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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 50 224 160 it is the complementary color RGB 205 31 95. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 50 224 160. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 50 224 160 shade: RGB 55 224 155, RGB 72 242 174, RGB 89 255 193, RGB 106 255 212 and RGB 123 255 231

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 50 224 160. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 50 224 160 shade: RGB 50 224 160, RGB 33 206 141, RGB 16 188 122, RGB 0 170 103 and RGB 0 152 84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 50 224 160 shade: RGB 50 224 160, RGB 50 224 113, RGB 50 224 67, RGB 81 224 50 and RGB 128 224 50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 50 224 160 shade: RGB 50 224 160, RGB 50 224 207, RGB 50 194 224, RGB 50 147 224 and RGB 50 101 224

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 50 224 160 shade matches the following richer shades: RGB 50 224 160 and RGB 31 243 165

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 50 224 160 shade: RGB 50 224 160, RGB 69 205 155, RGB 88 186 150, RGB 107 167 145 and RGB 126 148 140

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 50 224 160 shade: RGB 50 224 65, RGB 50 224 111, RGB 50 224 157, RGB 50 224 204 and RGB 50 198 224

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 50 224 160 shade: RGB 25 167 115, RGB 30 203 139, RGB 50 224 160, RGB 86 229 177 and RGB 122 235 193

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 50 224 160 shade: RGB 50 224 160, RGB 50 82 224 and RGB 224 88 50

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 50 224 160 shade: RGB 50 224 160, RGB 157 50 224 and RGB 224 157 50

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 50 224 160 shade: RGB 50 224 160, RGB 50 82 224, RGB 224 50 117 and RGB 224 192 50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 50 224 160 shade: RGB 50 224 160, RGB 71 50 224, RGB 224 50 117 and RGB 204 224 50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 29 / 12

HEX #32E0A0

RGB 50 224 160

HSL 157.93, 0.74%, 0.54%

LAB 79.91, -57.39, 19.36

 

Complementary color

CMYK 0 / 85 / 54 / 20

HEX #CD1F5F

RGB 205 31 95

HSL 337.93, 0.74%, 0.46%

LAB 45.34, 67.24, 9.29

 

CMYK 75 / 0 / 31 / 12

HEX #37E09B

RGB 55 224 155

HSL 155.5, 0.73%, 0.55%

LAB 79.89, -57.88, 21.95

 

CMYK 70 / 0 / 28 / 5

HEX #48F2AE

RGB 72 242 174

HSL 156, 0.87%, 0.62%

LAB 85.98, -58.52, 20.56

 

CMYK 65 / 0 / 24 / 0

HEX #59FFC1

RGB 89 255 193

HSL 157.59, 1%, 0.67%

LAB 90.55, -56.97, 17.22

 

CMYK 58 / 0 / 17 / 0

HEX #6AFFD4

RGB 106 255 212

HSL 162.68, 1%, 0.71%

LAB 91.39, -49.82, 8.7

 

CMYK 52 / 0 / 9 / 0

HEX #7BFFE7

RGB 123 255 231

HSL 169.09, 1%, 0.74%

LAB 92.35, -42.09, 0.34

 

CMYK 78 / 0 / 29 / 12

HEX #32E0A0

RGB 50 224 160

HSL 157.93, 0.74%, 0.54%

LAB 79.91, -57.39, 19.36

 

CMYK 84 / 0 / 32 / 19

HEX #21CE8D

RGB 33 206 141

HSL 157.46, 0.72%, 0.47%

LAB 73.8, -56.33, 20.88

 

CMYK 91 / 0 / 35 / 26

HEX #10BC7A

RGB 16 188 122

HSL 156.98, 0.84%, 0.4%

LAB 67.64, -54.86, 22.55

 

CMYK 100 / 0 / 39 / 33

HEX #00AA67

RGB 0 170 103

HSL 156.35, 1%, 0.33%

LAB 61.42, -52.97, 24.36

 

CMYK 100 / 0 / 45 / 40

HEX #009854

RGB 0 152 84

HSL 153.16, 1%, 0.3%

LAB 55.17, -50.3, 26.37

 

