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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 227 46 129 it is the complementary color RGB 28 209 126. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 227 46 129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 227 46 129 shade: RGB 232 46 124, RGB 249 64 143, RGB 255 82 162, RGB 255 100 181 and RGB 255 118 200

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 227 46 129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 227 46 129 shade: RGB 227 46 129, RGB 210 28 110, RGB 193 10 91, RGB 176 0 72 and RGB 159 0 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 227 46 129 shade: RGB 226 48 130, RGB 226 48 82 and RGB 226 48 48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 227 46 129 shade: RGB 226 48 130, RGB 226 48 178, RGB 226 48 226, RGB 179 48 226 and RGB 131 48 226

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 227 46 129 shade matches the following richer shades: RGB 226 48 130 and RGB 245 29 128

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 227 46 129 shade: RGB 226 48 130, RGB 207 67 131, RGB 188 86 133, RGB 169 105 135 and RGB 150 124 136

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 227 46 129 shade: RGB 226 48 226, RGB 226 48 179, RGB 226 48 131, RGB 226 48 84 and RGB 226 60 48

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 227 46 129 shade: RGB 169 23 90, RGB 206 28 109, RGB 226 48 130, RGB 231 84 152 and RGB 236 121 174

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 227 46 129 shade: RGB 227 46 129, RGB 226 179 48 and RGB 48 203 226

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 227 46 129 shade: RGB 227 46 129, RGB 131 226 48 and RGB 48 131 226

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 227 46 129 shade: RGB 227 46 129, RGB 226 179 48, RGB 48 226 143 and RGB 48 96 226

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 227 46 129 shade: RGB 227 46 129, RGB 220 226 48, RGB 48 226 143 and RGB 54 48 226

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 43 / 11

HEX #E32E81

RGB 227 46 129

HSL 332.49, 0.76%, 0.54%

LAB 51.69, 72.06, -1.84

 

Complementary color

CMYK 87 / 0 / 40 / 18

HEX #1CD17E

RGB 28 209 126

HSL 152.49, 0.76%, 0.46%

LAB 74.42, -60.86, 29.54

 

CMYK 0 / 80 / 47 / 9

HEX #E82E7C

RGB 232 46 124

HSL 334.84, 0.8%, 0.55%

LAB 52.47, 72.87, 2.42

 

CMYK 0 / 74 / 43 / 2

HEX #F9408F

RGB 249 64 143

HSL 334.38, 0.94%, 0.61%

LAB 57.84, 73.9, -0.7

 

CMYK 0 / 68 / 36 / 0

HEX #FF52A2

RGB 255 82 162

HSL 332.25, 1%, 0.66%

LAB 61.57, 71.36, -6.17

 

CMYK 0 / 61 / 29 / 0

HEX #FF64B5

RGB 255 100 181

HSL 328.65, 1%, 0.7%

LAB 64.73, 66.48, -12.35

 

CMYK 0 / 54 / 22 / 0

HEX #FF76C8

RGB 255 118 200

HSL 324.09, 1%, 0.73%

LAB 68.3, 61.07, -17.69

 

CMYK 0 / 80 / 43 / 11

HEX #E32E81

RGB 227 46 129

HSL 332.49, 0.76%, 0.54%

LAB 51.69, 72.06, -1.84

 

CMYK 0 / 87 / 48 / 18

HEX #D21C6E

RGB 210 28 110

HSL 332.97, 0.76%, 0.47%

LAB 46.52, 70.21, 1.81

 

CMYK 0 / 95 / 53 / 24

HEX #C10A5B

RGB 193 10 91

HSL 333.44, 0.9%, 0.4%

LAB 41.7, 67.26, 6.32

 

CMYK 0 / 100 / 59 / 31

HEX #B00048

RGB 176 0 72

HSL 335.45, 1%, 0.35%

LAB 37.29, 63.01, 11.78

 

