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Color name
RGB 192 98 115

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 192 98 115 it is the complementary color RGB 63 157 140. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 192 98 115. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 192 98 115 shade: RGB 197 98 110, RGB 214 116 129, RGB 231 134 148, RGB 248 152 167 and RGB 255 170 186

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 192 98 115. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 192 98 115 shade: RGB 192 98 115, RGB 175 80 96, RGB 158 62 77, RGB 141 44 58 and RGB 124 26 39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 192 98 115 shade: RGB 192 98 115 and RGB 192 98 98

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 192 98 115 shade: RGB 192 98 115, RGB 192 98 140, RGB 192 98 166, RGB 192 98 191 and RGB 168 98 192

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 192 98 115 shade matches the following richer shades: RGB 192 98 115, RGB 210 80 103, RGB 227 62 92 and RGB 245 44 81

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 192 98 115 shade: RGB 192 98 115, RGB 174 115 126, RGB 157 133 137, RGB 139 151 149 and RGB 121 169 160

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 192 98 115 shade: RGB 192 98 165, RGB 192 98 140, RGB 192 98 115, RGB 192 106 98 and RGB 192 131 98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 192 98 115 shade: RGB 148 59 75, RGB 178 71 90, RGB 192 98 115, RGB 204 127 141 and RGB 216 157 167

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 192 98 115 shade: RGB 192 98 115, RGB 190 192 98 and RGB 98 153 192

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 192 98 115 shade: RGB 192 98 115, RGB 115 192 98 and RGB 98 115 192

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 192 98 115 shade: RGB 192 98 115, RGB 190 192 98, RGB 98 192 175 and RGB 99 98 192

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 192 98 115 shade: RGB 192 98 115, RGB 162 192 98, RGB 98 192 175 and RGB 128 98 192

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 40 / 25

HEX #C06273

RGB 192 98 115

HSL 349.15, 0.43%, 0.57%

LAB 53.15, 39.34, 7.91

 

Complementary color

CMYK 60 / 0 / 11 / 38

HEX #3F9D8C

RGB 63 157 140

HSL 169.15, 0.43%, 0.43%

LAB 59.03, -31.89, 0.63

 

CMYK 0 / 50 / 44 / 23

HEX #C5626E

RGB 197 98 110

HSL 352.73, 0.46%, 0.58%

LAB 53.74, 40.61, 11.81

 

CMYK 0 / 46 / 40 / 16

HEX #D67481

RGB 214 116 129

HSL 352.04, 0.54%, 0.65%

LAB 60.22, 39.6, 10.2

 

CMYK 0 / 42 / 36 / 9

HEX #E78694

RGB 231 134 148

HSL 351.34, 0.67%, 0.72%

LAB 66.66, 38.63, 8.8

 

CMYK 0 / 39 / 33 / 3

HEX #F898A7

RGB 248 152 167

HSL 350.63, 0.87%, 0.78%

LAB 73.03, 37.71, 7.58

 

CMYK 0 / 33 / 27 / 0

HEX #FFAABA

RGB 255 170 186

HSL 348.71, 1%, 0.83%

LAB 78.2, 33.29, 4.7

 

CMYK 0 / 49 / 40 / 25

HEX #C06273

RGB 192 98 115

HSL 349.15, 0.43%, 0.57%

LAB 53.15, 39.34, 7.91

 

CMYK 0 / 54 / 45 / 31

HEX #AF5060

RGB 175 80 96

HSL 349.89, 0.37%, 0.5%

LAB 46.57, 40.32, 9.65

 

CMYK 0 / 61 / 51 / 38

HEX #9E3E4D

RGB 158 62 77

HSL 350.63, 0.44%, 0.43%

LAB 40, 41.24, 11.79

 

CMYK 0 / 69 / 59 / 45

HEX #8D2C3A

RGB 141 44 58

HSL 351.34, 0.52%, 0.36%

LAB 33.5, 41.92, 14.51

 

CMYK 0 / 79 / 69 / 51

HEX #7C1A27

RGB 124 26 39

HSL 352.04, 0.65%, 0.29%

LAB 27.21, 42.03, 18.12

 

