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Color name
RGB 223 83 21

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 223 83 21 it is the complementary color RGB 32 172 234. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 223 83 21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 223 83 21 shade: RGB 228 83 16, RGB 245 101 35, RGB 255 119 54, RGB 255 137 73 and RGB 255 155 92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 223 83 21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 223 83 21 shade: RGB 223 83 21, RGB 206 65 2, RGB 189 47 0, RGB 172 29 0 and RGB 155 11 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 223 83 21 shade: RGB 223 83 20, RGB 223 28 20 and RGB 223 20 20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 223 83 21 shade: RGB 223 83 20, RGB 223 137 20, RGB 223 192 20, RGB 200 223 20 and RGB 145 223 20

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 223 83 21 shade matches the following richer shades: RGB 223 83 20 and RGB 243 75 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 223 83 21 shade: RGB 223 83 20, RGB 204 90 40, RGB 184 98 60, RGB 164 106 80 and RGB 144 113 100

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 223 83 21 shade: RGB 223 20 68, RGB 223 27 20, RGB 223 81 20, RGB 223 135 20 and RGB 223 190 20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 223 83 21 shade: RGB 148 55 13, RGB 186 69 17, RGB 223 83 20, RGB 235 107 50 and RGB 239 134 87

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 223 83 21 shade: RGB 223 83 21, RGB 122 223 20 and RGB 20 41 223

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 223 83 21 shade: RGB 223 83 21, RGB 20 223 81 and RGB 81 20 223

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 223 83 21 shade: RGB 223 83 21, RGB 122 223 20, RGB 20 163 223 and RGB 122 20 223

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 223 83 21 shade: RGB 223 83 21, RGB 61 223 20, RGB 20 163 223 and RGB 183 20 223

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 91 / 13

HEX #DF5315

RGB 223 83 21

HSL 18.42, 0.83%, 0.48%

LAB 53.95, 52.24, 59.09

 

Complementary color

CMYK 86 / 26 / 0 / 8

HEX #20ACEA

RGB 32 172 234

HSL 198.42, 0.83%, 0.52%

LAB 66.33, -13.69, -40.86

 

CMYK 0 / 64 / 93 / 11

HEX #E45310

RGB 228 83 16

HSL 18.96, 0.87%, 0.48%

LAB 54.78, 53.91, 61.49

 

CMYK 0 / 59 / 86 / 4

HEX #F56523

RGB 245 101 35

HSL 18.86, 0.91%, 0.55%

LAB 60.64, 52.33, 60.95

 

CMYK 0 / 53 / 79 / 0

HEX #FF7736

RGB 255 119 54

HSL 19.4, 1%, 0.61%

LAB 65.53, 48.13, 58.09

 

CMYK 0 / 46 / 71 / 0

HEX #FF8949

RGB 255 137 73

HSL 21.1, 1%, 0.64%

LAB 69.21, 40.06, 53.07

 

CMYK 0 / 39 / 64 / 0

HEX #FF9B5C

RGB 255 155 92

HSL 23.19, 1%, 0.68%

LAB 73.2, 31.89, 48.24

 

CMYK 0 / 63 / 91 / 13

HEX #DF5315

RGB 223 83 21

HSL 18.42, 0.83%, 0.48%

LAB 53.95, 52.24, 59.09

 

CMYK 0 / 68 / 99 / 19

HEX #CE4102

RGB 206 65 2

HSL 18.53, 0.98%, 0.41%

LAB 48.14, 53.64, 58.91

 

CMYK 0 / 75 / 100 / 26

HEX #BD2F00

RGB 189 47 0

HSL 14.92, 1%, 0.37%

LAB 42.54, 54.68, 54.97

 

CMYK 0 / 83 / 100 / 33

HEX #AC1D00

RGB 172 29 0

HSL 10.12, 1%, 0.34%

LAB 37.21, 54.86, 50.66

 

CMYK 0 / 93 / 100 / 39

HEX #9B0B00

RGB 155 11 0

HSL 4.26, 1%, 0.3%

LAB 32.28, 53.67, 46.03

 

