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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #58E01E it is the complementary color #A71FE1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #58E01E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #58E01E shade: #5DE019, #6EF22C, #7FFF3F, #90FF52 and #A1FF65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #58E01E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #58E01E shade: #58E01E, #47CE0B, #36BC00, #25AA00 and #149800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #58E01E shade: #58E01E, #8CE01E, #C1E01E, #E0CB1E and #E0971E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #58E01E shade: #58E01E, #24E01E, #1EE04D, #1EE081 and #1EE0B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #58E01E shade matches the following richer shades: #58E01E and #50F509

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #58E01E shade: #58E01E, #60CB33, #69B747, #71A25C and #798D71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #58E01E shade: #C0E01E, #8CE01E, #58E01E, #25E01E and #1EE04B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #58E01E shade: #3B9714, #4ABC19, #58E01E, #73E542 and #8EEA67

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #58E01E shade: #58E01E, #1EE0CD and #E01EA6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #58E01E shade: #58E01E, #1E58E0 and #E01E58

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #58E01E shade: #58E01E, #1EE0CD, #A61EE0 and #E01E31

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #58E01E shade: #58E01E, #1EB9E0, #A61EE0 and #E0451E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 87 / 12

HEX #58E01E

RGB 88 224 30

HSL 102.06, 0.76%, 0.5%

LAB 79.32, -66.99, 73.19

 

Complementary color

CMYK 26 / 86 / 0 / 12

HEX #A71FE1

RGB 167 31 225

HSL 282.06, 0.76%, 0.5%

LAB 45.13, 77.02, -69.24

 

CMYK 58 / 0 / 89 / 12

HEX #5DE019

RGB 93 224 25

HSL 99.5, 0.8%, 0.49%

LAB 79.45, -65.97, 74.27

 

CMYK 55 / 0 / 82 / 5

HEX #6EF22C

RGB 110 242 44

HSL 100, 0.88%, 0.56%

LAB 85.5, -67.13, 75.83

 

CMYK 50 / 0 / 75 / 0

HEX #7FFF3F

RGB 127 255 63

HSL 100, 1%, 0.62%

LAB 90.04, -66.19, 75.02

 

CMYK 44 / 0 / 68 / 0

HEX #90FF52

RGB 144 255 82

HSL 98.5, 1%, 0.66%

LAB 90.81, -60.04, 69.56

 

CMYK 37 / 0 / 60 / 0

HEX #A1FF65

RGB 161 255 101

HSL 96.62, 1%, 0.7%

LAB 91.7, -53.19, 63.26

 

CMYK 61 / 0 / 87 / 12

HEX #58E01E

RGB 88 224 30

HSL 102.06, 0.76%, 0.5%

LAB 79.32, -66.99, 73.19

 

CMYK 66 / 0 / 95 / 19

HEX #47CE0B

RGB 71 206 11

HSL 101.54, 0.9%, 0.43%

LAB 73.22, -65.38, 70.78

 

CMYK 71 / 0 / 100 / 26

HEX #36BC00

RGB 54 188 0

HSL 102.77, 1%, 0.37%

LAB 67.09, -63.23, 66.87

 

CMYK 78 / 0 / 100 / 33

HEX #25AA00

RGB 37 170 0

HSL 106.94, 1%, 0.33%

LAB 60.91, -60.47, 61.81

 

CMYK 87 / 0 / 100 / 40

HEX #149800

RGB 20 152 0

HSL 112.11, 1%, 0.3%

LAB 54.66, -57.16, 56.73

 

CMYK 61 / 0 / 87 / 12

HEX #58E01E

RGB 88 224 30

HSL 102.06, 0.76%, 0.5%

LAB 79.32, -66.99, 73.19

 

CMYK 38 / 0 / 87 / 12

HEX #8CE01E

RGB 140 224 30

HSL 85.98, 0.76%, 0.5%

LAB 81.28, -51.93, 75.65

 

