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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 224 173 179 it is the complementary color RGB 31 82 76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 224 173 179. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 224 173 179 shade: RGB 229 173 174, RGB 246 191 193, RGB 255 209 212, RGB 255 227 231 and RGB 255 245 250

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 224 173 179. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 224 173 179 shade: RGB 224 173 179, RGB 207 155 160, RGB 190 137 141, RGB 173 119 122 and RGB 156 101 103

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 224 173 179 shade: RGB 224 173 179 and RGB 224 173 173

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 224 173 179 shade: RGB 224 173 179, RGB 224 173 193, RGB 224 173 206, RGB 224 173 220 and RGB 214 173 224

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 224 173 179 shade matches the following richer shades: RGB 224 173 179, RGB 233 164 172, RGB 242 155 165 and RGB 251 146 158

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 224 173 179 shade: RGB 224 173 179, RGB 215 182 186, RGB 205 191 193, RGB 196 200 200 and RGB 187 209 207

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 224 173 179 shade: RGB 224 173 207, RGB 224 173 193, RGB 224 173 180, RGB 224 180 173 and RGB 224 193 173

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 224 173 179 shade: RGB 201 113 124, RGB 212 143 151, RGB 224 173 179, RGB 235 203 207 and RGB 246 233 235

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 224 173 179 shade: RGB 224 173 179, RGB 220 224 173 and RGB 173 200 224

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 224 173 179 shade: RGB 224 173 179, RGB 180 224 173 and RGB 173 180 224

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 224 173 179 shade: RGB 224 173 179, RGB 220 224 173, RGB 173 224 217 and RGB 177 173 224

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 224 173 179 shade: RGB 224 173 179, RGB 205 224 173, RGB 173 224 217 and RGB 192 173 224

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 20 / 12

HEX #E0ADB3

RGB 224 173 179

HSL 352.94, 0.45%, 0.78%

LAB 75.44, 19.5, 4.12

 

Complementary color

CMYK 62 / 0 / 7 / 68

HEX #1F524C

RGB 31 82 76

HSL 172.94, 0.45%, 0.22%

LAB 31.46, -18.64, -1.6

 

CMYK 0 / 24 / 24 / 10

HEX #E5ADAE

RGB 229 173 174

HSL 358.93, 0.52%, 0.79%

LAB 75.82, 20.6, 7.46

 

CMYK 0 / 22 / 22 / 4

HEX #F6BFC1

RGB 246 191 193

HSL 357.82, 0.75%, 0.86%

LAB 82.22, 19.99, 6.59

 

CMYK 0 / 18 / 17 / 0

HEX #FFD1D4

RGB 255 209 212

HSL 356.09, 1%, 0.91%

LAB 87.78, 16.59, 4.61

 

CMYK 0 / 11 / 9 / 0

HEX #FFE3E7

RGB 255 227 231

HSL 351.43, 1%, 0.95%

LAB 92.56, 10.24, 1.56

 

CMYK 0 / 4 / 2 / 0

HEX #FFF5FA

RGB 255 245 250

HSL 330, 1%, 0.98%

LAB 97.42, 4.2, -1.22

 

CMYK 0 / 23 / 20 / 12

HEX #E0ADB3

RGB 224 173 179

HSL 352.94, 0.45%, 0.78%

LAB 75.44, 19.5, 4.12

 

CMYK 0 / 25 / 23 / 19

HEX #CF9BA0

RGB 207 155 160

HSL 354.23, 0.35%, 0.71%

LAB 68.93, 20.12, 4.97

 

CMYK 0 / 28 / 26 / 25

HEX #BE898D

RGB 190 137 141

HSL 355.47, 0.29%, 0.64%

LAB 62.31, 20.82, 5.9

 

CMYK 0 / 31 / 29 / 32

HEX #AD777A

RGB 173 119 122

HSL 356.67, 0.25%, 0.57%

LAB 55.57, 21.59, 6.92

 

CMYK 0 / 35 / 34 / 39

HEX #9C6567

RGB 156 101 103

HSL 357.82, 0.22%, 0.5%

LAB 48.7, 22.47, 8.07

 