CMYK 0 / 63 / 91 / 13

HEX #DF5314

RGB 223 83 20

HSL 18.62, 0.84%, 0.48%

LAB 53.95, 52.22, 59.4

 

CMYK 0 / 87 / 91 / 13

HEX #DF1C14

RGB 223 28 20

HSL 2.36, 0.84%, 0.48%

LAB 47.71, 69.45, 55.15

 

CMYK 0 / 91 / 91 / 13

HEX #DF1414

RGB 223 20 20

HSL 0, 0.84%, 0.48%

LAB 47.29, 70.68, 54.87

 

CMYK 0 / 63 / 91 / 13

HEX #DF5314

RGB 223 83 20

HSL 18.62, 0.84%, 0.48%

LAB 53.95, 52.22, 59.4

 

CMYK 0 / 39 / 91 / 13

HEX #DF8914

RGB 223 137 20

HSL 34.58, 0.84%, 0.48%

LAB 64.67, 25.43, 67.13

 

CMYK 0 / 14 / 91 / 13

HEX #DFC014

RGB 223 192 20

HSL 50.84, 0.84%, 0.48%

LAB 78.13, -3.72, 77.25

 

CMYK 10 / 0 / 91 / 13

HEX #C8DF14

RGB 200 223 20

HSL 66.8, 0.84%, 0.48%

LAB 84.54, -28.83, 81.41

 

CMYK 35 / 0 / 91 / 13

HEX #91DF14

RGB 145 223 20

HSL 83.05, 0.84%, 0.48%

LAB 81.21, -50.04, 77.34

 

CMYK 0 / 63 / 91 / 13

HEX #DF5314

RGB 223 83 20

HSL 18.62, 0.84%, 0.48%

LAB 53.95, 52.22, 59.4

 

CMYK 0 / 69 / 100 / 5

HEX #F34B01

RGB 243 75 1

HSL 18.35, 0.99%, 0.48%

LAB 56.18, 61.97, 66.87

 

CMYK 0 / 63 / 91 / 13

HEX #DF5314

RGB 223 83 20

HSL 18.62, 0.84%, 0.48%

LAB 53.95, 52.22, 59.4

 

CMYK 0 / 56 / 80 / 20

HEX #CC5A28

RGB 204 90 40

HSL 18.29, 0.67%, 0.48%

LAB 52.18, 42.51, 48.91

 

CMYK 0 / 47 / 67 / 28

HEX #B8623C

RGB 184 98 60

HSL 18.39, 0.51%, 0.48%

LAB 50.98, 31.44, 36.62

 

CMYK 0 / 35 / 51 / 36

HEX #A46A50

RGB 164 106 80

HSL 18.57, 0.34%, 0.48%

LAB 50.43, 20.25, 24.12

 

CMYK 0 / 22 / 31 / 44

HEX #907164

RGB 144 113 100

HSL 17.73, 0.18%, 0.48%

LAB 50.29, 10.22, 11.87

 

CMYK 0 / 91 / 70 / 13

HEX #DF1444

RGB 223 20 68

HSL 345.81, 0.84%, 0.48%

LAB 47.76, 72.01, 29.8

 

CMYK 0 / 88 / 91 / 13

HEX #DF1B14

RGB 223 27 20

HSL 2.07, 0.84%, 0.48%

LAB 47.65, 69.62, 55.11

 

CMYK 0 / 64 / 91 / 13

HEX #DF5114

RGB 223 81 20

HSL 18.03, 0.84%, 0.48%

LAB 53.63, 53.08, 59.17

 

CMYK 0 / 39 / 91 / 13

HEX #DF8714

RGB 223 135 20

HSL 33.99, 0.84%, 0.48%

LAB 64.21, 26.5, 66.79

 

CMYK 0 / 15 / 91 / 13

HEX #DFBE14

RGB 223 190 20

HSL 50.25, 0.84%, 0.48%

LAB 77.62, -2.68, 76.86

 

