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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 224 173 220 it is the complementary color RGB 31 82 35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 224 173 220. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 224 173 220 shade: RGB 229 173 215, RGB 246 191 234, RGB 255 209 253, RGB 255 227 255 and RGB 255 245 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 224 173 220. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 224 173 220 shade: RGB 224 173 220, RGB 207 155 201, RGB 190 137 182, RGB 173 119 163 and RGB 156 101 144

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 224 173 220 shade: RGB 224 173 220, RGB 224 173 206, RGB 224 173 192, RGB 224 173 179 and RGB 224 173 173

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 224 173 220 shade: RGB 224 173 220, RGB 214 173 224, RGB 200 173 224, RGB 187 173 224 and RGB 173 173 224

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 224 173 220 shade matches the following richer shades: RGB 224 173 220, RGB 233 164 227, RGB 242 155 235 and RGB 251 146 243

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 224 173 220 shade: RGB 224 173 220, RGB 215 182 212, RGB 205 191 204, RGB 196 200 197 and RGB 187 209 189

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 224 173 220 shade: RGB 200 173 224, RGB 214 173 224, RGB 224 173 220, RGB 224 173 207 and RGB 224 173 193

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 224 173 220 shade: RGB 201 113 194, RGB 212 143 207, RGB 224 173 220, RGB 235 203 232 and RGB 246 233 245

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 224 173 220 shade: RGB 224 173 220, RGB 224 187 173 and RGB 173 224 207

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 224 173 220 shade: RGB 224 173 220, RGB 220 224 173 and RGB 173 220 224

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 224 173 220 shade: RGB 224 173 220, RGB 224 187 173, RGB 173 224 177 and RGB 173 210 224

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 224 173 220 shade: RGB 224 173 220, RGB 224 202 173, RGB 173 224 177 and RGB 173 195 224

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 2 / 12

HEX #E0ADDC

RGB 224 173 220

HSL 304.71, 0.45%, 0.78%

LAB 76.62, 26.34, -16.51

 

Complementary color

CMYK 62 / 0 / 57 / 68

HEX #1F5223

RGB 31 82 35

HSL 124.71, 0.45%, 0.22%

LAB 30.51, -28.25, 22.38

 

CMYK 0 / 24 / 6 / 10

HEX #E5ADD7

RGB 229 173 215

HSL 315, 0.52%, 0.79%

LAB 76.95, 27.12, -13.24

 

CMYK 0 / 22 / 5 / 4

HEX #F6BFEA

RGB 246 191 234

HSL 313.09, 0.75%, 0.86%

LAB 83.33, 26.55, -13.75

 

CMYK 0 / 18 / 1 / 0

HEX #FFD1FD

RGB 255 209 253

HSL 302.61, 1%, 0.91%

LAB 88.9, 23.39, -15.4

 

CMYK 0 / 11 / 0 / 0

HEX #FFE3FF

RGB 255 227 255

HSL 300, 1%, 0.95%

LAB 93.2, 14.35, -10.03

 

CMYK 0 / 4 / 0 / 0

HEX #FFF5FF

RGB 255 245 255

HSL 300, 1%, 0.98%

LAB 97.55, 5.08, -3.61

 

CMYK 0 / 23 / 2 / 12

HEX #E0ADDC

RGB 224 173 220

HSL 304.71, 0.45%, 0.78%

LAB 76.62, 26.34, -16.51

 

CMYK 0 / 25 / 3 / 19

HEX #CF9BC9

RGB 207 155 201

HSL 306.92, 0.35%, 0.71%

LAB 70.12, 26.94, -16.05

 

CMYK 0 / 28 / 4 / 25

HEX #BE89B6

RGB 190 137 182

HSL 309.06, 0.29%, 0.64%

LAB 63.52, 27.59, -15.57

 

CMYK 0 / 31 / 6 / 32

HEX #AD77A3

RGB 173 119 163

HSL 311.11, 0.25%, 0.57%

LAB 56.8, 28.28, -15.06

 

CMYK 0 / 35 / 8 / 39

HEX #9C6590

RGB 156 101 144

HSL 313.09, 0.22%, 0.5%

LAB 49.96, 29.04, -14.51

 

CMYK 0 / 23 / 2 / 12

HEX #E0ADDC

RGB 224 173 220

HSL 304.71, 0.45%, 0.78%

LAB 76.62, 26.34, -16.51

 

