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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 225 3 246 it is the complementary color RGB 30 252 9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 225 3 246. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 225 3 246 shade: RGB 230 3 241, RGB 247 21 255, RGB 255 39 255, RGB 255 57 255 and RGB 255 75 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 225 3 246. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 225 3 246 shade: RGB 225 3 246, RGB 208 0 227, RGB 191 0 208, RGB 174 0 189 and RGB 157 0 170

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 225 3 246 shade: RGB 226 2 247, RGB 247 2 202, RGB 247 2 136, RGB 247 2 70 and RGB 247 2 4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 225 3 246 shade: RGB 226 2 247, RGB 160 2 247, RGB 94 2 247, RGB 28 2 247 and RGB 2 2 247

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 225 3 246 shade matches the following richer shades: RGB 226 2 247

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 225 3 246 shade: RGB 226 2 247, RGB 209 22 227, RGB 192 42 206, RGB 176 63 186 and RGB 159 83 166

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 225 3 246 shade: RGB 92 2 247, RGB 157 2 247, RGB 222 2 247, RGB 247 2 206 and RGB 247 2 141

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 225 3 246 shade: RGB 151 1 165, RGB 188 2 206, RGB 226 2 247, RGB 234 38 252 and RGB 238 79 253

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 225 3 246 shade: RGB 225 3 246, RGB 247 26 2 and RGB 2 247 124

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 225 3 246 shade: RGB 225 3 246, RGB 247 222 2 and RGB 2 247 222

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 225 3 246 shade: RGB 225 3 246, RGB 247 26 2, RGB 26 247 2 and RGB 2 222 247

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 225 3 246 shade: RGB 225 3 246, RGB 247 100 2, RGB 26 247 2 and RGB 2 149 247

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 99 / 0 / 4

HEX #E103F6

RGB 225 3 246

HSL 294.81, 0.98%, 0.49%

LAB 54.79, 92.27, -64.99

 

Complementary color

CMYK 88 / 0 / 96 / 1

HEX #1EFC09

RGB 30 252 9

HSL 114.81, 0.98%, 0.51%

LAB 86.96, -84.05, 81.92

 

CMYK 5 / 99 / 0 / 5

HEX #E603F1

RGB 230 3 241

HSL 297.23, 0.98%, 0.48%

LAB 55.32, 92.26, -61.3

 

CMYK 3 / 92 / 0 / 0

HEX #F715FF

RGB 247 21 255

HSL 297.95, 1%, 0.54%

LAB 59.46, 95.58, -62.29

 

CMYK 0 / 85 / 0 / 0

HEX #FF27FF

RGB 255 39 255

HSL 300, 1%, 0.58%

LAB 61.59, 94.5, -58.8

 

CMYK 0 / 78 / 0 / 0

HEX #FF39FF

RGB 255 57 255

HSL 300, 1%, 0.61%

LAB 62.85, 90.84, -56.8

 

CMYK 0 / 71 / 0 / 0

HEX #FF4BFF

RGB 255 75 255

HSL 300, 1%, 0.65%

LAB 64.57, 85.88, -54.06

 

CMYK 9 / 99 / 0 / 4

HEX #E103F6

RGB 225 3 246

HSL 294.81, 0.98%, 0.49%

LAB 54.79, 92.27, -64.99

 

CMYK 8 / 100 / 0 / 11

HEX #D000E3

RGB 208 0 227

HSL 294.98, 1%, 0.45%

LAB 50.64, 87.09, -61.13

 

CMYK 8 / 100 / 0 / 18

HEX #BF00D0

RGB 191 0 208

HSL 295.1, 1%, 0.41%

LAB 46.49, 81.63, -57.1

 

CMYK 8 / 100 / 0 / 26

HEX #AE00BD

RGB 174 0 189

HSL 295.24, 1%, 0.37%

LAB 42.27, 76.07, -53

 

CMYK 8 / 100 / 0 / 33

HEX #9D00AA

RGB 157 0 170

HSL 295.41, 1%, 0.33%

LAB 37.97, 70.42, -48.82

 