CMYK 0 / 63 / 91 / 42

HEX #94370D

RGB 148 55 13

HSL 18.67, 0.84%, 0.32%

LAB 36.09, 37.3, 42.86

 

CMYK 0 / 63 / 91 / 27

HEX #BA4511

RGB 186 69 17

HSL 18.46, 0.83%, 0.4%

LAB 45.27, 45.11, 51.25

 

CMYK 0 / 63 / 91 / 13

HEX #DF5314

RGB 223 83 20

HSL 18.62, 0.84%, 0.48%

LAB 53.95, 52.22, 59.4

 

CMYK 0 / 54 / 79 / 8

HEX #EB6B32

RGB 235 107 50

HSL 18.49, 0.82%, 0.56%

LAB 60.26, 46.3, 53.76

 

CMYK 0 / 44 / 64 / 6

HEX #EF8657

RGB 239 134 87

HSL 18.55, 0.83%, 0.64%

LAB 66.59, 36.13, 42.5

 

CMYK 0 / 63 / 91 / 13

HEX #DF5315

RGB 223 83 21

HSL 18.42, 0.83%, 0.48%

LAB 53.95, 52.24, 59.09

 

CMYK 45 / 0 / 91 / 13

HEX #7ADF14

RGB 122 223 20

HSL 89.85, 0.84%, 0.48%

LAB 80.16, -57.67, 76.05

 

CMYK 91 / 82 / 0 / 13

HEX #1429DF

RGB 20 41 223

HSL 233.79, 0.84%, 0.48%

LAB 31.95, 59.88, -90.29

 

CMYK 0 / 63 / 91 / 13

HEX #DF5315

RGB 223 83 21

HSL 18.42, 0.83%, 0.48%

LAB 53.95, 52.24, 59.09

 

CMYK 91 / 0 / 64 / 13

HEX #14DF51

RGB 20 223 81

HSL 138.03, 0.84%, 0.48%

LAB 78.18, -72.62, 55.47

 

CMYK 64 / 91 / 0 / 13

HEX #5114DF

RGB 81 20 223

HSL 258.03, 0.84%, 0.48%

LAB 33.09, 69.93, -88.29

 

CMYK 0 / 63 / 91 / 13

HEX #DF5315

RGB 223 83 21

HSL 18.42, 0.83%, 0.48%

LAB 53.95, 52.24, 59.09

 

CMYK 45 / 0 / 91 / 13

HEX #7ADF14

RGB 122 223 20

HSL 89.85, 0.84%, 0.48%

LAB 80.16, -57.67, 76.05

 

CMYK 91 / 27 / 0 / 13

HEX #14A3DF

RGB 20 163 223

HSL 197.73, 0.84%, 0.48%

LAB 63.07, -13.34, -39.92

 

CMYK 45 / 91 / 0 / 13

HEX #7A14DF

RGB 122 20 223

HSL 270.15, 0.84%, 0.48%

LAB 37.78, 73.29, -80.38

 

CMYK 0 / 63 / 91 / 13

HEX #DF5315

RGB 223 83 21

HSL 18.42, 0.83%, 0.48%

LAB 53.95, 52.24, 59.09

 

CMYK 73 / 0 / 91 / 13

HEX #3DDF14

RGB 61 223 20

HSL 107.88, 0.84%, 0.48%

LAB 78.36, -72.28, 73.82

 

CMYK 91 / 27 / 0 / 13

HEX #14A3DF

RGB 20 163 223

HSL 197.73, 0.84%, 0.48%

LAB 63.07, -13.34, -39.92

 

CMYK 18 / 91 / 0 / 13

HEX #B714DF

RGB 183 20 223

HSL 288.18, 0.84%, 0.48%

LAB 46.84, 80.92, -65.2

 

Description

Color code: RGB 223 83 21 | qconv.com Color code: RGB 223 83 21 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 83 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 83 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 91 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 91% 13% C M Y K

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Provide designers and agencies with accurate color values.

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