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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB6B32 it is the complementary color #1494CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB6B32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB6B32 shade: #F06B2D, #FF7D40, #FF8F53, #FFA166 and #FFB379

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB6B32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB6B32 shade: #EB6B32, #DA591F, #C9470C, #B83500 and #A72300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB6B32 shade: #EA6B32, #EA3932 and #EA3232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB6B32 shade: #EA6B32, #EA9D32, #EACE32, #D5EA32 and #A3EA32

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB6B32 shade matches the following richer shades: #EA6B32 and #FC6420

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB6B32 shade: #EA6B32, #D87244, #C67957, #B48069 and #A2877B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB6B32 shade: #EA325D, #EA3832, #EA6932, #EA9B32 and #EACC32

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB6B32 shade: #B84512, #DE5315, #EA6B32, #EE8658 and #F2A17D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB6B32 shade: #EB6B32, #8EEA32 and #3245EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB6B32 shade: #EB6B32, #32EA69 and #6932EA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB6B32 shade: #EB6B32, #8EEA32, #32B3EA and #8E32EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB6B32 shade: #EB6B32, #57EA32, #32B3EA and #C632EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 79 / 8

HEX #EB6B32

RGB 235 107 50

HSL 18.49, 0.82%, 0.56%

LAB 60.26, 46.3, 53.76

 

Complementary color

CMYK 90 / 28 / 0 / 20

HEX #1494CD

RGB 20 148 205

HSL 198.49, 0.82%, 0.44%

LAB 57.79, -11.52, -38.17

 

CMYK 0 / 55 / 81 / 6

HEX #F06B2D

RGB 240 107 45

HSL 19.08, 0.87%, 0.56%

LAB 60.98, 48, 56.93

 

CMYK 0 / 51 / 75 / 0

HEX #FF7D40

RGB 255 125 64

HSL 19.16, 1%, 0.63%

LAB 66.75, 45.61, 54.75

 

CMYK 0 / 44 / 67 / 0

HEX #FF8F53

RGB 255 143 83

HSL 20.93, 1%, 0.66%

LAB 70.55, 37.53, 49.67

 

CMYK 0 / 37 / 60 / 0

HEX #FFA166

RGB 255 161 102

HSL 23.14, 1%, 0.7%

LAB 74.64, 29.43, 44.89

 

CMYK 0 / 30 / 53 / 0

HEX #FFB379

RGB 255 179 121

HSL 25.97, 1%, 0.74%

LAB 78.97, 21.48, 40.5

 

CMYK 0 / 54 / 79 / 8

HEX #EB6B32

RGB 235 107 50

HSL 18.49, 0.82%, 0.56%

LAB 60.26, 46.3, 53.76

 

CMYK 0 / 59 / 86 / 15

HEX #DA591F

RGB 218 89 31

HSL 18.61, 0.75%, 0.49%

LAB 54.18, 47.95, 55.39

 

CMYK 0 / 65 / 94 / 21

HEX #C9470C

RGB 201 71 12

HSL 18.73, 0.89%, 0.42%

LAB 48.2, 49.55, 55.98

 

CMYK 0 / 71 / 100 / 28

HEX #B83500

RGB 184 53 0

HSL 17.28, 1%, 0.36%

LAB 42.36, 50.9, 54.34

 

CMYK 0 / 79 / 100 / 35

HEX #A72300

RGB 167 35 0

HSL 12.57, 1%, 0.33%

LAB 36.78, 51.65, 49.87

 

CMYK 0 / 54 / 79 / 8

HEX #EA6B32

RGB 234 107 50

HSL 18.59, 0.81%, 0.56%

LAB 60.1, 45.93, 53.56

 

CMYK 0 / 76 / 79 / 8

HEX #EA3932

RGB 234 57 50

HSL 2.28, 0.81%, 0.56%

LAB 52.56, 66.13, 46.08

 

CMYK 0 / 79 / 79 / 8

HEX #EA3232

RGB 234 50 50

HSL 0, 0.81%, 0.56%

LAB 51.84, 68.16, 45.35

 

CMYK 0 / 54 / 79 / 8

HEX #EA6B32

RGB 234 107 50

HSL 18.59, 0.81%, 0.56%

LAB 60.1, 45.93, 53.56

 

CMYK 0 / 33 / 79 / 8

HEX #EA9D32

RGB 234 157 50

HSL 34.89, 0.81%, 0.56%

LAB 70.76, 20.2, 63.64

 

CMYK 0 / 12 / 79 / 8

HEX #EACE32

RGB 234 206 50

HSL 50.87, 0.81%, 0.56%

LAB 82.84, -5.44, 74.59

 

CMYK 9 / 0 / 79 / 8

HEX #D5EA32

RGB 213 234 50

HSL 66.85, 0.81%, 0.56%

LAB 88.55, -27.93, 79.02

 

CMYK 30 / 0 / 79 / 8

HEX #A3EA32

RGB 163 234 50

HSL 83.15, 0.81%, 0.56%

LAB 85.43, -47.22, 75.04

 

CMYK 0 / 54 / 79 / 8

HEX #EA6B32

RGB 234 107 50

HSL 18.59, 0.81%, 0.56%

LAB 60.1, 45.93, 53.56

 

CMYK 0 / 60 / 87 / 1

HEX #FC6420

RGB 252 100 32

HSL 18.55, 0.97%, 0.56%

LAB 61.58, 55.19, 63.25

 

CMYK 0 / 54 / 79 / 8

HEX #EA6B32

RGB 234 107 50

HSL 18.59, 0.81%, 0.56%

LAB 60.1, 45.93, 53.56

 