CMYK 78 / 0 / 29 / 12

HEX #32E0A0

RGB 50 224 160

HSL 157.93, 0.74%, 0.54%

LAB 79.91, -57.39, 19.36

 

CMYK 78 / 0 / 50 / 12

HEX #32E071

RGB 50 224 113

HSL 141.72, 0.74%, 0.54%

LAB 79.15, -66.12, 42.16

 

CMYK 78 / 0 / 70 / 12

HEX #32E043

RGB 50 224 67

HSL 125.86, 0.74%, 0.54%

LAB 78.69, -71.61, 61.64

 

CMYK 64 / 0 / 78 / 12

HEX #51E032

RGB 81 224 50

HSL 109.31, 0.74%, 0.54%

LAB 79.21, -67.6, 68.06

 

CMYK 43 / 0 / 78 / 12

HEX #80E032

RGB 128 224 50

HSL 93.1, 0.74%, 0.54%

LAB 80.81, -55.08, 70.15

 

CMYK 78 / 0 / 29 / 12

HEX #32E0A0

RGB 50 224 160

HSL 157.93, 0.74%, 0.54%

LAB 79.91, -57.39, 19.36

 

CMYK 78 / 0 / 8 / 12

HEX #32E0CF

RGB 50 224 207

HSL 174.14, 0.74%, 0.54%

LAB 81.01, -45.87, -3.9

 

CMYK 78 / 13 / 0 / 12

HEX #32C2E0

RGB 50 194 224

HSL 190.34, 0.74%, 0.54%

LAB 72.66, -26.99, -25.59

 

CMYK 78 / 34 / 0 / 12

HEX #3293E0

RGB 50 147 224

HSL 206.55, 0.74%, 0.54%

LAB 58.91, -1.65, -47

 

CMYK 78 / 55 / 0 / 12

HEX #3265E0

RGB 50 101 224

HSL 222.41, 0.74%, 0.54%

LAB 46.13, 26.69, -67.49

 

CMYK 78 / 0 / 29 / 12

HEX #32E0A0

RGB 50 224 160

HSL 157.93, 0.74%, 0.54%

LAB 79.91, -57.39, 19.36

 

CMYK 87 / 0 / 32 / 5

HEX #1FF3A5

RGB 31 243 165

HSL 157.92, 0.9%, 0.54%

LAB 85.56, -64.92, 24.52

 

CMYK 78 / 0 / 29 / 12

HEX #32E0A0

RGB 50 224 160

HSL 157.93, 0.74%, 0.54%

LAB 79.91, -57.39, 19.36

 

CMYK 66 / 0 / 24 / 20

HEX #45CD9B

RGB 69 205 155

HSL 157.94, 0.58%, 0.54%

LAB 74.38, -48.36, 14.34

 

CMYK 53 / 0 / 19 / 27

HEX #58BA96

RGB 88 186 150

HSL 157.96, 0.42%, 0.54%

LAB 69.04, -37.49, 9.57

 

CMYK 36 / 0 / 13 / 35

HEX #6BA791

RGB 107 167 145

HSL 158, 0.25%, 0.54%

LAB 64, -24.52, 5.24

 

CMYK 15 / 0 / 5 / 42

HEX #7E948C

RGB 126 148 140

HSL 158.18, 0.09%, 0.54%

LAB 59.44, -9.47, 1.6

 

CMYK 78 / 0 / 71 / 12

HEX #32E041

RGB 50 224 65

HSL 125.17, 0.74%, 0.54%

LAB 78.68, -71.78, 62.36

 

CMYK 78 / 0 / 50 / 12

HEX #32E06F

RGB 50 224 111

HSL 141.03, 0.74%, 0.54%

LAB 79.12, -66.42, 43.09

 

CMYK 78 / 0 / 30 / 12

HEX #32E09D

RGB 50 224 157

HSL 156.9, 0.74%, 0.54%

LAB 79.85, -58.03, 20.85

 

CMYK 78 / 0 / 9 / 12

HEX #32E0CC

RGB 50 224 204

HSL 173.1, 0.74%, 0.54%

LAB 80.93, -46.68, -2.43

 

