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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF7B00 it is the complementary color #3084FF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF7B00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF7B00 shade: #D47B00, #E58D0E, #F69F21, #FFB134 and #FFC347

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF7B00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF7B00 shade: #CF7B00, #BE6900, #AD5700, #9C4500 and #8B3300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF7B00 shade: #D17C00, #D14300, #D10B00 and #D10000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF7B00 shade: #D17C00, #D1B400, #B5D100, #7CD100 and #44D100

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF7B00 shade matches the following richer shades: #D17C00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF7B00 shade: #D17C00, #C07910, #AF7521, #9E7232 and #8D6F43

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF7B00 shade: #D10A00, #D14200, #D17900, #D1B100 and #B8D100

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF7B00 shade: #7E4B00, #A76300, #D17C00, #FA9400 and #FFA624

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF7B00 shade: #CF7B00, #2DD100 and #2600D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF7B00 shade: #CF7B00, #00D179 and #7900D1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF7B00 shade: #CF7B00, #2DD100, #0057D1 and #A300D1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF7B00 shade: #CF7B00, #00D111, #0057D1 and #D100BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 100 / 19

HEX #CF7B00

RGB 207 123 0

HSL 35.65, 1%, 0.41%

LAB 59.37, 25.89, 65.97

 

Complementary color

CMYK 81 / 48 / 0 / 0

HEX #3084FF

RGB 48 132 255

HSL 215.65, 1%, 0.59%

LAB 56.44, 18.55, -68.12

 

CMYK 0 / 42 / 100 / 17

HEX #D47B00

RGB 212 123 0

HSL 34.81, 1%, 0.42%

LAB 60.04, 28.01, 66.72

 

CMYK 0 / 38 / 94 / 10

HEX #E58D0E

RGB 229 141 14

HSL 35.44, 0.88%, 0.48%

LAB 66.32, 25.76, 69.82

 

CMYK 0 / 35 / 87 / 4

HEX #F69F21

RGB 246 159 33

HSL 35.49, 0.92%, 0.55%

LAB 72.56, 23.72, 71.23

 

CMYK 0 / 31 / 80 / 0

HEX #FFB134

RGB 255 177 52

HSL 36.95, 1%, 0.6%

LAB 77.85, 18.56, 70.28

 

CMYK 0 / 24 / 72 / 0

HEX #FFC347

RGB 255 195 71

HSL 40.43, 1%, 0.64%

LAB 82.24, 9.93, 67.43

 

CMYK 0 / 41 / 100 / 19

HEX #CF7B00

RGB 207 123 0

HSL 35.65, 1%, 0.41%

LAB 59.37, 25.89, 65.97

 

CMYK 0 / 45 / 100 / 25

HEX #BE6900

RGB 190 105 0

HSL 33.16, 1%, 0.37%

LAB 53, 28.33, 60.81

 

CMYK 0 / 50 / 100 / 32

HEX #AD5700

RGB 173 87 0

HSL 30.17, 1%, 0.34%

LAB 46.58, 30.8, 55.64

 

CMYK 0 / 56 / 100 / 39

HEX #9C4500

RGB 156 69 0

HSL 26.54, 1%, 0.31%

LAB 40.12, 33.24, 50.46

 

CMYK 0 / 63 / 100 / 45

HEX #8B3300

RGB 139 51 0

HSL 22.01, 1%, 0.27%

LAB 33.68, 35.5, 45.3

 

CMYK 0 / 41 / 100 / 18

HEX #D17C00

RGB 209 124 0

HSL 35.6, 1%, 0.41%

LAB 59.86, 26.2, 66.41

 

CMYK 0 / 68 / 100 / 18

HEX #D14300

RGB 209 67 0

HSL 19.23, 1%, 0.41%

LAB 48.97, 53.84, 60.15

 

CMYK 0 / 95 / 100 / 18

HEX #D10B00

RGB 209 11 0

HSL 3.16, 1%, 0.41%

LAB 43.94, 67.94, 57.98

 

CMYK 0 / 100 / 100 / 18

HEX #D10000

RGB 209 0 0

HSL 0, 1%, 0.41%

LAB 43.59, 68.95, 57.86

 

CMYK 0 / 41 / 100 / 18

HEX #D17C00

RGB 209 124 0

HSL 35.6, 1%, 0.41%

LAB 59.86, 26.2, 66.41

 

CMYK 0 / 14 / 100 / 18

HEX #D1B400

RGB 209 180 0

HSL 51.67, 1%, 0.41%

LAB 73.67, -3.83, 75.77

 

CMYK 13 / 0 / 100 / 18

HEX #B5D100

RGB 181 209 0

HSL 68.04, 1%, 0.41%

LAB 79.29, -30.31, 78.83

 

CMYK 41 / 0 / 100 / 18

HEX #7CD100

RGB 124 209 0

HSL 84.4, 1%, 0.41%

LAB 76, -51.96, 74.89

 

CMYK 67 / 0 / 100 / 18

HEX #44D100

RGB 68 209 0

HSL 100.48, 1%, 0.41%

LAB 74.08, -67.13, 72.56

 

CMYK 0 / 41 / 100 / 18

HEX #D17C00

RGB 209 124 0

HSL 35.6, 1%, 0.41%

LAB 59.86, 26.2, 66.41

 

CMYK 0 / 41 / 100 / 18

HEX #D17C00

RGB 209 124 0

HSL 35.6, 1%, 0.41%

LAB 59.86, 26.2, 66.41

 

