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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 226 48 179 it is the complementary color RGB 29 207 76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 226 48 179. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 226 48 179 shade: RGB 231 48 174, RGB 248 66 193, RGB 255 84 212, RGB 255 102 231 and RGB 255 120 250

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 226 48 179. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 226 48 179 shade: RGB 226 48 179, RGB 209 30 160, RGB 192 12 141, RGB 175 0 122 and RGB 158 0 103

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 226 48 179 shade: RGB 225 49 179, RGB 225 49 131, RGB 225 49 84 and RGB 225 49 49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 226 48 179 shade: RGB 225 49 179, RGB 224 49 225, RGB 177 49 225, RGB 129 49 225 and RGB 82 49 225

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 226 48 179 shade matches the following richer shades: RGB 225 49 179 and RGB 244 30 188

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 226 48 179 shade: RGB 225 49 179, RGB 206 68 170, RGB 187 87 161, RGB 168 106 152 and RGB 149 125 143

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 226 48 179 shade: RGB 175 49 225, RGB 222 49 225, RGB 225 49 181, RGB 225 49 134 and RGB 225 49 87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 226 48 179 shade: RGB 168 24 130, RGB 204 29 158, RGB 225 49 179, RGB 230 85 192 and RGB 235 121 205

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 226 48 179 shade: RGB 226 48 179, RGB 225 128 49 and RGB 49 225 199

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 226 48 179 shade: RGB 226 48 179, RGB 181 225 49 and RGB 49 181 225

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 226 48 179 shade: RGB 226 48 179, RGB 225 128 49, RGB 49 225 93 and RGB 49 146 225

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 226 48 179 shade: RGB 226 48 179, RGB 225 181 49, RGB 49 225 93 and RGB 49 93 225

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 21 / 11

HEX #E230B3

RGB 226 48 179

HSL 315.84, 0.75%, 0.54%

LAB 53.53, 76.72, -28.72

 

Complementary color

CMYK 86 / 0 / 63 / 19

HEX #1DCF4C

RGB 29 207 76

HSL 135.84, 0.75%, 0.46%

LAB 73.16, -67.74, 51.99

 

CMYK 0 / 79 / 25 / 9

HEX #E730AE

RGB 231 48 174

HSL 318.69, 0.79%, 0.55%

LAB 54.2, 77.22, -24.71

 

CMYK 0 / 73 / 22 / 3

HEX #F842C1

RGB 248 66 193

HSL 318.13, 0.93%, 0.62%

LAB 59.62, 78.45, -27.1

 

CMYK 0 / 67 / 17 / 0

HEX #FF54D4

RGB 255 84 212

HSL 315.09, 1%, 0.66%

LAB 63.63, 76.65, -31.59

 

CMYK 0 / 60 / 9 / 0

HEX #FF66E7

RGB 255 102 231

HSL 309.41, 1%, 0.7%

LAB 66.92, 72.47, -37.1

 

CMYK 0 / 53 / 2 / 0

HEX #FF78FA

RGB 255 120 250

HSL 302.22, 1%, 0.74%

LAB 70.59, 67.76, -41.84

 

CMYK 0 / 79 / 21 / 11

HEX #E230B3

RGB 226 48 179

HSL 315.84, 0.75%, 0.54%

LAB 53.53, 76.72, -28.72

 

CMYK 0 / 86 / 23 / 18

HEX #D11EA0

RGB 209 30 160

HSL 316.42, 0.75%, 0.47%

LAB 48.29, 74.69, -25.9

 

CMYK 0 / 94 / 27 / 25

HEX #C00C8D

RGB 192 12 141

HSL 317, 0.88%, 0.4%

LAB 43.35, 71.56, -22.35

 

CMYK 0 / 100 / 30 / 31

HEX #AF007A

RGB 175 0 122

HSL 318.17, 1%, 0.34%

LAB 38.76, 67.16, -17.99

 

CMYK 0 / 100 / 35 / 38

HEX #9E0067

RGB 158 0 103

HSL 320.89, 1%, 0.31%

LAB 34.49, 61.55, -12.8

 

