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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 224 50 218 it is the complementary color RGB 31 205 37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 224 50 218. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 224 50 218 shade: RGB 229 50 213, RGB 246 68 232, RGB 255 86 251, RGB 255 104 255 and RGB 255 122 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 224 50 218. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 224 50 218 shade: RGB 224 50 218, RGB 207 32 199, RGB 190 14 180, RGB 173 0 161 and RGB 156 0 142

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 224 50 218 shade: RGB 224 50 218, RGB 224 50 171, RGB 224 50 124, RGB 224 50 78 and RGB 224 50 50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 224 50 218 shade: RGB 224 50 218, RGB 183 50 224, RGB 136 50 224, RGB 90 50 224 and RGB 50 50 224

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 224 50 218 shade matches the following richer shades: RGB 224 50 218 and RGB 243 31 236

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 224 50 218 shade: RGB 224 50 218, RGB 205 69 200, RGB 186 88 183, RGB 167 107 165 and RGB 148 126 147

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 224 50 218 shade: RGB 137 50 224, RGB 183 50 224, RGB 224 50 218, RGB 224 50 172 and RGB 224 50 126

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 224 50 218 shade: RGB 167 25 162, RGB 203 30 197, RGB 224 50 218, RGB 229 86 224 and RGB 235 122 231

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 224 50 218 shade: RGB 224 50 218, RGB 224 91 50 and RGB 50 224 160

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 224 50 218 shade: RGB 224 50 218, RGB 218 224 50 and RGB 50 218 224

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 224 50 218 shade: RGB 224 50 218, RGB 224 91 50, RGB 50 224 56 and RGB 50 183 224

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 224 50 218 shade: RGB 224 50 218, RGB 224 143 50, RGB 50 224 56 and RGB 50 131 224

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 3 / 12

HEX #E032DA

RGB 224 50 218

HSL 302.07, 0.74%, 0.54%

LAB 55.27, 81.16, -48.46

 

Complementary color

CMYK 85 / 0 / 82 / 20

HEX #1FCD25

RGB 31 205 37

HSL 122.07, 0.74%, 0.46%

LAB 72.29, -70.19, 64.9

 

CMYK 0 / 78 / 7 / 10

HEX #E532D5

RGB 229 50 213

HSL 305.36, 0.77%, 0.55%

LAB 55.83, 81.42, -44.68

 

CMYK 0 / 72 / 6 / 4

HEX #F644E8

RGB 246 68 232

HSL 304.72, 0.91%, 0.62%

LAB 61.27, 82.7, -46.62

 

CMYK 0 / 66 / 2 / 0

HEX #FF56FB

RGB 255 86 251

HSL 301.42, 1%, 0.67%

LAB 65.66, 81.62, -50.15

 

CMYK 0 / 59 / 0 / 0

HEX #FF68FF

RGB 255 104 255

HSL 300, 1%, 0.7%

LAB 68.3, 75.43, -48.17

 

CMYK 0 / 52 / 0 / 0

HEX #FF7AFF

RGB 255 122 255

HSL 300, 1%, 0.74%

LAB 71.15, 67.7, -43.7

 

CMYK 0 / 78 / 3 / 12

HEX #E032DA

RGB 224 50 218

HSL 302.07, 0.74%, 0.54%

LAB 55.27, 81.16, -48.46

 

CMYK 0 / 85 / 4 / 19

HEX #CF20C7

RGB 207 32 199

HSL 302.74, 0.73%, 0.47%

LAB 50, 79.12, -46.12

 

CMYK 0 / 93 / 5 / 25

HEX #BE0EB4

RGB 190 14 180

HSL 303.41, 0.86%, 0.4%

LAB 45.02, 76.01, -43.13

 

CMYK 0 / 100 / 7 / 32

HEX #AD00A1

RGB 173 0 161

HSL 304.16, 1%, 0.34%

LAB 40.34, 71.71, -39.45

 

CMYK 0 / 100 / 9 / 39

HEX #9C008E

RGB 156 0 142

HSL 305.38, 1%, 0.31%

LAB 36.02, 66.01, -34.94

 