CMYK 0 / 37 / 92 / 25

HEX #C07910

RGB 192 121 16

HSL 35.8, 0.85%, 0.41%

LAB 57, 20.68, 60.56

 

CMYK 0 / 33 / 81 / 31

HEX #AF7521

RGB 175 117 33

HSL 35.49, 0.68%, 0.41%

LAB 53.97, 15.81, 52.04

 

CMYK 0 / 28 / 68 / 38

HEX #9E7232

RGB 158 114 50

HSL 35.56, 0.52%, 0.41%

LAB 51.31, 10.68, 41.24

 

CMYK 0 / 21 / 52 / 45

HEX #8D6F43

RGB 141 111 67

HSL 35.68, 0.36%, 0.41%

LAB 48.81, 6.1, 28.87

 

CMYK 0 / 95 / 100 / 18

HEX #D10A00

RGB 209 10 0

HSL 2.87, 1%, 0.41%

LAB 43.9, 68.03, 57.97

 

CMYK 0 / 68 / 100 / 18

HEX #D14200

RGB 209 66 0

HSL 18.95, 1%, 0.41%

LAB 48.82, 54.24, 60.07

 

CMYK 0 / 42 / 100 / 18

HEX #D17900

RGB 209 121 0

HSL 34.74, 1%, 0.41%

LAB 59.19, 27.81, 65.98

 

CMYK 0 / 15 / 100 / 18

HEX #D1B100

RGB 209 177 0

HSL 50.81, 1%, 0.41%

LAB 72.89, -2.27, 75.21

 

CMYK 12 / 0 / 100 / 18

HEX #B8D100

RGB 184 209 0

HSL 67.18, 1%, 0.41%

LAB 79.49, -29.07, 79.08

 

CMYK 0 / 40 / 100 / 51

HEX #7E4B00

RGB 126 75 0

HSL 35.71, 1%, 0.25%

LAB 36.87, 16.66, 46.14

 

CMYK 0 / 41 / 100 / 35

HEX #A76300

RGB 167 99 0

HSL 35.57, 1%, 0.33%

LAB 48.43, 21.62, 56.35

 

CMYK 0 / 41 / 100 / 18

HEX #D17C00

RGB 209 124 0

HSL 35.6, 1%, 0.41%

LAB 59.86, 26.2, 66.41

 

CMYK 0 / 41 / 100 / 2

HEX #FA9400

RGB 250 148 0

HSL 35.52, 1%, 0.49%

LAB 70.53, 30.7, 75.82

 

CMYK 0 / 35 / 86 / 0

HEX #FFA624

RGB 255 166 36

HSL 35.62, 1%, 0.57%

LAB 75.24, 23.87, 73.01

 

CMYK 0 / 41 / 100 / 19

HEX #CF7B00

RGB 207 123 0

HSL 35.65, 1%, 0.41%

LAB 59.37, 25.89, 65.97

 

CMYK 78 / 0 / 100 / 18

HEX #2DD100

RGB 45 209 0

HSL 107.08, 1%, 0.41%

LAB 73.65, -70.9, 72.04

 

CMYK 82 / 100 / 0 / 18

HEX #2600D1

RGB 38 0 209

HSL 250.91, 1%, 0.41%

LAB 26.78, 68.57, -90.79

 

CMYK 0 / 41 / 100 / 19

HEX #CF7B00

RGB 207 123 0

HSL 35.65, 1%, 0.41%

LAB 59.37, 25.89, 65.97

 

CMYK 100 / 0 / 42 / 18

HEX #00D179

RGB 0 209 121

HSL 154.74, 1%, 0.41%

LAB 74.18, -63.08, 31.76

 

CMYK 42 / 100 / 0 / 18

HEX #7900D1

RGB 121 0 209

HSL 274.74, 1%, 0.41%

LAB 35.34, 73.08, -76.34

 

CMYK 0 / 41 / 100 / 19

HEX #CF7B00

RGB 207 123 0

HSL 35.65, 1%, 0.41%

LAB 59.37, 25.89, 65.97

 

CMYK 78 / 0 / 100 / 18

HEX #2DD100

RGB 45 209 0

HSL 107.08, 1%, 0.41%

LAB 73.65, -70.9, 72.04

 

CMYK 100 / 58 / 0 / 18

HEX #0057D1

RGB 0 87 209

HSL 215.02, 1%, 0.41%

LAB 40.28, 27.12, -68.51

 

CMYK 22 / 100 / 0 / 18

HEX #A300D1

RGB 163 0 209

HSL 286.79, 1%, 0.41%

LAB 41.83, 77.84, -65.45

 

CMYK 0 / 41 / 100 / 19

HEX #CF7B00

RGB 207 123 0

HSL 35.65, 1%, 0.41%

LAB 59.37, 25.89, 65.97

 

CMYK 100 / 0 / 92 / 18

HEX #00D111

RGB 0 209 17

HSL 124.88, 1%, 0.41%

LAB 73.31, -73.83, 69.76

 

CMYK 100 / 58 / 0 / 18

HEX #0057D1

RGB 0 87 209

HSL 215.02, 1%, 0.41%

LAB 40.28, 27.12, -68.51

 

CMYK 0 / 100 / 9 / 18

HEX #D100BF

RGB 209 0 191

HSL 305.17, 1%, 0.41%

LAB 48.66, 82.06, -43.59

 

Description

Color code: HEX #CF7B00 | qconv.com Color code: HEX #CF7B00 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 123 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 123 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 100 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 100% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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