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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 224 30 85 it is the complementary color RGB 31 225 170. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 224 30 85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 224 30 85 shade: RGB 229 30 80, RGB 246 48 99, RGB 255 66 118, RGB 255 84 137 and RGB 255 102 156

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 224 30 85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 224 30 85 shade: RGB 224 30 85, RGB 207 12 66, RGB 190 0 47, RGB 173 0 28 and RGB 156 0 9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 224 30 85 shade: RGB 224 30 85, RGB 224 30 33 and RGB 224 30 30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 224 30 85 shade: RGB 224 30 85, RGB 224 30 137, RGB 224 30 190, RGB 206 30 224 and RGB 154 30 224

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 224 30 85 shade matches the following richer shades: RGB 224 30 85 and RGB 245 9 76

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 224 30 85 shade: RGB 224 30 85, RGB 203 51 94, RGB 183 71 103, RGB 162 92 112 and RGB 141 113 121

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 224 30 85 shade: RGB 224 30 192, RGB 224 30 140, RGB 224 30 88, RGB 224 30 37 and RGB 224 75 30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 224 30 85 shade: RGB 151 20 57, RGB 188 25 71, RGB 224 30 85, RGB 229 66 112 and RGB 234 103 140

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 224 30 85 shade: RGB 224 30 85, RGB 224 205 30 and RGB 30 166 224

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 224 30 85 shade: RGB 224 30 85, RGB 88 224 30 and RGB 30 88 224

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 224 30 85 shade: RGB 224 30 85, RGB 224 205 30, RGB 30 224 166 and RGB 30 49 224

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 224 30 85 shade: RGB 224 30 85, RGB 185 224 30, RGB 30 224 166 and RGB 69 30 224

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 62 / 12

HEX #E01E55

RGB 224 30 85

HSL 342.99, 0.76%, 0.5%

LAB 48.8, 71.56, 20.81

 

Complementary color

CMYK 86 / 0 / 24 / 12

HEX #1FE1AA

RGB 31 225 170

HSL 162.99, 0.76%, 0.5%

LAB 80.2, -57.16, 14.49

 

CMYK 0 / 87 / 65 / 10

HEX #E51E50

RGB 229 30 80

HSL 344.92, 0.79%, 0.51%

LAB 49.7, 72.54, 25.22

 

CMYK 0 / 80 / 60 / 4

HEX #F63063

RGB 246 48 99

HSL 344.55, 0.92%, 0.58%

LAB 54.67, 74.16, 20.92

 

CMYK 0 / 74 / 54 / 0

HEX #FF4276

RGB 255 66 118

HSL 343.49, 1%, 0.63%

LAB 58.48, 72.85, 15.1

 

CMYK 0 / 67 / 46 / 0

HEX #FF5489

RGB 255 84 137

HSL 341.4, 1%, 0.66%

LAB 61.14, 68.22, 7.71

 

CMYK 0 / 60 / 39 / 0

HEX #FF669C

RGB 255 102 156

HSL 338.82, 1%, 0.7%

LAB 64.29, 62.83, 1.28

 

CMYK 0 / 87 / 62 / 12

HEX #E01E55

RGB 224 30 85

HSL 342.99, 0.76%, 0.5%

LAB 48.8, 71.56, 20.81

 

CMYK 0 / 94 / 68 / 19

HEX #CF0C42

RGB 207 12 66

HSL 343.38, 0.89%, 0.43%

LAB 44.12, 68.92, 25.79

 

CMYK 0 / 100 / 75 / 25

HEX #BE002F

RGB 190 0 47

HSL 345.16, 1%, 0.37%

LAB 39.84, 65.15, 31.51

 

CMYK 0 / 100 / 84 / 32

HEX #AD001C

RGB 173 0 28

HSL 350.29, 1%, 0.34%

LAB 35.92, 60.34, 37.55

 

CMYK 0 / 100 / 94 / 39

HEX #9C0009

RGB 156 0 9

HSL 356.54, 1%, 0.31%

LAB 32.01, 55.62, 42.29

 