CMYK 0 / 23 / 20 / 12

HEX #E0ADB3

RGB 224 173 179

HSL 352.94, 0.45%, 0.78%

LAB 75.44, 19.5, 4.12

 

CMYK 0 / 23 / 23 / 12

HEX #E0ADAD

RGB 224 173 173

HSL 0, 0.45%, 0.78%

LAB 75.3, 18.61, 7.19

 

CMYK 0 / 23 / 20 / 12

HEX #E0ADB3

RGB 224 173 179

HSL 352.94, 0.45%, 0.78%

LAB 75.44, 19.5, 4.12

 

CMYK 0 / 23 / 14 / 12

HEX #E0ADC1

RGB 224 173 193

HSL 336.47, 0.45%, 0.78%

LAB 75.81, 21.69, -2.99

 

CMYK 0 / 23 / 8 / 12

HEX #E0ADCE

RGB 224 173 206

HSL 321.18, 0.45%, 0.78%

LAB 76.19, 23.86, -9.53

 

CMYK 0 / 23 / 2 / 12

HEX #E0ADDC

RGB 224 173 220

HSL 304.71, 0.45%, 0.78%

LAB 76.62, 26.34, -16.51

 

CMYK 4 / 23 / 0 / 12

HEX #D6ADE0

RGB 214 173 224

HSL 288.24, 0.45%, 0.78%

LAB 75.8, 23.79, -20.01

 

CMYK 0 / 23 / 20 / 12

HEX #E0ADB3

RGB 224 173 179

HSL 352.94, 0.45%, 0.78%

LAB 75.44, 19.5, 4.12

 

CMYK 0 / 30 / 26 / 9

HEX #E9A4AC

RGB 233 164 172

HSL 353.04, 0.61%, 0.78%

LAB 74.1, 26.6, 6.13

 

CMYK 0 / 36 / 32 / 5

HEX #F29BA5

RGB 242 155 165

HSL 353.1, 0.77%, 0.78%

LAB 72.92, 33.73, 8.43

 

CMYK 0 / 42 / 37 / 2

HEX #FB929E

RGB 251 146 158

HSL 353.14, 0.93%, 0.78%

LAB 71.92, 40.8, 11.03

 

CMYK 0 / 23 / 20 / 12

HEX #E0ADB3

RGB 224 173 179

HSL 352.94, 0.45%, 0.78%

LAB 75.44, 19.5, 4.12

 

CMYK 0 / 15 / 13 / 16

HEX #D7B6BA

RGB 215 182 186

HSL 352.73, 0.29%, 0.78%

LAB 76.95, 12.48, 2.38

 

CMYK 0 / 7 / 6 / 20

HEX #CDBFC1

RGB 205 191 193

HSL 351.43, 0.12%, 0.78%

LAB 78.51, 5.27, 0.76

 

CMYK 2 / 0 / 0 / 22

HEX #C4C8C8

RGB 196 200 200

HSL 180, 0.04%, 0.78%

LAB 80.3, -1.37, -0.49

 

CMYK 11 / 0 / 1 / 18

HEX #BBD1CF

RGB 187 209 207

HSL 174.55, 0.19%, 0.78%

LAB 82.2, -7.75, -1.53

 

CMYK 0 / 23 / 8 / 12

HEX #E0ADCF

RGB 224 173 207

HSL 320, 0.45%, 0.78%

LAB 76.22, 24.03, -10.03

 

CMYK 0 / 23 / 14 / 12

HEX #E0ADC1

RGB 224 173 193

HSL 336.47, 0.45%, 0.78%

LAB 75.81, 21.69, -2.99

 

CMYK 0 / 23 / 20 / 12

HEX #E0ADB4

RGB 224 173 180

HSL 351.76, 0.45%, 0.78%

LAB 75.47, 19.65, 3.61

 

CMYK 0 / 20 / 23 / 12

HEX #E0B4AD

RGB 224 180 173

HSL 8.24, 0.45%, 0.78%

LAB 76.99, 14.86, 9.6

 

