / 8 / 0 / 40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 91 / 9 / 40 shade: CMYK 0 / 91 / 9 / 40, CMYK 0 / 63 / 91 / 40, CMYK 91 / 0 / 82 / 40 and CMYK 91 / 27 / 0 / 40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 91 / 9 / 40 shade: CMYK 0 / 91 / 9 / 40, CMYK 0 / 36 / 91 / 40, CMYK 91 / 0 / 82 / 40 and CMYK 91 / 54 / 0 / 40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 9 / 40

HEX #990E8B

RGB 153 14 139

HSL 306.04, 0.83%, 0.33%

LAB 35.89, 63.23, -33.34

 

Complementary color

CMYK 58 / 0 / 52 / 5

HEX #66F174

RGB 102 241 116

HSL 126.04, 0.83%, 0.67%

LAB 85.5, -62.54, 48.83

 

CMYK 0 / 91 / 15 / 38

HEX #9E0E86

RGB 158 14 134

HSL 310, 0.84%, 0.34%

LAB 36.56, 63.51, -29.12

 

CMYK 0 / 82 / 13 / 31

HEX #AF2099

RGB 175 32 153

HSL 309.23, 0.69%, 0.41%

LAB 41.92, 66.14, -32.11

 

CMYK 0 / 74 / 10 / 25

HEX #C032AC

RGB 192 50 172

HSL 308.45, 0.59%, 0.47%

LAB 47.58, 67.61, -34.34

 

CMYK 0 / 67 / 9 / 18

HEX #D144BF

RGB 209 68 191

HSL 307.66, 0.61%, 0.54%

LAB 53.44, 68.27, -36.04

 

CMYK 0 / 62 / 7 / 11

HEX #E256D2

RGB 226 86 210

HSL 306.86, 0.71%, 0.61%

LAB 59.41, 68.43, -37.37

 

CMYK 0 / 91 / 9 / 40

HEX #990E8B

RGB 153 14 139

HSL 306.04, 0.83%, 0.33%

LAB 35.89, 63.23, -33.34

 

CMYK 0 / 100 / 12 / 47

HEX #880078

RGB 136 0 120

HSL 307.06, 1%, 0.27%

LAB 30.86, 59.19, -29.64

 

CMYK 0 / 100 / 15 / 53

HEX #770065

RGB 119 0 101

HSL 309.08, 1%, 0.23%

LAB 26.34, 53.22, -24.79

 

CMYK 0 / 100 / 20 / 60

HEX #660052

RGB 102 0 82

HSL 311.76, 1%, 0.2%

LAB 21.7, 47.09, -19.71

 

CMYK 0 / 100 / 26 / 67

HEX #55003F

RGB 85 0 63

HSL 315.53, 1%, 0.17%

LAB 16.94, 40.79, -14.34

 

CMYK 0 / 91 / 9 / 40

HEX #990E8B

RGB 153 14 139

HSL 306.04, 0.83%, 0.33%

LAB 35.89, 63.23, -33.34

 

CMYK 0 / 91 / 33 / 40

HEX #990E66

RGB 153 14 102

HSL 322.01, 0.83%, 0.33%

LAB 34.08, 58.44, -12.88

 

CMYK 0 / 91 / 58 / 40

HEX #990E40

RGB 153 14 64

HSL 338.42, 0.83%, 0.33%

LAB 32.82, 54.98, 10.07

 

CMYK 0 / 91 / 83 / 40

HEX #990E1A

RGB 153 14 26

HSL 354.82, 0.83%, 0.33%

LAB 32.17, 53.12, 33.57

 

CMYK 0 / 91 / 91 / 40

HEX #990E0E

RGB 153 14 14

HSL 0, 0.83%, 0.33%

LAB 32.07, 52.84, 39.85

 

CMYK 0 / 91 / 9 / 40

HEX #990E8B

RGB 153 14 139

HSL 306.04, 0.83%, 0.33%

LAB 35.89, 63.23, -33.34

 

CMYK 15 / 91 / 0 / 40

HEX #820E99

RGB 130 14 153

HSL 290.07, 0.83%, 0.33%

LAB 32.61, 61.34, -47.42

 

CMYK 40 / 91 / 0 / 40

HEX #5C0E99

RGB 92 14 153

HSL 273.67, 0.83%, 0.33%

LAB 26.42, 55.71, -57.78

 

CMYK 64 / 91 / 0 / 40

HEX #370E99

RGB 55 14 153

HSL 257.7, 0.83%, 0.33%

LAB 21.68, 51.89, -65.77

 

CMYK 89 / 91 / 0 / 40

HEX #110E99

RGB 17 14 153

HSL 241.29, 0.83%, 0.33%

LAB 18.94, 49.99, -70.39

 

CMYK 0 / 91 / 9 / 40

HEX #990E8B

RGB 153 14 139

HSL 306.04, 0.83%, 0.33%

LAB 35.89, 63.23, -33.34

 

CMYK 0 / 100 / 10 / 35

HEX #A70096

RGB 167 0 150

HSL 306.11, 1%, 0.33%

LAB 38.58, 69.11, -35.65

 

CMYK 0 / 91 / 9 / 40

HEX #990E8B

RGB 153 14 139

HSL 306.04, 0.83%, 0.33%

LAB 35.89, 63.23, -33.34

 

CMYK 0 / 81 / 8 / 45

HEX #8C1B81

RGB 140 27 129

HSL 305.84, 0.68%, 0.33%

LAB 33.87, 56.27, -30.49

 