CMYK 0 / 78 / 3 / 12

HEX #E032DA

RGB 224 50 218

HSL 302.07, 0.74%, 0.54%

LAB 55.27, 81.16, -48.46

 

CMYK 0 / 78 / 24 / 12

HEX #E032AB

RGB 224 50 171

HSL 318.28, 0.74%, 0.54%

LAB 53.02, 74.76, -24.86

 

CMYK 0 / 78 / 45 / 12

HEX #E0327C

RGB 224 50 124

HSL 334.48, 0.74%, 0.54%

LAB 51.36, 69.79, 0.63

 

CMYK 0 / 78 / 65 / 12

HEX #E0324E

RGB 224 50 78

HSL 350.34, 0.74%, 0.54%

LAB 50.31, 66.51, 27.01

 

CMYK 0 / 78 / 78 / 12

HEX #E03232

RGB 224 50 50

HSL 0, 0.74%, 0.54%

LAB 49.93, 65.31, 42.77

 

CMYK 0 / 78 / 3 / 12

HEX #E032DA

RGB 224 50 218

HSL 302.07, 0.74%, 0.54%

LAB 55.27, 81.16, -48.46

 

CMYK 18 / 78 / 0 / 12

HEX #B732E0

RGB 183 50 224

HSL 285.86, 0.74%, 0.54%

LAB 49.17, 74.47, -62

 

CMYK 39 / 78 / 0 / 12

HEX #8832E0

RGB 136 50 224

HSL 269.66, 0.74%, 0.54%

LAB 42.61, 66.66, -72.96

 

CMYK 60 / 78 / 0 / 12

HEX #5A32E0

RGB 90 50 224

HSL 253.79, 0.74%, 0.54%

LAB 37.55, 60.57, -81.46

 

CMYK 78 / 78 / 0 / 12

HEX #3232E0

RGB 50 50 224

HSL 240, 0.74%, 0.54%

LAB 34.68, 57.1, -86.28

 

CMYK 0 / 78 / 3 / 12

HEX #E032DA

RGB 224 50 218

HSL 302.07, 0.74%, 0.54%

LAB 55.27, 81.16, -48.46

 

CMYK 0 / 87 / 3 / 5

HEX #F31FEC

RGB 243 31 236

HSL 301.98, 0.9%, 0.54%

LAB 58.12, 90.99, -53.88

 

CMYK 0 / 78 / 3 / 12

HEX #E032DA

RGB 224 50 218

HSL 302.07, 0.74%, 0.54%

LAB 55.27, 81.16, -48.46

 

CMYK 0 / 66 / 2 / 20

HEX #CD45C8

RGB 205 69 200

HSL 302.21, 0.58%, 0.54%

LAB 53.39, 68.37, -41.35

 

CMYK 0 / 53 / 2 / 27

HEX #BA58B7

RGB 186 88 183

HSL 301.84, 0.42%, 0.54%

LAB 52.77, 52.44, -32.71

 

CMYK 0 / 36 / 1 / 35

HEX #A76BA5

RGB 167 107 165

HSL 302, 0.25%, 0.54%

LAB 53.44, 33.34, -21.42

 

CMYK 0 / 15 / 1 / 42

HEX #947E93

RGB 148 126 147

HSL 302.73, 0.09%, 0.54%

LAB 55.4, 12.32, -8.16

 

CMYK 39 / 78 / 0 / 12

HEX #8932E0

RGB 137 50 224

HSL 270, 0.74%, 0.54%

LAB 42.74, 66.81, -72.74

 

CMYK 18 / 78 / 0 / 12

HEX #B732E0

RGB 183 50 224

HSL 285.86, 0.74%, 0.54%

LAB 49.17, 74.47, -62

 

CMYK 0 / 78 / 3 / 12

HEX #E032DA

RGB 224 50 218

HSL 302.07, 0.74%, 0.54%

LAB 55.27, 81.16, -48.46

 

CMYK 0 / 78 / 23 / 12

HEX #E032AC

RGB 224 50 172

HSL 317.93, 0.74%, 0.54%

LAB 53.07, 74.88, -25.38

 