CMYK 0 / 23 / 8 / 12

HEX #E0ADCE

RGB 224 173 206

HSL 321.18, 0.45%, 0.78%

LAB 76.19, 23.86, -9.53

 

CMYK 0 / 23 / 14 / 12

HEX #E0ADC0

RGB 224 173 192

HSL 337.65, 0.45%, 0.78%

LAB 75.79, 21.53, -2.49

 

CMYK 0 / 23 / 20 / 12

HEX #E0ADB3

RGB 224 173 179

HSL 352.94, 0.45%, 0.78%

LAB 75.44, 19.5, 4.12

 

CMYK 0 / 23 / 23 / 12

HEX #E0ADAD

RGB 224 173 173

HSL 0, 0.45%, 0.78%

LAB 75.3, 18.61, 7.19

 

CMYK 0 / 23 / 2 / 12

HEX #E0ADDC

RGB 224 173 220

HSL 304.71, 0.45%, 0.78%

LAB 76.62, 26.34, -16.51

 

CMYK 4 / 23 / 0 / 12

HEX #D6ADE0

RGB 214 173 224

HSL 288.24, 0.45%, 0.78%

LAB 75.8, 23.79, -20.01

 

CMYK 11 / 23 / 0 / 12

HEX #C8ADE0

RGB 200 173 224

HSL 271.76, 0.45%, 0.78%

LAB 74.54, 19.25, -22.04

 

CMYK 17 / 23 / 0 / 12

HEX #BBADE0

RGB 187 173 224

HSL 256.47, 0.45%, 0.78%

LAB 73.44, 15.12, -23.82

 

CMYK 23 / 23 / 0 / 12

HEX #ADADE0

RGB 173 173 224

HSL 240, 0.45%, 0.78%

LAB 72.33, 10.78, -25.61

 

CMYK 0 / 23 / 2 / 12

HEX #E0ADDC

RGB 224 173 220

HSL 304.71, 0.45%, 0.78%

LAB 76.62, 26.34, -16.51

 

CMYK 0 / 30 / 3 / 9

HEX #E9A4E3

RGB 233 164 227

HSL 305.22, 0.61%, 0.78%

LAB 75.71, 35.37, -21.6

 

CMYK 0 / 36 / 3 / 5

HEX #F29BEB

RGB 242 155 235

HSL 304.83, 0.77%, 0.78%

LAB 75.03, 44.37, -26.92

 

CMYK 0 / 42 / 3 / 2

HEX #FB92F3

RGB 251 146 243

HSL 304.57, 0.93%, 0.78%

LAB 74.53, 53.07, -31.94

 

CMYK 0 / 23 / 2 / 12

HEX #E0ADDC

RGB 224 173 220

HSL 304.71, 0.45%, 0.78%

LAB 76.62, 26.34, -16.51

 

CMYK 0 / 15 / 1 / 16

HEX #D7B6D4

RGB 215 182 212

HSL 305.45, 0.29%, 0.78%

LAB 77.67, 16.99, -10.67

 

CMYK 0 / 7 / 0 / 20

HEX #CDBFCC

RGB 205 191 204

HSL 304.29, 0.12%, 0.78%

LAB 78.81, 7.25, -4.75

 

CMYK 2 / 0 / 1 / 22

HEX #C4C8C5

RGB 196 200 197

HSL 135, 0.04%, 0.78%

LAB 80.22, -1.92, 1.01

 

CMYK 11 / 0 / 10 / 18

HEX #BBD1BD

RGB 187 209 189

HSL 125.45, 0.19%, 0.78%

LAB 81.75, -11.15, 7.42

 

CMYK 11 / 23 / 0 / 12

HEX #C8ADE0

RGB 200 173 224

HSL 271.76, 0.45%, 0.78%

LAB 74.54, 19.25, -22.04

 

CMYK 4 / 23 / 0 / 12

HEX #D6ADE0

RGB 214 173 224

HSL 288.24, 0.45%, 0.78%

LAB 75.8, 23.79, -20.01

 

CMYK 0 / 23 / 2 / 12

HEX #E0ADDC

RGB 224 173 220

HSL 304.71, 0.45%, 0.78%

LAB 76.62, 26.34, -16.51

 