CMYK 0 / 14 / 23 / 12

HEX #E0C1AD

RGB 224 193 173

HSL 23.53, 0.45%, 0.78%

LAB 80.18, 7.94, 14.13

 

CMYK 0 / 44 / 38 / 21

HEX #C9717C

RGB 201 113 124

HSL 352.5, 0.45%, 0.62%

LAB 57.73, 35.82, 9.32

 

CMYK 0 / 33 / 29 / 17

HEX #D48F97

RGB 212 143 151

HSL 353.04, 0.45%, 0.7%

LAB 66.43, 27.24, 6.48

 

CMYK 0 / 23 / 20 / 12

HEX #E0ADB3

RGB 224 173 179

HSL 352.94, 0.45%, 0.78%

LAB 75.44, 19.5, 4.12

 

CMYK 0 / 14 / 12 / 8

HEX #EBCBCF

RGB 235 203 207

HSL 352.5, 0.44%, 0.86%

LAB 84.42, 11.87, 2.16

 

CMYK 0 / 5 / 4 / 4

HEX #F6E9EB

RGB 246 233 235

HSL 350.77, 0.42%, 0.94%

LAB 93.39, 4.73, 0.6

 

CMYK 0 / 23 / 20 / 12

HEX #E0ADB3

RGB 224 173 179

HSL 352.94, 0.45%, 0.78%

LAB 75.44, 19.5, 4.12

 

CMYK 2 / 0 / 23 / 12

HEX #DCE0AD

RGB 220 224 173

HSL 64.71, 0.45%, 0.78%

LAB 87.75, -9.6, 24.59

 

CMYK 23 / 11 / 0 / 12

HEX #ADC8E0

RGB 173 200 224

HSL 208.24, 0.45%, 0.78%

LAB 79.37, -3.87, -14.93

 

CMYK 0 / 23 / 20 / 12

HEX #E0ADB3

RGB 224 173 179

HSL 352.94, 0.45%, 0.78%

LAB 75.44, 19.5, 4.12

 

CMYK 20 / 0 / 23 / 12

HEX #B4E0AD

RGB 180 224 173

HSL 111.76, 0.45%, 0.78%

LAB 85.01, -23.8, 20.39

 

CMYK 23 / 20 / 0 / 12

HEX #ADB4E0

RGB 173 180 224

HSL 231.76, 0.45%, 0.78%

LAB 74.13, 6.92, -22.86

 

CMYK 0 / 23 / 20 / 12

HEX #E0ADB3

RGB 224 173 179

HSL 352.94, 0.45%, 0.78%

LAB 75.44, 19.5, 4.12

 

CMYK 2 / 0 / 23 / 12

HEX #DCE0AD

RGB 220 224 173

HSL 64.71, 0.45%, 0.78%

LAB 87.75, -9.6, 24.59

 

CMYK 23 / 0 / 3 / 12

HEX #ADE0D9

RGB 173 224 217

HSL 171.76, 0.45%, 0.78%

LAB 85.61, -17.77, -1.95

 

CMYK 21 / 23 / 0 / 12

HEX #B1ADE0

RGB 177 173 224

HSL 244.71, 0.45%, 0.78%

LAB 72.64, 12, -25.11

 

CMYK 0 / 23 / 20 / 12

HEX #E0ADB3

RGB 224 173 179

HSL 352.94, 0.45%, 0.78%

LAB 75.44, 19.5, 4.12

 

CMYK 8 / 0 / 23 / 12

HEX #CDE0AD

RGB 205 224 173

HSL 82.35, 0.45%, 0.78%

LAB 86.66, -15.06, 22.92

 

CMYK 23 / 0 / 3 / 12

HEX #ADE0D9

RGB 173 224 217

HSL 171.76, 0.45%, 0.78%

LAB 85.61, -17.77, -1.95

 

CMYK 14 / 23 / 0 / 12

HEX #C0ADE0

RGB 192 173 224

HSL 262.35, 0.45%, 0.78%

LAB 73.85, 16.7, -23.15

 

Description

Color code: RGB 224 173 179 | qconv.com Color code: RGB 224 173 179 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 173 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 173 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 20 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 20% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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