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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 227 62 92 it is the complementary color RGB 28 193 163. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 227 62 92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 227 62 92 shade: RGB 232 62 87, RGB 249 80 106, RGB 255 98 125, RGB 255 116 144 and RGB 255 134 163

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 227 62 92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 227 62 92 shade: RGB 227 62 92, RGB 210 44 73, RGB 193 26 54, RGB 176 8 35 and RGB 159 0 16

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 227 62 92 shade: RGB 227 63 93 and RGB 227 63 63

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 227 62 92 shade: RGB 227 63 93, RGB 227 63 137, RGB 227 63 181, RGB 227 63 226 and RGB 184 63 227

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 227 62 92 shade matches the following richer shades: RGB 227 63 93 and RGB 245 45 81

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 227 62 92 shade: RGB 227 63 93, RGB 209 80 104, RGB 192 98 115, RGB 174 116 126 and RGB 156 134 138

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 227 62 92 shade: RGB 227 63 180, RGB 227 63 137, RGB 227 63 93, RGB 227 76 63 and RGB 227 120 63

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 227 62 92 shade: RGB 182 26 54, RGB 218 31 65, RGB 227 63 93, RGB 232 99 123 and RGB 237 135 153

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 227 62 92 shade: RGB 227 62 92, RGB 224 227 63 and RGB 63 159 227

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 227 62 92 shade: RGB 227 62 92, RGB 93 227 63 and RGB 63 93 227

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 227 62 92 shade: RGB 227 62 92, RGB 224 227 63, RGB 63 227 197 and RGB 65 63 227

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 227 62 92 shade: RGB 227 62 92, RGB 175 227 63, RGB 63 227 197 and RGB 115 63 227

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 59 / 11

HEX #E33E5C

RGB 227 62 92

HSL 349.09, 0.75%, 0.57%

LAB 52.45, 64.46, 21.52

 

Complementary color

CMYK 85 / 0 / 16 / 24

HEX #1CC1A3

RGB 28 193 163

HSL 169.09, 0.75%, 0.43%

LAB 70.2, -46.3, 3.97

 

CMYK 0 / 73 / 63 / 9

HEX #E83E57

RGB 232 62 87

HSL 351.18, 0.79%, 0.58%

LAB 53.26, 65.61, 25.74

 

CMYK 0 / 68 / 57 / 2

HEX #F9506A

RGB 249 80 106

HSL 350.77, 0.93%, 0.65%

LAB 58.9, 65.52, 22.54

 

CMYK 0 / 62 / 51 / 0

HEX #FF627D

RGB 255 98 125

HSL 349.68, 1%, 0.69%

LAB 62.91, 61.64, 17.15

 

CMYK 0 / 55 / 44 / 0

HEX #FF7490

RGB 255 116 144

HSL 347.91, 1%, 0.73%

LAB 66.34, 55.38, 11.07

 

CMYK 0 / 47 / 36 / 0

HEX #FF86A3

RGB 255 134 163

HSL 345.62, 1%, 0.76%

LAB 70.14, 48.79, 5.78

 

CMYK 0 / 73 / 59 / 11

HEX #E33E5C

RGB 227 62 92

HSL 349.09, 0.75%, 0.57%

LAB 52.45, 64.46, 21.52

 

CMYK 0 / 79 / 65 / 18

HEX #D22C49

RGB 210 44 73

HSL 349.52, 0.65%, 0.5%

LAB 46.95, 64.02, 25.21

 

CMYK 0 / 87 / 72 / 24

HEX #C11A36

RGB 193 26 54

HSL 349.94, 0.76%, 0.43%

LAB 41.76, 62.76, 29.63

 

CMYK 0 / 95 / 80 / 31

HEX #B00823

RGB 176 8 35

HSL 350.36, 0.91%, 0.36%

LAB 36.98, 60.34, 34.76

 