CMYK 78 / 12 / 0 / 12

HEX #32C6E0

RGB 50 198 224

HSL 188.97, 0.74%, 0.54%

LAB 73.84, -28.96, -23.79

 

CMYK 85 / 0 / 31 / 35

HEX #19A773

RGB 25 167 115

HSL 158.03, 0.74%, 0.38%

LAB 60.85, -47.83, 17.1

 

CMYK 85 / 0 / 32 / 20

HEX #1ECB8B

RGB 30 203 139

HSL 157.8, 0.74%, 0.46%

LAB 72.79, -55.88, 20.56

 

CMYK 78 / 0 / 29 / 12

HEX #32E0A0

RGB 50 224 160

HSL 157.93, 0.74%, 0.54%

LAB 79.91, -57.39, 19.36

 

CMYK 62 / 0 / 23 / 10

HEX #56E5B1

RGB 86 229 177

HSL 158.18, 0.73%, 0.62%

LAB 82.48, -50.44, 14.16

 

CMYK 48 / 0 / 18 / 8

HEX #7AEBC1

RGB 122 235 193

HSL 157.7, 0.74%, 0.7%

LAB 85.71, -42, 10.51

 

CMYK 78 / 0 / 29 / 12

HEX #32E0A0

RGB 50 224 160

HSL 157.93, 0.74%, 0.54%

LAB 79.91, -57.39, 19.36

 

CMYK 78 / 63 / 0 / 12

HEX #3252E0

RGB 50 82 224

HSL 228.97, 0.74%, 0.54%

LAB 41.37, 38.73, -75.27

 

CMYK 0 / 61 / 78 / 12

HEX #E05832

RGB 224 88 50

HSL 13.1, 0.74%, 0.54%

LAB 55.13, 51.12, 48.11

 

CMYK 78 / 0 / 29 / 12

HEX #32E0A0

RGB 50 224 160

HSL 157.93, 0.74%, 0.54%

LAB 79.91, -57.39, 19.36

 

CMYK 30 / 78 / 0 / 12

HEX #9D32E0

RGB 157 50 224

HSL 276.9, 0.74%, 0.54%

LAB 45.4, 70, -68.28

 

CMYK 0 / 30 / 78 / 12

HEX #E09D32

RGB 224 157 50

HSL 36.9, 0.74%, 0.54%

LAB 69.61, 15.95, 62.15

 

CMYK 78 / 0 / 29 / 12

HEX #32E0A0

RGB 50 224 160

HSL 157.93, 0.74%, 0.54%

LAB 79.91, -57.39, 19.36

 

CMYK 78 / 63 / 0 / 12

HEX #3252E0

RGB 50 82 224

HSL 228.97, 0.74%, 0.54%

LAB 41.37, 38.73, -75.27

 

CMYK 0 / 78 / 48 / 12

HEX #E03275

RGB 224 50 117

HSL 336.9, 0.74%, 0.54%

LAB 51.17, 69.18, 4.58

 

CMYK 0 / 14 / 78 / 12

HEX #E0C032

RGB 224 192 50

HSL 48.97, 0.74%, 0.54%

LAB 78.33, -2.53, 70.19

 

CMYK 78 / 0 / 29 / 12

HEX #32E0A0

RGB 50 224 160

HSL 157.93, 0.74%, 0.54%

LAB 79.91, -57.39, 19.36

 

CMYK 68 / 78 / 0 / 12

HEX #4732E0

RGB 71 50 224

HSL 247.24, 0.74%, 0.54%

LAB 35.99, 58.69, -84.08

 

CMYK 0 / 78 / 48 / 12

HEX #E03275

RGB 224 50 117

HSL 336.9, 0.74%, 0.54%

LAB 51.17, 69.18, 4.58

 

CMYK 9 / 0 / 78 / 12

HEX #CCE032

RGB 204 224 50

HSL 66.9, 0.74%, 0.54%

LAB 85.19, -26.87, 75.77

 

Description

Color code: RGB 50 224 160 | qconv.com Color code: RGB 50 224 160 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 224 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 224 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 29 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 29% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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