CMYK 0 / 23 / 8 / 12

HEX #E0ADCF

RGB 224 173 207

HSL 320, 0.45%, 0.78%

LAB 76.22, 24.03, -10.03

 

CMYK 0 / 23 / 14 / 12

HEX #E0ADC1

RGB 224 173 193

HSL 336.47, 0.45%, 0.78%

LAB 75.81, 21.69, -2.99

 

CMYK 0 / 44 / 3 / 21

HEX #C971C2

RGB 201 113 194

HSL 304.77, 0.45%, 0.62%

LAB 60, 46.27, -27.64

 

CMYK 0 / 33 / 2 / 17

HEX #D48FCF

RGB 212 143 207

HSL 304.35, 0.45%, 0.7%

LAB 68.13, 36.2, -22.36

 

CMYK 0 / 23 / 2 / 12

HEX #E0ADDC

RGB 224 173 220

HSL 304.71, 0.45%, 0.78%

LAB 76.62, 26.34, -16.51

 

CMYK 0 / 14 / 1 / 8

HEX #EBCBE8

RGB 235 203 232

HSL 305.63, 0.44%, 0.86%

LAB 85.1, 16.16, -10.15

 

CMYK 0 / 5 / 0 / 4

HEX #F6E9F5

RGB 246 233 245

HSL 304.62, 0.42%, 0.94%

LAB 93.65, 6.48, -4.23

 

CMYK 0 / 23 / 2 / 12

HEX #E0ADDC

RGB 224 173 220

HSL 304.71, 0.45%, 0.78%

LAB 76.62, 26.34, -16.51

 

CMYK 0 / 17 / 23 / 12

HEX #E0BBAD

RGB 224 187 173

HSL 16.47, 0.45%, 0.78%

LAB 78.7, 11.12, 12.03

 

CMYK 23 / 0 / 8 / 12

HEX #ADE0CF

RGB 173 224 207

HSL 160, 0.45%, 0.78%

LAB 85.35, -19.82, 2.96

 

CMYK 0 / 23 / 2 / 12

HEX #E0ADDC

RGB 224 173 220

HSL 304.71, 0.45%, 0.78%

LAB 76.62, 26.34, -16.51

 

CMYK 2 / 0 / 23 / 12

HEX #DCE0AD

RGB 220 224 173

HSL 64.71, 0.45%, 0.78%

LAB 87.75, -9.6, 24.59

 

CMYK 23 / 2 / 0 / 12

HEX #ADDCE0

RGB 173 220 224

HSL 184.71, 0.45%, 0.78%

LAB 84.72, -14.25, -6.96

 

CMYK 0 / 23 / 2 / 12

HEX #E0ADDC

RGB 224 173 220

HSL 304.71, 0.45%, 0.78%

LAB 76.62, 26.34, -16.51

 

CMYK 0 / 17 / 23 / 12

HEX #E0BBAD

RGB 224 187 173

HSL 16.47, 0.45%, 0.78%

LAB 78.7, 11.12, 12.03

 

CMYK 23 / 0 / 21 / 12

HEX #ADE0B1

RGB 173 224 177

HSL 124.71, 0.45%, 0.78%

LAB 84.67, -25.46, 17.77

 

CMYK 23 / 6 / 0 / 12

HEX #ADD2E0

RGB 173 210 224

HSL 196.47, 0.45%, 0.78%

LAB 82.03, -9.12, -10.95

 

CMYK 0 / 23 / 2 / 12

HEX #E0ADDC

RGB 224 173 220

HSL 304.71, 0.45%, 0.78%

LAB 76.62, 26.34, -16.51

 

CMYK 0 / 10 / 23 / 12

HEX #E0CAAD

RGB 224 202 173

HSL 34.12, 0.45%, 0.78%

LAB 82.44, 3.2, 17.29

 

CMYK 23 / 0 / 21 / 12

HEX #ADE0B1

RGB 173 224 177

HSL 124.71, 0.45%, 0.78%

LAB 84.67, -25.46, 17.77

 

CMYK 23 / 13 / 0 / 12

HEX #ADC3E0

RGB 173 195 224

HSL 214.12, 0.45%, 0.78%

LAB 78.05, -1.21, -16.92

 

Description

Color code: RGB 224 173 220 | qconv.com Color code: RGB 224 173 220 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 173 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 173 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 2 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 2% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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