CMYK 0 / 67 / 6 / 51

HEX #7E2976

RGB 126 41 118

HSL 305.65, 0.51%, 0.33%

LAB 32.55, 46.15, -25.84

 

CMYK 0 / 51 / 5 / 56

HEX #71376B

RGB 113 55 107

HSL 306.21, 0.35%, 0.33%

LAB 32.49, 33.39, -19.11

 

CMYK 0 / 31 / 3 / 61

HEX #634460

RGB 99 68 96

HSL 305.81, 0.19%, 0.33%

LAB 33.2, 18.52, -11.18

 

CMYK 39 / 91 / 0 / 40

HEX #5D0E99

RGB 93 14 153

HSL 274.1, 0.83%, 0.33%

LAB 26.57, 55.83, -57.53

 

CMYK 15 / 91 / 0 / 40

HEX #820E99

RGB 130 14 153

HSL 290.07, 0.83%, 0.33%

LAB 32.61, 61.34, -47.42

 

CMYK 0 / 91 / 8 / 40

HEX #990E8C

RGB 153 14 140

HSL 305.61, 0.83%, 0.33%

LAB 35.95, 63.38, -33.87

 

CMYK 0 / 91 / 33 / 40

HEX #990E66

RGB 153 14 102

HSL 322.01, 0.83%, 0.33%

LAB 34.08, 58.44, -12.88

 

CMYK 0 / 91 / 58 / 40

HEX #990E41

RGB 153 14 65

HSL 337.99, 0.83%, 0.33%

LAB 32.85, 55.05, 9.44

 

CMYK 0 / 91 / 9 / 69

HEX #4E0747

RGB 78 7 71

HSL 305.92, 0.84%, 0.17%

LAB 16.63, 38.26, -20.52

 

CMYK 0 / 91 / 9 / 55

HEX #740A69

RGB 116 10 105

HSL 306.23, 0.84%, 0.25%

LAB 26.59, 51.36, -27.03

 

CMYK 0 / 91 / 9 / 40

HEX #990E8B

RGB 153 14 139

HSL 306.04, 0.83%, 0.33%

LAB 35.89, 63.23, -33.34

 

CMYK 0 / 91 / 9 / 25

HEX #BF11AE

RGB 191 17 174

HSL 305.86, 0.84%, 0.41%

LAB 44.99, 74.98, -39.63

 

CMYK 0 / 91 / 9 / 10

HEX #E515D0

RGB 229 21 208

HSL 306.06, 0.83%, 0.49%

LAB 53.76, 86.01, -45.1

 

CMYK 0 / 91 / 9 / 40

HEX #990E8B

RGB 153 14 139

HSL 306.04, 0.83%, 0.33%

LAB 35.89, 63.23, -33.34

 

CMYK 0 / 63 / 91 / 40

HEX #99380E

RGB 153 56 14

HSL 18.13, 0.83%, 0.33%

LAB 37.17, 38.76, 43.7

 

CMYK 91 / 0 / 27 / 40

HEX #0E9970

RGB 14 153 112

HSL 162.3, 0.83%, 0.33%

LAB 56.13, -43.77, 12.2

 

CMYK 0 / 91 / 9 / 40

HEX #990E8B

RGB 153 14 139

HSL 306.04, 0.83%, 0.33%

LAB 35.89, 63.23, -33.34

 

CMYK 8 / 0 / 91 / 40

HEX #8C990E

RGB 140 153 14

HSL 65.61, 0.83%, 0.33%

LAB 60.24, -20.3, 61.19

 

CMYK 91 / 8 / 0 / 40

HEX #0E8C99

RGB 14 140 153

HSL 185.61, 0.83%, 0.33%

LAB 53.11, -25.86, -15.74

 

CMYK 0 / 91 / 9 / 40

HEX #990E8B

RGB 153 14 139

HSL 306.04, 0.83%, 0.33%

LAB 35.89, 63.23, -33.34

 

CMYK 0 / 63 / 91 / 40

HEX #99380E

RGB 153 56 14

HSL 18.13, 0.83%, 0.33%

LAB 37.17, 38.76, 43.7

 

CMYK 91 / 0 / 82 / 40

HEX #0E991C

RGB 14 153 28

HSL 126.04, 0.83%, 0.33%

LAB 55.03, -56.86, 51.28

 

CMYK 91 / 27 / 0 / 40

HEX #0E7099

RGB 14 112 153

HSL 197.7, 0.83%, 0.33%

LAB 44.21, -10.61, -29.47

 

CMYK 0 / 91 / 9 / 40

HEX #990E8B

RGB 153 14 139

HSL 306.04, 0.83%, 0.33%

LAB 35.89, 63.23, -33.34

 

CMYK 0 / 36 / 91 / 40

HEX #99620E

RGB 153 98 14

HSL 36.26, 0.83%, 0.33%

LAB 46.36, 16.09, 50.77

 

CMYK 91 / 0 / 82 / 40

HEX #0E991C

RGB 14 153 28

HSL 126.04, 0.83%, 0.33%

LAB 55.03, -56.86, 51.28

 

CMYK 91 / 54 / 0 / 40

HEX #0E4699

RGB 14 70 153

HSL 215.83, 0.83%, 0.33%

LAB 31.29, 16.4, -50.07

 

Description

Color code: CMYK 0 / 91 / 9 / 40 | qconv.com Color code: CMYK 0 / 91 / 9 / 40 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 14 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 14 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 9 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 9% 40% C M Y K

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Provide designers and agencies with accurate color values.

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