CMYK 9 / 99 / 0 / 3

HEX #E202F7

RGB 226 2 247

HSL 294.86, 0.98%, 0.49%

LAB 55, 92.63, -65.21

 

CMYK 0 / 99 / 18 / 3

HEX #F702CA

RGB 247 2 202

HSL 311.02, 0.98%, 0.49%

LAB 56.17, 89.95, -37.64

 

CMYK 0 / 99 / 45 / 3

HEX #F70288

RGB 247 2 136

HSL 327.18, 0.98%, 0.49%

LAB 53.59, 83.33, -2.81

 

CMYK 0 / 99 / 72 / 3

HEX #F70246

RGB 247 2 70

HSL 343.35, 0.98%, 0.49%

LAB 52.13, 79.42, 35.03

 

CMYK 0 / 99 / 98 / 3

HEX #F70204

RGB 247 2 4

HSL 359.51, 0.98%, 0.49%

LAB 51.64, 78.08, 64.58

 

CMYK 9 / 99 / 0 / 3

HEX #E202F7

RGB 226 2 247

HSL 294.86, 0.98%, 0.49%

LAB 55, 92.63, -65.21

 

CMYK 35 / 99 / 0 / 3

HEX #A002F7

RGB 160 2 247

HSL 278.69, 0.98%, 0.49%

LAB 44.56, 84.25, -82.64

 

CMYK 62 / 99 / 0 / 3

HEX #5E02F7

RGB 94 2 247

HSL 262.53, 0.98%, 0.49%

LAB 36.25, 79.09, -96.65

 

CMYK 89 / 99 / 0 / 3

HEX #1C02F7

RGB 28 2 247

HSL 246.37, 0.98%, 0.49%

LAB 31.82, 77.18, -104.16

 

CMYK 99 / 99 / 0 / 3

HEX #0202F7

RGB 2 2 247

HSL 240, 0.98%, 0.49%

LAB 31.28, 77, -105.07

 

CMYK 9 / 99 / 0 / 3

HEX #E202F7

RGB 226 2 247

HSL 294.86, 0.98%, 0.49%

LAB 55, 92.63, -65.21

 

CMYK 9 / 99 / 0 / 3

HEX #E202F7

RGB 226 2 247

HSL 294.86, 0.98%, 0.49%

LAB 55, 92.63, -65.21

 

CMYK 8 / 90 / 0 / 11

HEX #D116E3

RGB 209 22 227

HSL 294.73, 0.82%, 0.49%

LAB 51.47, 85.27, -59.79

 

CMYK 7 / 80 / 0 / 19

HEX #C02ACE

RGB 192 42 206

HSL 294.88, 0.66%, 0.49%

LAB 48.66, 75.21, -52.45

 

CMYK 5 / 66 / 0 / 27

HEX #B03FBA

RGB 176 63 186

HSL 295.12, 0.49%, 0.49%

LAB 47.4, 61.54, -43

 

CMYK 4 / 50 / 0 / 35

HEX #9F53A6

RGB 159 83 166

HSL 294.94, 0.33%, 0.49%

LAB 47.38, 44.04, -31.47

 

CMYK 63 / 99 / 0 / 3

HEX #5C02F7

RGB 92 2 247

HSL 262.04, 0.98%, 0.49%

LAB 36.05, 78.99, -96.99

 

CMYK 36 / 99 / 0 / 3

HEX #9D02F7

RGB 157 2 247

HSL 277.96, 0.98%, 0.49%

LAB 44.13, 83.94, -83.38

 

CMYK 10 / 99 / 0 / 3

HEX #DE02F7

RGB 222 2 247

HSL 293.88, 0.98%, 0.49%

LAB 54.33, 92.05, -66.31

 

CMYK 0 / 99 / 17 / 3

HEX #F702CE

RGB 247 2 206

HSL 310.04, 0.98%, 0.49%

LAB 56.36, 90.43, -39.63

 