CMYK 0 / 100 / 67 / 38

HEX #9F0035

RGB 159 0 53

HSL 340, 1%, 0.31%

LAB 33.2, 57.79, 18.04

 

CMYK 0 / 79 / 42 / 11

HEX #E23082

RGB 226 48 130

HSL 332.36, 0.75%, 0.54%

LAB 51.72, 71.38, -2.42

 

CMYK 0 / 79 / 64 / 11

HEX #E23052

RGB 226 48 82

HSL 348.54, 0.75%, 0.54%

LAB 50.56, 67.84, 25.01

 

CMYK 0 / 79 / 79 / 11

HEX #E23030

RGB 226 48 48

HSL 0, 0.75%, 0.54%

LAB 50.09, 66.38, 44.15

 

CMYK 0 / 79 / 42 / 11

HEX #E23082

RGB 226 48 130

HSL 332.36, 0.75%, 0.54%

LAB 51.72, 71.38, -2.42

 

CMYK 0 / 79 / 21 / 11

HEX #E230B2

RGB 226 48 178

HSL 316.18, 0.75%, 0.54%

LAB 53.49, 76.59, -28.21

 

CMYK 0 / 79 / 0 / 11

HEX #E230E2

RGB 226 48 226

HSL 300, 0.75%, 0.54%

LAB 55.86, 83.24, -52.03

 

CMYK 21 / 79 / 0 / 11

HEX #B330E2

RGB 179 48 226

HSL 284.16, 0.75%, 0.54%

LAB 48.5, 74.74, -64.25

 

CMYK 42 / 79 / 0 / 11

HEX #8330E2

RGB 131 48 226

HSL 267.98, 0.75%, 0.54%

LAB 41.89, 67.13, -75.29

 

CMYK 0 / 79 / 42 / 11

HEX #E23082

RGB 226 48 130

HSL 332.36, 0.75%, 0.54%

LAB 51.72, 71.38, -2.42

 

CMYK 0 / 88 / 48 / 4

HEX #F51D80

RGB 245 29 128

HSL 332.5, 0.92%, 0.54%

LAB 53.87, 79.66, 2.35

 

CMYK 0 / 79 / 42 / 11

HEX #E23082

RGB 226 48 130

HSL 332.36, 0.75%, 0.54%

LAB 51.72, 71.38, -2.42

 

CMYK 0 / 68 / 37 / 19

HEX #CF4383

RGB 207 67 131

HSL 332.57, 0.59%, 0.54%

LAB 50.59, 60.21, -5.06

 

CMYK 0 / 54 / 29 / 26

HEX #BC5685

RGB 188 86 133

HSL 332.35, 0.43%, 0.54%

LAB 50.73, 46.23, -6.38

 

CMYK 0 / 38 / 20 / 34

HEX #A96987

RGB 169 105 135

HSL 331.88, 0.27%, 0.54%

LAB 52.16, 29.89, -5.73

 

CMYK 0 / 17 / 9 / 41

HEX #967C88

RGB 150 124 136

HSL 332.31, 0.11%, 0.54%

LAB 54.74, 12.13, -2.74

 

CMYK 0 / 79 / 0 / 11

HEX #E230E2

RGB 226 48 226

HSL 300, 0.75%, 0.54%

LAB 55.86, 83.24, -52.03

 

CMYK 0 / 79 / 21 / 11

HEX #E230B3

RGB 226 48 179

HSL 315.84, 0.75%, 0.54%

LAB 53.53, 76.72, -28.72

 

CMYK 0 / 79 / 42 / 11

HEX #E23083

RGB 226 48 131

HSL 332.02, 0.75%, 0.54%

LAB 51.75, 71.47, -2.98

 

CMYK 0 / 79 / 63 / 11

HEX #E23054

RGB 226 48 84

HSL 347.87, 0.75%, 0.54%

LAB 50.6, 67.96, 23.85

 

CMYK 0 / 73 / 79 / 11

HEX #E23C30

RGB 226 60 48

HSL 4.04, 0.75%, 0.54%

LAB 51.4, 62.73, 45.47

 

