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Color name
RGB 224 27 223

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 224 27 223 it is the complementary color RGB 31 228 32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 224 27 223. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 224 27 223 shade: RGB 229 27 218, RGB 246 45 237, RGB 255 63 255, RGB 255 81 255 and RGB 255 99 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 224 27 223. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 224 27 223 shade: RGB 224 27 223, RGB 207 9 204, RGB 190 0 185, RGB 173 0 166 and RGB 156 0 147

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 224 27 223 shade: RGB 222 27 221, RGB 222 27 168, RGB 222 27 116, RGB 222 27 63 and RGB 222 27 27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 224 27 223 shade: RGB 222 27 221, RGB 170 27 222, RGB 118 27 222, RGB 65 27 222 and RGB 27 27 222

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 224 27 223 shade matches the following richer shades: RGB 222 27 221 and RGB 242 7 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 224 27 223 shade: RGB 222 27 221, RGB 202 47 201, RGB 181 67 181, RGB 161 88 161 and RGB 141 108 141

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 224 27 223 shade: RGB 118 27 222, RGB 170 27 222, RGB 222 27 222, RGB 222 27 170 and RGB 222 27 118

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 224 27 223 shade: RGB 148 18 148, RGB 185 22 184, RGB 222 27 221, RGB 230 60 230 and RGB 235 96 234

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 224 27 223 shade: RGB 224 27 223, RGB 222 66 27 and RGB 27 222 144

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 224 27 223 shade: RGB 224 27 223, RGB 222 222 27 and RGB 27 222 222

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 224 27 223 shade: RGB 224 27 223, RGB 222 66 27, RGB 27 222 27 and RGB 27 183 222

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 224 27 223 shade: RGB 224 27 223, RGB 222 124 27, RGB 27 222 27 and RGB 27 124 222

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 0 / 12

HEX #E01BDF

RGB 224 27 223

HSL 300.3, 0.78%, 0.49%

LAB 53.98, 86.46, -53.35

 

Complementary color

CMYK 86 / 0 / 86 / 11

HEX #1FE420

RGB 31 228 32

HSL 120.3, 0.78%, 0.51%

LAB 79.55, -76.91, 72.59

 

CMYK 0 / 88 / 5 / 10

HEX #E51BDA

RGB 229 27 218

HSL 303.27, 0.8%, 0.5%

LAB 54.56, 86.61, -49.54

 

CMYK 0 / 82 / 4 / 4

HEX #F62DED

RGB 246 45 237

HSL 302.69, 0.92%, 0.57%

LAB 59.51, 89.23, -52.2

 

CMYK 0 / 75 / 0 / 0

HEX #FF3FFF

RGB 255 63 255

HSL 300, 1%, 0.62%

LAB 63.37, 89.33, -55.97

 

CMYK 0 / 68 / 0 / 0

HEX #FF51FF

RGB 255 81 255

HSL 300, 1%, 0.66%

LAB 65.25, 83.95, -52.99

 

CMYK 0 / 61 / 0 / 0

HEX #FF63FF

RGB 255 99 255

HSL 300, 1%, 0.69%

LAB 67.58, 77.42, -49.31

 

CMYK 0 / 88 / 0 / 12

HEX #E01BDF

RGB 224 27 223

HSL 300.3, 0.78%, 0.49%

LAB 53.98, 86.46, -53.35

 

CMYK 0 / 96 / 1 / 19

HEX #CF09CC

RGB 207 9 204

HSL 300.91, 0.92%, 0.42%

LAB 49.28, 82.82, -50.16

 

CMYK 0 / 100 / 3 / 25

HEX #BE00B9

RGB 190 0 185

HSL 301.58, 1%, 0.37%

LAB 44.87, 78.03, -46.31

 

CMYK 0 / 100 / 4 / 32

HEX #AD00A6

RGB 173 0 166

HSL 302.43, 1%, 0.34%

LAB 40.63, 72.43, -41.99

 

CMYK 0 / 100 / 6 / 39

HEX #9C0093

RGB 156 0 147

HSL 303.46, 1%, 0.31%

LAB 36.32, 66.73, -37.54

 

