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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 224 141 15 it is the complementary color RGB 31 114 240. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 224 141 15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 224 141 15 shade: RGB 229 141 10, RGB 246 159 29, RGB 255 177 48, RGB 255 195 67 and RGB 255 213 86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 224 141 15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 224 141 15 shade: RGB 224 141 15, RGB 207 123 0, RGB 190 105 0, RGB 173 87 0 and RGB 156 69 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 224 141 15 shade: RGB 224 141 15, RGB 224 85 15, RGB 224 28 15 and RGB 224 15 15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 224 141 15 shade: RGB 224 141 15, RGB 224 197 15, RGB 194 224 15, RGB 138 224 15 and RGB 82 224 15

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 224 141 15 shade matches the following richer shades: RGB 224 141 15

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 224 141 15 shade: RGB 224 141 15, RGB 204 137 34, RGB 185 133 54, RGB 165 129 73 and RGB 146 125 93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 224 141 15 shade: RGB 224 29 15, RGB 224 85 15, RGB 224 140 15, RGB 224 196 15 and RGB 196 224 15

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 224 141 15 shade: RGB 146 92 10, RGB 185 116 12, RGB 224 141 15, RGB 240 160 40 and RGB 242 177 79

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 224 141 15 shade: RGB 224 141 15, RGB 57 224 15 and RGB 57 15 224

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 224 141 15 shade: RGB 224 141 15, RGB 15 224 140 and RGB 140 15 224

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 224 141 15 shade: RGB 224 141 15, RGB 57 224 15, RGB 15 98 224 and RGB 182 15 224

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 224 141 15 shade: RGB 224 141 15, RGB 15 224 36, RGB 15 98 224 and RGB 224 15 203

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 93 / 12

HEX #E08D0F

RGB 224 141 15

HSL 36.17, 0.87%, 0.47%

LAB 65.7, 23.65, 68.91

 

Complementary color

CMYK 87 / 53 / 0 / 6

HEX #1F72F0

RGB 31 114 240

HSL 216.17, 0.87%, 0.53%

LAB 50.24, 22.93, -69.85

 

CMYK 0 / 38 / 96 / 10

HEX #E58D0A

RGB 229 141 10

HSL 35.89, 0.92%, 0.47%

LAB 66.31, 25.72, 70.42

 

CMYK 0 / 35 / 88 / 4

HEX #F69F1D

RGB 246 159 29

HSL 35.94, 0.92%, 0.54%

LAB 72.55, 23.64, 72.25

 

CMYK 0 / 31 / 81 / 0

HEX #FFB130

RGB 255 177 48

HSL 37.39, 1%, 0.59%

LAB 77.83, 18.44, 71.59

 

CMYK 0 / 24 / 74 / 0

HEX #FFC343

RGB 255 195 67

HSL 40.85, 1%, 0.63%

LAB 82.21, 9.75, 68.95

 

CMYK 0 / 16 / 66 / 0

HEX #FFD556

RGB 255 213 86

HSL 45.09, 1%, 0.67%

LAB 86.76, 1.42, 65.99

 

CMYK 0 / 37 / 93 / 12

HEX #E08D0F

RGB 224 141 15

HSL 36.17, 0.87%, 0.47%

LAB 65.7, 23.65, 68.91

 

CMYK 0 / 41 / 100 / 19

HEX #CF7B00

RGB 207 123 0

HSL 35.65, 1%, 0.41%

LAB 59.37, 25.89, 65.97

 

CMYK 0 / 45 / 100 / 25

HEX #BE6900

RGB 190 105 0

HSL 33.16, 1%, 0.37%

LAB 53, 28.33, 60.81

 

CMYK 0 / 50 / 100 / 32

HEX #AD5700

RGB 173 87 0

HSL 30.17, 1%, 0.34%

LAB 46.58, 30.8, 55.64

 

CMYK 0 / 56 / 100 / 39

HEX #9C4500

RGB 156 69 0

HSL 26.54, 1%, 0.31%

LAB 40.12, 33.24, 50.46

 