CMYK 0 / 86 / 47 / 34

HEX #A9175A

RGB 169 23 90

HSL 332.47, 0.76%, 0.38%

LAB 37.46, 59.43, 0.2

 

CMYK 0 / 86 / 47 / 19

HEX #CE1C6D

RGB 206 28 109

HSL 332.7, 0.76%, 0.46%

LAB 45.71, 69.17, 1.16

 

CMYK 0 / 79 / 42 / 11

HEX #E23082

RGB 226 48 130

HSL 332.36, 0.75%, 0.54%

LAB 51.72, 71.38, -2.42

 

CMYK 0 / 64 / 34 / 9

HEX #E75498

RGB 231 84 152

HSL 332.24, 0.75%, 0.62%

LAB 57.65, 62.74, -6.6

 

CMYK 0 / 49 / 26 / 7

HEX #EC79AE

RGB 236 121 174

HSL 332.35, 0.75%, 0.7%

LAB 65.41, 50.21, -7.65

 

CMYK 0 / 80 / 43 / 11

HEX #E32E81

RGB 227 46 129

HSL 332.49, 0.76%, 0.54%

LAB 51.69, 72.06, -1.84

 

CMYK 0 / 21 / 79 / 11

HEX #E2B330

RGB 226 179 48

HSL 44.16, 0.75%, 0.54%

LAB 75.22, 5.05, 68.1

 

CMYK 79 / 10 / 0 / 11

HEX #30CBE2

RGB 48 203 226

HSL 187.75, 0.75%, 0.54%

LAB 75.35, -30.96, -22.57

 

CMYK 0 / 80 / 43 / 11

HEX #E32E81

RGB 227 46 129

HSL 332.49, 0.76%, 0.54%

LAB 51.69, 72.06, -1.84

 

CMYK 42 / 0 / 79 / 11

HEX #83E230

RGB 131 226 48

HSL 92.02, 0.75%, 0.54%

LAB 81.53, -55, 71.44

 

CMYK 79 / 42 / 0 / 11

HEX #3083E2

RGB 48 131 226

HSL 212.02, 0.75%, 0.54%

LAB 54.4, 8.42, -55.29

 

CMYK 0 / 80 / 43 / 11

HEX #E32E81

RGB 227 46 129

HSL 332.49, 0.76%, 0.54%

LAB 51.69, 72.06, -1.84

 

CMYK 0 / 21 / 79 / 11

HEX #E2B330

RGB 226 179 48

HSL 44.16, 0.75%, 0.54%

LAB 75.22, 5.05, 68.1

 

CMYK 79 / 0 / 37 / 11

HEX #30E28F

RGB 48 226 143

HSL 152.02, 0.75%, 0.54%

LAB 80.18, -61.84, 28.53

 

CMYK 79 / 58 / 0 / 11

HEX #3060E2

RGB 48 96 226

HSL 223.82, 0.75%, 0.54%

LAB 44.92, 30.43, -70.6

 

CMYK 0 / 80 / 43 / 11

HEX #E32E81

RGB 227 46 129

HSL 332.49, 0.76%, 0.54%

LAB 51.69, 72.06, -1.84

 

CMYK 3 / 0 / 79 / 11

HEX #DCE230

RGB 220 226 48

HSL 62.02, 0.75%, 0.54%

LAB 86.91, -21.32, 78.31

 

CMYK 79 / 0 / 37 / 11

HEX #30E28F

RGB 48 226 143

HSL 152.02, 0.75%, 0.54%

LAB 80.18, -61.84, 28.53

 

CMYK 76 / 79 / 0 / 11

HEX #3630E2

RGB 54 48 226

HSL 242.02, 0.75%, 0.54%

LAB 34.78, 58.94, -87.26

 

Description

Color code: RGB 227 46 129 | qconv.com Color code: RGB 227 46 129 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 46 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 46 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 43 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 43% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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