CMYK 0 / 78 / 20 / 12

HEX #E131B3

RGB 225 49 179

HSL 315.68, 0.75%, 0.54%

LAB 53.45, 76.24, -28.87

 

CMYK 0 / 78 / 42 / 12

HEX #E13183

RGB 225 49 131

HSL 332.05, 0.75%, 0.54%

LAB 51.66, 70.95, -3.13

 

CMYK 0 / 78 / 63 / 12

HEX #E13154

RGB 225 49 84

HSL 348.07, 0.75%, 0.54%

LAB 50.5, 67.41, 23.69

 

CMYK 0 / 78 / 78 / 12

HEX #E13131

RGB 225 49 49

HSL 0, 0.75%, 0.54%

LAB 50.01, 65.85, 43.46

 

CMYK 0 / 78 / 20 / 12

HEX #E131B3

RGB 225 49 179

HSL 315.68, 0.75%, 0.54%

LAB 53.45, 76.24, -28.87

 

CMYK 0 / 78 / 0 / 12

HEX #E031E1

RGB 224 49 225

HSL 299.66, 0.75%, 0.54%

LAB 55.56, 82.47, -51.96

 

CMYK 21 / 78 / 0 / 12

HEX #B131E1

RGB 177 49 225

HSL 283.64, 0.75%, 0.54%

LAB 48.23, 73.91, -64.12

 

CMYK 43 / 78 / 0 / 12

HEX #8131E1

RGB 129 49 225

HSL 267.27, 0.75%, 0.54%

LAB 41.69, 66.23, -75.07

 

CMYK 64 / 78 / 0 / 12

HEX #5231E1

RGB 82 49 225

HSL 251.25, 0.75%, 0.54%

LAB 36.79, 60.47, -83.3

 

CMYK 0 / 78 / 20 / 12

HEX #E131B3

RGB 225 49 179

HSL 315.68, 0.75%, 0.54%

LAB 53.45, 76.24, -28.87

 

CMYK 0 / 88 / 23 / 4

HEX #F41EBC

RGB 244 30 188

HSL 315.7, 0.91%, 0.54%

LAB 55.88, 85.14, -30.06

 

CMYK 0 / 78 / 20 / 12

HEX #E131B3

RGB 225 49 179

HSL 315.68, 0.75%, 0.54%

LAB 53.45, 76.24, -28.87

 

CMYK 0 / 67 / 17 / 19

HEX #CE44AA

RGB 206 68 170

HSL 315.65, 0.58%, 0.54%

LAB 52.02, 64.45, -26.08

 

CMYK 0 / 53 / 14 / 27

HEX #BB57A1

RGB 187 87 161

HSL 315.6, 0.42%, 0.54%

LAB 51.79, 49.51, -21.39

 

CMYK 0 / 37 / 10 / 34

HEX #A86A98

RGB 168 106 152

HSL 315.48, 0.26%, 0.54%

LAB 52.84, 31.84, -14.72

 

CMYK 0 / 16 / 4 / 42

HEX #957D8F

RGB 149 125 143

HSL 315, 0.1%, 0.54%

LAB 55.11, 12.49, -6.27

 

CMYK 22 / 78 / 0 / 12

HEX #AF31E1

RGB 175 49 225

HSL 282.95, 0.75%, 0.54%

LAB 47.94, 73.56, -64.61

 

CMYK 1 / 78 / 0 / 12

HEX #DE31E1

RGB 222 49 225

HSL 298.98, 0.75%, 0.54%

LAB 55.24, 82.09, -52.49

 

CMYK 0 / 78 / 20 / 12

HEX #E131B5

RGB 225 49 181

HSL 315, 0.75%, 0.54%

LAB 53.54, 76.49, -29.9

 

CMYK 0 / 78 / 40 / 12

HEX #E13186

RGB 225 49 134

HSL 331.02, 0.75%, 0.54%

LAB 51.75, 71.24, -4.8

 