CMYK 0 / 37 / 93 / 12

HEX #E08D0F

RGB 224 141 15

HSL 36.17, 0.87%, 0.47%

LAB 65.7, 23.65, 68.91

 

CMYK 0 / 62 / 93 / 12

HEX #E0550F

RGB 224 85 15

HSL 20.1, 0.87%, 0.47%

LAB 54.43, 51.63, 61.18

 

CMYK 0 / 88 / 93 / 12

HEX #E01C0F

RGB 224 28 15

HSL 3.73, 0.87%, 0.47%

LAB 47.9, 69.66, 57.12

 

CMYK 0 / 93 / 93 / 12

HEX #E00F0F

RGB 224 15 15

HSL 0, 0.87%, 0.47%

LAB 47.27, 71.47, 56.76

 

CMYK 0 / 37 / 93 / 12

HEX #E08D0F

RGB 224 141 15

HSL 36.17, 0.87%, 0.47%

LAB 65.7, 23.65, 68.91

 

CMYK 0 / 12 / 93 / 12

HEX #E0C50F

RGB 224 197 15

HSL 52.25, 0.87%, 0.47%

LAB 79.51, -5.92, 79.03

 

CMYK 13 / 0 / 93 / 12

HEX #C2E00F

RGB 194 224 15

HSL 68.61, 0.87%, 0.47%

LAB 84.39, -31.82, 81.72

 

CMYK 38 / 0 / 93 / 12

HEX #8AE00F

RGB 138 224 15

HSL 84.69, 0.87%, 0.47%

LAB 81.15, -52.95, 77.79

 

CMYK 63 / 0 / 93 / 12

HEX #52E00F

RGB 82 224 15

HSL 100.77, 0.87%, 0.47%

LAB 79.12, -68.74, 75.29

 

CMYK 0 / 37 / 93 / 12

HEX #E08D0F

RGB 224 141 15

HSL 36.17, 0.87%, 0.47%

LAB 65.7, 23.65, 68.91

 

CMYK 0 / 37 / 93 / 12

HEX #E08D0F

RGB 224 141 15

HSL 36.17, 0.87%, 0.47%

LAB 65.7, 23.65, 68.91

 

CMYK 0 / 33 / 83 / 20

HEX #CC8922

RGB 204 137 34

HSL 36.35, 0.71%, 0.47%

LAB 62.38, 17.58, 60.46

 

CMYK 0 / 28 / 71 / 27

HEX #B98536

RGB 185 133 54

HSL 36.18, 0.55%, 0.47%

LAB 59.3, 12.26, 48.81

 

CMYK 0 / 22 / 56 / 35

HEX #A58149

RGB 165 129 73

HSL 36.52, 0.39%, 0.47%

LAB 56.27, 7.01, 35.35

 

CMYK 0 / 14 / 36 / 43

HEX #927D5D

RGB 146 125 93

HSL 36.23, 0.22%, 0.47%

LAB 53.57, 3.2, 20.45

 

CMYK 0 / 87 / 93 / 12

HEX #E01D0F

RGB 224 29 15

HSL 4.02, 0.87%, 0.47%

LAB 47.96, 69.48, 57.16

 

CMYK 0 / 62 / 93 / 12

HEX #E0550F

RGB 224 85 15

HSL 20.1, 0.87%, 0.47%

LAB 54.43, 51.63, 61.18

 

CMYK 0 / 38 / 93 / 12

HEX #E08C0F

RGB 224 140 15

HSL 35.89, 0.87%, 0.47%

LAB 65.47, 24.19, 68.75

 

CMYK 0 / 13 / 93 / 12

HEX #E0C40F

RGB 224 196 15

HSL 51.96, 0.87%, 0.47%

LAB 79.25, -5.41, 78.84

 

CMYK 13 / 0 / 93 / 12

HEX #C4E00F

RGB 196 224 15

HSL 68.04, 0.87%, 0.47%

LAB 84.53, -31, 81.88

 

