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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C0093 it is the complementary color #63FF6C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C0093. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C0093 shade: #A1008E, #B212A1, #C324B4, #D436C7 and #E548DA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C0093. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C0093 shade: #9C0093, #8B0080, #7A006D, #69005A and #580047

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C0093 shade: #9E0094, #9E006A, #9E003F, #9E0015 and #9E0000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C0093 shade: #9E0094, #7C009E, #51009E, #27009E and #00009E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C0093 shade matches the following richer shades: #9E0094

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C0093 shade: #9E0094, #910C89, #84197E, #772673 and #6A3367

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C0093 shade: #51009E, #7B009E, #9E0096, #9E006C and #9E0041

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C0093 shade: #4B0047, #74006E, #9E0094, #C700BB and #F000E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C0093 shade: #9C0093, #9E2700 and #009E66

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C0093 shade: #9C0093, #969E00 and #00969E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C0093 shade: #9C0093, #9E2700, #009E07 and #00769E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C0093 shade: #9C0093, #9E5600, #009E07 and #00479E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 100 / 6 / 39

HEX #9C0093

RGB 156 0 147

HSL 303.46, 1%, 0.31%

LAB 36.32, 66.73, -37.54

 

Complementary color

CMYK 61 / 0 / 58 / 0

HEX #63FF6C

RGB 99 255 108

HSL 123.46, 1%, 0.69%

LAB 89.51, -69.14, 57.18

 

CMYK 0 / 100 / 12 / 37

HEX #A1008E

RGB 161 0 142

HSL 307.08, 1%, 0.32%

LAB 36.99, 66.92, -33.36

 

CMYK 0 / 90 / 10 / 30

HEX #B212A1

RGB 178 18 161

HSL 306.38, 0.82%, 0.38%

LAB 41.95, 70.59, -36.83

 

CMYK 0 / 82 / 8 / 24

HEX #C324B4

RGB 195 36 180

HSL 305.66, 0.69%, 0.45%

LAB 47.18, 73.22, -39.65

 

CMYK 0 / 75 / 6 / 17

HEX #D436C7

RGB 212 54 199

HSL 304.94, 0.65%, 0.52%

LAB 52.68, 74.79, -41.81

 

CMYK 0 / 69 / 5 / 10

HEX #E548DA

RGB 229 72 218

HSL 304.2, 0.75%, 0.59%

LAB 58.37, 75.62, -43.5

 

CMYK 0 / 100 / 6 / 39

HEX #9C0093

RGB 156 0 147

HSL 303.46, 1%, 0.31%

LAB 36.32, 66.73, -37.54

 

CMYK 0 / 100 / 8 / 45

HEX #8B0080

RGB 139 0 128

HSL 304.75, 1%, 0.27%

LAB 31.91, 60.9, -32.97

 

CMYK 0 / 100 / 11 / 52

HEX #7A006D

RGB 122 0 109

HSL 306.39, 1%, 0.24%

LAB 27.41, 54.95, -28.24

 

CMYK 0 / 100 / 14 / 59

HEX #69005A

RGB 105 0 90

HSL 308.57, 1%, 0.21%

LAB 22.8, 48.85, -23.32

 

CMYK 0 / 100 / 19 / 65

HEX #580047

RGB 88 0 71

HSL 311.59, 1%, 0.17%

LAB 18.05, 42.57, -18.14

 

CMYK 0 / 100 / 6 / 38

HEX #9E0094

RGB 158 0 148

HSL 303.8, 1%, 0.31%

LAB 36.76, 67.22, -37.43

 

CMYK 0 / 100 / 33 / 38

HEX #9E006A

RGB 158 0 106

HSL 319.75, 1%, 0.31%

LAB 34.62, 61.87, -14.53

 

CMYK 0 / 100 / 60 / 38

HEX #9E003F

RGB 158 0 63

HSL 336.08, 1%, 0.31%

LAB 33.2, 58.14, 11.41

 

CMYK 0 / 100 / 87 / 38

HEX #9E0015

RGB 158 0 21

HSL 352.03, 1%, 0.31%

LAB 32.53, 56.34, 37.13

 

CMYK 0 / 100 / 100 / 38

HEX #9E0000

RGB 158 0 0

HSL 0, 1%, 0.31%

LAB 32.41, 56.02, 46.44

 

CMYK 0 / 100 / 6 / 38

HEX #9E0094

RGB 158 0 148

HSL 303.8, 1%, 0.31%

LAB 36.76, 67.22, -37.43

 

CMYK 22 / 100 / 0 / 38

HEX #7C009E

RGB 124 0 158

HSL 287.09, 1%, 0.31%

LAB 31.24, 63.45, -52.74

 

CMYK 49 / 100 / 0 / 38

HEX #51009E

RGB 81 0 158

HSL 270.76, 1%, 0.31%

LAB 24.38, 58.52, -64.26

 

CMYK 75 / 100 / 0 / 38

HEX #27009E

RGB 39 0 158

HSL 254.81, 1%, 0.31%

LAB 19.64, 56.05, -72.27

 

CMYK 100 / 100 / 0 / 38

HEX #00009E

RGB 0 0 158

HSL 240, 1%, 0.31%

LAB 17.78, 55.38, -75.42

 

CMYK 0 / 100 / 6 / 38

HEX #9E0094

RGB 158 0 148

HSL 303.8, 1%, 0.31%

LAB 36.76, 67.22, -37.43

 

CMYK 0 / 100 / 6 / 38

HEX #9E0094

RGB 158 0 148

HSL 303.8, 1%, 0.31%

LAB 36.76, 67.22, -37.43

 