CMYK 0 / 49 / 40 / 25

HEX #C06273

RGB 192 98 115

HSL 349.15, 0.43%, 0.57%

LAB 53.15, 39.34, 7.91

 

CMYK 0 / 49 / 49 / 25

HEX #C06262

RGB 192 98 98

HSL 0, 0.43%, 0.57%

LAB 52.76, 37.56, 17.4

 

CMYK 0 / 49 / 40 / 25

HEX #C06273

RGB 192 98 115

HSL 349.15, 0.43%, 0.57%

LAB 53.15, 39.34, 7.91

 

CMYK 0 / 49 / 27 / 25

HEX #C0628C

RGB 192 98 140

HSL 333.19, 0.43%, 0.57%

LAB 53.85, 42.49, -5.83

 

CMYK 0 / 49 / 14 / 25

HEX #C062A6

RGB 192 98 166

HSL 316.6, 0.43%, 0.57%

LAB 54.76, 46.4, -19.7

 

CMYK 0 / 49 / 1 / 25

HEX #C062BF

RGB 192 98 191

HSL 300.64, 0.43%, 0.57%

LAB 55.79, 50.68, -32.55

 

CMYK 13 / 49 / 0 / 25

HEX #A862C0

RGB 168 98 192

HSL 284.68, 0.43%, 0.57%

LAB 52.8, 43.99, -38.02

 

CMYK 0 / 49 / 40 / 25

HEX #C06273

RGB 192 98 115

HSL 349.15, 0.43%, 0.57%

LAB 53.15, 39.34, 7.91

 

CMYK 0 / 62 / 51 / 18

HEX #D25067

RGB 210 80 103

HSL 349.38, 0.59%, 0.57%

LAB 52.31, 53.03, 14.27

 

CMYK 0 / 73 / 59 / 11

HEX #E33E5C

RGB 227 62 92

HSL 349.09, 0.75%, 0.57%

LAB 52.45, 64.46, 21.52

 

CMYK 0 / 82 / 67 / 4

HEX #F52C51

RGB 245 44 81

HSL 348.96, 0.91%, 0.57%

LAB 53.82, 73.87, 30.5

 

CMYK 0 / 49 / 40 / 25

HEX #C06273

RGB 192 98 115

HSL 349.15, 0.43%, 0.57%

LAB 53.15, 39.34, 7.91

 

CMYK 0 / 34 / 28 / 32

HEX #AE737E

RGB 174 115 126

HSL 348.81, 0.27%, 0.57%

LAB 54.83, 24.8, 3.55

 

CMYK 0 / 15 / 13 / 38

HEX #9D8589

RGB 157 133 137

HSL 350, 0.11%, 0.57%

LAB 57.8, 9.8, 1.24

 

CMYK 8 / 0 / 1 / 41

HEX #8B9795

RGB 139 151 149

HSL 170, 0.05%, 0.57%

LAB 61.47, -4.7, -0.43

 

CMYK 28 / 0 / 5 / 34

HEX #79A9A0

RGB 121 169 160

HSL 168.75, 0.22%, 0.57%

LAB 65.73, -17.95, -0.52

 

CMYK 0 / 49 / 14 / 25

HEX #C062A5

RGB 192 98 165

HSL 317.23, 0.43%, 0.57%

LAB 54.72, 46.23, -19.17

 

CMYK 0 / 49 / 27 / 25

HEX #C0628C

RGB 192 98 140

HSL 333.19, 0.43%, 0.57%

LAB 53.85, 42.49, -5.83

 

CMYK 0 / 49 / 40 / 25

HEX #C06273

RGB 192 98 115

HSL 349.15, 0.43%, 0.57%

LAB 53.15, 39.34, 7.91

 

CMYK 0 / 45 / 49 / 25

HEX #C06A62

RGB 192 106 98

HSL 5.11, 0.43%, 0.57%

LAB 54.45, 33.34, 19.69

 