CMYK 14 / 0 / 87 / 12

HEX #C1E01E

RGB 193 224 30

HSL 69.59, 0.76%, 0.5%

LAB 84.35, -31.95, 79.45

 

CMYK 0 / 9 / 87 / 12

HEX #E0CB1E

RGB 224 203 30

HSL 53.51, 0.76%, 0.5%

LAB 81.1, -8.73, 77.81

 

CMYK 0 / 33 / 87 / 12

HEX #E0971E

RGB 224 151 30

HSL 37.42, 0.76%, 0.5%

LAB 68.08, 18.57, 67.35

 

CMYK 61 / 0 / 87 / 12

HEX #58E01E

RGB 88 224 30

HSL 102.06, 0.76%, 0.5%

LAB 79.32, -66.99, 73.19

 

CMYK 84 / 0 / 87 / 12

HEX #24E01E

RGB 36 224 30

HSL 118.14, 0.76%, 0.5%

LAB 78.33, -75.44, 71.95

 

CMYK 87 / 0 / 66 / 12

HEX #1EE04D

RGB 30 224 77

HSL 134.54, 0.76%, 0.5%

LAB 78.53, -72.69, 57.53

 

CMYK 87 / 0 / 42 / 12

HEX #1EE081

RGB 30 224 129

HSL 150.62, 0.76%, 0.5%

LAB 79.14, -65.35, 34.22

 

CMYK 87 / 0 / 19 / 12

HEX #1EE0B5

RGB 30 224 181

HSL 166.7, 0.76%, 0.5%

LAB 80.14, -54.19, 8.59

 

CMYK 61 / 0 / 87 / 12

HEX #58E01E

RGB 88 224 30

HSL 102.06, 0.76%, 0.5%

LAB 79.32, -66.99, 73.19

 

CMYK 67 / 0 / 96 / 4

HEX #50F509

RGB 80 245 9

HSL 101.95, 0.93%, 0.5%

LAB 85.52, -75.79, 81.05

 

CMYK 61 / 0 / 87 / 12

HEX #58E01E

RGB 88 224 30

HSL 102.06, 0.76%, 0.5%

LAB 79.32, -66.99, 73.19

 

CMYK 53 / 0 / 75 / 20

HEX #60CB33

RGB 96 203 51

HSL 102.24, 0.6%, 0.5%

LAB 73.18, -56.62, 62.07

 

CMYK 43 / 0 / 61 / 28

HEX #69B747

RGB 105 183 71

HSL 101.79, 0.44%, 0.5%

LAB 67.52, -44.43, 48.36

 

CMYK 30 / 0 / 43 / 36

HEX #71A25C

RGB 113 162 92

HSL 102, 0.28%, 0.5%

LAB 61.76, -29.76, 31.24

 

CMYK 14 / 0 / 20 / 45

HEX #798D71

RGB 121 141 113

HSL 102.86, 0.11%, 0.5%

LAB 56.39, -12.72, 12.59

 

CMYK 14 / 0 / 87 / 12

HEX #C0E01E

RGB 192 224 30

HSL 69.9, 0.76%, 0.5%

LAB 84.28, -32.35, 79.37

 

CMYK 38 / 0 / 87 / 12

HEX #8CE01E

RGB 140 224 30

HSL 85.98, 0.76%, 0.5%

LAB 81.28, -51.93, 75.65

 

CMYK 61 / 0 / 87 / 12

HEX #58E01E

RGB 88 224 30

HSL 102.06, 0.76%, 0.5%

LAB 79.32, -66.99, 73.19

 

CMYK 83 / 0 / 87 / 12

HEX #25E01E

RGB 37 224 30

HSL 117.84, 0.76%, 0.5%

LAB 78.34, -75.34, 71.96

 

CMYK 87 / 0 / 67 / 12

HEX #1EE04B

RGB 30 224 75

HSL 133.92, 0.76%, 0.5%

LAB 78.52, -72.89, 58.31

 