CMYK 0 / 47 / 69 / 15

HEX #D87244

RGB 216 114 68

HSL 18.65, 0.65%, 0.56%

LAB 59.02, 36.31, 42.79

 

CMYK 0 / 39 / 56 / 22

HEX #C67957

RGB 198 121 87

HSL 18.38, 0.49%, 0.56%

LAB 58.39, 26.65, 31.23

 

CMYK 0 / 29 / 42 / 29

HEX #B48069

RGB 180 128 105

HSL 18.4, 0.33%, 0.56%

LAB 58.19, 17.18, 20.47

 

CMYK 0 / 17 / 24 / 36

HEX #A2877B

RGB 162 135 123

HSL 18.46, 0.17%, 0.56%

LAB 58.45, 8.34, 10.28

 

CMYK 0 / 79 / 60 / 8

HEX #EA325D

RGB 234 50 93

HSL 345.98, 0.81%, 0.56%

LAB 52.47, 70.12, 21.18

 

CMYK 0 / 76 / 79 / 8

HEX #EA3832

RGB 234 56 50

HSL 1.96, 0.81%, 0.56%

LAB 52.45, 66.44, 45.97

 

CMYK 0 / 55 / 79 / 8

HEX #EA6932

RGB 234 105 50

HSL 17.93, 0.81%, 0.56%

LAB 59.73, 46.89, 53.2

 

CMYK 0 / 34 / 79 / 8

HEX #EA9B32

RGB 234 155 50

HSL 34.24, 0.81%, 0.56%

LAB 70.29, 21.27, 63.21

 

CMYK 0 / 13 / 79 / 8

HEX #EACC32

RGB 234 204 50

HSL 50.22, 0.81%, 0.56%

LAB 82.33, -4.42, 74.13

 

CMYK 0 / 63 / 90 / 28

HEX #B84512

RGB 184 69 18

HSL 18.43, 0.82%, 0.4%

LAB 44.93, 44.4, 50.5

 

CMYK 0 / 63 / 91 / 13

HEX #DE5315

RGB 222 83 21

HSL 18.51, 0.83%, 0.48%

LAB 53.78, 51.88, 58.89

 

CMYK 0 / 54 / 79 / 8

HEX #EA6B32

RGB 234 107 50

HSL 18.59, 0.81%, 0.56%

LAB 60.1, 45.93, 53.56

 

CMYK 0 / 44 / 63 / 7

HEX #EE8658

RGB 238 134 88

HSL 18.4, 0.82%, 0.64%

LAB 66.47, 35.8, 41.8

 

CMYK 0 / 33 / 48 / 5

HEX #F2A17D

RGB 242 161 125

HSL 18.46, 0.82%, 0.72%

LAB 73.45, 26.16, 31.01

 

CMYK 0 / 54 / 79 / 8

HEX #EB6B32

RGB 235 107 50

HSL 18.49, 0.82%, 0.56%

LAB 60.26, 46.3, 53.76

 

CMYK 39 / 0 / 79 / 8

HEX #8EEA32

RGB 142 234 50

HSL 90, 0.81%, 0.56%

LAB 84.39, -54.47, 73.71

 

CMYK 79 / 71 / 0 / 8

HEX #3245EA

RGB 50 69 234

HSL 233.8, 0.81%, 0.56%

LAB 39.37, 50.03, -84.23

 

CMYK 0 / 54 / 79 / 8

HEX #EB6B32

RGB 235 107 50

HSL 18.49, 0.82%, 0.56%

LAB 60.26, 46.3, 53.76

 

CMYK 79 / 0 / 55 / 8

HEX #32EA69

RGB 50 234 105

HSL 137.93, 0.81%, 0.56%

LAB 82.13, -70.55, 49.57

 

CMYK 55 / 79 / 0 / 8

HEX #6932EA

RGB 105 50 234

HSL 257.93, 0.81%, 0.56%

LAB 39.96, 64.95, -83.13

 

CMYK 0 / 54 / 79 / 8

HEX #EB6B32

RGB 235 107 50

HSL 18.49, 0.82%, 0.56%

LAB 60.26, 46.3, 53.76

 

CMYK 39 / 0 / 79 / 8

HEX #8EEA32

RGB 142 234 50

HSL 90, 0.81%, 0.56%

LAB 84.39, -54.47, 73.71

 

CMYK 79 / 24 / 0 / 8

HEX #32B3EA

RGB 50 179 234

HSL 197.93, 0.81%, 0.56%

LAB 68.65, -15.99, -37.22

 

CMYK 39 / 79 / 0 / 8

HEX #8E32EA

RGB 142 50 234

HSL 270, 0.81%, 0.56%

LAB 44.19, 69.83, -76.02

 

CMYK 0 / 54 / 79 / 8

HEX #EB6B32

RGB 235 107 50

HSL 18.49, 0.82%, 0.56%

LAB 60.26, 46.3, 53.76

 

CMYK 63 / 0 / 79 / 8

HEX #57EA32

RGB 87 234 50

HSL 107.93, 0.81%, 0.56%

LAB 82.43, -69.59, 71.17

 

CMYK 79 / 24 / 0 / 8

HEX #32B3EA

RGB 50 179 234

HSL 197.93, 0.81%, 0.56%

LAB 68.65, -15.99, -37.22

 

CMYK 15 / 79 / 0 / 8

HEX #C632EA

RGB 198 50 234

HSL 288.26, 0.81%, 0.56%

LAB 52.09, 78.93, -62.82

 

Description

Color code: HEX #EB6B32 | qconv.com Color code: HEX #EB6B32 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 107 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 107 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 79 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 79% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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