CMYK 0 / 37 / 93 / 43

HEX #925C0A

RGB 146 92 10

HSL 36.18, 0.87%, 0.31%

LAB 43.93, 16.25, 49.52

 

CMYK 0 / 37 / 94 / 27

HEX #B9740C

RGB 185 116 12

HSL 36.07, 0.88%, 0.39%

LAB 54.9, 20.3, 59.46

 

CMYK 0 / 37 / 93 / 12

HEX #E08D0F

RGB 224 141 15

HSL 36.17, 0.87%, 0.47%

LAB 65.7, 23.65, 68.91

 

CMYK 0 / 33 / 83 / 6

HEX #F0A028

RGB 240 160 40

HSL 36, 0.87%, 0.55%

LAB 72.11, 20.84, 68.53

 

CMYK 0 / 27 / 67 / 5

HEX #F2B14F

RGB 242 177 79

HSL 36.07, 0.86%, 0.63%

LAB 76.61, 14.3, 57.81

 

CMYK 0 / 37 / 93 / 12

HEX #E08D0F

RGB 224 141 15

HSL 36.17, 0.87%, 0.47%

LAB 65.7, 23.65, 68.91

 

CMYK 75 / 0 / 93 / 12

HEX #39E00F

RGB 57 224 15

HSL 107.94, 0.87%, 0.47%

LAB 78.59, -73.32, 74.63

 

CMYK 75 / 93 / 0 / 12

HEX #390FE0

RGB 57 15 224

HSL 252.06, 0.87%, 0.47%

LAB 30.86, 70.07, -92.62

 

CMYK 0 / 37 / 93 / 12

HEX #E08D0F

RGB 224 141 15

HSL 36.17, 0.87%, 0.47%

LAB 65.7, 23.65, 68.91

 

CMYK 93 / 0 / 38 / 12

HEX #0FE08C

RGB 15 224 140

HSL 155.89, 0.87%, 0.47%

LAB 79.22, -64.09, 28.72

 

CMYK 38 / 93 / 0 / 12

HEX #8C0FE0

RGB 140 15 224

HSL 275.89, 0.87%, 0.47%

LAB 40.08, 76.23, -77.08

 

CMYK 0 / 37 / 93 / 12

HEX #E08D0F

RGB 224 141 15

HSL 36.17, 0.87%, 0.47%

LAB 65.7, 23.65, 68.91

 

CMYK 75 / 0 / 93 / 12

HEX #39E00F

RGB 57 224 15

HSL 107.94, 0.87%, 0.47%

LAB 78.59, -73.32, 74.63

 

CMYK 93 / 56 / 0 / 12

HEX #0F62E0

RGB 15 98 224

HSL 216.17, 0.87%, 0.47%

LAB 44.55, 26.26, -70.11

 

CMYK 19 / 93 / 0 / 12

HEX #B60FE0

RGB 182 15 224

HSL 287.94, 0.87%, 0.47%

LAB 46.54, 81.57, -66.27

 

CMYK 0 / 37 / 93 / 12

HEX #E08D0F

RGB 224 141 15

HSL 36.17, 0.87%, 0.47%

LAB 65.7, 23.65, 68.91

 

CMYK 93 / 0 / 84 / 12

HEX #0FE024

RGB 15 224 36

HSL 126.03, 0.87%, 0.47%

LAB 78.19, -76.63, 70.48

 

CMYK 93 / 56 / 0 / 12

HEX #0F62E0

RGB 15 98 224

HSL 216.17, 0.87%, 0.47%

LAB 44.55, 26.26, -70.11

 

CMYK 0 / 93 / 9 / 12

HEX #E00FCB

RGB 224 15 203

HSL 306.03, 0.87%, 0.47%

LAB 52.4, 85.08, -44.44

 

Description

Color code: RGB 224 141 15 | qconv.com Color code: RGB 224 141 15 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 141 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 141 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 93 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 93% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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