CMYK 0 / 99 / 43 / 3

HEX #F7028D

RGB 247 2 141

HSL 325.96, 0.98%, 0.49%

LAB 53.75, 83.74, -5.58

 

CMYK 8 / 99 / 0 / 35

HEX #9701A5

RGB 151 1 165

HSL 294.88, 0.99%, 0.33%

LAB 36.59, 68.55, -48.09

 

CMYK 9 / 99 / 0 / 19

HEX #BC02CE

RGB 188 2 206

HSL 294.71, 0.98%, 0.41%

LAB 45.89, 80.69, -56.93

 

CMYK 9 / 99 / 0 / 3

HEX #E202F7

RGB 226 2 247

HSL 294.86, 0.98%, 0.49%

LAB 55, 92.63, -65.21

 

CMYK 7 / 85 / 0 / 1

HEX #EA26FC

RGB 234 38 252

HSL 294.95, 0.97%, 0.57%

LAB 57.95, 90.71, -63.17

 

CMYK 6 / 69 / 0 / 1

HEX #EE4FFD

RGB 238 79 253

HSL 294.83, 0.98%, 0.65%

LAB 62.39, 80.74, -56.59

 

CMYK 9 / 99 / 0 / 4

HEX #E103F6

RGB 225 3 246

HSL 294.81, 0.98%, 0.49%

LAB 54.79, 92.27, -64.99

 

CMYK 0 / 89 / 99 / 3

HEX #F71A02

RGB 247 26 2

HSL 5.88, 0.98%, 0.49%

LAB 52.42, 75.81, 65.4

 

CMYK 99 / 0 / 50 / 3

HEX #02F77C

RGB 2 247 124

HSL 149.88, 0.98%, 0.49%

LAB 86, -74.83, 45.37

 

CMYK 9 / 99 / 0 / 4

HEX #E103F6

RGB 225 3 246

HSL 294.81, 0.98%, 0.49%

LAB 54.79, 92.27, -64.99

 

CMYK 0 / 10 / 99 / 3

HEX #F7DE02

RGB 247 222 2

HSL 53.88, 0.98%, 0.49%

LAB 87.98, -8.82, 87.38

 

CMYK 99 / 0 / 10 / 3

HEX #02F7DE

RGB 2 247 222

HSL 173.88, 0.98%, 0.49%

LAB 87.88, -53.84, -1.76

 

CMYK 9 / 99 / 0 / 4

HEX #E103F6

RGB 225 3 246

HSL 294.81, 0.98%, 0.49%

LAB 54.79, 92.27, -64.99

 

CMYK 0 / 89 / 99 / 3

HEX #F71A02

RGB 247 26 2

HSL 5.88, 0.98%, 0.49%

LAB 52.42, 75.81, 65.4

 

CMYK 89 / 0 / 99 / 3

HEX #1AF702

RGB 26 247 2

HSL 114.12, 0.98%, 0.49%

LAB 85.38, -83.08, 81.17

 

CMYK 99 / 10 / 0 / 3

HEX #02DEF7

RGB 2 222 247

HSL 186.12, 0.98%, 0.49%

LAB 81.28, -35.65, -24.8

 

CMYK 9 / 99 / 0 / 4

HEX #E103F6

RGB 225 3 246

HSL 294.81, 0.98%, 0.49%

LAB 54.79, 92.27, -64.99

 

CMYK 0 / 60 / 99 / 3

HEX #F76402

RGB 247 100 2

HSL 24, 0.98%, 0.49%

LAB 60.69, 53.07, 69.41

 

CMYK 89 / 0 / 99 / 3

HEX #1AF702

RGB 26 247 2

HSL 114.12, 0.98%, 0.49%

LAB 85.38, -83.08, 81.17

 

CMYK 99 / 40 / 0 / 3

HEX #0295F7

RGB 2 149 247

HSL 204, 0.98%, 0.49%

LAB 60.09, 2.97, -57.88

 

Description

Color code: RGB 225 3 246 | qconv.com Color code: RGB 225 3 246 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 3 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 3 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 99 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 99% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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