CMYK 0 / 88 / 0 / 13

HEX #DE1BDD

RGB 222 27 221

HSL 300.31, 0.78%, 0.49%

LAB 53.53, 85.82, -52.96

 

CMYK 0 / 88 / 24 / 13

HEX #DE1BA8

RGB 222 27 168

HSL 316.62, 0.78%, 0.49%

LAB 50.85, 78.84, -26.48

 

CMYK 0 / 88 / 48 / 13

HEX #DE1B74

RGB 222 27 116

HSL 332.62, 0.78%, 0.49%

LAB 48.98, 73.71, 1.98

 

CMYK 0 / 88 / 72 / 13

HEX #DE1B3F

RGB 222 27 63

HSL 348.92, 0.78%, 0.49%

LAB 47.84, 70.5, 32.86

 

CMYK 0 / 88 / 88 / 13

HEX #DE1B1B

RGB 222 27 27

HSL 0, 0.78%, 0.49%

LAB 47.49, 69.47, 52

 

CMYK 0 / 88 / 0 / 13

HEX #DE1BDD

RGB 222 27 221

HSL 300.31, 0.78%, 0.49%

LAB 53.53, 85.82, -52.96

 

CMYK 23 / 88 / 0 / 13

HEX #AA1BDE

RGB 170 27 222

HSL 284, 0.78%, 0.49%

LAB 45.09, 77.71, -67.57

 

CMYK 47 / 88 / 0 / 13

HEX #761BDE

RGB 118 27 222

HSL 268, 0.78%, 0.49%

LAB 37.68, 71.13, -79.99

 

CMYK 71 / 88 / 0 / 13

HEX #411BDE

RGB 65 27 222

HSL 251.69, 0.78%, 0.49%

LAB 32.22, 66.84, -89.2

 

CMYK 88 / 88 / 0 / 13

HEX #1B1BDE

RGB 27 27 222

HSL 240, 0.78%, 0.49%

LAB 30.13, 65.38, -92.73

 

CMYK 0 / 88 / 0 / 13

HEX #DE1BDD

RGB 222 27 221

HSL 300.31, 0.78%, 0.49%

LAB 53.53, 85.82, -52.96

 

CMYK 0 / 97 / 0 / 5

HEX #F207F1

RGB 242 7 241

HSL 300.26, 0.94%, 0.49%

LAB 57.44, 93.86, -57.78

 

CMYK 0 / 88 / 0 / 13

HEX #DE1BDD

RGB 222 27 221

HSL 300.31, 0.78%, 0.49%

LAB 53.53, 85.82, -52.96

 

CMYK 0 / 77 / 0 / 21

HEX #CA2FC9

RGB 202 47 201

HSL 300.39, 0.62%, 0.49%

LAB 50.46, 75.02, -46.6

 

CMYK 0 / 63 / 0 / 29

HEX #B543B5

RGB 181 67 181

HSL 300, 0.46%, 0.49%

LAB 48.48, 60.24, -38.33

 

CMYK 0 / 45 / 0 / 37

HEX #A158A1

RGB 161 88 161

HSL 300, 0.29%, 0.49%

LAB 48.42, 41.05, -26.87

 

CMYK 0 / 23 / 0 / 45

HEX #8D6C8D

RGB 141 108 141

HSL 300, 0.13%, 0.49%

LAB 49.87, 19.09, -13.03

 

CMYK 47 / 88 / 0 / 13

HEX #761BDE

RGB 118 27 222

HSL 268, 0.78%, 0.49%

LAB 37.68, 71.13, -79.99

 

CMYK 23 / 88 / 0 / 13

HEX #AA1BDE

RGB 170 27 222

HSL 284, 0.78%, 0.49%

LAB 45.09, 77.71, -67.57

 

CMYK 0 / 88 / 0 / 13

HEX #DE1BDE

RGB 222 27 222

HSL 300, 0.78%, 0.49%

LAB 53.59, 85.97, -53.43

 

CMYK 0 / 88 / 23 / 13

HEX #DE1BAA

RGB 222 27 170

HSL 316, 0.78%, 0.49%

LAB 50.94, 79.07, -27.53

 