CMYK 0 / 87 / 62 / 12

HEX #E01E55

RGB 224 30 85

HSL 342.99, 0.76%, 0.5%

LAB 48.8, 71.56, 20.81

 

CMYK 0 / 87 / 85 / 12

HEX #E01E21

RGB 224 30 33

HSL 359.07, 0.76%, 0.5%

LAB 48.12, 69.58, 49.88

 

CMYK 0 / 87 / 87 / 12

HEX #E01E1E

RGB 224 30 30

HSL 0, 0.76%, 0.5%

LAB 48.1, 69.52, 51.28

 

CMYK 0 / 87 / 62 / 12

HEX #E01E55

RGB 224 30 85

HSL 342.99, 0.76%, 0.5%

LAB 48.8, 71.56, 20.81

 

CMYK 0 / 87 / 39 / 12

HEX #E01E89

RGB 224 30 137

HSL 326.91, 0.76%, 0.5%

LAB 50.19, 75.5, -8.94

 

CMYK 0 / 87 / 15 / 12

HEX #E01EBE

RGB 224 30 190

HSL 310.52, 0.76%, 0.5%

LAB 52.39, 81.46, -36.93

 

CMYK 8 / 87 / 0 / 12

HEX #CE1EE0

RGB 206 30 224

HSL 294.43, 0.76%, 0.5%

LAB 51.19, 83.12, -58.56

 

CMYK 31 / 87 / 0 / 12

HEX #9A1EE0

RGB 154 30 224

HSL 278.35, 0.76%, 0.5%

LAB 43.03, 75.22, -72.16

 

CMYK 0 / 87 / 62 / 12

HEX #E01E55

RGB 224 30 85

HSL 342.99, 0.76%, 0.5%

LAB 48.8, 71.56, 20.81

 

CMYK 0 / 96 / 69 / 4

HEX #F5094C

RGB 245 9 76

HSL 342.97, 0.93%, 0.5%

LAB 51.98, 78.7, 31.19

 

CMYK 0 / 87 / 62 / 12

HEX #E01E55

RGB 224 30 85

HSL 342.99, 0.76%, 0.5%

LAB 48.8, 71.56, 20.81

 

CMYK 0 / 75 / 54 / 20

HEX #CB335E

RGB 203 51 94

HSL 343.03, 0.6%, 0.5%

LAB 46.81, 61.31, 11.9

 

CMYK 0 / 61 / 44 / 28

HEX #B74767

RGB 183 71 103

HSL 342.86, 0.44%, 0.5%

LAB 46.38, 48.14, 5.29

 

CMYK 0 / 43 / 31 / 36

HEX #A25C70

RGB 162 92 112

HSL 342.86, 0.28%, 0.5%

LAB 47.63, 31.1, 1.23

 

CMYK 0 / 20 / 14 / 45

HEX #8D7179

RGB 141 113 121

HSL 342.86, 0.11%, 0.5%

LAB 50.52, 12.37, -0.24

 

CMYK 0 / 87 / 14 / 12

HEX #E01EC0

RGB 224 30 192

HSL 309.9, 0.76%, 0.5%

LAB 52.49, 81.72, -37.94

 

CMYK 0 / 87 / 38 / 12

HEX #E01E8C

RGB 224 30 140

HSL 325.98, 0.76%, 0.5%

LAB 50.3, 75.79, -10.6

 

CMYK 0 / 87 / 61 / 12

HEX #E01E58

RGB 224 30 88

HSL 342.06, 0.76%, 0.5%

LAB 48.86, 71.73, 19.05

 

CMYK 0 / 87 / 83 / 12

HEX #E01E25

RGB 224 30 37

HSL 357.84, 0.76%, 0.5%

LAB 48.15, 69.67, 47.91

 

CMYK 0 / 67 / 87 / 12

HEX #E04B1E

RGB 224 75 30

HSL 13.92, 0.76%, 0.5%

LAB 52.92, 56.09, 55.17

 

