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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 223 227 255 it is the complementary color RGB 32 28 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 223 227 255. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 223 227 255 shade: RGB 228 227 250 and RGB 245 245 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 223 227 255. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 223 227 255 shade: RGB 223 227 255, RGB 206 209 236, RGB 189 191 217, RGB 172 173 198 and RGB 155 155 179

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 223 227 255 shade: RGB 224 228 255, RGB 228 224 255, RGB 237 224 255, RGB 245 224 255 and RGB 253 224 255

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 223 227 255 shade: RGB 224 228 255 and RGB 224 224 255

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 223 227 255 shade matches the following richer shades: RGB 224 228 255

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 223 227 255 shade: RGB 224 228 255, RGB 226 230 252, RGB 229 231 250, RGB 231 233 247 and RGB 234 235 245

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 223 227 255 shade: RGB 224 244 255, RGB 224 236 255, RGB 224 228 255, RGB 228 224 255 and RGB 236 224 255

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 223 227 255 shade: RGB 141 156 255, RGB 183 192 255 and RGB 224 228 255

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 223 227 255 shade: RGB 223 227 255, RGB 255 224 252 and RGB 240 255 224

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 223 227 255 shade: RGB 223 227 255, RGB 255 224 228 and RGB 228 255 224

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 223 227 255 shade: RGB 223 227 255, RGB 255 224 252, RGB 255 250 224 and RGB 224 255 226

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 223 227 255 shade: RGB 223 227 255, RGB 255 224 243, RGB 255 250 224 and RGB 224 255 235

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 11 / 0 / 0

HEX #DFE3FF

RGB 223 227 255

HSL 232.5, 1%, 0.94%

LAB 90.71, 4.03, -14.01

 

Complementary color

CMYK 0 / 13 / 100 / 87

HEX #201C00

RGB 32 28 0

HSL 52.5, 1%, 0.06%

LAB 10.09, -2.49, 15.02

 

CMYK 9 / 9 / 0 / 2

HEX #E4E3FA

RGB 228 227 250

HSL 242.61, 0.7%, 0.94%

LAB 90.93, 4.63, -11.02

 

CMYK 4 / 4 / 0 / 0

HEX #F5F5FF

RGB 245 245 255

HSL 240, 1%, 0.98%

LAB 96.79, 1.8, -4.8

 

CMYK 13 / 11 / 0 / 0

HEX #DFE3FF

RGB 223 227 255

HSL 232.5, 1%, 0.94%

LAB 90.71, 4.03, -14.01

 

CMYK 13 / 11 / 0 / 7

HEX #CED1EC

RGB 206 209 236

HSL 234, 0.44%, 0.87%

LAB 84.37, 4.23, -13.61

 

CMYK 13 / 12 / 0 / 15

HEX #BDBFD9

RGB 189 191 217

HSL 235.71, 0.27%, 0.8%

LAB 77.93, 4.45, -13.22

 

CMYK 13 / 13 / 0 / 22

HEX #ACADC6

RGB 172 173 198

HSL 237.69, 0.19%, 0.73%

LAB 71.37, 4.68, -12.82

 

CMYK 13 / 13 / 0 / 30

HEX #9B9BB3

RGB 155 155 179

HSL 240, 0.14%, 0.65%

LAB 64.7, 4.92, -12.43

 

CMYK 12 / 11 / 0 / 0

HEX #E0E4FF

RGB 224 228 255

HSL 232.26, 1%, 0.94%

LAB 91.03, 3.82, -13.52

 

CMYK 11 / 12 / 0 / 0

HEX #E4E0FF

RGB 228 224 255

HSL 247.74, 1%, 0.94%

LAB 90.33, 7.17, -14.53

 

CMYK 7 / 12 / 0 / 0

HEX #EDE0FF

RGB 237 224 255

HSL 265.16, 1%, 0.94%

LAB 91.02, 10.05, -13.43

 

CMYK 4 / 12 / 0 / 0

HEX #F5E0FF

RGB 245 224 255

HSL 280.65, 1%, 0.94%

LAB 91.66, 12.64, -12.41

 

CMYK 1 / 12 / 0 / 0

HEX #FDE0FF

RGB 253 224 255

HSL 296.13, 1%, 0.94%

LAB 92.32, 15.25, -11.36

 

CMYK 12 / 11 / 0 / 0

HEX #E0E4FF

RGB 224 228 255

HSL 232.26, 1%, 0.94%

LAB 91.03, 3.82, -13.52

 

CMYK 12 / 12 / 0 / 0

HEX #E0E0FF

RGB 224 224 255

HSL 240, 1%, 0.94%

LAB 90.03, 5.91, -15.01

 

CMYK 12 / 11 / 0 / 0

HEX #E0E4FF

RGB 224 228 255

HSL 232.26, 1%, 0.94%

LAB 91.03, 3.82, -13.52

 

CMYK 12 / 11 / 0 / 0

HEX #E0E4FF

RGB 224 228 255

HSL 232.26, 1%, 0.94%

LAB 91.03, 3.82, -13.52

 