CMYK 0 / 88 / 47 / 13

HEX #DE1B76

RGB 222 27 118

HSL 332, 0.78%, 0.49%

LAB 49.03, 73.87, 0.84

 

CMYK 0 / 88 / 0 / 42

HEX #941294

RGB 148 18 148

HSL 300, 0.78%, 0.33%

LAB 35.73, 62.97, -39.19

 

CMYK 0 / 88 / 1 / 27

HEX #B916B8

RGB 185 22 184

HSL 300.37, 0.79%, 0.41%

LAB 44.73, 74.64, -46.01

 

CMYK 0 / 88 / 0 / 13

HEX #DE1BDD

RGB 222 27 221

HSL 300.31, 0.78%, 0.49%

LAB 53.53, 85.82, -52.96

 

CMYK 0 / 74 / 0 / 10

HEX #E63CE6

RGB 230 60 230

HSL 300, 0.77%, 0.57%

LAB 57.82, 81.46, -51.13

 

CMYK 0 / 59 / 0 / 8

HEX #EB60EA

RGB 235 96 234

HSL 300.43, 0.78%, 0.65%

LAB 63.32, 70.42, -44.62

 

CMYK 0 / 88 / 0 / 12

HEX #E01BDF

RGB 224 27 223

HSL 300.3, 0.78%, 0.49%

LAB 53.98, 86.46, -53.35

 

CMYK 0 / 70 / 88 / 13

HEX #DE421B

RGB 222 66 27

HSL 12, 0.78%, 0.49%

LAB 51.27, 58.84, 54.91

 

CMYK 88 / 0 / 35 / 13

HEX #1BDE90

RGB 27 222 144

HSL 156, 0.78%, 0.49%

LAB 78.75, -61.98, 26.04

 

CMYK 0 / 88 / 0 / 12

HEX #E01BDF

RGB 224 27 223

HSL 300.3, 0.78%, 0.49%

LAB 53.98, 86.46, -53.35

 

CMYK 0 / 0 / 88 / 13

HEX #DEDE1B

RGB 222 222 27

HSL 60, 0.78%, 0.49%

LAB 85.93, -19.09, 82.15

 

CMYK 88 / 0 / 0 / 13

HEX #1BDEDE

RGB 27 222 222

HSL 180, 0.78%, 0.49%

LAB 80.6, -42.44, -12.52

 

CMYK 0 / 88 / 0 / 12

HEX #E01BDF

RGB 224 27 223

HSL 300.3, 0.78%, 0.49%

LAB 53.98, 86.46, -53.35

 

CMYK 0 / 70 / 88 / 13

HEX #DE421B

RGB 222 66 27

HSL 12, 0.78%, 0.49%

LAB 51.27, 58.84, 54.91

 

CMYK 88 / 0 / 88 / 13

HEX #1BDE1B

RGB 27 222 27

HSL 120, 0.78%, 0.49%

LAB 77.61, -75.74, 71.86

 

CMYK 88 / 18 / 0 / 13

HEX #1BB7DE

RGB 27 183 222

HSL 192, 0.78%, 0.49%

LAB 69.02, -23.89, -30.12

 

CMYK 0 / 88 / 0 / 12

HEX #E01BDF

RGB 224 27 223

HSL 300.3, 0.78%, 0.49%

LAB 53.98, 86.46, -53.35

 

CMYK 0 / 44 / 88 / 13

HEX #DE7C1B

RGB 222 124 27

HSL 29.85, 0.78%, 0.49%

LAB 61.67, 32.01, 63.01

 

CMYK 88 / 0 / 88 / 13

HEX #1BDE1B

RGB 27 222 27

HSL 120, 0.78%, 0.49%

LAB 77.61, -75.74, 71.86

 

CMYK 88 / 44 / 0 / 13

HEX #1B7CDE

RGB 27 124 222

HSL 210.15, 0.78%, 0.49%

LAB 51.75, 9.5, -57.32

 

Description

Color code: RGB 224 27 223 | qconv.com Color code: RGB 224 27 223 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 27 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 27 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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