CMYK 0 / 78 / 44 / 12

HEX #E0327E

RGB 224 50 126

HSL 333.79, 0.74%, 0.54%

LAB 51.42, 69.97, -0.49

 

CMYK 0 / 85 / 3 / 35

HEX #A719A2

RGB 167 25 162

HSL 302.11, 0.74%, 0.38%

LAB 40.44, 67.41, -39.96

 

CMYK 0 / 85 / 3 / 20

HEX #CB1EC5

RGB 203 30 197

HSL 302.08, 0.74%, 0.46%

LAB 49.08, 78.46, -46.48

 

CMYK 0 / 78 / 3 / 12

HEX #E032DA

RGB 224 50 218

HSL 302.07, 0.74%, 0.54%

LAB 55.27, 81.16, -48.46

 

CMYK 0 / 62 / 2 / 10

HEX #E556E0

RGB 229 86 224

HSL 302.1, 0.73%, 0.62%

LAB 60.51, 71.39, -43.51

 

CMYK 0 / 48 / 2 / 8

HEX #EB7AE7

RGB 235 122 231

HSL 302.12, 0.74%, 0.7%

LAB 67.54, 58.19, -36.35

 

CMYK 0 / 78 / 3 / 12

HEX #E032DA

RGB 224 50 218

HSL 302.07, 0.74%, 0.54%

LAB 55.27, 81.16, -48.46

 

CMYK 0 / 59 / 78 / 12

HEX #E05B32

RGB 224 91 50

HSL 14.14, 0.74%, 0.54%

LAB 55.64, 49.77, 48.63

 

CMYK 78 / 0 / 29 / 12

HEX #32E0A0

RGB 50 224 160

HSL 157.93, 0.74%, 0.54%

LAB 79.91, -57.39, 19.36

 

CMYK 0 / 78 / 3 / 12

HEX #E032DA

RGB 224 50 218

HSL 302.07, 0.74%, 0.54%

LAB 55.27, 81.16, -48.46

 

CMYK 3 / 0 / 78 / 12

HEX #DAE032

RGB 218 224 50

HSL 62.07, 0.74%, 0.54%

LAB 86.23, -21.12, 77.1

 

CMYK 78 / 3 / 0 / 12

HEX #32DAE0

RGB 50 218 224

HSL 182.07, 0.74%, 0.54%

LAB 79.73, -38.43, -14.87

 

CMYK 0 / 78 / 3 / 12

HEX #E032DA

RGB 224 50 218

HSL 302.07, 0.74%, 0.54%

LAB 55.27, 81.16, -48.46

 

CMYK 0 / 59 / 78 / 12

HEX #E05B32

RGB 224 91 50

HSL 14.14, 0.74%, 0.54%

LAB 55.64, 49.77, 48.63

 

CMYK 78 / 0 / 75 / 12

HEX #32E038

RGB 50 224 56

HSL 122.07, 0.74%, 0.54%

LAB 78.62, -72.47, 65.41

 

CMYK 78 / 18 / 0 / 12

HEX #32B7E0

RGB 50 183 224

HSL 194.14, 0.74%, 0.54%

LAB 69.42, -21.42, -30.57

 

CMYK 0 / 78 / 3 / 12

HEX #E032DA

RGB 224 50 218

HSL 302.07, 0.74%, 0.54%

LAB 55.27, 81.16, -48.46

 

CMYK 0 / 36 / 78 / 12

HEX #E08F32

RGB 224 143 50

HSL 32.07, 0.74%, 0.54%

LAB 66.31, 23.44, 59.04

 

CMYK 78 / 0 / 75 / 12

HEX #32E038

RGB 50 224 56

HSL 122.07, 0.74%, 0.54%

LAB 78.62, -72.47, 65.41

 

CMYK 78 / 42 / 0 / 12

HEX #3283E0

RGB 50 131 224

HSL 212.07, 0.74%, 0.54%

LAB 54.34, 7.89, -54.27

 

Description

Color code: RGB 224 50 218 | qconv.com Color code: RGB 224 50 218 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 50 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 50 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 3 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 3% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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