CMYK 10 / 9 / 0 / 1

HEX #E2E6FC

RGB 226 230 252

HSL 230.77, 0.81%, 0.94%

LAB 91.59, 2.82, -11.1

 

CMYK 8 / 8 / 0 / 2

HEX #E5E7FA

RGB 229 231 250

HSL 234.29, 0.68%, 0.94%

LAB 92, 2.87, -9.42

 

CMYK 6 / 6 / 0 / 3

HEX #E7E9F7

RGB 231 233 247

HSL 232.5, 0.5%, 0.94%

LAB 92.57, 1.92, -7

 

CMYK 4 / 4 / 0 / 4

HEX #EAEBF5

RGB 234 235 245

HSL 234.55, 0.35%, 0.94%

LAB 93.23, 1.49, -4.95

 

CMYK 12 / 4 / 0 / 0

HEX #E0F4FF

RGB 224 244 255

HSL 201.29, 1%, 0.94%

LAB 95.06, -4.4, -7.52

 

CMYK 12 / 7 / 0 / 0

HEX #E0ECFF

RGB 224 236 255

HSL 216.77, 1%, 0.94%

LAB 93.04, -0.31, -10.52

 

CMYK 12 / 11 / 0 / 0

HEX #E0E4FF

RGB 224 228 255

HSL 232.26, 1%, 0.94%

LAB 91.03, 3.82, -13.52

 

CMYK 11 / 12 / 0 / 0

HEX #E4E0FF

RGB 228 224 255

HSL 247.74, 1%, 0.94%

LAB 90.33, 7.17, -14.53

 

CMYK 7 / 12 / 0 / 0

HEX #ECE0FF

RGB 236 224 255

HSL 263.23, 1%, 0.94%

LAB 90.95, 9.73, -13.55

 

CMYK 45 / 39 / 0 / 0

HEX #8D9CFF

RGB 141 156 255

HSL 232.11, 1%, 0.78%

LAB 67.02, 19.71, -50.96

 

CMYK 28 / 25 / 0 / 0

HEX #B7C0FF

RGB 183 192 255

HSL 232.5, 1%, 0.86%

LAB 79.03, 10.6, -32

 

CMYK 12 / 11 / 0 / 0

HEX #E0E4FF

RGB 224 228 255

HSL 232.26, 1%, 0.94%

LAB 91.03, 3.82, -13.52

 

CMYK 13 / 11 / 0 / 0

HEX #DFE3FF

RGB 223 227 255

HSL 232.5, 1%, 0.94%

LAB 90.71, 4.03, -14.01

 

CMYK 0 / 12 / 1 / 0

HEX #FFE0FC

RGB 255 224 252

HSL 305.81, 1%, 0.94%

LAB 92.4, 15.37, -9.65

 

CMYK 6 / 0 / 12 / 0

HEX #F0FFE0

RGB 240 255 224

HSL 89.03, 1%, 0.94%

LAB 98.2, -10.25, 13.15

 

CMYK 13 / 11 / 0 / 0

HEX #DFE3FF

RGB 223 227 255

HSL 232.5, 1%, 0.94%

LAB 90.71, 4.03, -14.01

 

CMYK 0 / 12 / 11 / 0

HEX #FFE0E4

RGB 255 224 228

HSL 352.26, 1%, 0.94%

LAB 91.76, 11.3, 1.96

 

CMYK 11 / 0 / 12 / 0

HEX #E4FFE0

RGB 228 255 224

HSL 112.26, 1%, 0.94%

LAB 97.39, -14.29, 11.87

 

CMYK 13 / 11 / 0 / 0

HEX #DFE3FF

RGB 223 227 255

HSL 232.5, 1%, 0.94%

LAB 90.71, 4.03, -14.01

 

CMYK 0 / 12 / 1 / 0

HEX #FFE0FC

RGB 255 224 252

HSL 305.81, 1%, 0.94%

LAB 92.4, 15.37, -9.65

 

CMYK 0 / 2 / 12 / 0

HEX #FFFAE0

RGB 255 250 224

HSL 50.32, 1%, 0.94%

LAB 98.04, -2.6, 13.06

 

CMYK 12 / 0 / 11 / 0

HEX #E0FFE2

RGB 224 255 226

HSL 123.87, 1%, 0.94%

LAB 97.17, -15.27, 10.5

 

CMYK 13 / 11 / 0 / 0

HEX #DFE3FF

RGB 223 227 255

HSL 232.5, 1%, 0.94%

LAB 90.71, 4.03, -14.01

 

CMYK 0 / 12 / 5 / 0

HEX #FFE0F3

RGB 255 224 243

HSL 323.23, 1%, 0.94%

LAB 92.15, 13.8, -5.32

 

CMYK 0 / 2 / 12 / 0

HEX #FFFAE0

RGB 255 250 224

HSL 50.32, 1%, 0.94%

LAB 98.04, -2.6, 13.06

 

CMYK 12 / 0 / 8 / 0

HEX #E0FFEB

RGB 224 255 235

HSL 141.29, 1%, 0.94%

LAB 97.38, -13.68, 6.18

 

Description

Color code: RGB 223 227 255 | qconv.com Color code: RGB 223 227 255 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 227 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 227 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 11 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 11% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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