CMYK 0 / 92 / 6 / 43

HEX #910C89

RGB 145 12 137

HSL 303.61, 0.85%, 0.31%

LAB 34.17, 61.69, -34.93

 

CMYK 0 / 81 / 5 / 48

HEX #84197E

RGB 132 25 126

HSL 303.36, 0.68%, 0.31%

LAB 32.05, 54.6, -31.58

 

CMYK 0 / 68 / 3 / 53

HEX #772673

RGB 119 38 115

HSL 302.96, 0.52%, 0.31%

LAB 30.75, 45.04, -26.84

 

CMYK 0 / 52 / 3 / 58

HEX #6A3367

RGB 106 51 103

HSL 303.27, 0.35%, 0.31%

LAB 30.43, 32.54, -19.84

 

CMYK 49 / 100 / 0 / 38

HEX #51009E

RGB 81 0 158

HSL 270.76, 1%, 0.31%

LAB 24.38, 58.52, -64.26

 

CMYK 22 / 100 / 0 / 38

HEX #7B009E

RGB 123 0 158

HSL 286.71, 1%, 0.31%

LAB 31.07, 63.31, -53.03

 

CMYK 0 / 100 / 5 / 38

HEX #9E0096

RGB 158 0 150

HSL 303.04, 1%, 0.31%

LAB 36.88, 67.51, -38.47

 

CMYK 0 / 100 / 32 / 38

HEX #9E006C

RGB 158 0 108

HSL 318.99, 1%, 0.31%

LAB 34.71, 62.09, -15.67

 

CMYK 0 / 100 / 59 / 38

HEX #9E0041

RGB 158 0 65

HSL 335.32, 1%, 0.31%

LAB 33.24, 58.27, 10.16

 

CMYK 0 / 100 / 5 / 71

HEX #4B0047

RGB 75 0 71

HSL 303.2, 1%, 0.15%

LAB 15.23, 39.88, -22.79

 

CMYK 0 / 100 / 5 / 55

HEX #74006E

RGB 116 0 110

HSL 303.1, 1%, 0.23%

LAB 26.27, 53.98, -30.77

 

CMYK 0 / 100 / 6 / 38

HEX #9E0094

RGB 158 0 148

HSL 303.8, 1%, 0.31%

LAB 36.76, 67.22, -37.43

 

CMYK 0 / 100 / 6 / 22

HEX #C700BB

RGB 199 0 187

HSL 303.62, 1%, 0.39%

LAB 46.62, 79.81, -44.61

 

CMYK 0 / 100 / 6 / 6

HEX #F000E2

RGB 240 0 226

HSL 303.5, 1%, 0.47%

LAB 56.1, 91.92, -51.5

 

CMYK 0 / 100 / 6 / 39

HEX #9C0093

RGB 156 0 147

HSL 303.46, 1%, 0.31%

LAB 36.32, 66.73, -37.54

 

CMYK 0 / 75 / 100 / 38

HEX #9E2700

RGB 158 39 0

HSL 14.81, 1%, 0.31%

LAB 35.44, 47.43, 48.21

 

CMYK 100 / 0 / 35 / 38

HEX #009E66

RGB 0 158 102

HSL 158.73, 1%, 0.31%

LAB 57.48, -48.77, 19.61

 

CMYK 0 / 100 / 6 / 39

HEX #9C0093

RGB 156 0 147

HSL 303.46, 1%, 0.31%

LAB 36.32, 66.73, -37.54

 

CMYK 5 / 0 / 100 / 38

HEX #969E00

RGB 150 158 0

HSL 63.04, 1%, 0.31%

LAB 62.46, -18.65, 65.29

 

CMYK 100 / 5 / 0 / 38

HEX #00969E

RGB 0 150 158

HSL 183.04, 1%, 0.31%

LAB 56.37, -29.79, -13.7

 

CMYK 0 / 100 / 6 / 39

HEX #9C0093

RGB 156 0 147

HSL 303.46, 1%, 0.31%

LAB 36.32, 66.73, -37.54

 

CMYK 0 / 75 / 100 / 38

HEX #9E2700

RGB 158 39 0

HSL 14.81, 1%, 0.31%

LAB 35.44, 47.43, 48.21

 

CMYK 100 / 0 / 96 / 38

HEX #009E07

RGB 0 158 7

HSL 122.66, 1%, 0.31%

LAB 56.55, -60.07, 57.1

 

CMYK 100 / 25 / 0 / 38

HEX #00769E

RGB 0 118 158

HSL 195.19, 1%, 0.31%

LAB 46.21, -12.87, -29.3

 

CMYK 0 / 100 / 6 / 39

HEX #9C0093

RGB 156 0 147

HSL 303.46, 1%, 0.31%

LAB 36.32, 66.73, -37.54

 

CMYK 0 / 46 / 100 / 38

HEX #9E5600

RGB 158 86 0

HSL 32.66, 1%, 0.31%

LAB 44.12, 24.9, 53.01

 

CMYK 100 / 0 / 96 / 38

HEX #009E07

RGB 0 158 7

HSL 122.66, 1%, 0.31%

LAB 56.55, -60.07, 57.1

 

CMYK 100 / 55 / 0 / 38

HEX #00479E

RGB 0 71 158

HSL 213.04, 1%, 0.31%

LAB 31.75, 17.11, -52.35

 

Description

Color code: HEX #9C0093 | qconv.com Color code: HEX #9C0093 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, none green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 0 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 100 magenta, 6 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 100% 6% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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