CMYK 0 / 78 / 61 / 12

HEX #E13157

RGB 225 49 87

HSL 347.05, 0.75%, 0.54%

LAB 50.56, 67.58, 21.96

 

CMYK 0 / 86 / 23 / 34

HEX #A81882

RGB 168 24 130

HSL 315.83, 0.75%, 0.38%

LAB 38.88, 63.32, -22.88

 

CMYK 0 / 86 / 23 / 20

HEX #CC1D9E

RGB 204 29 158

HSL 315.77, 0.75%, 0.46%

LAB 47.22, 73.58, -26.44

 

CMYK 0 / 78 / 20 / 12

HEX #E131B3

RGB 225 49 179

HSL 315.68, 0.75%, 0.54%

LAB 53.45, 76.24, -28.87

 

CMYK 0 / 63 / 17 / 10

HEX #E655C0

RGB 230 85 192

HSL 315.72, 0.74%, 0.62%

LAB 59.09, 67.17, -27.57

 

CMYK 0 / 49 / 13 / 8

HEX #EB79CD

RGB 235 121 205

HSL 315.79, 0.74%, 0.7%

LAB 66.32, 54.4, -23.75

 

CMYK 0 / 79 / 21 / 11

HEX #E230B3

RGB 226 48 179

HSL 315.84, 0.75%, 0.54%

LAB 53.53, 76.72, -28.72

 

CMYK 0 / 43 / 78 / 12

HEX #E18031

RGB 225 128 49

HSL 26.93, 0.75%, 0.54%

LAB 63.07, 31.77, 56.41

 

CMYK 78 / 0 / 12 / 12

HEX #31E1C7

RGB 49 225 199

HSL 171.14, 0.75%, 0.54%

LAB 81.09, -48.52, 0.45

 

CMYK 0 / 79 / 21 / 11

HEX #E230B3

RGB 226 48 179

HSL 315.84, 0.75%, 0.54%

LAB 53.53, 76.72, -28.72

 

CMYK 20 / 0 / 78 / 12

HEX #B5E131

RGB 181 225 49

HSL 75, 0.75%, 0.54%

LAB 83.91, -36.57, 74.32

 

CMYK 78 / 20 / 0 / 12

HEX #31B5E1

RGB 49 181 225

HSL 195, 0.75%, 0.54%

LAB 68.85, -20.16, -32

 

CMYK 0 / 79 / 21 / 11

HEX #E230B3

RGB 226 48 179

HSL 315.84, 0.75%, 0.54%

LAB 53.53, 76.72, -28.72

 

CMYK 0 / 43 / 78 / 12

HEX #E18031

RGB 225 128 49

HSL 26.93, 0.75%, 0.54%

LAB 63.07, 31.77, 56.41

 

CMYK 78 / 0 / 59 / 12

HEX #31E15D

RGB 49 225 93

HSL 135, 0.75%, 0.54%

LAB 79.21, -69.32, 51.54

 

CMYK 78 / 35 / 0 / 12

HEX #3192E1

RGB 49 146 225

HSL 206.93, 0.75%, 0.54%

LAB 58.65, -0.81, -47.97

 

CMYK 0 / 79 / 21 / 11

HEX #E230B3

RGB 226 48 179

HSL 315.84, 0.75%, 0.54%

LAB 53.53, 76.72, -28.72

 

CMYK 0 / 20 / 78 / 12

HEX #E1B531

RGB 225 181 49

HSL 45, 0.75%, 0.54%

LAB 75.62, 3.6, 68.1

 

CMYK 78 / 0 / 59 / 12

HEX #31E15D

RGB 49 225 93

HSL 135, 0.75%, 0.54%

LAB 79.21, -69.32, 51.54

 

CMYK 78 / 59 / 0 / 12

HEX #315DE1

RGB 49 93 225

HSL 225, 0.75%, 0.54%

LAB 44.11, 32.06, -71.34

 

Description

Color code: RGB 226 48 179 | qconv.com Color code: RGB 226 48 179 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 48 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 48 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 21 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 21% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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