CMYK 61 / 0 / 87 / 41

HEX #3B9714

RGB 59 151 20

HSL 102.14, 0.77%, 0.34%

LAB 55.19, -49.26, 53.91

 

CMYK 61 / 0 / 87 / 26

HEX #4ABC19

RGB 74 188 25

HSL 101.96, 0.77%, 0.42%

LAB 67.64, -58.35, 63.9

 

CMYK 61 / 0 / 87 / 12

HEX #58E01E

RGB 88 224 30

HSL 102.06, 0.76%, 0.5%

LAB 79.32, -66.99, 73.19

 

CMYK 50 / 0 / 71 / 10

HEX #73E542

RGB 115 229 66

HSL 101.96, 0.76%, 0.58%

LAB 81.88, -59.89, 65.81

 

CMYK 39 / 0 / 56 / 8

HEX #8EEA67

RGB 142 234 103

HSL 102.14, 0.76%, 0.66%

LAB 84.78, -50.48, 54.27

 

CMYK 61 / 0 / 87 / 12

HEX #58E01E

RGB 88 224 30

HSL 102.06, 0.76%, 0.5%

LAB 79.32, -66.99, 73.19

 

CMYK 87 / 0 / 8 / 12

HEX #1EE0CD

RGB 30 224 205

HSL 174.12, 0.76%, 0.5%

LAB 80.74, -47.94, -3.27

 

CMYK 0 / 87 / 26 / 12

HEX #E01EA6

RGB 224 30 166

HSL 317.94, 0.76%, 0.5%

LAB 51.3, 78.54, -24.58

 

CMYK 61 / 0 / 87 / 12

HEX #58E01E

RGB 88 224 30

HSL 102.06, 0.76%, 0.5%

LAB 79.32, -66.99, 73.19

 

CMYK 87 / 61 / 0 / 12

HEX #1E58E0

RGB 30 88 224

HSL 222.06, 0.76%, 0.5%

LAB 42.21, 33.43, -73.91

 

CMYK 0 / 87 / 61 / 12

HEX #E01E58

RGB 224 30 88

HSL 342.06, 0.76%, 0.5%

LAB 48.86, 71.73, 19.05

 

CMYK 61 / 0 / 87 / 12

HEX #58E01E

RGB 88 224 30

HSL 102.06, 0.76%, 0.5%

LAB 79.32, -66.99, 73.19

 

CMYK 87 / 0 / 8 / 12

HEX #1EE0CD

RGB 30 224 205

HSL 174.12, 0.76%, 0.5%

LAB 80.74, -47.94, -3.27

 

CMYK 26 / 87 / 0 / 12

HEX #A61EE0

RGB 166 30 224

HSL 282.06, 0.76%, 0.5%

LAB 44.83, 76.9, -69.16

 

CMYK 0 / 87 / 78 / 12

HEX #E01E31

RGB 224 30 49

HSL 354.12, 0.76%, 0.5%

LAB 48.26, 69.99, 41.57

 

CMYK 61 / 0 / 87 / 12

HEX #58E01E

RGB 88 224 30

HSL 102.06, 0.76%, 0.5%

LAB 79.32, -66.99, 73.19

 

CMYK 87 / 17 / 0 / 12

HEX #1EB9E0

RGB 30 185 224

HSL 192.06, 0.76%, 0.5%

LAB 69.72, -24.07, -30.13

 

CMYK 26 / 87 / 0 / 12

HEX #A61EE0

RGB 166 30 224

HSL 282.06, 0.76%, 0.5%

LAB 44.83, 76.9, -69.16

 

CMYK 0 / 69 / 87 / 12

HEX #E0451E

RGB 224 69 30

HSL 12.06, 0.76%, 0.5%

LAB 52.06, 58.43, 54.48

 

Description

Color code: HEX #58E01E | qconv.com Color code: HEX #58E01E | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 224 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 224 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 87 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 87% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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