CMYK 0 / 100 / 90 / 38

HEX #9F0010

RGB 159 0 16

HSL 353.96, 1%, 0.31%

LAB 32.72, 56.5, 39.97

 

CMYK 0 / 72 / 59 / 11

HEX #E33F5D

RGB 227 63 93

HSL 349.02, 0.75%, 0.57%

LAB 52.59, 64.19, 21.11

 

CMYK 0 / 72 / 72 / 11

HEX #E33F3F

RGB 227 63 63

HSL 0, 0.75%, 0.57%

LAB 52.11, 62.57, 38.09

 

CMYK 0 / 72 / 59 / 11

HEX #E33F5D

RGB 227 63 93

HSL 349.02, 0.75%, 0.57%

LAB 52.59, 64.19, 21.11

 

CMYK 0 / 72 / 40 / 11

HEX #E33F89

RGB 227 63 137

HSL 332.93, 0.75%, 0.57%

LAB 53.7, 67.82, -3.67

 

CMYK 0 / 72 / 20 / 11

HEX #E33FB5

RGB 227 63 181

HSL 316.83, 0.75%, 0.57%

LAB 55.3, 72.89, -27.13

 

CMYK 0 / 72 / 0 / 11

HEX #E33FE2

RGB 227 63 226

HSL 300.37, 0.75%, 0.57%

LAB 57.44, 79.35, -49.51

 

CMYK 19 / 72 / 0 / 11

HEX #B83FE3

RGB 184 63 227

HSL 284.27, 0.75%, 0.57%

LAB 51.03, 70.87, -60.7

 

CMYK 0 / 72 / 59 / 11

HEX #E33F5D

RGB 227 63 93

HSL 349.02, 0.75%, 0.57%

LAB 52.59, 64.19, 21.11

 

CMYK 0 / 82 / 67 / 4

HEX #F52D51

RGB 245 45 81

HSL 349.2, 0.91%, 0.57%

LAB 53.9, 73.64, 30.6

 

CMYK 0 / 72 / 59 / 11

HEX #E33F5D

RGB 227 63 93

HSL 349.02, 0.75%, 0.57%

LAB 52.59, 64.19, 21.11

 

CMYK 0 / 62 / 50 / 18

HEX #D15068

RGB 209 80 104

HSL 348.84, 0.58%, 0.57%

LAB 52.17, 52.79, 13.45

 

CMYK 0 / 49 / 40 / 25

HEX #C06273

RGB 192 98 115

HSL 349.15, 0.43%, 0.57%

LAB 53.15, 39.34, 7.91

 

CMYK 0 / 33 / 28 / 32

HEX #AE747E

RGB 174 116 126

HSL 349.66, 0.26%, 0.57%

LAB 55.07, 24.24, 3.89

 

CMYK 0 / 14 / 12 / 39

HEX #9C868A

RGB 156 134 138

HSL 349.09, 0.1%, 0.57%

LAB 57.99, 9.03, 0.94

 

CMYK 0 / 72 / 21 / 11

HEX #E33FB4

RGB 227 63 180

HSL 317.2, 0.75%, 0.57%

LAB 55.26, 72.76, -26.62

 

CMYK 0 / 72 / 40 / 11

HEX #E33F89

RGB 227 63 137

HSL 332.93, 0.75%, 0.57%

LAB 53.7, 67.82, -3.67

 

CMYK 0 / 72 / 59 / 11

HEX #E33F5D

RGB 227 63 93

HSL 349.02, 0.75%, 0.57%

LAB 52.59, 64.19, 21.11

 

CMYK 0 / 67 / 72 / 11

HEX #E34C3F

RGB 227 76 63

HSL 4.76, 0.75%, 0.57%

LAB 53.88, 57.74, 40.1

 

CMYK 0 / 47 / 72 / 11

HEX #E3783F

RGB 227 120 63

HSL 20.85, 0.75%, 0.57%

LAB 61.76, 37.3, 48.77

 