CMYK 0 / 87 / 62 / 41

HEX #971439

RGB 151 20 57

HSL 343.05, 0.77%, 0.34%

LAB 32.65, 52.8, 14.37

 

CMYK 0 / 87 / 62 / 26

HEX #BC1947

RGB 188 25 71

HSL 343.07, 0.77%, 0.42%

LAB 40.96, 62.5, 17.8

 

CMYK 0 / 87 / 62 / 12

HEX #E01E55

RGB 224 30 85

HSL 342.99, 0.76%, 0.5%

LAB 48.8, 71.56, 20.81

 

CMYK 0 / 71 / 51 / 10

HEX #E54270

RGB 229 66 112

HSL 343.07, 0.76%, 0.58%

LAB 53.73, 65.12, 11.36

 

CMYK 0 / 56 / 40 / 8

HEX #EA678C

RGB 234 103 140

HSL 343.05, 0.76%, 0.66%

LAB 60.86, 54.08, 5.13

 

CMYK 0 / 87 / 62 / 12

HEX #E01E55

RGB 224 30 85

HSL 342.99, 0.76%, 0.5%

LAB 48.8, 71.56, 20.81

 

CMYK 0 / 8 / 87 / 12

HEX #E0CD1E

RGB 224 205 30

HSL 54.12, 0.76%, 0.5%

LAB 81.62, -9.74, 78.23

 

CMYK 87 / 26 / 0 / 12

HEX #1EA6E0

RGB 30 166 224

HSL 197.94, 0.76%, 0.5%

LAB 64.1, -14.07, -38.85

 

CMYK 0 / 87 / 62 / 12

HEX #E01E55

RGB 224 30 85

HSL 342.99, 0.76%, 0.5%

LAB 48.8, 71.56, 20.81

 

CMYK 61 / 0 / 87 / 12

HEX #58E01E

RGB 88 224 30

HSL 102.06, 0.76%, 0.5%

LAB 79.32, -66.99, 73.19

 

CMYK 87 / 61 / 0 / 12

HEX #1E58E0

RGB 30 88 224

HSL 222.06, 0.76%, 0.5%

LAB 42.21, 33.43, -73.91

 

CMYK 0 / 87 / 62 / 12

HEX #E01E55

RGB 224 30 85

HSL 342.99, 0.76%, 0.5%

LAB 48.8, 71.56, 20.81

 

CMYK 0 / 8 / 87 / 12

HEX #E0CD1E

RGB 224 205 30

HSL 54.12, 0.76%, 0.5%

LAB 81.62, -9.74, 78.23

 

CMYK 87 / 0 / 26 / 12

HEX #1EE0A6

RGB 30 224 166

HSL 162.06, 0.76%, 0.5%

LAB 79.81, -57.77, 16.04

 

CMYK 87 / 78 / 0 / 12

HEX #1E31E0

RGB 30 49 224

HSL 234.12, 0.76%, 0.5%

LAB 33.68, 56.6, -87.98

 

CMYK 0 / 87 / 62 / 12

HEX #E01E55

RGB 224 30 85

HSL 342.99, 0.76%, 0.5%

LAB 48.8, 71.56, 20.81

 

CMYK 17 / 0 / 87 / 12

HEX #B9E01E

RGB 185 224 30

HSL 72.06, 0.76%, 0.5%

LAB 83.82, -35.16, 78.8

 

CMYK 87 / 0 / 26 / 12

HEX #1EE0A6

RGB 30 224 166

HSL 162.06, 0.76%, 0.5%

LAB 79.81, -57.77, 16.04

 

CMYK 69 / 87 / 0 / 12

HEX #451EE0

RGB 69 30 224

HSL 252.06, 0.76%, 0.5%

LAB 33.08, 66.64, -88.9

 

Description

Color code: RGB 224 30 85 | qconv.com Color code: RGB 224 30 85 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 30 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 30 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 62 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 62% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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