CMYK 0 / 32 / 49 / 25

HEX #C08362

RGB 192 131 98

HSL 21.06, 0.43%, 0.57%

LAB 60.18, 19.7, 27.29

 

CMYK 0 / 60 / 49 / 42

HEX #943B4B

RGB 148 59 75

HSL 349.21, 0.43%, 0.41%

LAB 37.72, 38.93, 9.63

 

CMYK 0 / 60 / 49 / 30

HEX #B2475A

RGB 178 71 90

HSL 349.35, 0.43%, 0.49%

LAB 45.23, 45.18, 11.51

 

CMYK 0 / 49 / 40 / 25

HEX #C06273

RGB 192 98 115

HSL 349.15, 0.43%, 0.57%

LAB 53.15, 39.34, 7.91

 

CMYK 0 / 38 / 31 / 20

HEX #CC7F8D

RGB 204 127 141

HSL 349.09, 0.43%, 0.65%

LAB 61.6, 31.57, 5.1

 

CMYK 0 / 27 / 23 / 15

HEX #D89DA7

RGB 216 157 167

HSL 349.83, 0.43%, 0.73%

LAB 70.53, 23.41, 3.51

 

CMYK 0 / 49 / 40 / 25

HEX #C06273

RGB 192 98 115

HSL 349.15, 0.43%, 0.57%

LAB 53.15, 39.34, 7.91

 

CMYK 1 / 0 / 49 / 25

HEX #BEC062

RGB 190 192 98

HSL 61.28, 0.43%, 0.57%

LAB 75.78, -13.89, 46.7

 

CMYK 49 / 20 / 0 / 25

HEX #6299C0

RGB 98 153 192

HSL 204.89, 0.43%, 0.57%

LAB 60.94, -7.32, -25.78

 

CMYK 0 / 49 / 40 / 25

HEX #C06273

RGB 192 98 115

HSL 349.15, 0.43%, 0.57%

LAB 53.15, 39.34, 7.91

 

CMYK 40 / 0 / 49 / 25

HEX #73C062

RGB 115 192 98

HSL 109.15, 0.43%, 0.57%

LAB 71.03, -41.93, 39.83

 

CMYK 49 / 40 / 0 / 25

HEX #6273C0

RGB 98 115 192

HSL 229.15, 0.43%, 0.57%

LAB 50.29, 15, -42.42

 

CMYK 0 / 49 / 40 / 25

HEX #C06273

RGB 192 98 115

HSL 349.15, 0.43%, 0.57%

LAB 53.15, 39.34, 7.91

 

CMYK 1 / 0 / 49 / 25

HEX #BEC062

RGB 190 192 98

HSL 61.28, 0.43%, 0.57%

LAB 75.78, -13.89, 46.7

 

CMYK 49 / 0 / 9 / 25

HEX #62C0AF

RGB 98 192 175

HSL 169.15, 0.43%, 0.57%

LAB 71.82, -32.06, -0.02

 

CMYK 48 / 49 / 0 / 25

HEX #6362C0

RGB 99 98 192

HSL 240.64, 0.43%, 0.57%

LAB 45.9, 25.69, -49.41

 

CMYK 0 / 49 / 40 / 25

HEX #C06273

RGB 192 98 115

HSL 349.15, 0.43%, 0.57%

LAB 53.15, 39.34, 7.91

 

CMYK 16 / 0 / 49 / 25

HEX #A2C062

RGB 162 192 98

HSL 79.15, 0.43%, 0.57%

LAB 73.72, -25.09, 43.73

 

CMYK 49 / 0 / 9 / 25

HEX #62C0AF

RGB 98 192 175

HSL 169.15, 0.43%, 0.57%

LAB 71.82, -32.06, -0.02

 

CMYK 33 / 49 / 0 / 25

HEX #8062C0

RGB 128 98 192

HSL 259.15, 0.43%, 0.57%

LAB 48.42, 32.91, -45.23

 

Description

Color code: RGB 192 98 115 | qconv.com Color code: RGB 192 98 115 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 98 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 98 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 40 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 40% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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