CMYK 0 / 86 / 70 / 29

HEX #B61A36

RGB 182 26 54

HSL 349.23, 0.75%, 0.41%

LAB 39.5, 59.8, 26.37

 

CMYK 0 / 86 / 70 / 15

HEX #DA1F41

RGB 218 31 65

HSL 349.09, 0.75%, 0.49%

LAB 47.32, 68.84, 30.85

 

CMYK 0 / 72 / 59 / 11

HEX #E33F5D

RGB 227 63 93

HSL 349.02, 0.75%, 0.57%

LAB 52.59, 64.19, 21.11

 

CMYK 0 / 57 / 47 / 9

HEX #E8637B

RGB 232 99 123

HSL 349.17, 0.74%, 0.65%

LAB 59.44, 53.57, 12.94

 

CMYK 0 / 43 / 35 / 7

HEX #ED8799

RGB 237 135 153

HSL 349.41, 0.74%, 0.73%

LAB 67.75, 40.85, 7.65

 

CMYK 0 / 73 / 59 / 11

HEX #E33E5C

RGB 227 62 92

HSL 349.09, 0.75%, 0.57%

LAB 52.45, 64.46, 21.52

 

CMYK 1 / 0 / 72 / 11

HEX #E0E33F

RGB 224 227 63

HSL 61.1, 0.75%, 0.57%

LAB 87.56, -19.58, 74.52

 

CMYK 72 / 30 / 0 / 11

HEX #3F9FE3

RGB 63 159 227

HSL 204.88, 0.75%, 0.57%

LAB 62.84, -5.91, -42.44

 

CMYK 0 / 73 / 59 / 11

HEX #E33E5C

RGB 227 62 92

HSL 349.09, 0.75%, 0.57%

LAB 52.45, 64.46, 21.52

 

CMYK 59 / 0 / 72 / 11

HEX #5DE33F

RGB 93 227 63

HSL 109.02, 0.75%, 0.57%

LAB 80.53, -65.08, 65.26

 

CMYK 72 / 59 / 0 / 11

HEX #3F5DE3

RGB 63 93 227

HSL 229.02, 0.75%, 0.57%

LAB 44.85, 34.28, -71.26

 

CMYK 0 / 73 / 59 / 11

HEX #E33E5C

RGB 227 62 92

HSL 349.09, 0.75%, 0.57%

LAB 52.45, 64.46, 21.52

 

CMYK 1 / 0 / 72 / 11

HEX #E0E33F

RGB 224 227 63

HSL 61.1, 0.75%, 0.57%

LAB 87.56, -19.58, 74.52

 

CMYK 72 / 0 / 13 / 11

HEX #3FE3C5

RGB 63 227 197

HSL 169.02, 0.75%, 0.57%

LAB 81.85, -48.35, 2.65

 

CMYK 71 / 72 / 0 / 11

HEX #413FE3

RGB 65 63 227

HSL 240.73, 0.75%, 0.57%

LAB 38.24, 52.38, -82.09

 

CMYK 0 / 73 / 59 / 11

HEX #E33E5C

RGB 227 62 92

HSL 349.09, 0.75%, 0.57%

LAB 52.45, 64.46, 21.52

 

CMYK 23 / 0 / 72 / 11

HEX #AFE33F

RGB 175 227 63

HSL 79.02, 0.75%, 0.57%

LAB 84.18, -39.11, 70.1

 

CMYK 72 / 0 / 13 / 11

HEX #3FE3C5

RGB 63 227 197

HSL 169.02, 0.75%, 0.57%

LAB 81.85, -48.35, 2.65

 

CMYK 49 / 72 / 0 / 11

HEX #733FE3

RGB 115 63 227

HSL 259.02, 0.75%, 0.57%

LAB 42.38, 58.65, -75.14

 

Description

Color code: RGB 227 62 92 | qconv.com Color code: RGB 227 62 92 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 62 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 62 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 59 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 59% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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